Lars Matthias M. Spuybroek (born September 16, 1959, Rotterdam) is a Dutch architect and theorist who lives and works in Atlanta, where he is professor of architecture.
Lars Matthias M. Spuybroek (born September 16, 1959, Rotterdam) is a Dutch architect and theorist who lives and works in Atlanta, where he is professor of architecture.
Born in Vreewijk in the south of Rotterdam, he spent most of his childhood in Hillegersberg, in the north of the city. He graduated cum laude at the Technical University Delft in 1989. A year later, he won the Archiprix for his Palazzo Pensile, a new royal palace for Queen Beatrix in Rotterdam. [1] [2] Shortly after, he started NOX-magazine with Maurice Nio, of which four issues were published in Dutch between 1991 and 1994 (A: Actiones in Distans, B: Biotech, C: Chloroform, and D: Djihad). [3] From 1995 until 2010, Lars Spuybroek was the sole principal of the office that carried the name NOX, which was responsible for several buildings and artworks in the Netherlands and abroad.
Lars Spuybroek broke onto the international scene of architecture with his water pavilion on the island of Neeltje Jans (opened in 1997), a building consisting of two halves of which he designed the silvery freshwater part. The renowned architecture critic Charles Jencks qualified the building in The New Paradigm of Architecture as “yet to be surpassed.” [4] The water pavilion is the first building that has an interactive interior where visitors can transform sound and lighting conditions by actively using sensors. It also has a so-called continuous geometry, where floors, walls and ceilings merge into a smooth whole. This form of blobitecture was later officially coined "non-standard architecture" at the large group exhibition of the same name at the Centre Pompidou (2003) in Paris. This architecture advocates a technological revolution where powerful computing-tools are deployed to replace simple repetition of elements by continuous variation. The computer is used as much in the design (CAD) as in the manufacture (CAM) and sometimes even in augmenting human experience. These techniques are extensively discussed in his books titled NOX: Machining Architecture (2004) and The Architecture of Continuity (2008). [5] [6]
Though the projects seem very experimental, in interviews [7] Lars Spuybroek always rejects a connection to futurism (which generally refers to the car- or filmindustry) or organicism (referring to natural forms) and only points at historical examples. Among these are Gottfried Semper’s Der Stil (1860-62), Wilhelm Worringer’s Form in Gothic (1911) and William Hogarth’s The Analysis of Beauty (1753). Other influences that are often quoted are D'Arcy Thompson's On Growth and Form (1917) and the work of German architect-engineer Frei Otto. One of the traits common to all these is a sinuous complexity and delicacy of form, another that the aesthetics are more of feeling and bodily experience than of mental judgement. Blobs he dismisses as "uncontrolled variation" and being "at the low-end of architectural articulation." [8] He has a strong belief in the cultural effects of new technologies: "Soon it will be possible to have completely unique parts in a built structure for a price that before would only be possible through huge amounts of repetition - a variable prefab, or as it is called in production terms, mass customization. We are dissolving the opposition between elitist handwork and machined parts, between emotionality and high-tech, between Art Nouveau and Bauhaus." [9]
In 2001 his design for a new WTC in New York brought him renewed international attention. A few years later, in 2004, several works of Lars Spuybroek were completed. In France the Maison Folie de Wazemmes was opened, a cultural center at the heart of a derelict area in Lille. In the Netherlands the D-tower was completed, a large, interactive sculpture for the city of Doetinchem which he created together with Dutch artist Q.S. Serafijn. This tower connects directly to a website that surveys the emotional lives of the inhabitants. [10] Close to Eindhoven, in the small city of Son-en-Breugel, the Son-O-House was opened, an interactive sound sculpture conceived together with composer Edwin van der Heide.
In 2001 Lars Spuybroek was appointed Professor of Digital Design Techniques at the University of Kassel in Germany. And from 1998 until 2006 he also taught intermittently at Columbia University in New York. Since 2006 he is a full Professor and the Ventulett Distinguished Chair in Architectural Design at the Georgia Institute of Technology in Atlanta where he published two books on Research and Design. The first, released in 2009, was titled The Architecture of Variation and the second in 2011 Textile Tectonics. Both publications use the research into various forms of patterning (hair braiding, leaf venation, knitting, gothic tracery, foam packing, etc.) as a new source for design methodologies based on figures and configurations.
In 2011 Spuybroek gave a more political and ethical interpretation of these ideas by publishing a study into the work of John Ruskin (The Sympathy of Things: Ruskin and the Ecology of Design) [11] which explores “the digital nature of gothic,” revealing a fundamental connection between digital design and Gothic architecture. [12] [13] [14] [15] The book proposes a vision of mass production of unique artifacts designed and built algorithmically by “our slaves of steel“ and explores Ruskin’s broad range of concepts in the context of later aesthetic theorists and philosophers such as William James, A. N. Whitehead and Henri Bergson. [16] [17] [18] [19] Since then he has been involved in various publications that evolved from the work on John Ruskin, mainly on the topics of beauty and grace, of which many articles and essays can be read online. [20] [21] [22] This research culminated in 2020 with the release of Grace and Gravity: Architectures of the Figure. With this panoramic study Spuybroek broadened his scope from a purely architectural perspective to what he calls a “nonhumanities,” a philosophy of human-thing interactions based on ancient notions of grace [23] and gift exchange. [24] [25] [26] [27]
Lars Spuybroek is married to Joke Brouwer since 1995, who is the co-founder of V2_Institute for the Unstable Media.
In 1989 Lars Spuybroek received the Archiprix, in 1995 the Mart Stam Incentive Prize and in 1997 the Iakov Chernikov Award and the Zeeuwse Architectuurprijs. Two years later he was also nominated for the Mies van der Rohe Award. In 2006 he received the Kölner Klopfer (Cologne Thumper) for "Weltbeste Designer."
Aesthetics is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; thus, the function of aesthetics is the "critical reflection on art, culture and nature".
Beauty is commonly described as a feature of objects that makes them pleasurable to perceive. Such objects include landscapes, sunsets, humans and works of art. Beauty, art and taste are the main subjects of aesthetics, one of the fields of study within philosophy. As a positive aesthetic value, it is contrasted with ugliness as its negative counterpart.
Goth is a subculture that began in the United Kingdom during the early 1980s. It was developed by fans of gothic rock, an offshoot of the post-punk music genre. Post-punk artists who anticipated the gothic rock genre and helped develop and shape the subculture include Siouxsie and the Banshees, Bauhaus, the Cure, and Joy Division.
John Ruskin was an English polymath – a writer, lecturer, art historian, art critic, draughtsman and philanthropist of the Victorian era. He wrote on subjects as varied as art, architecture, political economy, education, museology, geology, botany, ornithology, literature, history, and myth.
Aestheticism was an art movement in the late 19th century that valued the appearance of literature, music, fonts and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment best illustrated by the slogan "art for art's sake." Aestheticism flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde.
Gothic Revival is an architectural movement that after a gradual build-up beginning in the second half of the 17th century became a widespread movement in the first half of the 19th century, mostly in England. Increasingly serious and learned admirers sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the pre-eminent architectural style in the Western world, only to begin to fall out of fashion in the 1880s and early 1890s.
Picturesque is an aesthetic ideal introduced into English cultural debate in 1782 by William Gilpin in Observations on the River Wye, and Several Parts of South Wales, etc. Relative Chiefly to Picturesque Beauty; made in the Summer of the Year 1770, a practical book which instructed England's leisured travellers to examine "the face of a country by the rules of picturesque beauty". Picturesque, along with the aesthetic and cultural strands of Gothic and Celticism, was a part of the emerging Romantic sensibility of the 18th century.
Gilbert Simondon was a French philosopher best known for his theory of individuation and his work on the field of philosophy of technology. Simondon's work is characterized by his philosophical approach on information theory, communication studies, technology and the natural sciences. Although largely overlooked in his lifetime, the advent of the Information Age has collaborated to a reappraisal and increased interest in Simondon's books, with him being seen as someone who has precisely predicted and described the social effects and paradigms technical objects and technology itself have offered in the 21st century.
Below Zero is a 1930 short film starring Laurel and Hardy, directed by James Parrott and produced by Hal Roach.
Applied aesthetics is the application of the branch of philosophy of aesthetics to cultural constructs. In a variety of fields, artifacts are created that have both practical functionality and aesthetic affectation. In some cases, aesthetics is primary, and in others, functionality is primary. At best, the two needs are synergistic, in which "beauty" makes an artifact work better, or in which more functional artifacts are appreciated as aesthetically pleasing. This achievement of form and function, of art and science, of beauty and usefulness, is the primary goal of design, in all of its domains.
"Hungry" is the third episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on November 21, 1999. It was written by Vince Gilligan, directed by Kim Manners, and featured a guest appearance by Chad Donella. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. However, unlike previous Monster-of-the-Week stories, "Hungry" is told from the monster's perspective. "Hungry" earned a Nielsen household rating of 9.6, being watched by 16.17 million people in its initial broadcast. The episode received mixed to positive reviews from critics.
"The Goldberg Variation" is the sixth episode of the seventh season of the science fiction television series The X-Files. It premiered on the Fox network in the United States on 12 December 1999. It was written by Jeffrey Bell, directed by Thomas J. Wright, and featured guest appearances by Willie Garson and Shia LaBeouf. The episode is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. "The Goldberg Variation" earned a Nielsen household rating of 8.8, being watched by 14.49 million people in its initial broadcast. The episode received mixed-to-positive reviews.
Dick Raaijmakers, also known as Dick Raaymakers or Kid Baltan, was a Dutch composer, theater maker and theorist. He is considered a pioneer in the field of electronic music and tape music, but has also produced numerous musical theater pieces and theoretical publications.
Erick van Egeraat is a Dutch architect and author. He heads the architectural practice based in Rotterdam with offices in Moscow, Budapest and Prague. He is best known for his projects of ING Group Headquarters in Budapest, Drents Museum in Assen, The Rock tower in Amsterdam, Incineration line in Roskilde, Main building and Auditorium in Leipzig University and the Corporate University of Sberbank in Moscow. He is the winner of RIBA Award 2007, Best Building Award 2011&2012 and European Property Award 2013.
Architecture is the art and technique of designing and building, as distinguished from the skills associated with construction. It is both the process and the product of sketching, conceiving, planning, designing, and constructing buildings or other structures. The term comes from Latin architectura; from Ancient Greek ἀρχιτέκτων (arkhitéktōn) 'architect'; from ἀρχι- (arkhi-) 'chief' and τέκτων (téktōn) 'creator'. Architectural works, in the material form of buildings, are often perceived as cultural symbols and as works of art. Historical civilisations are often identified with their surviving architectural achievements.
The Seven Lamps of Architecture is an extended essay, first published in May 1849 and written by the English art critic and theorist John Ruskin. The 'lamps' of the title are Ruskin's principles of architecture, which he later enlarged upon in the three-volume The Stones of Venice. To an extent, they codified some of the contemporary thinking behind the Gothic Revival. At the time of its publication, A. W. N. Pugin and others had already advanced the ideas of the Revival and it was well under way in practice. Ruskin offered little new to the debate, but the book helped to capture and summarise the thoughts of the movement. The Seven Lamps also proved a great popular success, and received the approval of the ecclesiologists typified by the Cambridge Camden Society, who criticised in their publication The Ecclesiologist lapses committed by modern architects in ecclesiastical commissions.
Parametricism is a style within contemporary avant-garde architecture, promoted as a successor to Modern and Postmodern architecture. The term was coined in 2008 by Patrik Schumacher, an architectural partner of Zaha Hadid (1950–2016). Parametricism has its origin in parametric design, which is based on the constraints in a parametric equation. Parametricism relies on programs, algorithms, and computers to manipulate equations for design purposes.
V2_, Lab for the Unstable Media, founded in 1981, is an interdisciplinary center for art and media technology in Rotterdam, the Netherlands.
Ulrike Gabriel was born in 1964 in Munich and is an artist and researcher focussing on generative systems. Ulrike co-founded the laboratory Codelab, Berlin where she spent some time as a director. She also worked in ecological agriculture in Argentina from 2003 to 2006. Ulrike was also a professor at the University of Art and Design HfG Offenbach (2006-2012). At this university, she led the teaching area of Electronic Media. She studied philosophy at the Ludwig Maximilian University from 1983–1985 and painting and applied graphics at the Academy of Fine Arts from 1985-1991 in Munich. After that she was a post-graduate at the Institute for New Media at the Städelschule, Frankfurt (1991-1992) and a research fellow at the Academy of Media Arts Cologne, department for media science (1996-1998).
Edwin van der Heide is a Dutch sound artist and composer known for his immersive installations and performances, currently living in Rotterdam.
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