This article has multiple issues. Please help improve it or discuss these issues on the talk page . (Learn how and when to remove these messages) |
Jos Van Immerseel | |
---|---|
Born | Antwerp, Belgium | 9 November 1945
Occupations |
Jos Van Immerseel (born 9 November 1945) is a Belgian harpsichordist, pianist and conductor.
Van Immerseel studied organ, piano and harpsichord at the Antwerp Conservatory under Flor Peeters, Eugène Traey and harpsichordist and musicologist Kenneth Gilbert. He created the Collegium Musicum there, developing his interest in Renaissance and Baroque music, later expanding his activities to include the Classical and early Romantic eras. He is now in demand as a fortepianist in concert halls across Europe, where he is known for his refined sensitivity to the rhetorical aspects of music and for his skills in improvisation. (His cadenzas were singled out in reviews of his Beethoven concerto recordings.) Over the years, he has acquired a unique collection of period keyboard instruments, which travel with him for concerts and CD recordings.
In 1977, he attracted international attention when he conducted Monteverdi's L'Orfeo in the former Royal Flemish Opera House in Antwerp. This series of 18 performances established a new standard which remains to this day.
From 1980 to 1985, he was the artistic director of the Sweelinck Conservatory of Amsterdam.
In 1987 Van Immerseel established the "period instrument" ensemble Anima Eterna, which he continues to lead. [1] This ensemble has become well-known and achieved a world-wide reputation particularly for the CD series of Mozart's complete piano concerti (with van Immerseel as soloist and conductor).
During 1999 they toured Europe with performances of Beethoven symphonies.
In addition to his concertising, Van Immerseel is professor at the Antwerp Conservatory, where he uses historical instruments from the nearby Vleeshuis Museum to give masterclasses. He has also taught at the Sweelinck Conservatorium in Amsterdam and the Conservatoire National Supérieur in Paris, as well as given masterclasses at festivals in La Roque-d'Anthéron, Utrecht, Sopron and Ancona.
Van Immerseel appears on Sony Classical's Vivarte imprint as a solo performer, as a soloist with Tafelmusik and as a participant in chamber music. Among his partners were: Midori Seiler (violin), Claire Chevallier (piano duo), Lisa Shklyaver (clarinet), Thomas Bauer (baritone), Yeree Suh (soprano), and Chouchane Siranossian (violin).
Since winning first prize at the inaugural Paris International Harpsichord Competition in 1973, Jos Van Immerseel has established an international career as a fortepianist and conductor specializing in music of the Baroque and Classical eras. Accomplished on the organ and piano as well as harpsichord and fortepiano, Van Immerseel has in particular gained a reputation for his performances of Mozart, Beethoven and Schubert on Sony Classical. Most recently he has appeared on Vivarte with Anner Bylsma in performances of Beethoven's complete cello sonatas (S2K 60761) and with L'Archibudelli in performances of Schubert's Trout Quintet and Arpeggione Sonata (SK 63361). His cycle of Beethoven Piano concertos with Tafelmusik and Bruno Weil (Nos. 1 and 2: SK 68250; Nos. 3 and 4: SK 62824; No. 5: SK 63365) elicited praise for his stylistic sensitivity and his musical sensibility. His recording of Mozart's late piano works, Mozart: The Vienna Years (S2K 62879), prompted Classic CD to write that Van Immerseel is "among the most winning and authoritative champions of the fortepiano".
Since 2002 he has been artistic director of the Collection Anima Eterna for the Parisian label Zig-Zag Territories.
In 2010, the city of Bremen awarded him the Prize of the Musikfest Bremen for his career.
Hendrik "Henk" Bouman is a Dutch harpsichordist, fortepianist, conductor and composer of music written in the baroque and classical idioms of the 17th and 18th century.
A fortepiano is an early piano. In principle, the word "fortepiano" can designate any piano dating from the invention of the instrument by Bartolomeo Cristofori in 1700 up to the early 19th century. Most typically, however, it is used to refer to the mid-18th to early-19th century instruments, for which composers of the Classical era, such as Haydn, Mozart, and the younger Beethoven, wrote their piano music.
Murray David Perahia is an American pianist and conductor. He has been considered one of the greatest living pianists. He was the first North American pianist to win the Leeds International Piano Competition, in 1972. Known as a leading interpreter of Bach, Handel, Scarlatti, Mozart, Beethoven, and Schumann, among other composers, Perahia has won numerous awards, including three Grammy Awards from a total of 18 nominations, and 9 Gramophone Awards in addition to its first and only "Piano Award".
Robert David Levin is an American classical pianist, musicologist, and composer. He was a professor of music at Harvard University from 1994 to 2014 and the artistic director of the Sarasota Music Festival from 2007 to 2017.
Gustav Maria Leonhardt was a Dutch keyboardist, conductor, musicologist, teacher and editor. He was a leading figure in the historically informed performance movement to perform music on period instruments.
A harpsichordist is a person who plays the harpsichord. Harpsichordists may play as soloists, as accompanists, as chamber musicians, or as members of an orchestra, or some combination of these roles. Solo harpsichordists may play unaccompanied sonatas for harpsichord or concertos accompanied by orchestra. Accompanist harpsichordists might accompany singers or instrumentalists, either playing works written for a voice and harpsichord or an orchestral reduction of the orchestra parts. Chamber musician harpsichordists could play in small groups of instrumentalists, such as a quartet or quintet. Baroque-style orchestras and opera pit orchestras typically have a harpsichordist to play the chords in the basso continuo part.
Masaaki Suzuki is a Japanese organist, harpsichordist, conductor, and the founder and music director of the Bach Collegium Japan. With this ensemble he is recording the complete choral works of Johann Sebastian Bach for the Swedish label BIS Records, for which he is also recording Bach's concertos, orchestral suites, and solo works for harpsichord and organ. He is also an artist-in-residence at Yale University and the principal guest conductor of its Schola Cantorum, and has conducted orchestras and choruses around the world.
Antonius Gerhardus Michael "Ton" Koopman is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir.
Bart van Oort is a Dutch classical pianist.
Igor Kipnis was a German-born American harpsichordist, pianist and conductor.
Geoffrey Lancaster is an Australian classical pianist and conductor. Born in Sydney, he was raised in Dubbo, New South Wales before moving to Canberra. He attended the Canberra School of Music where he studied piano with Larry Sitsky. He also studied at the Sydney Conservatorium of Music, graduating with a Doctor of Philosophy, and also completed a master's degree at the University of Tasmania. In 1984, he moved to Amsterdam to study fortepiano with Stanley Hoogland at the Royal Conservatory of The Hague. In 1996 he was a professor at the Royal College of Music in London, following which he worked at the School of Music at the University of Western Australia. He was a professor of the ANU School of Music from 2000 until 2012. Now based in Perth, he is Professor of the Western Australian Academy of Performing Arts at Edith Cowan University.
Colin Tilney is a harpsichordist, fortepianist and teacher.
Alexei Lubimov is a Russian pianist, fortepianist and harpsichordist.
Viviana Sofronitsky is a Russian and Canadian classical pianist, born in Moscow. Her father was the Soviet-Russian pianist Vladimir Sofronitsky.
Paul McNulty is a builder of historical pianos, described by the New Grove as "famous for the high standard of [his] instruments." Within the community of builders, McNulty is noted for his efforts to extend the production of historically informed instruments later into history: while he has built many fortepianos in 18th-century style, he has also progressively sought to span the gap between the fortepiano and the fully modern piano that emerged around the last third of the 19th century. The expanding diversity of McNulty's productions has thus helped "provide an opportunity to extend keyboard performing practice to include the piano repertory of the 19th century".
Anthony Newman is an American classical musician. While mostly known as an organist, Newman is also a harpsichordist, pianist, composer, conductor, writer, and teacher. He is a specialist in music of the Baroque period, particularly the works of Johann Sebastian Bach, and has collaborated with such noted musicians as Kathleen Battle, Julius Baker, Itzhak Perlman, Eugenia Zukerman, Jean-Pierre Rampal, Leonard Bernstein, Michala Petri, and Wynton Marsalis, for whom he arranged and conducted In Gabriel’s Garden, the most popular classical record of 1996.
Glen Wilson is an American-born Dutch harpsichordist, fortepianist, clavichordist and organist.
Olga Pashchenko is a Russian harpsichordist, fortepianist, organist and pianist who has performed in concert halls in Moscow and other cities of Russia, Belarus, Italy, United States, Austria, Belgium, France, Germany and the Netherlands and has won several major international competitions.
Stanley Ritchie, an Australian violinist born in 1935, is a Distinguished Professor Emeritus of Violin at Jacobs School of Music, Indiana University. A noted specialist in historical performance, Ritchie is author of two relevant books, ‘Before the Chinrest - A Violinist’s Guide to the Mysteries of Pre-Chinrest Technique and Style’ (2012) and 'The Accompaniment in "Unaccompanied" Bach - Interpreting the Sonatas and Partitas for Solo Violin' (2016), both published by Indiana University Press.
Claire Chevallier is a Franco-Belgian pianist who specializes in the fortepiano.