Kully Thiarai FRSA | |
---|---|
Citizenship | British |
Alma mater | Bradford University |
Occupation | Theatre director |
Known for | Creative Director of LEEDS 2023 |
Kully Thiarai FRSA is a British artistic and creative director whose career began in theatre. With her appointment at National Theatre Wales in 2016, she became the first Asian person, and only second woman, to lead a national theatre company in Britain. She has held multiple artistic directorships, including, from 2020 to 2024, the role of creative director for LEEDS 2023 – the city's independent year of culture.
Thiarai grew up in Smethwick in the West Midlands, where her father was employed as a labourer in the steelworks. [1] [2] She initially studied social work at Bradford University. [3] [2] At Theatre in the Mill, then run by Ruth Mackenzie, [4] Thiarai was introduced to performances by companies such as Gay Sweatshop and Phoenix Dance which influenced a future career in theatre. [5]
Thiarai's first job in theatre was with Red Ladder Theatre Company. A subsequent role there enabled Thiarai to support the development of new South Asian work like Bhangra Girls. [6] In 1994 she was appointed artistic director of Red Ladder Theatre Company, a role she held until 1998. [7] [8] [3] [9] During this time she commissioned a variety of new shows, including: Kaahini by Maya Chowdhry, [10] End of Season by Noel Greig, [11] Sleeping Dogs by Philip Osment, and Crush by Rosy Fordham. [10] She also founded the Asian Theatre School; [6] [12] this ultimately became Freedom Studios, led by Madani Younis. [13]
In 1998 she began a new role at Contact Theatre in Manchester, re-imagining the theatre as a centre for young people with a renewed "artistic vision and operational model" for the organisation. [3] [8] [7] [14] Whilst there she also worked with Noel Greig to create Contacting the World, which was part of the Commonwealth Games' cultural programme. [6] She was left Contact Theatre holding the role of artistic director. [15]
At Leicester Haymarket Theatre Thiarai was co-artistic director with Paul Kerryson. [8] [14] Productions during her tenure included: Death of a Salesman with Joseph Marcell playing Willie Loman, [16] Master Harold and the Boys by Athol Fugard, [17] Bollywood Jane by Amanda Whittington, [18] Fortune Club by Dolly Dhingra, [19] and Bones by Kay Adshead. [20]
In 2010 Thiarai worked for National Theatre Wales on The Soul Exchange, a play about Teddy Boys in Butetown, where audiences travelled in taxis as part of the performance. [21] [22] In 2012 she directed Mandala, an outdoor dance work in Birmingham and Nottingham with Sampad arts organisation, as part of the 2012 Cultural Olympiad. [23] [24] She also worked as artistic director of the Theatre Writing Partnership, based in Nottingham. [25]
In 2013 she became the founding director of CAST in Doncaster, a new £22 million venue, [8] [26] where she worked to make CAST a "living room" for the town and its people. [2] [27] [28] She has used the term 'porous' to describe how to integrate communities practices with more traditional forms of theatre. [29] One noted production was an adaptation of Kes by Philip Osment, [30] [31] another was the opening show The Glee Club by Richard Cameron, a playwright from Doncaster. [32] Thiarai left Cast in May 2016 to join National Theatre Wales (NTW) as artistic director and CEO. [33] [34] [35] [2] [8]
At National Theatre Wales (NTW) she was the first Asian person, and only second woman, to lead one of the national theatre companies in the United Kingdom. [5] [36] Notable productions during her time there included We're Still Here, about the Tata Steelworks. [2] During her tenure, NTW was criticised for not doing enough to support Welsh artists, claims Thiarai rebuffed stating during the "history of the company is that almost 80% of all of its work has been led by Welsh artists". [1] Thiarai moved in 2019 to work as creative cirector of LEEDS 2023, beginning her role in 2020. [37] On her departure, critic Gary Raymond wrote: [38]
For every criticism aimed at Thiarai from a white middle class theatre practitioner in Wales, she was adored by those she worked with from minority backgrounds, and inspired countless people to work in theatre in Wales who otherwise would never have considered a UK national theatre a space in which to express themselves.
— Gary Raymond, Kully Thiarai departure from NTW | Failure of Wales?, Wales Arts Review
From January 2020 Thiarai was the Creative Director and CEO of LEEDS 2023. [6] Initially proposed as a bid to the host city for European Capital of Culture, post-Brexit exclusion from European Union initiatives meant that Leeds could no longer complete. [39] [40] This resulted in Leeds City Council and partners deciding to run an independent year of culture in 2023. [41] Thiarai stated in December 2023 that through complex programming and community-engaged practice, the year had "put Leeds on the cultural map, nationally and internationally – and I think we can certainly say that that's happened in the way people talk about the city". [42]
In March 2023 she was appointed as the next chair of Paines Plough. [43] In November 2023 she joined the Board of National Theatre of Scotland. [44]
Graeae Theatre Company, often abbreviated to Graeae, is a British organisation composed of deaf and disabled artists and theatre makers. As well as producing theatre which it tours nationally and internationally to traditional theatres and outdoor spaces, Graeae run a large and varied Creative Learning and training programme for emerging, young and mid-career deaf and disabled artists.
Antonia Jane Bird, FRSA was an English producer and director of television drama and feature films.
Rufus Norris is a British theatre and film director, who is currently the artistic director and chief executive of the National Theatre.
National Theatre Wales (NTW) is a charity and theatre company based in Wales.
Indhu Rubasingham,, is a British theatre director and the current artistic director of the Kiln Theatre in Kilburn, London. In December 2023, it was announced she would take over as Artistic Director of the National Theatre in 2025 from Rufus Norris.
Sam Yates is a British director. Yates grew up in Stockport and attended Poynton High School. He was selected as a Screen International Star of Tomorrow, named a rising star in The Observer, and featured in GQ Magazine's "Men of the next 25 years". Yates has been described as "a major talent" in The Guardian, and "a director of unusual flair" in The Observer. He studied Education with English at Homerton College, Cambridge.
Emma Juliet Rice is a British actor, director and writer. Hailed as a fearless director, Rice's work includes theatrical adaptations of Brief Encounter, The Red Shoes and Wise Children. In 2022, Rice was named in the Sky Arts Top 50 most influential British artists. Rice worked with Kneehigh Theatre in Cornwall for twenty years as an actor, director, then artistic director with co-artistic director, Mike Shepherd. She was the Artistic Director of Shakespeare's Globe from 2016 to 2018, before founding her own touring theatre company Wise Children.
John Edward McGrath is a British artistic director and chief executive of Manchester International Festival.
Morfydd Clark is a Welsh actress, best known for playing Galadriel in the Amazon Prime series The Lord of the Rings: The Rings of Power (2022–). She received a number of accolades for her performance in the film Saint Maud (2019), including a BAFTA Cymru as well as BIFA and BAFTA Rising Star Award nominations.
Jackie Wylie is a Scottish cultural event organizer. She has been the artistic director and chief executive of the National Theatre of Scotland since 2017. She founded the Glasgow-based international performance festival Take Me Somewhere, and was artistic director of The Arches from 2008 to 2015.
Kaite O'Reilly FRSL is UK-based playwright, author and dramaturge of Irish descent. She has won multiple awards for her work, including the Ted Hughes Award (2011) for her version of Aeschylus's tragedy The Persians. O'Reilly's plays have been performed at venues across the UK and at the Edinburgh Festival. Her work has also been shown internationally including in Europe Australia, Korea, Hong Kong and Taiwan. O'Reilly openly identifies as a disabled artist and has spoken of the importance of "identifying socially and politically as disabled" to her work. In 2023, she was elected a Fellow of the Royal Society of Literature.
Chris Goode was a British playwright, theatre director, performer, and poet. He was the artistic director of Camden People's Theatre from 2001 to 2004, and led the ensemble Chris Goode and Company until its closure in 2021.
Claire Doherty MBE is a creative director and arts producer known for her producing and writing on place and the arts.
Abigail Morris is a British arts administrator and the ex-chief executive of the Jewish Museum London. She is the former artistic director and chief executive of Soho Theatre.
Oily Cart is a London-based national and international touring theatre company founded in 1981. The company specialises in creating original, immersive, multi-sensory productions for babies and very young children under 5, and for children and young people who have profound and multiple learning disabilities, are on the autism spectrum, or are deafblind/multi-sensory impaired. The emergence of Theatre for Early Years (TEY) has been credited to Oily Cart and Theatre Kit. The company is a registered charity.
Counting and Cracking is a play by Australian playwright S. Shakthidharan, first staged in 2019 in Sydney.
Alice Birch is a British playwright and screenwriter. Birch has written several plays, including Revolt. She Said. Revolt Again. for which she was awarded the George Devine Award for Most Promising New Playwright, and Anatomy of a Suicide for which she won the Susan Smith Blackburn Prize. Birch was also the screenwriter for the film Lady Macbeth and has written for such television shows as Succession, Normal People, and Dead Ringers.
The Yard Theatre, opened in 2011, is a theatre in a converted warehouse in Hackney Wick in the London Borough of Tower Hamlets. It programmes theatre and performance, nightlife, and works with young people and its local community.
Leeds 2023, stylized as LEEDS 2023, was a designated year of culture taking place in Leeds, West Yorkshire, during 2023. Years of culture are specific years where a city or region dedicates significant resources to investing in cultural initiatives. Initially proposed as a bid to be the host city for European Capital of Culture, post-Brexit exclusion from European Union initiatives meant that Leeds could no longer bid. This resulted in Leeds City Council and partners deciding to run an independent year of culture in 2023.
Tamara Harvey is a British-based theatre director.