Kimberly Drew | |
---|---|
Born | Orange, New Jersey, U.S. |
Nationality | American |
Alma mater | Smith College |
Occupation(s) | Art curator Writer |
Years active | 2011–present |
Known for | @MuseumMammy (Instagram account) Black Contemporary Art blog on Tumblr |
Notable work | Black Futures (with Jenna Wortham) |
Kimberly Drew is an American art influencer and writer. She is best known as the former social media manager for the Metropolitan Museum of Art and her use of the social media handle @MuseumMammy. Drew released her first book, This Is What I Know About Art in June 2020, [1] [2] [3] as part of a children's book series from Penguin, and published an anthology titled Black Futures with New York Times staff writer Jenna Wortham in December 2020.
Drew grew up in Orange, New Jersey in a family of artists. [4] [5] She attended Link Community School in Newark, New Jersey. [6] In 2008, she graduated from St. George's School in Middletown, Rhode Island. [7]
After graduating from high school Drew attended Smith College in Northampton, Massachusetts. [5] She studied mathematics and engineering before ultimately declaring a double major in art history and Africana studies, and a concentration in museum studies. [5] [6] During her second year at Smith, Drew interned at the Studio Museum in Harlem with Thelma Golden, which influenced her later choice of concentration and informed her career path. [2] She graduated from Smith in 2012. [5]
In March 2011, Drew started the Tumblr blog Black Contemporary Art while still in college. [5] She and others posted about Black artists who were featured on museum websites but had no digital presence on Tumblr, so that they "were part of a recorded history." [8] [9] Drew has referred to herself as a "a curator of "black art and experiences" and has been recognized by Artsy for advocating for racial equality in the art world. [10] She has spoken about the importance of tying art to activism and protests, specifically in the immediate aftermath of the high-profile murders of Black Americans such as George Floyd and Ahmaud Arbery, and the shootings of Breonna Taylor and Tony McDade. [11]
After graduating from Smith College, Drew worked on the communications team at Lehmann Maupin gallery, as well as for Hyperallergic and Creative Time. [10] [12] In July 2015, Drew was hired as the Associate Online Community Producer at the Metropolitan Museum of Art in New York City, [13] a position that she held until November 2019. [14]
In 2016, Drew curated the White House's Instagram account during the 2016 South by South Lawn festival. [15] [16] That July, Drew, along with writers Taylor Renee Aldridge and Jessica Lynne and art historian Jessica Bell Brown, organized a project called Black Art Incubator, [17] a two-month long program of book exchanges, art critiques, and panel discussions. [18]
In 2018, Drew modeled for the Chromat Spring/Summer 2019 runway during New York Fashion Week. [19] [20]
In 2021, she launched an online event series Black Power Lunch Hour and began hosting Hulu's podcast Your Attention Please. [21] [22]
In February 2022, Pace Gallery announced that Drew would be joining as Associate Director. [23]
Beginning their connection through Twitter's direct-messaging, Drew co-edited and released the anthology Black Futures with journalist Jenna Wortham. [24] After five years in the making, the anthology encapsulates a multitude of art forms by more than 100 Black creators responding to the question, "What does it mean to be Black and alive, right now?" Their creation stamps a time when the height of Black empowerment coexists with longing systemic oppression. [25] Drew and Wortham's goal is to bring to light how Black culture surrounds everyday society and how Blackness is limitless. [24] Black Futures was published by Random House's One World imprint in December 2020. [26] [27] [4]
On June 2, 2020, Drew released her first book, This Is What I Know About Art, a book for young adults under the Penguin Workshop imprint. [28]
In 2016, Drew received the inaugural Feminist Curator Award from AIR Gallery. [6] [29] The same year, she was listed on the Yerba Buena Center for the Arts 100 List, which identifies creative and cultural catalysts of change. [30] [29] In 2017, she was named one of Brooklyn Magazine's 100 Influencers of Brooklyn Culture. [31]
In 2020, she was awarded the Smith College Medal, which recognizes outstanding alumnae who contribute to their communities. [32]
Drew resides in Brooklyn [9] and is queer. [33] [34] Her partner is Chase Strangio, a civil rights lawyer. [35]
Lorraine O'Grady is an American artist, writer, translator, and critic. Working in conceptual art and performance art that integrates photo and video installation, she explores the cultural construction of identity – particularly that of Black female subjectivity – as shaped by the experience of diaspora and hybridity. O'Grady studied at Wellesley College and the University of Iowa Writers' Workshop before becoming an artist at age forty-five. Regarding the purpose of art, O'Grady said in 2016: "I think art’s first goal is to remind us that we are human, whatever that is. I suppose the politics in my art could be to remind us that we are all human."
Kiki Smith is a German-born American artist whose work has addressed the themes of sex, birth and regeneration. Her figurative work of the late 1980s and early 1990s confronted subjects such as AIDS, feminism, and gender, while recent works have depicted the human condition in relationship to nature. Smith lives and works in the Lower East Side, New York City, and the Hudson Valley, New York State.
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Thelma Golden is an American art curator, who is the Director and Chief Curator of The Studio Museum in Harlem, New York City, United States. She is noted as one of the originators of the term post-blackness. From 2017 to 2020, ArtReview chose her annually as one of the 10 most influential people in the contemporary art world.
Steffani Jemison is an American artist, writer, and educator. Her videos and multimedia projects explore the relationship between Black embodiment, sound cultures, and vernacular practices to modernism and conceptual art. Her work has been shown at the Museum of Modern Art, Brooklyn Museum, Guggenheim Museum, Whitney Museum, Stedelijk Museum Amsterdam, and other U.S. and international venues. She is based in Brooklyn, New York and is represented by Greene Naftali, New York and Annet Gelink, Amsterdam.
J Wortham is an American journalist. They work as a culture writer for The New York Times Magazine and co-host The New York Times podcast Still Processing with Wesley Morris. In 2020, with Kimberly Drew, Wortham published Black Futures, an anthology of Black art, writing and other creative work.
Still Processing is a New York Times culture podcast hosted by Jenna Wortham, a writer for The New York Times Magazine, and Wesley Morris, the paper's critic at large. The show debuted on September 8, 2016. Still Processing won a 2017 Webby Award in the Podcast & Digital Audio category, and was nominated for a 2019 Shorty Award.
Hannah Black is a British visual artist, critic, and writer. Her work spans video, text and performance.
Torkwase Dyson is an interdisciplinary artist based in Beacon, New York, United States. Dyson describes the themes of her work as "architecture, infrastructure, environmental justice, and abstract drawing." Her work is informed by her own theory of Black Compositional Thought. This working term considers how spatial networks—paths, throughways, water, architecture, and geographies—are composed by Black bodies as a means of exploring potential networks for Black liberation. She is represented by Pace Gallery and Richard Gray Gallery.
Tiona Nekkia McClodden is an interdisciplinary research-based conceptual artist, filmmaker and curator based in Philadelphia, Pennsylvania.
Zora J. Murff is an American photographer, curator, and educator. He is currently based in Fayetteville, Arkansas and teaches photography at the University of Arkansas. Murff's work focuses on social and cultural constructs including race and criminality, and grapples with how photography is used as a technology to perpetuate intentions and desires. His series, Corrections, is a visual exploration of kids in the juvenile criminal justice system in Eastern Iowa.
Manuel Arturo Abreu is a Dominican artist, poet, critic, and curator from the Bronx. Abreu has written two books, poems, and essays, and participated in and curated group art installations. Their book Incalculable Loss is a finalist for the 2019 Oregon Book Awards: Sarah Winnemucca Award for Creative nonfiction, while their poetry collection transtrender was a finalist for the 2018 Oregon Book Awards: Stafford/Hall Award for Poetry. Abreu co-facilitates a free pop-up art school called home school in Portland, OR.
Adrienne Edwards is a New York–based art curator, scholar, and writer. Edwards is currently the Engell Speyer Family Curator and Director of Curatorial Affairs at the Whitney Museum of American Art.
Meg Onli is an African-American art curator and writer. She is currently the Andrea B. Laporte Associate Curator at the Institute of Contemporary Art in Philadelphia, Pennsylvania. Her curatorial work primarily revolves around the black experience, language, and constructions of power and space. Her writing has been published in Art21, Daily Serving, and Art Papers. In September 2022, it was announced that Onli would co-curate the 2024 Whitney Biennial with Chrissie Iles.
Legacy Russell is an American curator, writer, and author of Glitch Feminism: A Manifesto, published by Verso Books in 2020. In 2021, the performance and experimental art institution The Kitchen announced Russell as the organization's next executive director and chief curator. From 2018 to 2021, she was the associate curator of exhibitions at the Studio Museum in Harlem.
Black Futures is an American anthology of Black art, writing, and other creative work, edited by writer Jenna Wortham and curator Kimberly Drew. Writer Teju Cole, singer Solange Knowles and activist Alicia Garza, who cofounded Black Lives Matter, are among the book's more than 100 contributors. The 544-page collection was published in 2020, receiving strongly favorable reviews.
Kia Damon is an American chef. She rose to prominence after she was promoted to the role of head chef of Lalito in Manhattan's Chinatown at age 24. Damon went on to compete on and win an episode of Chopped in 2020. She is the culinary director for food magazine Cherry Bombe.
Zoé Whitley is an American art historian and curator who has been director of Chisenhale Gallery since 2020. Based in London, she has held curatorial positions at the Victoria and Albert Museum, the Tate galleries, and the Hayward Gallery. At the Tate galleries, Whitley co-curated the 2017 exhibition Soul of a Nation: Art in the Age of Black Power, which ARTnews called one of the most important art exhibitions of the 2010s. Soon after she was chosen to organise the British pavilion at the 2019 Venice Biennale.
Yesomi Umolu is a British curator of contemporary art and writer who has been director of curatorial affairs and public practice for the Serpentine Galleries since 2020.
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