Joseph Connors | |
|---|---|
 Joe Francoise Connors in 2007 | |
| Born | Joseph James Connors February 5, 1945 |
| Occupation | Educator |
| Spouse | Françoise Moison (m. 1969) |
| Children | Geneviève (b. 1975) Thomas (b. 1978) |
| Academic background | |
| Alma mater | Boston College Harvard University |
| Academic work | |
| Discipline | Art historian |
Joseph James Connors (born February 5,1945,in New York City) is an American art historian and educator,who specializes in the Italian Renaissance and Baroque architecture.
Born in New York City,Connors was graduated from Regis High School in Manhattan. He earned his Bachelor of Arts from Boston College in 1966. Two years later,Connors received a Marshall Scholarship to study at Clare College at the University of Cambridge for a year. After a period teaching Greek and Latin at the Boston Latin School,Connors studied with Ernst Kitzinger and James S. Ackerman in the Department of Fine Arts of Harvard University (Ph.D. 1978). He has taught at the University of Chicago (1975–80);Columbia University (1980–2001),where he served as chairman of the Department of Art History and Archaeology in 1999-2001 and received the President's Award for Outstanding Teaching in 2001;and Harvard University (2011-2019).
Connors’research centers on the architecture of seventeenth-century Rome and in particular on the genial,enigmatic figure of Francesco Borromini (1599–1667). He has also written on town planning in Rome from the late Renaissance to the eighteenth century,pioneering a view of urban change generated around large and long-lived institutions.
Connors served as director of the American Academy in Rome in 1988-92 and of Villa I Tatti,The Harvard Center for Italian Renaissance Studies in Florence,from 2002 to 2010. To date he is the only person to have directed both of the major American research institutes in Italy.
He has held fellowships from the American Council of Learned Societies,the National Endowment for the Humanities,the Guggenheim Foundation,CASVA at the National Gallery of Art,the Bibliotheca Hertziana in Rome,All Souls College,Oxford,and the Clark Art Institute,and he was Slade Professor at Oxford in 1999. He was elected to the Accademia Nazionale di San Luca in Rome in 1993,and to the American Philosophical Society in Philadelphia in 2003. [1] He served as president of the Renaissance Society of America in 2014-16.
In 2013,a book was written in honor of Connors' work as director of the Villa I Tatti titled Renaissance Studies in Honor of Joseph Connors, ISBN 0674073274.
Connors married Françoise Gabrielle Germaine Moison in 1969 in Gagny, France; they have two children, Geneviève (b. 1975) and Thomas (b. 1978).
Bernard Berenson was an American art historian specializing in the Renaissance. His book The Drawings of the Florentine Painters was an international success. His wife Mary is thought to have had a large hand in some of the writings.
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The church of San Carlo alle Quattro Fontane, also called San Carlino, is a Roman Catholic church in Rome, Italy. The church was designed by the architect Francesco Borromini and it was his first independent commission. It is an iconic masterpiece of Baroque architecture, built as part of a complex of monastic buildings on the Quirinal Hill for the Spanish Trinitarians, an order dedicated to the freeing of Christian slaves. He received the commission in 1634, under the patronage of Cardinal Francesco Barberini, whose palace was across the road. However, this financial backing did not last and subsequently the building project suffered various financial difficulties. It is one of at least three churches in Rome dedicated to San Carlo, including San Carlo ai Catinari and San Carlo al Corso.
Paolo Portoghesi was an Italian architect, theorist, historian, and professor of architecture at the Sapienza University of Rome. He was president of the architectural section of the Venice Biennale (1979–1992), editor-in-chief of the journal Controspazio (1969–1983), and dean of the Faculty of Architecture at the Politecnico di Milano university (1968–1978).
William Hood is an art historian and the Mildred C. Jay Professor of Art Emeritus at Oberlin College, where he taught from 1974 through 2007. Professor Hood taught the history of Italian Renaissance Art in Columbia University's Department of Art History and Archaeology from 2008 through 2010. He is currently teaching art history seminars at the New York University Institute of Fine Arts.
James Sloss Ackerman was an American architectural historian, a major scholar of Michelangelo's architecture, of Palladio and of Italian Renaissance architectural theory.
Mary Berenson was an art historian, now thought to have had a large hand in some of the writings of her second husband, Bernard Berenson.
Villa I Tatti, The Harvard Center for Italian Renaissance Studies is a center for advanced research in the humanities located in Florence, Italy, and belongs to Harvard University. It houses a collection of Italian primitives, and of Chinese and Islamic art, as well as a research library of 140,000 volumes and a collection of 250,000 photographs. It is the site of Italian and English gardens. Villa I Tatti is located on an estate of olive groves, vineyards, and gardens on the border of Florence, Fiesole and Settignano.
Louis Alexander Waldman is an American art historian and author specializing in the Italian Renaissance.
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James Hankins is an American intellectual historian specializing in the Italian Renaissance. He is the General Editor of the I Tatti Renaissance Library and the Associate Editor of the Catalogus Translationum et Commentariorum. He is a professor in the History Department of Harvard University. In Spring 2018, he is a Visiting Research Fellow at the University of Notre Dame Center for Ethics and Culture.
Craig Hugh Smyth (1915–2006) was an American art historian who studied Renaissance art, with a special emphasis on the artist Bronzino. During World War II, he established the Allied Munich Central Collecting Point for Nazi-looted art, as part of the Monuments, Fine Arts, and Archives program.
Alina Payne is a historian of art and architecture. She serves as Alexander P. Misheff Professor of History of Art and Architecture at Harvard University and the Paul E. Geier Director of Villa I Tatti, the Harvard University Center for Italian Renaissance Studies.
William Caferro is Gertrude Conaway Vanderbilt Professor of History & Professor of Classical and Mediterranean Studies at Vanderbilt University. His expertise is in medieval and Renaissance European history. His publications synthesize economic, military, social, literary, and historical trends.
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David Edward Hemsoll FSA is a British art and architectural historian, specialising in Renaissance art and architecture, especially that of Rome, Florence, and Venice. He has published numerous catalogue essays and books that address architectural theory and the methodology of architectural design. He is currently (2020) Senior Lecturer in the Department of Art History, Curating and Visual Studies at the University of Birmingham.
Andrew Dermot Morrogh is a British art historian and academic. He has taught in the United States at the University of Oregon College of Design and assistant at the Department of Art History at the University of Chicago. He has published several books and articles on the art and architecture of the Italian Renaissance. Among his publications is the catalogue of an exhibition he organised for the Uffizi, Disegni di Architetti Fiorentini 1540–1640 (1985).
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Luisa Vertova was an Italian art historian. Her research work mostly focused on Renaissance Italian painters such as Piero della Francesca, Mantegna, Paolo Veronese, Titian, Botticelli and Caravaggio. In addition, she undertook numerous projects as editor of several editions of her mentor Bernard Berenson's and her husband Benedict Nicolson's writings.
Avinoam Shalem is the Riggio Professor of the History of the Arts of Islam at Columbia University. He served as director of the American Academy in Rome from 2020 to 2021.
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