Silly Symphony is an American animated series of 75 musical short films produced by Walt Disney Productions from 1929 to 1939. As the series name implies, the Silly Symphonies were originally intended as whimsical accompaniments to pieces of music. As such, the films usually did not feature continuing characters, unlike the Mickey Mouse shorts produced by Disney at the same time. The series is notable for its innovation with Technicolor and the multiplane motion picture camera, as well as its introduction of the character Donald Duck making his first appearance in the Silly Symphony cartoon The Wise Little Hen in 1934. Seven shorts won the Academy Award for Best Animated Short Film.
Becky Sharp is a 1935 American Technicolor historical drama film directed by Rouben Mamoulian and starring Miriam Hopkins who was nominated for the Best Actress Oscar. Other supporting cast were William Faversham, Frances Dee, Cedric Hardwicke, Billie Burke, Alison Skipworth, Nigel Bruce, and Alan Mowbray.
Steffi Duna was a Hungarian-born film actress.
Wheeler & Woolsey were an American vaudeville comedy double act who performed together in comedy films from the late 1920s. The team comprised Bert Wheeler (1895–1968) of New Jersey and Robert Woolsey (1888–1938) of Illinois.
Color Rhapsody is a series of usually one-shot animated cartoon shorts produced by Charles Mintz's studio Screen Gems for Columbia Pictures. They were launched in 1934, following the phenomenal success of Walt Disney's Technicolor Silly Symphonies and Warner Bros.' Merrie Melodies. Because of Disney's exclusive rights to the full three strip Technicolor process, Color Rhapsody were produced in the older two-tone Technicolor process until 1935, when Disney's exclusive contract expired.
Chris-Pin Martin was an American character actor whose specialty lay in portraying comical Mexicans, particularly sidekicks in The Cisco Kid film series. He acted in over 100 films between 1925 and 1953, including over 50 westerns.
Dixiana (1930) is a lavish American pre-Code comedy, musical film directed by Luther Reed and produced and distributed by RKO Radio Pictures. The final twenty minutes of the picture were photographed in Technicolor. The film stars Bebe Daniels, Everett Marshall, Bert Wheeler, Robert Woolsey, Joseph Cawthorn, Jobyna Howland, Ralf Harolde, Bill "Bojangles" Robinson and Dorothy Lee. The script was adapted by Luther Reed from a story by Anne Caldwell.
Gold Diggers of Broadway is a 1929 American pre-Code musical comedy film directed by Roy Del Ruth and starring Winnie Lightner and Nick Lucas. Distributed by Warner Bros., the film is the second all-talking, all-Technicolor feature-length film.
Hello Pop! is the third of five short films starring Ted Healy and His Stooges released by Metro-Goldwyn-Mayer on September 16, 1933. A musical-comedy film, the film also featured the Albertina Rasch Dancers and Bonnie Bonnell. The film was considered lost until a 35mm nitrate print was discovered in Australia in January 2013. Stooges Moe Howard, Larry Fine and Curly Howard were billed as "Howard, Fine and Howard."
Kenneth Macgowan was an American film producer. He won an Academy Award for Best Color Short Film for La Cucaracha (1934), the first live-action short film made in the three-color Technicolor process.
Paul Porcasi was an Italian actor. He appeared in more than 140 films between 1917 and 1945.
Pioneer Pictures, Inc. was a Hollywood motion picture company, most noted for its early commitment to making color films. Pioneer was initially affiliated with RKO Pictures, whose production facilities in Culver City, California were used by Pioneer, and who distributed Pioneer's films. Pioneer later merged with Selznick International Pictures.
Natural color was a term used in the beginning of film and later on in the 1920s, and early 1930s as a color film process that actually filmed color images, rather than a color tinted or colorized movie. The first natural color processes were in the 1900s and 1910s and were two color additive color processes or red and green missing primary color blue, one additive process of time was Kinemacolor. By the 1920s, subtractive color was mostly in use with such processes as Technicolor, Prizma and Multicolor, but Multicolor was mostly never in use in the late 1920s, Technicolor was mostly in use. The only one who cared to mess with Multicolor was William Fox, probably because Multicolor was more cheaper of a process and at the time in 1929 William Fox was in debt. The difference between additive color and subtractive color were that an additive color film required a special projector that could project two components of film at the same time, a green record and a red record. But additive color didn't required a special projector, the two pieces of film were chemically formed together and was projected in one strip of film.
Roast-Beef and Movies is a short subject starring George Givot, Curly Howard, Bobby Callahan, and the Albertina Rasch Dancers, released by Metro-Goldwyn-Mayer (MGM) on February 10, 1934. The music is by Dimitri Tiomkin, who was married to Rasch at the time.
Technicolor is a series of color motion picture processes, the first version dating back to 1916, and followed by improved versions over several decades.
Archie Marshek was an American film editor whose 44-year career spanned six decades.
Service with a Smile is a 1934 Vitaphone short comedy film released by Warner Bros. on July 28, 1934 that was the first live-action film in full color. This film debuted in theaters a few weeks before the Pioneer Pictures film La Cucaracha.
Technicolor Special was a common term used for Hollywood studio produced color short films of the 1930s and 1940s that did not belong to a specified series.
Sol Marroquin was an actor and author. He was also a former aide to Kika de la Garza a Democratic representative of Texas.
The Yaqui is a 1916 American silent Black and white Melodrama directed by Lloyd B. Carleton and starring Hobart Bosworth, Gretchen Lederer and Emory Johnson. The film depicts Yaqui Indians entrapped by nefarious elements into enslavement for a wealthy plantation owner. They struggle in captivity, eventually rebelling against their owner's oppression.
