Militia Company of District II under the Command of Captain Frans Banninck Cocq, also known as The Shooting Company of Frans Banning Cocq and Willem van Ruytenburch, but commonly referred to as The Night Watch, is a 1642 painting by Rembrandt van Rijn. It is in the collection of the Amsterdam Museum but is prominently displayed in the Rijksmuseum as the best-known painting in its collection. The Night Watch is one of the most famous Dutch Golden Age paintings. Rembrandt's large painting is famed for transforming a group portrait of a civic guard company into a compelling drama energized by light and shadow (tenebrism). The title is a misnomer; the painting does not depict a nocturnal scene.
Thomas de Keyser was a Dutch portrait painter and a dealer in Belgium bluestone and stone mason. He was the most in-demand portrait painter in the Netherlands until the 1630s, when Rembrandt eclipsed him in popularity. Rembrandt was influenced by his work, and many of de Keyser's paintings were later falsely attributed to Rembrandt.
Bartholomeus van der Helst was a Dutch painter. Considered to be one of the leading portrait painters of the Dutch Golden Age, his elegant portraits gained him the patronage of Amsterdam's elite as well as the Stadtholder's circle. Besides portraits, van der Helst painted a few genre pictures as well as some biblical scenes and mythological subjects.
Ferdinand Bol was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery.
Frans Banninck Cocq, free lord of Purmerland and Ilpendam was a knight, burgemeester (mayor) and military person of Amsterdam in the mid-17th century, the Dutch Golden Age. He belonged to the wealthy and powerful Dutch patriciate, the regenten, and is best known as the central figure in Rembrandt's masterpiece The Night Watch.
Jacob Adriaensz Backer was a Dutch Golden Age painter. He produced about 140 paintings in twenty years, including portraits, religious subjects, and mythological paintings. In his style, he was influenced by Wybrand de Geest, Rubens and Abraham Bloemaert. He is also noted for his drawings of male and female nudes.
Dirck Jacobsz (1496–1567) was a Dutch Renaissance painter. His exact birthplace is unknown, but it was somewhere near Amsterdam.
Schutterij refers to a voluntary city guard or citizen militia in the medieval and early modern Netherlands, intended to protect the town or city from attack and act in case of revolt or fire. Their training grounds were often on open spaces within the city, near the city walls, but, when the weather did not allow, inside a church. They are mostly grouped according to their district and to the weapon that they used: bow, crossbow or gun. Together, its members are called a Schuttersgilde, which could be roughly translated as a "shooter's guild". It is now a title applied to ceremonial shooting clubs and to the country's Olympic rifle team.
Pieter Jacobsz Codde was a Dutch painter of genre works, guardroom scenes and portraits.
Cornelis or Cornelius Ketel was a Dutch Mannerist painter, active in Elizabethan London from 1573 to 1581, and in Amsterdam till his death. Ketel, known essentially as a portrait-painter, was also a poet and orator, and from 1595 a sculptor as well.
Cornelis Anthonisz., Anthonisz. also spelled Anthonissen or Teunissen, was a Dutch painter, engraver, and mapmaker.
Kloveniersburgwal is an Amsterdam canal flowing south from Nieuwmarkt to the Amstel River on the edge of the medieval city, lying east of the dam in the centre of Amsterdam.
Willem van Ruytenburch, lord of Vlaardingen and Vlaardingen-Ambacht (1600–1652) was a member of the Dutch gentry and Amsterdam patriciate of the Dutch Golden Age. He became an alderman of Amsterdam and joined the Schutterij of Frans Banninck Cocq. Willem was featured, as a lieutenant, in Rembrandt's 1642 painting The Night Watch for which he is now probably most famous.
The Officers of the St Adrian Militia Company in 1630 refers to the schutterstuk painted by Hendrik Gerritsz Pot for the Cluveniers, St. Adrian, or St. Hadrian civic guard of Haarlem, and today is considered one of the main attractions of the Frans Hals Museum there.
The Banquet of the Officers of the St George Militia Company is an oil-on-canvas painting by the Dutch artist Frans Hals, painted from 1626 - 1627, during the Dutch Golden Age. Today, the piece is considered one of the main attractions of the Frans Hals Museum.
Gerrit Lundens, was a Dutch painter known for his genre scenes, portraits and a single vanitas painting. He also made copies after prominent masters, including Rembrandt. He further operated an inn and was active as a wine merchant.
The Handboogdoelen is a building on the Singel canal in Amsterdam, near Koningsplein square. It dates back to the early 16th century and originally served as headquarters and shooting range of the local schutterij. Most of the current building at Singel 421 dates to the 18th century and is part of the main complex of the Amsterdam University Library. The Doelenzaal hall on the ground floor of the building is used for lectures, meetings, receptions and doctoral dissertations. The building has rijksmonument status.
The Voetboogdoelen was a 16th-century building on the Singel canal in Amsterdam, at the corner of Heiligeweg near Koningsplein square, which served as headquarters and shooting range of the local schutterij. Frans Hals painted a group portrait for the Voetboogdoelen, known as the Meagre Company.
Tivoli Doelen Amsterdam Hotel is a historic hotel in the Binnenstad of Amsterdam, the oldest hotel in the city. It is located on the Binnen-Amstel at the southern end of the Kloveniersburgwal. The entrance is at Nieuwe Doelenstraat 24.
Dirk de Graeff was a Dutch 17th-century regent who belonged to the States Party.
