Lawrence S. Maxey (most often Lawrence Maxey or just Larry Maxey) is professor emeritus of clarinet at the University of Kansas School of Music.
A native of Indiana, Larry Maxey was a student of Keith Stein at Michigan State University, where he received his undergraduate degree. [1] He holds Master of Music and Doctor of Musical Arts degrees from the Eastman School of Music, where he was a student of Stanley Hasty. Maxey taught on the full-time music faculties of Baylor University, California State University at Long Beach, and Michigan State University before joining the faculty at the University of Kansas, where he taught from 1971 until retiring in 2007.
Maxey's former students at KU have gone on to earn graduate degrees at a number of prestigious institutions, including Juilliard, the Shepherd School of Music at Rice University, the University of Michigan, Michigan State University, Arizona State University, the University of Wisconsin, and University of Oregon. Several of his students have been finalists in the MTNA national competition. Other KU clarinetists hold positions in universities and professional orchestras.
Maxey has performed nationwide and internationally as a soloist, chamber musician, and orchestral player. His career has taken him to Germany, France, Belgium, Portugal, Costa Rica and Lithuania. He performed with the Stamitz Quartet at the International Festival de Musica in Portugal in 1995 and toured Lithuania in 1996 and 2004, playing concerts with orchestras as well as conducting master classes.
Maxey was formerly principal clarinetist of the Kansas City Chamber Orchestra, the Rochester (New York) Chamber Orchestra, the Eastman Philharmonia Orchestra, and the Eastman Wind Ensemble, with which he recorded five albums under the direction of Frederick Fennell and Donald Hunsburger.
Maxey has been a featured soloist at conventions of the International Clarinet Association, at two national conventions of the National Association of College Wind and Percussion Instructors, and at several Oklahoma Clarinet Symposia. He has performed as a member of the Kansas Woodwinds at national conventions of the Music Educator's National Conference (Washington, D.C., and Kansas City, Missouri), the College Music Society (Detroit, Michigan), at the Midwest Band and Orchestra Clinic in Chicago, and at numerous state music conventions in Kansas.
Recent performances include a recital on the Fontana Chamber Music Series in Michigan in the summer of 2005, a residency at the State University of New York-Oswego in October 2005, as a soloist with the KU Jazz Ensemble (University of Kansas) in Duke Ellington's arrangement of Tchaikovsky's Nutcracker Suite in November 2005. He presented a clinic at the Kansas Music Educator's convention in February 2005, and performed there in February 2006.
The Curtis Institute of Music is a private conservatory in Philadelphia. It offers a performance diploma, Bachelor of Music, Master of Music in opera, and a Professional Studies Certificate in opera. All students attend on full scholarship.
George Theophilus Walker was an American composer, pianist, and organist, and the first African American to win the Pulitzer Prize for Music, which he received for his work Lilacs in 1996. Walker was married to pianist and scholar Helen Walker-Hill between 1960 and 1975. Walker was the father of two sons, violinist and composer Gregory T.S. Walker and playwright Ian Walker.
Larry Combs is an American clarinetist and educator.
Emory Brace Remington (1892–1971) was a trombonist and music teacher. His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
Robert DeMaine is an American virtuoso cellist, best known as Principal Cello of the Los Angeles Philharmonic.
Sean Osborn is a former clarinetist of the Metropolitan Opera Orchestra and a regular substitute in the clarinet section of the Seattle Symphony Orchestra. He has been a student of Stanley Hasty, Frank Kowalsky, and Eric Mandat.
Archibald Clyde Roller was an American music professor, conductor, and oboist.
Eli Eban is an Israeli-American clarinetist and son of the late Israeli diplomat Abba Eban.
Keith L. Wilson was an American classical musician. He was a clarinetist, teacher, and conductor.
Charles Neidich is an American classical clarinetist, composer, and conductor.
Diana Haskell is a multi-faceted clarinetist who works as an orchestral clarinetist, educator, clinician and chamber musician. Haskell is currently Associate Principal Clarinet with the St. Louis Symphony Orchestra. In her role as Associate Principal Clarinet, the St. Louis Post-Dispatch has described her artistry as “perfectly played...with hymn-like beauty”. Since 2003 Ms. Haskell has also performed numerous times with the St. Louis Symphony Orchestra as soloist, including with Maestro David Robertson and Maestro Jahja Ling.
Robert Marcellus was an American classical clarinetist and teacher. Marcellus is best known for his long tenure as principal clarinetist of the Cleveland Orchestra.
Thomas Hill is an American clarinetist known for his work as a soloist and chamber musician. He is currently the principal clarinetist of the Boston Philharmonic Orchestra and a member of the Boston Chamber Music Society.
W. Peter Kurau is the Professor of Horn and Chamber Music at the Eastman School of Music as well as the Principal Horn of the Rochester Philharmonic Orchestra. He currently resides in Honeoye Falls, New York, with his wife, soprano singer Pamela Kurau.
Jon Manasse is an American clarinetist.
Linda Maxey is a celebrated concert marimbist virtuoso and was the first marimbist presented by Community Concerts, a division of Columbia Artists Management in New York that presented concerts to a network of subscription audiences whose pooled resources attracted leading performers and ensembles.
Marco Antonio Mazzini is a Peruvian clarinetist.
Richard Joiner was an American clarinetist and teacher of clarinet.
The Tulsa Youth Symphony Orchestra (TYS) is an Oklahoma nonprofit arts organization founded in 1963 to provide advanced orchestral training and performance experience for young musicians in Northeastern Oklahoma. As of 2016, more than 200 students, ages 8 to 18, participate in the program’s two orchestras. The orchestra is composed of students from northeast Oklahoma communities and schools including Tulsa, Bartlesville, Owasso, Sapulpa, Sand Springs, Broken Arrow, Bixby, Coweta, Grove, Oologah, Jenks, and Holland Hall, as well as home schooled children.
Leone Buyse is the Joseph and Ida K. Mullen Professor of Flute and Chair of Woodwinds at Rice University's Shepherd School of Music. Prior to a full-time career teaching, Buyse spent over 22 years as an orchestral flutist, including a decade from 1983-1993 as Principal Flute of the Boston Symphony Orchestra and Boston Pops Orchestra. Other orchestral positions include Rochester Philharmonic as solo piccolo and second flute, and assistant principal of San Francisco Symphony. In addition to the Shepherd School, she has held faculty positions at the New England Conservatory, Boston University, University of Michigan, as visiting professor at the Eastman School of Music and numerous summer festivals including the Tanglewood Institute. Her primary teachers include Marcel Moyse, Jean-Pierre Rampal, Michel Debost and Joseph Mariano.