L'oca del Cairo (The Goose of Cairo or The Cairo Goose, K. 422) is an incomplete Italian opera buffa in three acts, begun by Wolfgang Amadeus Mozart in July 1783 but abandoned in October. The complete libretto by Giambattista Varesco remains. Mozart composed seven of the ten numbers of the first act, plus some recitative, as well a sketch for a further aria; the extant music amounts to about 45 minutes.
Mozart's correspondence shows he wanted to write a comic opera to a new text for the Italian company in Vienna. He had only just met Lorenzo Da Ponte, who would later pen the libretti for several of Mozart's most successful operas, but Da Ponte was not available, so Mozart turned to Giambattista Varesco, librettist for Mozart's earlier opera Idomeneo. Mozart's urgent need of a poet is attested by his willingness to work with someone, who in his opinion had "not the slightest knowledge or experience of the theatre".[1] Eventually Mozart realized the hopelessness of the project and abandoned Varesco's libretto after six months because of its silly ending, a farcical travesty of the Trojan Horse legend.
Performance history
Several versions have been prepared by adapting other music. The first performance (in concert) was in Frankfurt in April 1860 with numbers taken from Lo sposo deluso and some concert arias.
Fragments from L'oca del Cairo, Lo sposo deluso, and Der Schauspieldirektor have been combined as Waiting for Figaro, performed in 2002 by the Bampton Classical Opera.[citation needed] In 1991, the Neuköllner Oper[de] in Berlin performed a combined version of L'oca del Cairo and Lo sposo deluso as Die Gans von Kairo with a new libretto by Peter Lund and additional compositions by Winfried Radeke[de]. Lund added three muses commenting on the absurdity of the plot, highlighting the librettist's arbitrariness and thus commenting on the historical events leading to the opera being left uncompleted.[4]
Roles
Roles, voice types, and premiere cast
Role (role names for the French stage premiere)[5][2]
Don Pippo, a Spanish Marquess, keeps his only daughter Celidora locked up in his tower. She is betrothed to Count Lionetto, but her true love is Biondello, a wealthy gentleman. Biondello makes a bet with the Marquis that if he can rescue Celidora from the tower within a year he wins her hand in marriage. He succeeds by having himself smuggled into the tower garden inside a large mechanical goose.
Noted arias
"Ogni momento dicon le donne" – Chichibio, scene 1
"Se fosse qui nascoso" – Auretta, scene 1
"Siano pronte alle gran nozze" – Don Pippo, scene 3
2018 – L'oca del Cairo & Lo sposo deluso, Herman Bekaert (baritone), Rolande van der Paal (soprano), Ioan Micu (tenor), Bernard Loonen (tenor), Leonie Schoon (soprano), Gretje Anthoni (soprano), Romain Bischoff (baritone); Kameropera Antwerpen, Hans Rotman; CPO[12]
Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.
Idomeneo, re di Creta ossia Ilia e Idamante is an Italian-language opera seria by Wolfgang Amadeus Mozart. The libretto was adapted by Giambattista Varesco from a French text by Antoine Danchet, based on a 1705 play by Crébillion père, which had been set to music by André Campra as Idoménée in 1712. Mozart and Varesco were commissioned in 1780 by Karl Theodor, Elector of Bavaria for a court carnival. He probably chose the subject, though it may have been Mozart. The work premiered on 29 January 1781 at the Cuvilliés Theatre in Munich, Germany.
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante is a two-act opera buffa, K. 430, composed by Wolfgang Amadeus Mozart between 1783 and 1784. However, the opera was never completed and only a 20-minute fragment from act 1 exists.
The Jewel Box is a pasticcio opera constructed by Paul Griffiths out of various pieces by Wolfgang Amadeus Mozart. Its mostly English libretto by Paul Griffiths includes new translations of most of the Italian-language texts of the musical numbers. It was premiered by Opera North at the Theatre Royal, Nottingham, on 19 February 1991. The conductor was Elgar Howarth, the director was Francisco Negrin and the designer was Anthony Baker.
A soubrette is a female minor stock character in opera and theatre, often a pert lady's maid. By extension, the term can refer generally to any saucy or flirtatious young woman. The term arrived in English from Provençal via French, and means "conceited" or "coy".
Thomas Pasatieri is an American opera composer.
Father Giambattista Varesco was a chaplain, musician, poet and librettist to Wolfgang Amadeus Mozart. His given name variously appears as Giambattista, Gianbattista, Giovanni Battista and Girolamo Giovanni Battista. He is sometimes referred to with the Italian title Abate or the French Abbé, both used for priests: he was chaplain at the Salzburg court chapel from 1766.
Malin Hartelius is a Swedish soprano who performs regularly with conductors such as Nikolaus Harnoncourt, Ton Koopman, Riccardo Chailly, Sir John Eliot Gardiner, Peter Schreier, Herbert Blomstedt, and Frans Brüggen. She has collaborated with orchestras like the Oslo Philharmonic Orchestra, the Tonhalle Orchester Zurich, the San Francisco Symphony, and the Concentus Musicus Wien.
Bampton Classical Opera is an opera company based in Bampton, Oxfordshire and founded in 1993. It specialises in the production of lesser known opera from the Classical period. Performances are always sung in English. Opera today called the company 'ambitious, innovative and imaginative'.
Giovanni Bertati was an Italian librettist.
City Opera of Vancouver is a professional chamber opera company in Vancouver, Canada, founded in 2006. Its past productions include the Vancouver premiere of Nigredo Hotel by Ann-Marie MacDonald and Nic Gotham; commission and premiere of 'Missing', by librettist Marie Clements and composer Brian Current, given in co-production with Pacific Opera Victoria; the premiere of a 'new' Mozart chamber opera, 'The Lost Operas of Mozart'; the world premiere of Pauline, a chamber opera with an original libretto by Margaret Atwood; the commission and workshop premiere of 'Fallujah', with music by Tobin Stokes and libretto by Heather Raffo, and supported by the Annenberg Foundation of Los Angeles; the Canadian event premiere of Sumidagawa and Curlew River in double bill; and, the British Columbia premiere of Viktor Ullmann's The Emperor of Atlantis.
Titus-Charles Constantin was a French conductor, violinist and composer.
Martin Pearlman is an American conductor, harpsichordist, composer, and early music specialist. He founded the first permanent Baroque orchestra in North America with Boston Baroque in 1973–74. Many of its original players went on to play in or direct other ensembles in what became a growing field in the American music scene. He later founded the chorus of that ensemble and has been the music director of Boston Baroque from its inception up to the present day.
Paul Anthony Griffiths is a British music critic, novelist and librettist. He is particularly noted for his writings on modern classical music and for having written the libretti for two 20th century operas, Tan Dun's Marco Polo and Elliott Carter's What Next?.
Tutti in maschera is an opera by Carlo Pedrotti. The libretto is by Marco Marcelliano Marcello, based on the 1759 comedy L'impresario delle Smirne by Carlo Goldoni. It was premiered at the Teatro Nuovo, Verona, on 4 November 1856.
George Alfred Maran was an American opera, oratorio, and concert tenor. Born near Boston, Massachusetts. Maran attended Harvard University where he and his voice came to the attention of people such as Leonard Bernstein and Paul Hindemith. He first drew international attention when he won the “Mozart-Medaille”(Mozart Medal) from the Mozarteum International Foundation in Salzburg in 1956 on Mozart’s 200th birthday. The same year, and the next forty years thereafter, he was a soloist at the Opera in Darmstadt, Germany. Even so, he continued singing all over Europe and the United States, the world premiere of A Midsummer Night's Dream (opera) with Benjamin Britten conducting as a prime example. He has sung many wide-ranging and varied genres as soloist in opera, operetta, oratorio, and on the concert stage.
Shawn Roy is an American operatic bass-baritone and academic. Since 1998, he has served as the head of the opera program at the University of Louisiana at Lafayette.
Michel Rostain (born 28 September 1942, in Mende, Lozère, is a French lyric and musical theater director as well as a writer.
Louis Martinet was a French painter, gallery owner and theater director.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
