Giovanni Pacini was an Italian composer, best known for his operas. Pacini was born in Catania, Sicily, the son of the buffo Luigi Pacini, who was to appear in the premieres of many of Giovanni's operas. The family was of Tuscan origin, living in Catania when the composer was born.
The Last Day of Pompeii is a large history painting by Karl Bryullov produced in 1830–1833 on the subject of the eruption of Mount Vesuvius in AD 79. It is notable for its positioning between Neoclassicism, the predominant style in Russia at the time, and Romanticism as increasingly practised in France. The painting was received to near universal acclaim and made Bryullov the first Russian painter to have an international reputation. In Russia it was seen as proving that Russian art was as good as art practised in the rest of Europe. It inspired Edward Bulwer-Lytton's world-famous novel The Last Days of Pompeii. Critics in France and Russia both noted, however, that the perfection of the classically modelled bodies seemed to be out of keeping with their desperate plight and the overall theme of the painting, which was a Romantic one of the sublime power of nature to destroy man's creations.
The Last Days of Pompeii is a novel written by Edward Bulwer-Lytton in 1834. The novel was inspired by the painting The Last Day of Pompeii by the Russian painter Karl Briullov, which Bulwer-Lytton had seen in Milan. It culminates in the cataclysmic destruction of the city of Pompeii by the eruption of Mount Vesuvius in AD 79.
Jone, ossia L'ultimo giorno di Pompei is an opera in four acts by Errico Petrella. The Italian-language libretto was by Giovanni Peruzzini, after Edward Bulwer-Lytton's famous novel The Last Days of Pompeii.
Alessandro nelle Indie is an opera seria in two acts by Giovanni Pacini to a libretto by Andrea Leone Tottola and Giovanni Schmidt, based on Alessandro nell'Indie by Pietro Metastasio. It was premiered at the Teatro di San Carlo in Naples on 29 September 1824, and had a total of 38 performances in its first season.
William Matteuzzi is an Italian operatic tenor renowned for his impressive vocal range and prominent upper register, reaching a high F in full voice, which enabled him to participate in the recent revival of the tenore contraltino repertoire. he is nicknamed "the King of the high F". He is also admired as a fine musician and elegant vocalist.
The Last Days of Pompeii is an 1834 novel by Edward Bulwer-Lytton.
The Last Days of Pompei is a 1926 Italian historical silent drama film. The film was directed by Carmine Gallone and Amleto Palermi based on the 1834 novel The Last Days of Pompeii by Edward Bulwer-Lytton. Original release prints of the film were entirely colorized by the Pathechrome stencil color process.
The ancient Roman city of Pompeii has been frequently featured in literature and popular culture since its modern rediscovery. Pompeii was buried under 4 to 6 m of volcanic ash and pumice in the eruption of Mount Vesuvius in AD 79.
Raúl Giménez, is an Argentine operatic tenor, particularly associated with the Italian bel canto vocal style.
Domenico Reina was a Swiss bel canto tenor, notable for creating roles in the operas of Vincenzo Bellini, Gaetano Donizetti, Saverio Mercadante, and other Italian composers.
Antonietta Marini-Rainieri was an Italian operatic soprano active during the first half of the 19th century. She was married to lauded operatic bass Ignazio Marini and often appeared on stage with him. In 1835 she portrayed Giulietta opposite Amalia Schütz Oldosi as Romeo in the Teatro Regio di Parma's first staging of Vincenzo Bellini's I Capuleti e i Montecchi. At La Scala she portrayed roles in the world premieres of Giuseppe Verdi's first two operas: Leonora in Oberto (1839) and the Marchesa del Poggio in Un giorno di regno (1840). She also appeared at that house as the Princess of Navarra in the premiere of Gaetano Donizetti's Gianni di Parigi (1839). In 1843, she sang the title role in the premiere of Giovanni Pacini's Maria, regina d'Inghilterra at the Teatro Carolino in Palermo. She reprised that role in December 1843 at La Scala, and at the Teatro Carlo Felice in February 1844.
The Last Days of Pompeii (1950) is a black and white French-Italian historical drama, directed by Marcel L'Herbier "in collaboration with" Paolo Moffa, who was also the director of production. It was adapted from Edward Bulwer-Lytton's novel The Last Days of Pompeii. The film has also been known as Sins of Pompeii.
Raffaele Ferlotti was an Italian operatic baritone who had an active international career from the 1830s through the 1860s. He was a regular performer in Italy's leading opera houses, especially La Scala, and created roles in several world premieres. On the international stage he performed in operas in Austria, England, France, and Spain.
Alessandro Sanquirico was an Italian scenic designer, architect, and painter. He began his career in conjunction with leading artists of the time such as Paolo Landriani, Giovanni Pedroni, Giovanni Perego, and Georgio Fuentes. Additionally, he studied architecture and perspective with Giuseppe Piermarini, the architect of the La Scala opera house.
Carlo Negrini was an Italian spinto tenor and creator of Gabriele Adorno in Verdi’s opera Simon Boccanegra.
Jolanta Omilian, real name: Jolanta Omiljanowicz-Quattrini, is a Polish opera singer, singing mainly belcanto and dramatic soprano parts.
The Teatro Re was a theatre in Milan, located near the Piazza del Duomo and named for its proprietor, Carlo Re. It functioned as both a prose theatre and an opera house and saw the world premieres of numerous operas, including four by Giovanni Pacini. Designed by Luigi Canonica, the theatre was inaugurated in 1813, closed in 1872, and demolished in 1879.
Pio Botticelli was an Italian bass-baritone active in the opera houses of Italy from 1810 until the mid-1840s. Amongst the numerous roles he created in world premieres were Pietro il Grande in Donizetti's Il falegname di Livonia and The Caliph in Pacini's La schiava in Bagdad. He also sang the role of Leucippo in the Austrian premiere of Rossini's Zelmira.
Savino Monelli was an Italian tenor prominent in the opera houses of Italy from 1806 until 1830. Amongst the numerous roles he created in world premieres were Giannetto in Rossini's La gazza ladra, Enrico in Donizetti's L'ajo nell'imbarazzo and Nadir in Pacini's La schiava in Bagdad. He was born in Fermo where he initially studied music. After leaving the stage, he retired to Fermo and died there five years later at the age of 52.
