Jean Sibelius was a Finnish composer of the late Romantic and early modern periods. He is widely regarded as his country's greatest composer, and his music is often credited with having helped Finland develop a stronger national identity when the country was struggling from several attempts at Russification in the late 19th century.
Finlandia, Op. 26, is a tone poem by the Finnish composer Jean Sibelius. It was written in 1899 and revised in 1900. The piece was composed for the Press Celebrations of 1899, a covert protest against increasing censorship from the Russian Empire, and was the last of seven pieces performed as an accompaniment to a tableau depicting episodes from Finnish history. The premiere was on 2 July 1900 in Helsinki with the Helsinki Philharmonic Society conducted by Robert Kajanus. A typical performance takes between 7½ and 9 minutes depending on how it is performed.
Uuno (Kalervo) Klami was a Finnish composer of the modern period. He is widely recognized as one of the most significant Finnish composers to emerge from the generation that followed Jean Sibelius.
Erkki Gustaf Melartin was a Finnish composer, conductor, and teacher of the late-Romantic and early-modern periods. Melartin is generally considered to be one of Finland's most significant national Romantic composers, although his music—then and now—largely has been overshadowed by that of his contemporary, Jean Sibelius, the country's most famous composer. The core of Melartin's oeuvre consists of a set of six (completed) symphonies, as well as is his opera, Aino, based on a story from the Kalevala, Finland's national epic, but nevertheless in the style of Richard Wagner.
Pelléas et Mélisande, JS 147 is incidental music by Jean Sibelius for Maurice Maeterlinck's 1892 play Pelléas and Mélisande. Sibelius composed in 1905 ten parts, overtures to the five acts and five other movements. It was first performed at the Swedish Theatre in Helsinki on 17 March 1905 to a translation by Bertel Gripenberg, conducted by the composer.
Kullervo, Op. 7, is a five-movement symphonic work for soprano, baritone, male choir, and orchestra written from 1891–1892 by the Finnish composer Jean Sibelius. Movements I, II, and IV are instrumental, whereas III and V feature sung text from Runos XXXV–VI of the Kalevala, Finland's national epic. The piece tells the story of the tragic hero Kullervo, with each movement depicting an episode from his ill-fated life: first, an introduction that establishes the psychology of the titular character; second, a haunting "lullaby with variations" that portrays his unhappy childhood; third, a dramatic dialogue between soloists and chorus in which the hero unknowingly seduces his long-lost sister; fourth, a lively scherzo in which Kullervo seeks redemption on the battlefield; and fifth, a funereal choral finale in which he returns to the spot of his incestuous crime and, guilt-ridden, takes his life by falling on his sword.
Toivo Timoteus Kuula was a Finnish composer and conductor of the late-Romantic and early-modern periods, who emerged in the wake of Jean Sibelius, under whom he studied privately from 1906 to 1908. The core of Kuula's oeuvre are his many works for voice and orchestra, in particular the Stabat mater, The Sea-Bathing Maidens (1910), Son of a Slave (1910), and The Maiden and the Boyar's Son (1912). In addition he also composed two Ostrobothnian Suites for orchestra and left an unfinished symphony at the time of his murder in 1918 in a drunken quarrel.
The Symphony No. 3 in C major, Op. 52, is a three-movement work for orchestra written from 1904 to 1907 by the Finnish composer Jean Sibelius.
Karelia Suite, Op. 11 is a subset of pieces from the longer Karelia Music written by Jean Sibelius in 1893 for the Viipuri Students' Association and premiered, with Sibelius conducting, at the Imperial Alexander University in Helsinki, Grand Duchy of Finland, on 23 November of that year. Sibelius first conducted the shorter Suite ten days later; it remains one of his most popular works.
Edvard Armas Järnefelt, was a Finnish conductor and composer, who achieved some minor success with his orchestral works Berceuse (1904) and Praeludium (1900). He spent much of his conducting career at the Royal Swedish Opera in Stockholm, Sweden.
Robert Kajanus was a Finnish conductor, composer, and teacher. In 1882, he founded the Helsinki Orchestral Society, Finland's first professional orchestra. As a conductor, he was also a notable champion and interpreter of the music of Jean Sibelius.
The Tempest (Stormen), Op. 109, is incidental music to Shakespeare's The Tempest, by Jean Sibelius. He composed it mainly in the late summer 1925, his last major work before his tone poem Tapiola. Sibelius derived two suites from the score.
The Maiden in the Tower, JS 101, is an opera in one act—comprising an overture and eight scenes—written in 1896 by the Finnish composer Jean Sibelius. The piece was a collaboration with the Finnish author Rafael Hertzberg, the Swedish-language libretto of whom tells a "simple tale of chivalry" that may nonetheless have had allegorical ambitions: the Bailiff abducts and imprisons the Maiden ; although she endures hardship, she remains true to herself and is freed subsequently by her Lover and the Chatelaine of the castle.
Belshazzar's Feast, JS 48, is incidental music by Jean Sibelius to a play of the same name by the journalist, poet and playwright Hjalmar Fredrik Eugen Procopé (1868−1927).
Rakastava, Op. 14, is a suite by Jean Sibelius. He completed it in 1912, scored for string orchestra, percussion and triangle. He based it on his earlier composition of the same title, a song cycle of four movements for men's chorus a cappella completed in 1894. The works are based on a Finnish text in Book 1 of the Kanteletar.
Scaramouche, Op. 71, is a tragic ballet-pantomime in two acts—comprising 21 scenes—written from 1912 to 1913 by the Finnish composer Jean Sibelius. The project, which was a collaboration with the Danish playwright Poul Knudsen, caused Sibelius great anguish—primarily because he had not understood that, when signing the commissioning contract, he was committing himself to the composition of an hour-long, full-length score. Scaramouche premiered in Copenhagen on 12 May 1922 at the Royal Danish Theatre with Georg Høeberg conducting the Royal Danish Orchestra and Johannes Poulsen originating the title role; Sibelius was not in attendance. Despite the quality of its musical material—critics at the premiere, for example, praised Sibelius's nuanced score for its sense of drama, noting that "it bears the imprint of genius"—the piece, due to the weakness of Knudsen's scenario, never established itself in the repertory and modern performances are rare.
Swanwhite, JS 189, is incidental music for orchestra by Jean Sibelius for a play of the same name by August Strindberg. It consists of a horn call and thirteen other movements. Sibelius completed it in 1908 and conducted the first performance at Helsinki's Swedish Theatre on 8 April 1908. In 1909, Sibelius drew from it a suite in seven movements, Op. 54.
Kuolema, JS 113, is incidental music for orchestra by Jean Sibelius for a play of that title by his brother-in-law Arvid Järnefelt, structured in six movements and originally scored for string orchestra, bass drum and a bell. He conducted the first performance at the Finnish National Theatre in Helsinki on 2 December 1903. He drew individual works from the score and revised them as:
The Lizard, Op. 8, is a theatre score for string ensemble—comprising six to nine musicians—by the Finnish composer Jean Sibelius; he wrote the music in 1909 to accompany the Finnish author Mikael Lybeck's 1908 three-act, Symbolist play of the same name. The story, which takes place at the Eyringe family estate, is a romantic triangle: Alban, an overly-sensitive nobleman with an artist's soul, is engaged to Elisiv, the tender and virtuous nurse who had cared for his late father; however, he struggles to resist the carnal advances of his older cousin Adla, a cunning temptress whose plot to seduce him turns lethal. Sibelius contributed music for two scenes in Act II: Tableau 1, in which Alban plays his violin at the family burial chapel, hoping to summon his deceased relatives; and Tableau 3, in which Elisiv during a fever dream hears "strange" music and, later with three Eyringe ghosts, ponders the thin line between life and death.
The Shylock Suite, Op. 57 is a six-movement work by Gabriel Fauré, first performed in 1890. In addition to four purely orchestral movements it includes two serenades for solo tenor with orchestral accompaniment. The composer constructed the suite from incidental music he had written the previous year for Edmond Haraucourt's play Shylock, an adaptation of Shakespeare's The Merchant of Venice, presented at the Théâtre de l'Odéon in Paris. The theatre music had been written for a small orchestra, and Fauré greatly expanded the orchestration for the concert suite.
