String Quartet | |
---|---|
by Maurice Ravel | |
Key | F major |
Composed | 1903 |
Dedication | Gabriel Fauré |
Performed | 5 March 1904 |
Movements | four |
Maurice Ravel completed his String Quartet in F major in early April 1903 at the age of 28. It was premiered in Paris in March the following year. The work follows a four-movement classical structure: the opening movement, in sonata form, presents two themes that occur again later in the work; a playful scherzo second movement is followed by a lyrical slow movement. The finale reintroduces themes from the earlier movements and ends the work vigorously.
The quartet's structure is modelled on that of Claude Debussy's String Quartet, written in 1893, although Ravel's musical ideas strongly contrast with Debussy's. Debussy admired Ravel's piece rather more than did its dedicatee, Ravel's teacher Gabriel Fauré.
Ravel attended the Paris Conservatoire, but his unconventional ideas had incurred the displeasure of its ultra-conservative director Théodore Dubois and some other faculty members. His friend and teacher Gabriel Fauré continued to encourage and advise him, and Ravel made continual efforts to win the country's top musical award, the Prix de Rome, in the face of resistance from the Conservatoire regime. By 1904, it was becoming clear to the musical public that Ravel was the outstanding French composer of his generation. Among his works by that date were the piano pieces Pavane pour une infante défunte and Jeux d'eau , and 1904 saw the premieres of his orchestral song cycle Shéhérazade and the String Quartet. [2]
The quartet has superficial resemblances to Debussy's String Quartet, written ten years earlier. Debussy approved of his younger colleague's work, and sent him an encouraging letter. [3] The structure of Ravel's quartet is modelled on Debussy's, but where Debussy's music is, in Arbie Orenstein's words, "effusive, uninhibited, and open[ing] up fresh paths", Ravel's displays emotional reticence, innovation within traditional forms, and unrivalled technical mastery. [4] Ravel followed a direction he described as "opposite to that of Debussy's symbolism", abandoning "the vagueness and formlessness of the early French impressionists in favour of a return to classic standards." [5]
The quartet was premiered by the Heymann Quartet at a concert of the Société Nationale de Musique on 5 March 1904. [6] Its dedicatee, Fauré, attended the performance but was not greatly taken with the piece. Critics were divided on its merits. Pierre Lalo, already a staunch opponent of Ravel, dismissed it as derivative ("it offers an incredible resemblance to the music of M. Debussy") [7] but Jean Marnold of the Mercure de France praised the work and described Ravel as "one of the masters of tomorrow". [8] The work had its London premiere in 1908 (the reviewer in The Musical Times found the music "chiefly remarkable for vagueness of significance, incoherence, and weird harmonic eccentricities") [9] and its German premiere in Berlin in 1910. [10] By 1914, the work was so well established that a London critic was able to compare performances by the Parisian String Quartet with those of British players in consecutive months. [11] The quartet has remained, in Orenstein's phrase, "a standard work in the chamber music repertory". [12]
The quartet is in four movements.
The movement is in traditional sonata form, based on two contrasting themes. The first, rising and falling through a long arc, is played by all four players at the opening and taken over by the first violin, accompanied by scalar harmonies in the lower instruments. The second theme, more reflective in character, is played by the first violin and viola playing two octaves apart. The development section, straightforward and traditional, is predominantly lyrical, gaining intensity before the recapitulation. In the recapitulation, the return of the second theme is subtly changed, with the upper three parts remaining identical to the exposition, but the cello raised a minor third, moving the passage from D minor to F major. The pace slows and the movement ends very quietly. [13]
As in Debussy's quartet, the scherzo is the second movement and opens with a pizzicato passage. This first theme is in the Aeolian mode, which some writers, including the Ravel scholar Arbie Orenstein, detect the influence of the Javanese gamelan, which had greatly impressed both Debussy and Ravel when heard in Paris in 1889. [14] Others hear in it echoes of Ravel's Spanish descent. [15]
The central section of the music is a slow, wistful theme led by the cello. Ravel uses cross rhythms, with figures in triple time played at the same time as figures in double time. The key varies from A minor to E minor and G sharp minor. The movement concludes with a shortened reprise of the opening section. [13]
Despite the marking "very slow", the third movement has numerous changes of tempo. The viola introduces the first theme, which the first violin then repeats. There are strong thematic links with the first movement, and, in defiance of orthodox rules of harmony, conspicuous use of consecutive fifths. The music is rhapsodic and lyrical; it begins and ends in G♭ major with passages in A minor and D minor. [13]
The finale reverts to the F major of the first movement. It is loosely in the form of a rondo. The opening bars are stormy, and the movement, though short, has several changes of time signature, 5
8 to 5
4 to 3
4. Short melodic themes are given rapid tremolandi and sustained phrases are played against emphatic arpeggios. There are brief moments of calm sections, including a reference to the first subject of the opening movement. The turbulence of the opening bars of the finale reasserts itself, and the work ends vigorously. [13]
The work generally takes about half an hour to play. Some typical timings on record are given in the following table.
Quartet | I | II | III | IV | Total | Ref |
---|---|---|---|---|---|---|
Talich | 7:51 | 6:24 | 8:13 | 4:34 | 27:02 | [16] |
Amati | 7:57 | 6:45 | 8:10 | 5:00 | 27:52 | [17] |
Belcea | 7:49 | 6:02 | 8:35 | 5:27 | 27:53 | [18] |
Melos | 8:11 | 6:21 | 9:07 | 4:46 | 28:25 | [19] |
Alban Berg | 7:40 | 6:51 | 9:20 | 4:54 | 28:45 | [20] |
Chilingirian | 8:36 | 6:21 | 8:39 | 5:28 | 29:04 | [21] |
Ébène | 8:50 | 6:29 | 9:47 | 4:40 | 29:46 | [22] |
Juilliard | 8:57 | 6:31 | 9:19 | 5:27 | 30:14 | [23] |
Brodsky | 8:41 | 6:27 | 9:40 | 5:34 | 30:22 | [24] |
During Ravel's lifetime, Ginette Martenot transcribed the first movement of the quartet for ondes Martenot, gaining the composer's approval. [25] There are arrangements for solo piano and two pianos (both arranged by Lucien Garban) and for piano four hands (arranged by Maurice Delage). [26] The conductor Rudolf Barshai arranged the quartet for small string orchestra in 2003. [27]
(Achille) Claude Debussy was a French composer. He is sometimes seen as the first Impressionist composer, although he vigorously rejected the term. He was among the most influential composers of the late 19th and early 20th centuries.
Impressionism in music was a movement among various composers in Western classical music whose music focuses on mood and atmosphere, "conveying the moods and emotions aroused by the subject rather than a detailed tone‐picture". "Impressionism" is a philosophical and aesthetic term borrowed from late 19th-century French painting after Monet's Impression, Sunrise. Composers were labeled Impressionists by analogy to the Impressionist painters who use starkly contrasting colors, effect of light on an object, blurry foreground and background, flattening perspective, etc. to make the observer focus their attention on the overall impression.
Joseph Maurice Ravel was a French composer, pianist and conductor. He is often associated with Impressionism along with his elder contemporary Claude Debussy, although both composers rejected the term. In the 1920s and 1930s Ravel was internationally regarded as France's greatest living composer.
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th-century composers. Among his best-known works are his Pavane, Requiem, Sicilienne, nocturnes for piano and the songs "Après un rêve" and "Clair de lune". Although his best-known and most accessible compositions are generally his earlier ones, Fauré composed many of his most highly regarded works in his later years, in a more harmonically and melodically complex style.
Clément François Théodore Dubois was a French Romantic composer, organist, and music teacher.
Gaspard de la nuit, M. 55 is a suite of piano pieces by Maurice Ravel, written in 1908. It has three movements, each based on a poem or fantaisie from the collection Gaspard de la Nuit – Fantaisies à la manière de Rembrandt et de Callot completed in 1836 by Aloysius Bertrand. The work was premiered in Paris, on January 9, 1909, by Ricardo Viñes.
Jeux d'eau is a piece for solo piano by Maurice Ravel, composed in 1901 and given its first public performance the following year. The title is variously translated as "Fountains", "Playing Water" or literally "Water Games". At the time of writing Jeux d'eau, Ravel was a student of Gabriel Fauré, to whom the piece is dedicated. The work is in a single movement, typically lasting between four and half and six minutes in performance.
Les Apaches was a group of musicians, writers and artists which formed in Paris, France in 1903. The core was formed by the French composer Maurice Ravel, the Spanish pianist Ricardo Viñes and the writer and critic Michel-Dimitri Calvocoressi. The group was private but never formal, and the wider membership was fluid; over 20 unofficial members would attend meetings of Les Apaches until it came to an end during World War I. During their active years, Les Apaches met weekly. The meetings were a chance for the members to perform and show new works or ideas to a small group, discuss contemporary artistic interests and collaborate.
Maurice Ravel's Piano Concerto in G major, was composed between 1929 and 1931. The concerto is in three movements, with a total playing time of a little over 20 minutes. Ravel said that in this piece he was not aiming to be profound but to entertain, in the manner of Mozart and Saint-Saëns. Among its other influences are jazz and Basque folk music.
Pavane pour une infante défunte is a work for solo piano by Maurice Ravel, written in 1899 while the French composer was studying at the Conservatoire de Paris under Gabriel Fauré. Ravel published an orchestral version in 1910 using two flutes, an oboe, two clarinets, two bassoons, two horns, harp, and strings.
Rapsodie espagnole is an orchestral rhapsody written by Maurice Ravel. Composed between 1907 and 1908, the Rapsodie is one of Ravel's first major works for orchestra. It was first performed in Paris in 1908 and quickly entered the international repertoire. The piece draws on the composer's Spanish heritage and is one of several of his works set in or reflecting Spain.
Pelléas et Mélisande, Op. 80 is a suite derived from incidental music by Gabriel Fauré for Maurice Maeterlinck's play of the same name. He was the first of four leading composers to write music inspired by Maeterlinck's drama. Debussy, Schoenberg and Sibelius followed in the first decade of the 20th century.
Claude Debussy completed his String Quartet in G minor, Op. 10 (L.91), in 1893 when he was 31 years old. It is Debussy's only string quartet.
Shéhérazade is the title of two works by the French composer Maurice Ravel. Both have their origins in the composer's fascination with Scheherazade, the heroine and narrator of The Arabian Nights. The first work, an overture (1898), Ravel's earliest surviving orchestral piece, was not well received at its premiere and has not subsequently been among his most popular works. Four years later he had a much greater success with a song cycle with the same title, which has remained a standard repertoire piece and has been recorded many times.
Introduction and Allegro for Harp, Flute, Clarinet and String Quartet is a chamber work by Maurice Ravel. It is a short piece, typically lasting between ten and eleven minutes in performance. It was commissioned in 1905 by the Érard harp manufacturers to showcase their instruments, and has been described as a miniature harp concerto. The premiere was in Paris on 22 February 1907.
The String Quartet in E minor, Op. 121, is the only string quartet by Gabriel Fauré. Completed in 1924 shortly before his death at the age of 79, it is his last composition. His pupil Maurice Ravel had dedicated his String Quartet to Fauré in 1903, and he and others urged Fauré to compose one of his own; he declined, on the grounds that it was too difficult. When he finally decided to write it, he did so in trepidation.
Histoires naturelles is a song cycle by Maurice Ravel, composed in 1906. It sets five poems by Jules Renard to music for voice and piano. Ravel's pupil Manuel Rosenthal created a version for voice and orchestra. The cycle is dedicated to the mezzo-soprano Jane Bathori, who gave the first performance, accompanied by the composer, on 12 January 1907.
Alborada del gracioso is a short orchestral piece by Maurice Ravel first performed in 1919. It is an orchestrated version of one of the five movements of his piano suite Miroirs, written in 1904–05. Originally created for a ballet, the work has entered the concert repertoire, and has been recorded frequently.
Gabriel Fauré's Piano Quintet in D minor, Op. 89 is the first of his two works in the genre. Dedicated to Eugène Ysaÿe, the quintet was given its premiere in Brussels by the Quatuor Ysaÿe, with the composer at the piano, on 23 March 1906. The gestation of the work was long and effortful: Fauré started work on it in 1887 and repeatedly set it aside and returned to it until he completed it in 1905.
Gabriel Fauré's Piano Quintet in C minor, Op. 115, is the second of his two works in the genre and his last four-movement chamber work. Dedicated to Paul Dukas, the quintet was given its premiere in Paris at a concert of the Société nationale de musique on 21 May 1921. It was an immediate success and has always been more popular than the First Quintet, completed sixteen years earlier.