Enlil, later known as Elil, is an ancient Mesopotamian god associated with wind, air, earth, and storms. He is first attested as the chief deity of the Sumerian pantheon, but he was later worshipped by the Akkadians, Babylonians, Assyrians, and Hurrians. Enlil's primary center of worship was the Ekur temple in the city of Nippur, which was believed to have been built by Enlil himself and was regarded as the "mooring-rope" of heaven and earth. He is also sometimes referred to in Sumerian texts as Nunamnir. According to one Sumerian hymn, Enlil himself was so holy that not even the other gods could look upon him. Enlil rose to prominence during the twenty-fourth century BC with the rise of Nippur. His cult fell into decline after Nippur was sacked by the Elamites in 1230 BC and he was eventually supplanted as the chief god of the Mesopotamian pantheon by the Babylonian national god Marduk.
Ninḫursaĝ sometimes transcribed Ninursag, Ninḫarsag, or Ninḫursaĝa, also known as Damgalnuna or Ninmah, was the ancient Sumerian mother goddess of the mountains, and one of the seven great deities of Sumer. She is known earliest as a nurturing or fertility goddess. Temple hymn sources identify her as the "true and great lady of heaven" and kings of Lagash were "nourished by Ninhursag's milk". She is the tutelary deity to several Sumerian leaders.
Akkadian literature is the ancient literature written in the Akkadian language in Mesopotamia during the period spanning the Middle Bronze Age to the Iron Age.
Shamash was the ancient Mesopotamian sun god, earlier known as Utu. He was believed to see everything that happened in the world every day, and was therefore responsible for justice and protection of travelers. As a divine judge, he could be associated with the underworld. Additionally, he could serve as the god of divination, typically alongside the weather god Adad. While he was universally regarded as one of the primary gods, he was particularly venerated in Sippar and Larsa.The moon god Nanna (Sin) and his wife Ningal were regarded as his parents, while his twin sister was Inanna (Ishtar). Occasionally other goddesses, such as Manzat and Pinikir, could be regarded as his sisters too. The dawn goddess Aya (Sherida) was his wife, and multiple texts describe their daily reunions taking place on a mountain where the sun was believed to set. Among their children were Kittum, the personification of truth, dream deities such as Mamu, as well as the god Ishum. Utu's name could be used to write the names of many foreign solar deities logographically. The connection between him and the Hurrian solar god Shimige is particularly well attested, and the latter could be associated with Aya as well.
Ninurta (Sumerian: 𒀭𒊩𒌆𒅁: DNIN.URTA, possible meaning "Lord [of] Barley"), also known as Ninĝirsu (Sumerian: 𒀭𒎏𒄈𒋢: DNIN.ĜIR2.SU, meaning "Lord [of] Girsu"), is an ancient Mesopotamian god associated with farming, healing, hunting, law, scribes, and war who was first worshipped in early Sumer. In the earliest records, he is a god of agriculture and healing, who cures humans of sicknesses and releases them from the power of demons. In later times, as Mesopotamia grew more militarized, he became a warrior deity, though he retained many of his earlier agricultural attributes. He was regarded as the son of the chief god Enlil and his main cult center in Sumer was the Eshumesha temple in Nippur. Ninĝirsu was honored by King Gudea of Lagash (ruled 2144–2124 BC), who rebuilt Ninĝirsu's temple in Lagash. Later, Ninurta became beloved by the Assyrians as a formidable warrior. The Assyrian king Ashurnasirpal II (ruled 883–859 BC) built a massive temple for him at Kalhu, which became his most important cult center from then on.
In the Sumerian mythological poem Lugal-e, Asag or Azag, is a monstrous demon, so hideous that his presence alone makes fish boil alive in the rivers.
Anzû, also known as dZû and Imdugud, is a monster in several Mesopotamian religions. He was conceived by the pure waters of the Apsu and the wide Earth, or as son of Siris. Anzû was depicted as a massive bird who can breathe fire and water, although Anzû is alternately depicted as a lion-headed eagle.
Pabilsaĝ was a Mesopotamian god. Not much is known about his role in Mesopotamian religion, though it is known that he could be regarded as a bow-armed warrior deity, as a divine cadastral officer or a judge. He might have also been linked to healing, though this remains disputed. In his astral aspect, first attested in the Old Babylonian period, he was a divine representation of the constellation Sagittarius.
Nazi-Maruttaš, typically inscribed Na-zi-Ma-ru-ut-ta-aš or mNa-zi-Múru-taš, Maruttašprotects him, was a Kassite king of Babylon c. 1307–1282 BC and self-proclaimed šar kiššati, or "King of the World", according to the votive inscription pictured. He was the 23rd of the dynasty, the son and successor of Kurigalzu II, and reigned for twenty six years.
A lilu or lilû is a masculine Akkadian word for a spirit or demon.
Bašmu or Bashmu was an ancient Mesopotamian mythological creature, a horned snake with two forelegs and wings. It was also the Akkadian name of the Babylonian constellation (MUL.DINGIR.MUŠ) equivalent to the Greek Hydra. The Sumerian terms ušum and muš-šà-tùr may represent differing iconographic types or different demons. It is first attested by a 22nd-century BC cylinder inscription at Gudea.
Ušumgallu or Ushumgallu was one of the three horned snakes in Akkadian mythology, along with the Bašmu and Mušmaḫḫū. Usually described as a lion-dragon demon, it has been somewhat speculatively identified with the four-legged, winged dragon of the late 3rd millennium BCE.
Mušmaḫḫū, inscribed in Sumerian as 𒈲𒈤 MUŠ.MAḪ, Akkadian as muš-ma-ḫu, meaning "Exalted/distinguished Serpent", was an ancient Mesopotamian mythological hybrid of serpent, lion and bird, sometimes identified with the seven-headed serpent slain by Ninurta in the mythology of the Sumerian period. He is one of the three horned snakes, with his companions, Bašmu and Ušumgallu, with whom he may have shared a common mythological origin.
Ugallu, the "Big Weather-Beast",. It was a lion-headed storm-demon and has the feet of a bird who is featured on protective amulets and apotropaic yellow clay or tamarisk figurines of the first millennium BC but had its origins in the early second millennium. The iconography changed over time, with the human feet morphing into an eagle's talons and dressing him in a short skirt. He was one of the class of ud-demons (day-demons), personifying moments of divine intervention in human life.
Kulullû, inscribed ku6-lú-u18/19-lu, "Fish-Man", an ancient Mesopotamian mythical monster possibly inherited by Marduk from his father Ea. In later Assyrian mythology he was associated with kuliltu, "Fish-Woman", and statues of them were apparently located in the Nabû temple in Nimrud, ancient Kalhu, as referenced on a contemporary administrative text.
The work known by its incipit, Angim, "The Return of Ninurta to Nippur", is a rather obsequious 210-line mythological praise poem for the ancient Mesopotamian warrior-god Ninurta, describing his return to Nippur from an expedition to the mountains (KUR), where he boasts of his triumphs against "rebel lands" (KI.BAL), boasting to Enlil in the Ekur, before returning to the Ešumeša temple—to “manifest his authority and kingship.”
Bīt mēseri, inscribed bit me-se-rimeš and meaning “House of Confinement” or “Detention,” is an ancient Mesopotamian ritual incantation text complete on four cuneiform tablets for the protection of the house against invading evil. The earliest extant copies are neo-Assyrian, from the library of Ashurbanipal, where, according to its ritual tablet, it was to be conducted regularly in the months of Tašrītu and Araḫsamna, but there is also a late Babylonian rescension recovered from the house of a priest in Uruk and copied by Anu-ikṣur, kalû, or incantation priest, son of Šamaš-iddin, descendant of Šangû-Ninurta. It is one of the works cited in the Exorcists Manual as forming part of the curriculum of the āšipu, or exorcist.
The ancient Mesopotamian myth beginning Lugal-e ud me-lám-bi nir-ğál, also known as Ninurta's Exploits is a great epic telling of the warrior-god and god of spring thundershowers and floods, his deeds, waging war against his mountain rival á-sàg, destroying cities and crushing skulls, restoration of the flow of the river Tigris, returning from war in his “beloved barge” Ma-kar-nunta-ea and afterward judging his defeated enemies, determining the character and use of 49 stones, in 231 lines of the text. It is a bilingual work with origin in the late third millennium BCe.
Zisurrû, meaning “magic circle drawn with flour,” and inscribed ZÌ-SUR-RA-a, was an ancient Mesopotamian means of delineating, purifying and protecting from evil by the enclosing of a ritual space in a circle of flour. It involved ritual drawings with a variety of powdered cereals to counter different threats and is accompanied by the gloss: SAG.BA SAG.BA, Akkadian: māmīt māmīt, the curse from a broken oath, in The Exorcists Manual, where it refers to a specific ritual on two tablets the first of which is extant.
Ḫulbazizi, inscribed in cuneiform phonetically Ḫul.ba.zi.zi, “the Evil is Eradicated” or more literally "Evil (be) gone", is an ancient Mesopotamian exorcistic incantation series extant in earlier Sumerian and later Akkadian forms, the language switch taking place in the late Bronze Age, directed at every sort of evil, including a spell against everything scary that hides below one's bed at night, depicted on an amulet with the terrified subject seated upright on his bed while a small dragon emerges from beneath to be confronted by a third figure.
