Karl Lippegaus | |
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 Karl Lippegaus in Cologne on 7 December 2013 | |
| Born | 28 October 1954 Cologne, Germany |
Karl Lippegaus (born 28 October 1954 in Cologne) is a German music journalist, author and radio presenter.
Karl Lippegaus | |
|---|---|
| Karl Lippegaus in Cologne on 7 December 2013 | |
| Born | 28 October 1954 Cologne, Germany |
Karl Lippegaus (born 28 October 1954 in Cologne) is a German music journalist, author and radio presenter.
Lippegaus studied German literature, musicology and philosophy at the universities of Bonn and Cologne after making his debut with a jazz broadcast on Miles Davis on Südwestfunk at the age of seventeen. Following an invitation by Dietrich Schulz-Köhn , he produced jazz and rock broadcasts at WDR since 1972.
He is the author of a biography on John Coltrane. Besides jazz Lippegaus also wrote about chanson, rock, folk music as well as on musical border areas, always with a particular interest into links between music and literature (Samuel Beckett, James Baldwin, Saul Bellow, Rolf Dieter Brinkmann, Alejo Carpentier, Julio Cortázar, Jack Kerouac, Dylan Thomas), film (Stanley Kubrick, Federico Fellini, Vincente Minnelli, Pier Paolo Pasolini, Jean-Luc Godard) and photography (Roy DeCarava, Guy Le Querrec, Hyou Vielz , William Claxton).
For many years, he presented the radio feature series 'Speakeasy' at WDR. He regularly produced weekly jazz features such as 'Border Music' for WDR 3 / WDR 5 (between 1995 and 2005), covering new areas of jazz, avant rock and world music, and 'Musikpassagen' (up to 2008). His series Musiker als DJ (English: "Musicians as DJ") featured guests such as Terry Riley, Annette Peacock, Robert Wyatt, Hans Reichel, Savina Yannatou, Evan Parker, Michael Riessler , Amélia Muge, Pascal Comelade, Gavin Bryars, Franz Koglmann, Rabih Abou-Khalil, and others.
At Deutschlandfunk he produced portraits about jazz musicians for the weekly program 'JazzFacts'.
In addition to his broadcasting activities from January 2016-2018, Lippegaus worked as an editor on jazz music for the music magazine Fono Forum .
In 1995, he received the first Deutsch-Französischer Journalistenpreis (DFJP) (aka Prix Franco-Allemand du Journalisme (PFAJ)) for a two-hour feature on migrants in the suburbs of Marseilles and Paris ("Rap, Rai, Ramadhan - arabische und westliche Kultur in Marseille und Paris"). [1]
He also works as translator, for example for the biography Michel Petrucciani – Leben gegen die Zeit (English: "Life against Time") [2] and for Amazing Grace, a film by Sydney Pollack on Aretha Franklin (2019). For the WDR, he worked with director Hein Bruehl on the features Cry Baby Cry (1997), Bis die kalte Zeit uns frißt on Lotte Lenya and Kurt Weill (1998), Clowns, Clochards & Casanovas on Nino Rota (1999), Wolfsmond after a book by Julio Llamazares (2002) as well as on In meiner Einsamkeit des Südens - Der europäische Blick auf den Orient on the travel writer Isabelle Eberhardt and the Spanish author Juan Goytisolo (1997).
Lippegaus is the author of many episodes of the daily radio program ZeitZeichen and Kalenderblatt .
Lippegaus lives in Cologne and Southern France.
Johannes Georg Fritsch was a German composer.
Markus Stockhausen is a German trumpeter and composer. His recordings and performances have typically alternated between jazz and chamber or opera music, the latter often in collaboration with his father, composer Karlheinz Stockhausen.
Gruppen for three orchestras (1955–57) is amongst the best-known compositions of German composer Karlheinz Stockhausen, and is Work Number 6 in the composer's catalog of works. Gruppen is "a landmark in 20th-century music. .. probably the first work of the post-war generation of composers in which technique and imagination combine on the highest level to produce an undisputable masterpiece".
Kontakte ("Contacts") is an electronic music work by Karlheinz Stockhausen, realized in 1958–60 at the Westdeutscher Rundfunk (WDR) electronic-music studio in Cologne with the assistance of Gottfried Michael Koenig. The score is Nr. 12 in the composer's catalogue of works, and is dedicated to Otto Tomek.
Friedrich Blume was professor of musicology at the University of Kiel from 1938–1958. He was a student in Munich, Berlin and Leipzig, and taught in the last two of these for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but broadened his interests considerably later. Among his prominent works were chief editor of the collected Praetorious edition, and he also edited the important Eulenburg scores of the major Mozart Piano Concertos. From 1949 he was involved in the planning and writing of Die Musik in Geschichte und Gegenwart. Coincidentally he died within a few weeks of another prominent Mozart musicologist, Cuthbert Girdlestone, and was thus almost his exact contemporary.
York Höller is a German composer and Professor of composition at the Hochschule für Musik Köln.
An overview of the evolution of Jazz music in Germany reveals that the development of jazz in Germany and its public notice differ from the "motherland" of jazz, the US, in several respects.
Hymnen is an electronic and concrete work, with optional live performers, by Karlheinz Stockhausen, composed in 1966–67, and elaborated in 1969. In the composer's catalog of works, it is "Nr. 22".
Rainer Brüninghaus is a German jazz pianist, composer and university teacher.
Thomas Heberer is a trumpeter, quarter-tone trumpeter, cornetist, keyboardist and composer, primarily focused on jazz, creative improvised music and contemporary chamber music. Based in New York City, he currently works as a leader and sideman in a variety of bands in Europe and the US.
The Studio for Electronic Music of the West German Radio was a facility of the Westdeutscher Rundfunk (WDR) in Cologne. It was the first of its kind in the world, and its history reflects the development of electronic music in the second half of the twentieth century.
Elisabeth Eleonore Büning is a German music journalist and writer, known for her opera reviews in the Frankfurter Allgemeine Zeitung.
Alan John Bangs is a British music journalist, disc jockey and presenter on radio and television. He has lived and worked in Germany since the 1970s.
Kurt Honolka was a German musicologist, journalist, and music and theatre critic. He is known as a translator of the librettos of Czech operas into German, such as Smetana's Dalibor and Janáček's Osud.
Walter Wiora was a German musicologist and music historian.
Fred K. Prieberg was a German musicologist. He was a pioneer in the field of history of music and musicians under the Nazi regime.
Konrad Küster is a German musicologist.
Hartmut Krones is an Austrian musicologist.
Rudolph Angermüller is a German musicologist, who rendered great services to Mozart studies in particular.
Wolfgang Boetticher was a German musicologist and longtime lecturer at the University of Göttingen.
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