Kumiko, the Treasure Hunter | |
---|---|
Directed by | David Zellner |
Written by |
|
Produced by |
|
Starring | |
Cinematography | Sean Porter |
Edited by | Melba Jodorowsky |
Music by | The Octopus Project |
Production companies |
|
Distributed by | Amplify |
Release dates | |
Running time | 104 minutes [1] |
Country | United States |
Languages |
|
Box office | $543,894 [2] |
Kumiko, the Treasure Hunter is a 2014 American drama film co-written and directed by David Zellner. [3] [4] The film stars Rinko Kikuchi, Nobuyuki Katsube, Shirley Venard, David Zellner, Nathan Zellner, and Kanako Higashi. Alexander Payne and Kikuchi serve as executive producers.
The story is based on the urban legend surrounding Takako Konishi, and her search of the fictional ransom money seen buried in the snow from the 1996 film Fargo .
Kumiko is a twenty-nine year old office lady who lives in utter solitude in Tokyo. She works a dreadful, dead-end job under a boss she hates (who in turn, hates her), unable to connect to her fashionable peers, and nagged by her overbearing mother to find a man and get married. The only joys in her life come from her pet rabbit, Bunzo, and treasure hunting – which leads her to find a VHS copy of the film Fargo in a secluded cave on the shore. Convinced the film is real, Kumiko obsesses over the film, focusing on the scene in which a character played by Steve Buscemi buries a satchel of ransom money along a snowy highway, obsessively detailing and noting each aspect of the scene and the film overall. Kumiko even attempts to steal an atlas from a library, only to be caught by the security guard, who pities her and allows her to take the map of Minnesota.
Under threat of being replaced, a failed reconnection with an old friend, and her mother's increasing nagging, Kumiko abandons Bunzo on a train and boards a plane to Minneapolis using her boss's company card. With a hand-stitched treasure map and a quixotic spirit, Kumiko embarks on a journey over the Pacific and through the frozen Minnesota plains to find the purported fortune. Once there, she quickly finds herself unprepared for the harsh winter, and unable to communicate due to her weak grasp of English beyond "Fargo". She is sheltered by an old lady, but sneaks off when the lady tries to convince her to stay at her home.
A sheriff's deputy picks her up after passersby report her wandering through the streets, believing her to be lost. She shows him the film and he attempts to understand her, gaining her trust, but repeatedly attempts to tell her that the film is not real – later driving her to a Chinese restaurant in hopes of finding a translator, unaware that Chinese and Japanese are not mutually intelligible. While at the restaurant, Kumiko calls her mother from a payphone hoping that she would be able to wire her money only for her mother to disown her after being told she stole her boss's credit card. This leads to Kumiko breaking down in front of the officer. While buying her winter attire, Kumiko kisses the officer, but he explains that he is married and tries again to explain to her that the treasure isn't real; upset, Kumiko runs from the store and leaves in a taxi, where she plots a course to Fargo. En route, she suddenly demands the taxi to stop, then flees into the wilderness, unable to pay. She soon comes across a frozen lake where, while looking through the ice, she sees what appears to be a suitcase. Convinced that this is the treasure, she spends a long time attempting to break the ice, only to find a badly decayed oar.
That night, during a snowstorm, Kumiko wanders deeper into the forest, the storm growing more and more violent until she is buried. The next morning, Kumiko emerges from the snow, and wanders through a hallucinatory landscape until she happens upon what appears to be the setting of the Fargo scene and sees the marker indicating the location of the treasure. She finds the satchel containing the money. Overjoyed with her triumph, she exclaims "I was right after all". Bunzo appears, and with him, she proudly walks into the distance.
Kumiko, the Treasure Hunter had its world premiere on January 20, 2014 at the 2014 Sundance Film Festival as part of the US Dramatic Competition. [5] [6] It latermade its International Premiere at the 64th Berlin International Film Festival on February 8, 2014. [7] [8] The film has gone on to screen at South by Southwest, BamCinemaFest, Maryland, Karlovy Vary, and Sydney Film Festival. [9] [10] [11] [12] [13]
In February 2024, Bleecker Street, distributor of the Zellners' Sasquatch Sunset , which premiered at the Sundance Film Festival nearly ten years to the day Kumiko premiered at its 2014 edition, announced that they would be re-releasing the latter in select theaters in the United States on March 22, 2024 to mark its 10th anniversary, with a release on VOD to follow on April 2. [14]
The film received largely positive reviews upon its premiere at the 2014 Sundance Film Festival. [15] Review aggregator Rotten Tomatoes gives the film an 88% rating based on reviews from 138 critics, with an average score of 7.2/10. [16] The critics' consensus reads "Powerfully acted and lovely to look at, Kumiko, the Treasure Hunter offers a treat for cinephiles with a taste for the pleasantly peculiar." [16] Metacritic gives the film a score of 68 based on reviews from 31 critics, indicating "generally favorable reviews". [17]
Scott Foundas, in his review for Variety , gave the film a positive review by saying that "A beguiling fable of buried treasure and movie-fed obsession" and added that "At every turn, we can sense what's going on behind Kumiko's doleful, downcast eyes; Kikuchi pulls us deeply into her world." [18] Todd McCarthy in his review for The Hollywood Reporter called the film "A work of rigorously disciplined eccentricity, Kumiko, the Treasure Hunter is at once entirely accessible and yet appealing only to a rarified crowd ready to key into its narrow-bandwidth sense of humor." [19] Eric Kohn of Indiewire praised the film and said that "Striking a complex tone of tragedy and uplift at the same time, Kumiko, the Treasure Hunter both celebrates the escapist power of personal fantasies and bears witness to their dangerous extremes. It's the rare case of a story that's inspirational and devastating at once." [20] David Ehrlich of Film.com gave the film 9.1 out of 10, saying: "Less of an homage to Fargo than the next appendage of the same exquisite corpse, Kumiko, the Treasure Hunter plays like a dryly hilarious riff on Don't Look Now "; he added that it was "one of the best films to ever premiere at Sundance." [21]
The film went on to be nominated for two Independent Spirit Awards: Best Director and Best Female Lead. For his work on Kumiko and other films, producer Chris Ohlson received the Spirit Award's Piaget Producers Award. [22] [23]
Year | Award | Category | Recipient | Result | Ref. |
---|---|---|---|---|---|
2014 | Sundance Film Festival | U.S. Grand Jury Prize: Dramatic | David Zellner | Nominated | [24] [25] |
U.S. Dramatic Special Jury Award for Musical Score | The Octopus Project | Won | |||
Fantasia (Montreal) International Film Festival | Best Director | David Zellner | Won | [26] | |
Little Rock Film Festival | Best Feature Film – Golden Rock Narrative Award | David Zellner | Won | [27] | |
Nantucket Film Festival | Showtime Tony Cox Award – Best Screenwriting in a Feature Film | David Zellner Nathan Zellner | Won | [28] | |
Las Palmas Film Festival | Audience Award – Best Feature Film | David Zellner | Won | ||
Special Jury Award | David Zellner | Won | |||
Sydney Film Festival | Best Feature Film | David Zellner | Nominated | [29] | |
Independent Spirit Awards | Best Director | David Zellner | Nominated | [30] | |
Best Female Lead | Rinko Kikuchi | Nominated | |||
2015 | Crested Butte Film Festival | Best Narrative Feature | David Zellner | Won | |
2016 | Chlotrudis Society for Independent Films | Best Actress | Rinko Kikuchi | Nominated | [31] |
Maryam Keshavarz, is an American filmmaker, of Iranian descent. She is best known for her 2011 film Circumstance distributed by Participant Media and Roadside Attractions, which won the Audience Award at Sundance Film Festival.
The Octopus Project is an American experimental band formed in Austin, TX in 1999 by Toto Miranda, Yvonne Lambert & Josh Lambert. Their first album, Identification Parade, came out in 2002, setting them off on a musical path that veers through blown-out rock’n’roll, vibrant electronics, surreal pop and expansive psych landscapes. Since then, the group of multi-instrumentalists has released six studio albums and scored six feature films. Touring venues and festivals worldwide both on their own and as handpicked support for artists as diverse as DEVO and Aesop Rock, they have earned a reputation for explosive live shows and immersive audio-visual experiments.
Rinko Kikuchi is a Japanese actress. She was the first Japanese actress to be nominated for an Academy Award in 50 years, for her work in Babel (2006). Kikuchi's other notable films include Norwegian Wood (2010), which screened in competition at the 67th Venice Film Festival and Guillermo del Toro's science fiction action film Pacific Rim (2013). For her role in the drama film Kumiko, the Treasure Hunter (2014), Kikuchi received an Independent Spirit Award nomination for Best Female Lead. She is currently seen in the HBO Max crime drama series Tokyo Vice.
Marielle Stiles Heller is an American director, screenwriter and actress. She is best known for directing the films The Diary of a Teenage Girl (2015), Can You Ever Forgive Me? (2018), and A Beautiful Day in the Neighborhood (2019), as well as acting in The Queen’s Gambit (2020).
Chris Ohlson is an American video artist and director based in Brooklyn, New York.
Margaret Brown is an American film director who has directed four feature length documentaries. Her film Descendant, about the descendants of survivors of the last ship to carry enslaved Africans into the United States, was shortlisted for the 2023 Academy Awards.
Amy Seimetz is an American actress and filmmaker. She has appeared in several productions, including AMC's The Killing, HBO's Family Tree, and films like Upstream Color, Alien: Covenant, Pet Sematary, and No Sudden Move.
Fruitvale Station is a 2013 American biographical drama film written and directed by Ryan Coogler. It is Coogler's feature directorial debut, and is based on the events leading to the death of Oscar Grant, a young man killed in 2009 by Bay Area Rapid Transit (BART) police officer Johannes Mehserle at the Fruitvale district BART station in Oakland, California. The film stars Michael B. Jordan as Grant, with Kevin Durand and Chad Michael Murray playing the two BART police officers involved in Grant's death, although their names were changed for the film. Melonie Diaz, Ahna O'Reilly, and Octavia Spencer also star.
Happiness is a 2013 French-Finnish documentary film written, directed and produced by Thomas Balmès. The film had its world premiere at International Documentary Festival Amsterdam in November 2013 and premiered in-competition at the 2014 Sundance Film Festival on 17 January 2014. It won the Documentary World Cinema Cinematography Award at the festival.
David Zellner is an American film director, screenwriter and actor. He is best known for directing the films Kid-Thing (2012), Kumiko, the Treasure Hunter (2014), and Damsel (2018).
Chloe Rose is a Canadian actress. She rose to prominence when she portrayed Katie Matlin in the long-running teen drama television series Degrassi: The Next Generation, from 2011 to 2013.
Christine is a 2016 American independent biographical psychological drama film directed by Antonio Campos and written by Craig Shilowich. The film stars Rebecca Hall as Christine Chubbuck, a news reporter who was the first person to die by suicide on a live television broadcast. Michael C. Hall, Tracy Letts, Maria Dizzia, J. Smith-Cameron, and John Cullum appear in supporting roles.
Lulu Wang is a Chinese-born American filmmaker. She is best known for writing and directing the comedy-drama films Posthumous (2014) and The Farewell (2019). For the latter, she received the Independent Spirit Award for Best Film and the film was named one of the top ten films of 2019 by the American Film Institute. Wang has also written, produced, and directed several short films, documentaries, and music videos.
Damsel is a 2018 American Western black comedy film written and directed by David Zellner and Nathan Zellner. It stars Robert Pattinson and Mia Wasikowska.
Lana Wilson is an American filmmaker. She directed the feature documentaries After Tiller, The Departure,Miss Americana, and Look Into My Eyes, as well as the two-part documentary Pretty Baby: Brooke Shields. The first two films were nominated for the Independent Spirit Award for Best Documentary.
Sean Porter is an American cinematographer.
Atsuko Hirayanagi is a Japanese-American filmmaker.
Madeleine Olnek is an American independent film director, producer, screenwriter, and playwright. She has written 24 plays and three feature films, including Codependent Lesbian Space Alien Seeks Same, The Foxy Merkins, and Wild Nights with Emily. Her feature films have been described as "madcap comedies with absurdist leanings" and are all centered around LGBT characters.
Time is a 2020 American documentary film produced and directed by Garrett Bradley. It follows Sibil Fox Richardson and her fight for the release of her husband, Rob, who was serving a 60-year prison sentence for engaging in an armed bank robbery.
Sara Colangelo is an American film director and screenwriter known for her films Little Accidents and Worth. Filmmaker Magazine named her one of its "25 New Faces of Independent Film" in 2010.