Noise music is a genre of music that is characterised by the expressive use of noise. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect.
William Alfred Higinbotham was an American physicist. A member of the team that developed the first nuclear bomb, he later became a leader in the nonproliferation movement. He also has a place in the history of video games for his 1958 creation of Tennis for Two, the first interactive analog computer game and one of the first electronic games to use a graphical display.
John Walker is a computer programmer, author and co-founder of the computer-aided design software company Autodesk. He has more recently been recognized for his writing on his website Fourmilab.
Alexander R. Galloway is an author and professor in the Department of Media, Culture, and Communication at New York University. He has a bachelor's degree in Modern Culture and Media from Brown University and earned a Ph.D. in Literature from Duke University in 2001. Galloway is known for his writings on philosophy, media theory, contemporary art, film, and video games.
Erkki Juhani Kurenniemi was a Finnish designer, philosopher and artist, best known for his electronic music compositions and the electronic instruments he has designed. He is considered to have been one of the leading early pioneers of electronic music in Finland. Kurenniemi was also a science populariser, a futurologist, a pioneer of media culture, and an experimental film-maker.
Kenneth E. Rinaldo is an American neo-conceptual artist and arts educator, known for his interactive robotics, 3D animation, and BioArt installations. His works include Autopoiesis (2000), and Augmented Fish Reality (2004), a fish-driven robot.
Charlie Gere is a British academic who is professor of media theory and history at The Lancaster Institute for the Contemporary Arts, The University of Lancaster and previously, director of research at the Institute for Cultural Research at The University of Lancaster. He is author of several books and articles on new media art, art and technology, continental philosophy and technology. His main research interest is in the cultural effects and meanings of technology and media, particularly in relation to post-conceptual art and philosophy.
Software studies is an emerging interdisciplinary research field, which studies software systems and their social and cultural effects. The implementation and use of software has been studied in recent fields such as cyberculture, Internet studies, new media studies, and digital culture, yet prior to software studies, software was rarely ever addressed as a distinct object of study. To study software as an artifact, software studies draws upon methods and theory from the digital humanities and from computational perspectives on software. Methodologically, software studies usually differs from the approaches of computer science and software engineering, which concern themselves primarily with software in information theory and in practical application; however, these fields all share an emphasis on computer literacy, particularly in the areas of programming and source code. This emphasis on analysing software sources and processes often distinguishes software studies from new media studies, which is usually restricted to discussions of interfaces and observable effects.
Kimberley Vanvaeck, also known by her online moniker Gigabyte, is a virus writer from Belgium known for a long-standing dispute which involved the internet security firm Sophos and one of its employees, Graham Cluley. Vanvaeck wrote several viruses, including Quis, Coconut and YahaSux. She also created a Sharp virus, credited as being the first virus to be written in C#.
Niall Lucy was an Australian writer and scholar best known for his work in deconstruction.
Alan N. Shapiro is an American science fiction and media theorist. He is a lecturer and essayist in the fields of science fiction studies, media theory, posthumanism, French philosophy, creative coding, technological art, sociology of culture, social choreography, software theory, robotics, artificial intelligence, and futuristic and transdisciplinary design. Shapiro's book and other published writings on Star Trek have contributed to a change in public perception about the importance of Star Trek for contemporary culture. His published essays on Jean Baudrillard - especially in the International Journal of Baudrillard Studies - have contributed to a change in public perception about the importance of Baudrillard's work for culture, philosophy, sociology, and design.
Media archaeology or media archeology is a field that attempts to understand new and emerging media through close examination of the past, and especially through critical scrutiny of dominant progressivist narratives of popular commercial media such as film and television. Media archaeologists often evince strong interest in so-called dead media, noting that new media often revive and recirculate material and techniques of communication that had been lost, neglected, or obscured. Some media archaeologists are also concerned with the relationship between media fantasies and technological development, especially the ways in which ideas about imaginary or speculative media affect the media that actually emerge.
Media art history is an interdisciplinary field of research that explores the current developments as well as the history and genealogy of new media art, digital art, and electronic art. On the one hand, media art histories addresses the contemporary interplay of art, technology, and science. On the other, it aims to reveal the historical relationships and aspects of the ‘afterlife’ in new media art by means of a historical comparative approach. This strand of research encompasses questions of the history of media and perception, of so-called archetypes, as well as those of iconography and the history of ideas. Moreover, one of the main agendas of media art histories is to point out the role of digital technologies for contemporary, post-industrial societies and to counteract the marginalization of according art practices and art objects: ″Digital technology has fundamentally changed the way art is made. Over the last forty years, media art has become a significant part of our networked information society. Although there are well-attended international festivals, collaborative research projects, exhibitions and database documentation resources, media art research is still marginal in universities, museums and archives. It remains largely under-resourced in our core cultural institutions.″
Erkki Huhtamo is a media archaeologist, exhibition curator, and professor at the University of California, Los Angeles in the Departments of Design Media Arts and Film, Television, and Digital Media.
Wendy Hui Kyong Chun is the Canada 150 Research Chair in New Media in the School of Communication at Simon Fraser University. She is the founding Director of the Digital Democracies Institute at Simon Fraser University, established in 2020. Previously, she was Professor and Chair of Modern Culture and Media at Brown University. Her theoretical and critical approach to digital media draws from her training in both Systems Design Engineering and English Literature.
Garnet Hertz is a Canadian artist, designer and academic. Hertz is Canada Research Chair in Design and Media Art and is known for his electronic artworks and for his research in the areas of critical making and DIY culture.
The writing hand is a mechanical automaton created by Friedrich von Knauss in 1764. A clockwork mechanism moves a hand which dips a pen into an inkstand and writes the phrase "Huic Domui Deus / Nec metas rerum / Nec tempora ponat" on a small card. On the silver-coating of the mechanism are the words "Pro patria".
Wolfgang Ernst is a German media theorist. He is Professor for Media Theories at Humboldt University of Berlin and a major exponent of media archaeology as a method of scholarly inquiry.
Tony D. Sampson is a British academic author who writes about philosophies of affect, digital media cultures and labour, marketing power, design/brand thinking, social and immersive user experiences and neurocultures. He is best known for his widely cited and debated academic publications on virality, network contagion and neuroculture. This work is influenced by the 19th century French sociologist, Gabriel Tarde and concerns contemporary analyses of viral phenomena and affective and emotional contagion on the Internet. In 2017 Sampson published The Assemblage Brain, a book about the culture of the affective brain explored through digital media, the neurosciences, business (marketing), cybernetics and political power. His most recent publication, A Sleepwalker's Guide to Social Media (2020), explores the power dynamic of a post-Cambridge Analytica social media environment wherein the marketing logic of virality/growth helps to inflame contagions of race hate, posing a threat to democracy.
Lori Emerson is an associate professor at the University of Colorado at Boulder and founder of the Media Archaeology Lab, a museum dedicated to obsolete technologies spanning from the late nineteenth century to the twenty-first century. She is known for her work in media archaeology, digital preservation, and digital archives.
