This is a partial discography of complete performances of Wolfgang Amadeus Mozart's opera The Marriage of Figaro . This opera was first performed at the Burgtheater in Vienna on 1 May 1786.
The Marriage of Figaro has been filmed as opera several times.
The Marriage of Figaro, K. 492, is a commedia per musica in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte. It premiered at the Burgtheater in Vienna on 1 May 1786. The opera's libretto is based on the 1784 stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro. It tells how the servants Figaro and Susanna succeed in getting married, foiling the efforts of their philandering employer Count Almaviva to seduce Susanna and teaching him a lesson in fidelity.
Lo sposo deluso, ossia La rivalità di tre donne per un solo amante is a two-act opera buffa, K. 430, composed by Wolfgang Amadeus Mozart between 1783 and 1784. However, the opera was never completed and only a 20-minute fragment from act 1 exists.
Frederica von Stade is a semi-retired American classical singer. Best known for her work in opera, she was also a recitalist and concert artist, and she recorded more than a hundred albums and videos. She is especially associated with operas by Mozart and Rossini, and also with music by French and American composers, most notably Jake Heggie. A Chevalier of France's Ordre des Arts et des Lettres, twice the winner of a Grand Prix du Disque and nominated nine times for a Grammy award, she is widely regarded as the pre-eminent lyric mezzo-soprano of her generation.
Hermann Prey was a German lyric baritone, who was equally at home in the Lied, operatic and concert repertoires. His American debut was in November 1952, with the Philadelphia Orchestra and Eugene Ormandy, and his American recital debut took place in 1956, at New York's Carnegie Hall. As a Lieder singer, he was a gifted interpreter of Schubert, including his song-cycles Die schöne Müllerin and Die Winterreise and the collection of songs Schwanengesang, as well as of Robert Schumann, Richard Strauss and Gustav Mahler. He also appeared frequently as a soloist in Bach's Passions and Brahms' A German Requiem.
The Symphony No. 38 in D major, K. 504, was composed by Wolfgang Amadeus Mozart in late 1786. It premiered in Prague on January 19, 1787, during Mozart's first visit to the city. Because it was first performed in Prague, it is popularly known as the Prague Symphony. Mozart's autograph thematic catalogue records 6 December 1786 as the date of completion for this composition.
"Dove sono" is an aria in Italian for lyric soprano from the third act of Mozart's 1786 opera Le nozze di Figaro. Countess Almaviva laments, in an initial recitative, that her husband has become a philanderer, and that she must rely on assistance from her maid to manipulate him. In the aria, she calmly remembers moments of love, and hopes, with increasing agitation, that her persistence may make him love her again. It is frequently performed in recitals and featured in anthologies of vocal music for lyric soprano.
Anna Tomowa-Sintow is a Bulgarian soprano who has sung to great acclaim in all the major opera houses around the world in a repertoire that includes Mozart, Rossini, Verdi, Puccini, Heinrich Marschner,Wagner, and Strauss. She enjoyed a particularly close professional relationship with conductor Herbert von Karajan from 1973 until his death in 1989.
Edith Mathis is a Swiss soprano and a leading exponent of the works of Wolfgang Amadeus Mozart worldwide. She is known for parts in Mozart operas, but also took part in premieres of operas such as Henze's Der junge Lord.
Sesto Bruscantini was an Italian baritone, one of the greatest buffo singers of the post-war era, especially renowned in Mozart and Rossini.
Peter Mattei is a Swedish operatic baritone, particularly known for his performances in Mozart's baritone roles.
Regula Mühlemann is a Swiss operatic soprano.
"Non più andrai" is an aria for bass from Mozart's 1786 opera The Marriage of Figaro, K. 492. The Italian libretto was written by Lorenzo Da Ponte based on a stage comedy by Pierre Beaumarchais, La folle journée, ou le Mariage de Figaro (1784). It is sung by Figaro at the end of the first act.
Alison Hagley is an English opera singer.
Harvard College Opera (HCO), formally the Harvard College Opera Society, is a collegiate opera company composed of undergraduates at Harvard College and based in Cambridge, Massachusetts. Founded in 1992 at Dunster House as the Dunster House Opera Society, the organization aims to expand undergraduate access to opera at Harvard.
Aldo Baldin was a Brazilian classical tenor, known for his interpretations of music by Johann Sebastian Bach. He performed internationally and made many recordings. He was professor of voice at the Hochschule für Musik Karlsruhe.
Paolo Bordogna is an Italian operatic baritone and bass. He is particularly associated with buffo (comic) roles.
Golda Schultz is a South African soprano.
Heidi Grant Murphy is an American operatic soprano and academic voice teacher. A member of the Metropolitan Opera since 1989, she appeared at international opera houses, and made recordings. She has been a voice teacher at the Jacobs School of Music from 2011.
Le nozze di Figaro is a 1955 studio recording of Wolfgang Amadeus Mozart's opera of the same name released by the Decca label with the Vienna Philharmonic and Choir of Vienna State Opera conducted by Erich Kleiber. The cast of singers include Lisa Della Casa as the Countess, Hilde Güden as Susanna, Suzanne Danco as Cherubino, Cesare Siepi as Figaro and Alfred Poell as the Count, as well as Hilde Rössel-Majdan, Fernando Corena and Murray Dickie.
Le nozze di Figaro is a 1959 EMI studio recording of Mozart's opera of the same name with the Philharmonia Orchestra and Chorus under Carlo Maria Giulini. The cast includes Elisabeth Schwarzkopf as the Countess, Anna Moffo as Susanna, Eberhard Wächter as the Count, Giuseppe Taddei as Figaro and Fiorenza Cossotto as Cherubino. The recording, made at Kingsway Hall, London, was first released on EMI in 1961 with Walter Legge as producer.