Reception
The EP received favorable reviews upon release. Mat Snow, writing for NME , noted similarities of the band's sound to that of The Birthday Party and compared Bonney's vocals to "Tom Waits throwing up into a fried-egg sandwich." He writes however, that "Harvey, Soundtracks and the Howard brothers are developing into something equally commanding [to that of The Birthday Party's music] [...] should Simon Bonney ever outgrow this fetishism, then Crime and the City Solution will achieve the truly distinct greatness promised by this record. They're just a kiss away from the pearly gates." [2] Writing for Trouser Press , David Sheridan called the album "cleaner and more powerful [than The Dangling Man EP]: all six tracks work well. Howard's guitar is as strong as ever, but piano and organ figure just as prominently. A hauntingly beautiful record by a well- integrated band." [3]
Allmusic went on to pick the EP as the highlight of the band's discography, with Robert Gordon writing: "Aussies with a gothic vision of the American South." [1]
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