The Bolero | |
---|---|
Directed by | Allan Miller William Fertik |
Produced by | Allan Miller William Fertik |
Starring | Zubin Mehta |
Cinematography | Michael A. Jones |
Edited by | Sarah Stein |
Music by | Los Angeles Philharmonic Orchestra |
Distributed by | Pyramid Films [1] |
Release date |
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Running time | 26 minutes |
Country | United States |
Language | English |
The Bolero is a 1973 American short documentary film directed by Allan Miller [2] and William Fertik. [3] It won an Oscar at the 46th Academy Awards in 1974 for Best Short Subject. [4]
The film captures the behind-the-scenes preparations of the musicians from the Los Angeles Philharmonic Orchestra as they get ready to showcase Maurice Ravel's orchestral masterpiece, Boléro . Some musicians share their thoughts while adjusting their chairs and music stands. Conductor Zubin Mehta also provides insights, and the film conveys the atmosphere of the rehearsals. The pinnacle of the documentary is the breathtaking performance of Boléro by the talented musicians.
The Bolero was released on DVD by First Run Features alongside In Search of Cezanne, another documentary short, this time about French pre-cubist artist Paul Cézanne, on May 22, 2007. [7]
The Los Angeles Philharmonic is an American orchestra based in Los Angeles, California. Colloquially referred to as the LA Phil, the orchestra has a regular season of concerts from October through June at the Walt Disney Concert Hall, and a summer season at the Hollywood Bowl from July through September. Gustavo Dudamel is the current music director, Esa-Pekka Salonen is conductor laureate, Zubin Mehta is conductor emeritus, and Susanna Mälkki is principal guest conductor. John Adams is the orchestra's current composer-in-residence.
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Frederick D. Tinsley was an American classical double bass player and member of the Los Angeles Philharmonic Orchestra's bass section for 42 years. Tinsley entered the L.A. Philharmonic Orchestra under the direction of Music Director and Conductor Zubin Mehta in 1974. During his years there he also was an Assistant Personnel Manager and instructor in the orchestra's training program for minority students. Before joining the L.A. Philharmonic, Tinsley was a substitute bassist with the New York Philharmonic and Hartford Symphony Orchestras. He was an assistant principal bassist with the Hartford Symphony Orchestra from 1969 to 1974.
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