Live at the Village Gate | ||||
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Live album by | ||||
Released | 1971 | |||
Recorded | January 21–22, 1971 | |||
Venue | Village Gate, New York City | |||
Genre | Jazz, Jazz fusion | |||
Length | 36:55 | |||
Label | Vanguard | |||
Producer | Jack Lothrop | |||
Larry Coryell chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | [1] |
Christgau's Record Guide | B+ [2] |
The Rolling Stone Jazz Record Guide | [3] |
The Penguin Guide to Jazz Recordings | [4] |
Larry Coryell at the Village Gate is a live album by jazz guitarist Larry Coryell that was recorded on January 21 and 22, 1971 at the Village Gate in New York City. It was released by Vanguard Records. This was the first album on which his wife Julie Coryell sang. The album included a cover version of a song by Jack Bruce with whom Coryell toured in 1968. [5] [6]
Rolling Stone stated the album showed Coryell with a power-trio in rock form. [3] In his memoir, Coryell stated that Bronson and Wilkinson formed a tight rhythm-section, although it may seem an odd combination. His son Murali appeared on the album jacket. [7]
No. | Title | Length |
---|---|---|
1. | "The Opening" (Larry Coryell) | 6:30 |
2. | "After Later" (Larry Coryell) | 6:01 |
3. | "Entardecendo en Saudade" (Chick Corea) | 8:02 |
4. | "Can You Follow?" (Jack Bruce) | 9:33 |
5. | "Beyond These Chilling Winds" (Larry Coryell, Julie Coryell) | 8:05 |
Apocalypse is the Mahavishnu Orchestra's fourth album and third studio album, released in 1974.
Visions of the Emerald Beyond is the fifth album by the jazz fusion group Mahavishnu Orchestra, and the second released by its second incarnation.
Pangaea is a live album by American jazz trumpeter, composer, and bandleader Miles Davis. It was originally released as a double album in 1976 by CBS Sony in Japan.
In Concert is a live double album by American jazz musician Miles Davis. It was recorded in 1972 at the Philharmonic Hall in New York City. Columbia Records' original release did not credit any personnel, recording date, or track listing, apart from the inner liner listing the two titles "Foot Fooler" and "Slickaphonics".
Barefoot Boy is Larry Coryell's only studio album for the Flying Dutchman label, a company created by Impulse! Records founder Bob Thiele. The album was produced by Thiele with assistance from Lillian Seyfert and engineered by Eddie Kramer. Barefoot Boy was recorded at Electric Ladyland, New York, United States.
Emergency! is the debut double album by the American jazz fusion group The Tony Williams Lifetime featuring Williams with guitarist John McLaughlin and organist Larry Young. It was recorded and released in 1969 and was one of the first significant fusion recordings. The album is commonly regarded as an influential album in the jazz, rock, and fusion genres.
Three or Four Shades of Blues is a studio album by the American jazz bassist and bandleader Charles Mingus. It was recorded in sessions held on March 9 and 11, 1977, at New York City's Atlantic Studios, and on March 29 at the Record Plant in Los Angeles. The album features two new versions of Mingus's "standards" and three new compositions performed by large ensembles featuring saxophonists Ricky Ford, George Coleman, and Sonny Fortune, pianist Jimmy Rowles, guitarists Larry Coryell, Philip Catherine and John Scofield, bassists Ron Carter and George Mraz, trumpeter Jack Walrath, and drummer Dannie Richmond.
Devotion is the second album by the English jazz fusion guitarist John McLaughlin, released in 1970. It was recorded while McLaughlin was a member of Tony Williams Lifetime. McLaughlin was joined by his Lifetime bandmate, organist Larry Young, bass guitarist Billy Rich and former Electric Flag and Jimi Hendrix drummer Buddy Miles. McLaughlin was unhappy with the finished album. On his website, he wrote, “In 1969, I signed a contract in America for two records. First is 'Devotion' that is destroyed by producer Alan Douglas who mixes the recording in my absence.”
Lady Coryell is the debut album by jazz fusion guitarist Larry Coryell, recorded when he was 25.
G-Man is a live album by American jazz saxophonist Sonny Rollins. It was recorded at an outdoor concert on August 16, 1986, held at Opus 40 in Saugerties, New York. The concert was filmed for a documentary about Rollins, directed by Robert Mugge, before being released on record in November 1987 by Milestone Records. G-Man received positive reviews from critics, some of whom called it one of Rollins' best albums.
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Introducing the Eleventh House with Larry Coryell is the debut album by The Eleventh House, released in 1974 by Vanguard Records.
Spaces is an album by jazz guitarist Larry Coryell that was released in 1970 by Vanguard Records. Coryell is accompanied by John McLaughlin on guitar, Chick Corea on electric piano, Miroslav Vitouš on bass, and Billy Cobham on drums. The album was produced by Daniel Weiss and engineered by David Baker and Paul Berkowitz.
Coryell is an album by jazz guitarist Larry Coryell that was released in 1969 by Vanguard Records. The album was produced by Daniel Weiss and engineered by David Baker, Paul Berkowitz and Randy Rand.
The Restful Mind is an album by jazz guitarist Larry Coryell. It was recorded at Vanguard Records' New York City studio, and was released by Vanguard in 1975. It features Coryell on acoustic and electric guitars, along with three of the four members of the band Oregon, who were also recording for Vanguard at the time: Ralph Towner appears on guitar, Glen Moore on bass, and Collin Walcott on percussion. The album includes improvisations on two compositions by the French Baroque composer Robert de Visée, an adaptation of Maurice Ravel's "Pavane pour une infante défunte", and four Coryell originals.
Offering is a jazz album by guitarist Larry Coryell that was released by Vanguard Records in 1972. Coryell's sidemen were Steve Marcus on soprano sax, Mervin Bronson on bass, Mike Mandel on electric piano, and Harry Wilkinson on drums. The album was produced by Daniel Weiss and engineered by Jeff Zaraya.
Planet End is an album by jazz guitarist Larry Coryell that was released in 1975 by Vanguard Records. The album was produced by Daniel Weiss and engineered by David Baker. It was the final recording for Vanguard and reached number 39 on the 1976 Jazz Albums chart. The album consists of tracks recorded in 1974 by the then-current line-up of Coryell's band The Eleventh House ; plus two outtakes from the March 1969 sessions that produced the 1970 album, Spaces.
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