Lawless Darkness | ||||
---|---|---|---|---|
Studio album by | ||||
Released | 7 June 2010 | |||
Recorded | January–February 2010 | |||
Studio | Necromorbus Studios in Alvik, Sweden | |||
Genre | Black metal | |||
Length | 73:28 | |||
Label | Season of Mist | |||
Producer | Tore Stjerna, Watain | |||
Watain chronology | ||||
| ||||
Singles from Lawless Darkness | ||||
|
Lawless Darkness is the fourth studio album by Swedish black metal band Watain, released through Season of Mist, on 7 June 2010. The cover art was made by Zbigniew M. Bielak, who also painted The Wild Hunt cover art. [1] The album sold around 1,000 copies in the United States in the first week of its release, reaching no. 42 on the Top New Artist Albums (Heatseekers) chart. [2] The single "Reaping Death" was distributed in their home country of Sweden in the Sweden Rock magazine, and was certified gold in the band's home country on 21 April by the International Federation of the Phonographic Industry for sales in excess of 10,000 copies. [3] The album received very positive reviews from music critics, and in 2011 the band were awarded the Swedish Grammi for 'Best Hard Rock' album for Lawless Darkness. [4]
In regards to the album's title, Erik Danielsson said that "It's an expression about liberating all bonds. To question everything around you, to break down all barriers that are around you. Some call it salvation and others liberation. Lawlessness can mean liberation." [5] Danielsson has also explained that he sees the band's previous album as the "foundation stone" of Lawless Darkness, "because with Sworn we had finally reached the artistic self-knowledge required for such a giant of an album. With that in our backs, we knew we could venture far into the dark… And we did." [6] He described the album as a "thorough musical exploration of the darkside", and explained that the album's lyrics are based on the "exploration, glorification and adoration of the Devil; the eternal adversary and enemy of the world as we know it." [7] Expanding on the meaning behind the album, he said:
The idea of Lawless Darkness is based upon the thought that light is an impulse of restriction and definition. Darkness, in turn, is the absence of light, and therefore the absence of the same restrictions. Note that Darkness in this context is also used as a spiritual and archetypal concept, not only the physical absence of light during, for example, night-time. The darkness that we refer to is the primordial wellspring of Chaos that is the abode of our gods, and unto which their children, the bloodline of fire, shall return. [7]
According to Danielsson, the album was recorded over a period of about two months (January–February 2010), and has described it as " a rather intense and chaotic two months, working every day and every night for sixty days in a row with the exception of one, I think." [8] The album was again produced by Tore Stjerna, with whom the band has worked on all of their previous and subsequent albums. Danielsson has described working with Tore Sjterna as a "tradition" for Watain that has made the band what it is. "Why change a beneficial concept? There are numerous advantages with recording there, but the number one is probably that Tore is almost like member when we record, we know each other very well for many, many years, which is of course beneficial when doing something as intimate as an album recording. Watain is a special band, complicated in many ways, and Tore is one of the few persons that we have no problems working with." [6]
The artwork for the album was handled by Zbigniew M. Bielak. Danielsson explained that working with him made things much easier as it helped them realise their ideas. He said that "We sent him long letters and talked a lot on the phone describing in detail the symbolism and idea behind every song. Meticulous descriptions of symbols, myth, ancient lore, magical work, everything that we needed to have woven into the artwork. He was surprisingly understanding of our cause and goals." [6] Within the booklet, each song has original artwork by Bielak.
1,000 copies of a collector's edition of the album were available on the album's release. This boxset contained the digipak version of 'Lawless Darkness', which includes the 'Chains of Death' Death SS cover. The box also contains a Watain symbol pendant with chain, a black candle in wrapping, a full colour flag and 10 tarot cards in a pocket, which have been specially designed (one for each song) by Erik Danielsson. This was packed in a solid beech box with real leather and a Watain logo imprint on the lid. [9] Invisible Oranges named it as one of the best metal album covers of 2010. [10] Watain wanted listeners to have a "special" and "ritualistic" listening experience. [11]
In support of the album, Watain toured North America through November to December 2010 with the support of Black Anvil and Withered. Though it was originally intended to be a co-headline tour with Behemoth, Behemoth dropped out due to vocalist/guitarist Nergal needing to be urgently admitted to hospital for treatment of his leukaemia. [12] [13] The tour went ahead with Watain as the headlining act and included dates in Quebec, Washington, California, Texas, and New York. The tour was titled 'The Lawless States of Heretika Tour'. [14] In February and March 2011, the band toured across Europe with Shining and Aosoth on the 'Death Holy Death Tour 2011'. This tour included shows in Denmark, Poland, France, Spain, as well as a five UK dates. [15] [16] [17]
Review scores | |
---|---|
Source | Rating |
About.com | [18] |
AllMusic | [19] |
Metal Storm | [20] |
Pitchfork | (6.2/10) [21] |
Revolver | Favorable [22] |
The album received generally positive reviews from music critics. According to Eduardo Rivadavia, writing for AllMusic, "Lawless Darkness is black metal through and through, and Watain even make a point of retaining some cardboard-sounding drumbeats in honor of lo-fi pioneers like Venom and Bathory, ferchrissakes! This is why purists looking for their fix need only look to the pulverizing fury unleashed by 'Death's Cold Dark', 'Total Funeral', and 'Kiss of Death', or the Emperor-worthy melodies swirling madly across 'Hymn to Qayin', or the majestic glacial desolation of 'Malfeitor' and the instrumental title track. Finally, there's the ultimate swan dive into the abyss that is the 15-minute-long, all-encompassing 'Waters of Ain', which feels like a mini-album unto itself, and casts a blinding spotlight upon the full scale of Watain's latest, significant achievement for the advancement of black metal's cause." [19] About.com was similarly favorable to the album, calling the album "Epic black metal that doesn't come off as over-indulgent" and "an accumulation of everything Watain has done on the past three albums". Pitchfork was slightly less favorable to the album, though still positive on the whole. Comparing it to Watain's previous album Sworn to the Dark , Pitchfork's Tom Breihan criticised the production, writing that "the cleaner production feels more compressed and less immersive, like they're attempting to bludgeon you with sheer loudness rather than suck you into their universe". However, Breihan finished his review by saying "Still, judged on its own merits, this is pretty powerful stuff. Occasionally, the band hits levels of all-out ferocity so absurd that they actually sound pretty. Danielsson has a truly great black-metal voice, a ravaged and demonic back-of-the-throat gargle that only occasionally says anything I can decipher ('Rivers of blood! Rivers of blood!'). When they chant, 'Hail! Beelzebub!' on 'Four Thrones', they sound like they mean it, which somehow makes the whole thing more fun. These freaks still know what they're doing, even if they're just treading bloody water this time around." [21]
The album was awarded the 2011 Swedish Grammi for 'Best Hard Rock' album. [23] The album was named album of the year by Sweden Rock magazine, and the second best album of 2010 by Decibel, as well as artist of the year in the Terrorizer reader poll. [24] About.com named it the 13th best metal album of 2010. [25] The AllMusic staff named it as one of their favourite metal albums of 2010, describing it as one of the year's best albums in a strong year for extreme metal. [26] Stereogum named it the 11th best metal album of 2010. [27] The A.V. Club gave it the humorously titled 'Just Don't Give A Fuck Award For 2010', writing that "The Swedish black metal provocateurs that make up Watain have built a career on pissing off fans, the press, and anyone else that happens to be paying attention. But the band's not some talentless collective of media hackers: It backs its headache-inducing behavior with raw, savage, cutting-edge black metal, throwing in thrash, punk, and death elements just to keep things interesting." [28] A variety of prominent musicians in metal also called it as one of the best albums of 2010, including Tomas Lindberg, Frederic Leclerq, and Adam Pierce (All Shall Perish). [29] [30] [31]
All lyrics are written by Erik Danielsson except where noted; all music is composed by Watain.
No. | Title | Length |
---|---|---|
1. | "Death's Cold Dark" | 5:29 |
2. | "Malfeitor" | 6:58 |
3. | "Reaping Death" | 5:07 |
4. | "Four Thrones" | 6:16 |
5. | "Wolves Curse" | 9:12 |
6. | "Lawless Darkness" (instrumental) | 6:08 |
7. | "Total Funeral" (Lyrics by Pete Helmkamp) | 6:04 |
8. | "Hymn to Qayin" (Lyrics by Set Teitan) | 5:57 |
9. | "Kiss of Death" | 7:46 |
10. | "Waters of Ain" | 14:31 |
Total length: | 73:28 |
No. | Title | Length |
---|---|---|
11. | "Chains of Death" (Death SS cover) | 6:14 |
Black metal is an extreme subgenre of heavy metal music. Common traits include fast tempos, a shrieking vocal style, heavily distorted guitars played with tremolo picking, raw (lo-fi) recording, unconventional song structures, and an emphasis on atmosphere. Artists often appear in corpse paint and adopt pseudonyms.
Behemoth is a Polish extreme metal band from Gdańsk, formed in 1991. They are considered to have played an important role in establishing the Polish extreme metal underground.
Mayhem is a Norwegian black metal band formed in Langhus in 1984. They were one of the founders of the Norwegian black metal scene and their music has strongly influenced the black metal genre. Mayhem's early career was highly controversial, primarily due to their notorious live performances, the 1991 suicide of vocalist Per Yngve Ohlin ("Dead") and the 1993 murder of guitarist Øystein Aarseth ("Euronymous") by former member Varg Vikernes of Burzum.
Storm of the Light's Bane is the second full-length album by Swedish black metal band Dissection. It was released on 17 November 1995 by Nuclear Blast. This would be the band's last full-length album before Nödtveidt's 1997 incarceration for the felony murder of Josef ben Meddour. It would not be until 2006 that they would release their third and final album Reinkaos, which was followed by the breakup of the band and Jon Nödtveidt's suicide shortly after. As with the band's debut album, Kristian 'Necrolord' Wåhlin created the artwork.
Watain is a Swedish black metal band, formed in 1998. The band's name is taken from an early recording by the American black metal group Von. The band have become famous for their Theistic Satanist views and for their live shows which involve pyrotechnics, candles, Satanic rituals, animal carcasses, and blood. At a now-notorious live performance in Brooklyn in 2014, they doused audience members in animal blood, allegedly causing some members of the audience to vomit. This was picked up and publicised by TMZ, generating controversy around the incident. To date they have released seven full-length albums, as well as three live albums and a number of demos and EPs. Their most recent album The Agony & Ecstasy of Watain was released on 29 April 2022 through Nuclear Blast. The band's core lineup has remained stable since their formation, consisting of Erik Danielsson, Pelle Forsberg, and Håkan Jonsson, though as of 2015 Jonsson no longer performs live, Emil Svensson of fellow Uppsala death metal band Degial was recruited as live drummer.
Root is a Czech black metal band.
Sworn to the Dark is the third studio album by Watain and was released on 19 February 2007 on Season of Mist. The album received very positive reviews from music critics and has been described as the band's "breakthrough" album. The song 'Legions of the Black Light' is dedicated to Dissection's vocalist Jon Nödtveidt who committed suicide in 2006.
The Essence of Black Purity is the third release by the black metal band Watain. It was released in 1999 on EP format on Grim Rune Records and was limited to 300 copies. Grim Rune website mentions that the EP "got a generally good response in the underground circuits." Similarly, Eduardo Rivadavia of AllMusic wrote that Watain "quickly gain[ed] underground credibility" with this "uncompromising 7" release".
Rabid Death's Curse is the first studio album by the black metal band Watain. It was released in 2000 on Drakkar Productions. It is notable as being the first and only album for which the band had two guitarists; from Rabid Death's Curse onwards, the band would be a trio. The song "Rabid Death's Curse" contains an audio sample from the film Friday the 13th. The album is considered a classic and was featured on German Rock Hard magazine's list 250 Black-Metal-Alben, die man kennen sollte.
Casus Luciferi is the second studio album by the black metal band Watain. It was released in 2003 on Drakkar Productions. It was also released on limited edition vinyl by Norma Evangelium Diaboli and, in 2004, on tape by the Romanian label Mirgilus Siculorum. The album was remastered and reissued in October 2008 with a bonus track, a live cover of the song "Watain" by Von that the band is named after.
Armagedda is a Swedish black metal band that was founded in 1999.
"Reaping Death" is a single by Swedish black metal band Watain from the album Lawless Darkness. "Reaping Death" was released as a CD single on 6 April 2010 and a 7-inch picture disc on 30 April.
Envoy of Lucifer is the fourth full-length studio album from Swedish black metal band Nifelheim. Released in 2007, it is their first album for Regain Records after they switched from Black Sun following the release of Servants of Darkness in 2000.
Ofermod is a Swedish black/death metal band, formed in Sweden in 1996 by Michayah Belfagor.
Black Anvil is an American black metal band from New York City. It formed in 2007 with Paul Delaney, Gary Bennett and Raeph Glicken. When asked, Delaney said “Gary actually came up with name, which is a cross between a Black Sabbath reference and a Judas Priest song.” It is one of the few bands in the New York City black metal scene.
Triumphator were a Swedish black metal band consisting of Tena on bass, Arioch on guitar and vocals and Fredrik Andersson on drums, who released a demo, an EP and one album between 1996 and 1999.
The Wild Hunt is the fifth studio album by Swedish black metal band Watain. It was released through Century Media on 19 August 2013 in Europe and 20 August 2013 in USA. The cover art was painted "in oil and mixed materials" by Zbigniew M. Bielak, who was also responsible for the artwork of Lawless Darkness. The album sold around 2,700 copies in the United States in its first week of release, and was the best-selling album in their home country of Sweden on the week of its release, making it the band's highest sales and chart debut to date. Stylistically the album represents a development of Watain's established black metal sound, incorporating influences from heavy metal, doom metal, and progressive metal. It is also the first Watain album to feature vocalist Erik Danielsson performing clean vocals.
In Solitude was a Swedish heavy metal band from Uppsala.
Heritage of Satan is the ninth studio album by the Czech black/heavy metal band Root, released on 25 October 2011 by Agonia Records. It was the band's first album to be released by Agonia and their last with the guitarist Marek "Ashok" Šmerda, who left the band three years later to join Cradle of Filth. The album uses many guest musicians, such as Erik Danielsson from Watain, Nergal from Behemoth and Blasphemer from Mayhem, Aura Noir and Ava Inferi.
Trident Wolf Eclipse is the sixth full-length studio album by the Swedish black metal band Watain. The album was released on January 5, 2018 through Century Media Records. The album marks a significant shift away from the progressive style of Watain's previous album, The Wild Hunt, and a return to their earlier more traditional and aggressive black metal sound. According to frontman Erik Danielsson, the album title should be read as three separate words which were chosen to represent symbolic concepts which the band consider central to their music. Trident Wolf Eclipse received generally favourable reviews from music critics upon release.