L'oca del Cairo (The Goose of Cairo or The Cairo Goose, K. 422) is an incomplete Italian opera buffa in three acts, begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October. The complete libretto by Giambattista Varesco remains. Mozart composed seven of the ten numbers of the first act, plus some recitative, as well a sketch for a further aria; the extant music amounts to about 45 minutes.
Mozart's correspondence shows he wanted to write a comic opera to a new text for the Italian company in Vienna. He had only just met Lorenzo Da Ponte, who would later pen the libretti for several of Mozart's most successful operas, but Da Ponte was not available, so Mozart turned to Giambattista Varesco, librettist for Mozart's earlier opera Idomeneo. Mozart's urgent need of a poet is attested by his willingness to work with someone, who in his opinion had "not the slightest knowledge or experience of the theatre".[1] Eventually Mozart realized the hopelessness of the project and abandoned Varesco's libretto after six months because of its silly ending, a farcical travesty of the Trojan Horse legend.
Performance history
Several versions have been prepared by adapting other music. The first performance (in concert) was in Frankfurt in April 1860 with numbers taken from Lo sposo deluso and some concert arias.
Fragments from L'oca del Cairo, Lo sposo deluso, and Der Schauspieldirektor have been combined as Waiting for Figaro, performed in 2002 by the Bampton Classical Opera.[citation needed] In 1991, the Neuköllner Oper[de] in Berlin performed a combined version of L'oca del Cairo and Lo sposo deluso as Die Gans von Kairo with a new libretto by Peter Lund and additional compositions by Winfried Radeke[de]. Lund added three muses commenting on the absurdity of the plot, highlighting the librettist's arbitrariness and thus commenting on the historical events leading to the opera being left uncompleted.[4]
Roles
Roles, voice types, and premiere cast
Role (role names for the French stage premiere)[5][2]
Don Pippo, a Spanish Marquess, keeps his only daughter Celidora locked up in his tower. She is betrothed to Count Lionetto, but her true love is Biondello, a wealthy gentleman. Biondello makes a bet with the Marquis that if he can rescue Celidora from the tower within a year he wins her hand in marriage. He succeeds by having himself smuggled into the tower garden inside a large mechanical goose.
Noted arias
"Ogni momento dicon le donne" – Chichibio, scene 1
"Se fosse qui nascoso" – Auretta, scene 1
"Siano pronte alle gran nozze" – Don Pippo, scene 3
2018 – L'oca del Cairo & Lo sposo deluso, Herman Bekaert (baritone), Rolande van der Paal (soprano), Ioan Micu (tenor), Bernard Loonen (tenor), Leonie Schoon (soprano), Gretje Anthoni (soprano), Romain Bischoff (baritone); Kameropera Antwerpen, Hans Rotman; CPO[12]
Idomeneo, re di Creta ossia Ilia e Idamante is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
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