Thomas Howard, 14th Earl of Arundel KG, was an English peer, diplomat and courtier during the reigns of King James I and King Charles I, but he made his name as a Grand Tourist and art collector rather than as a politician. When he died he possessed 700 paintings, along with large collections of sculptures, books, prints, drawings, and antique jewellery. Most of his collection of marble carvings, known as the Arundel marbles, was eventually left to the University of Oxford.
William Lenthall (1591–1662) was an English politician of the Civil War period. He served as Speaker of the House of Commons for a period of almost twenty years, both before and after the execution of King Charles I.
Daniël Mijtens, known in England as Daniel Mytens the Elder, was a Dutch Golden Age portrait painter belonging to a family of Flemish painters who spent the central years of his career working in England.
Cornelius Johnson or Cornelis Janssens van Ceulen was an English painter of portraits of Dutch or Flemish parentage. He was active in England, from at least 1618 to 1643, when he moved to Middelburg in the Netherlands to escape the English Civil War. Between 1646 and 1652 he lived in Amsterdam, before settling in Utrecht, where he died.
William Larkin was an English painter active from 1609 until his death in 1619, known for his iconic portraits of members of the court of James I of England which capture in brilliant detail the opulent layering of textiles, embroidery, lace, and jewellery characteristic of fashion in the Jacobean era, as well as representing numerous fine examples of oriental carpets in Renaissance painting.
Marcus Gheeraerts was a Flemish artist working at the Tudor court, described as "the most important artist of quality to work in England in large-scale between Eworth and van Dyck" He was brought to England as a child by his father Marcus Gheeraerts the Elder, also a painter. He became a fashionable portraitist in the last decade of the reign of Elizabeth I under the patronage of her champion and pageant-master Sir Henry Lee. He introduced a new aesthetic in English court painting that captured the essence of a sitter through close observation. He became a favorite portraitist of James I's queen Anne of Denmark, but fell out of fashion in the late 1610s.
Enoch Seeman the Younger was an English painter who was active during the first half of the Georgian era. He was born into a family of painters in Danzig.
Paul van Somer, also known as Paulus van Somer, was a Flemish artist who arrived in England from Antwerp during the reign of King James I of England and became one of the leading painters of the royal court. He painted a number of portraits both of James and his consort, Queen Anne of Denmark, and of nobles such as Ludovic Stuart, Duke of Lennox, Elizabeth Stanley, Countess of Huntingdon, and Lady Anne Clifford. He is sometimes designated as "Paul van Somer I" to distinguish him from the engraver of the same name who was active in England between 1670 and 1694.
The artists of the Tudor court are the painters and limners engaged by the monarchs of England's Tudor dynasty and their courtiers between 1485 and 1603, from the reign of Henry VII to the death of Elizabeth I.
Robert Peake the Elder was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.
Northwick Park is a residential estate and business centre near Blockley in Gloucestershire, England. The estate is built in the grounds of the former family seat of the Rushout family, the Barons Northwick. The Northwick Park mansion, now divided into residential accommodation, is a Grade 1 listed building.
Portrait of Sir Thomas More is an oak panel painting commissioned in 1527 of Thomas More by the German artist and printmaker Hans Holbein the Younger, now in the Frick Collection in New York.
Burford Priory is a Grade I listed country house and former priory at Burford in West Oxfordshire, England owned by Elisabeth Murdoch, daughter of Rupert Murdoch, together with Matthew Freud.
A Man with a Quilted Sleeve is a painting of about 1510 by the Venetian painter Titian in the National Gallery, London, measuring 81.2 by 66.3 centimetres. Though the quality of the painting has always been praised, there has been much discussion as to the identity of the sitter. It was long thought to be a portrait of Ariosto, then a self-portrait, but in 2017 is called Portrait of Gerolamo (?) Barbarigo by the gallery, having also been called merely Portrait of a Man, the title used here, The Man with the Blue Sleeve, and no doubt other variants.
The Lumley inventories are a group of inventories documenting the extensive collections of paintings, books, sculptures, silver and furniture accumulated by John, 1st Baron Lumley (c.1533–1609). The most celebrated of these, a manuscript volume which incorporates a considerable amount of heraldic and genealogical material as well as the inventory itself, is sometimes known as the "Red Velvet Book", and sometimes simply as "the Lumley Inventory". It is often dated to 1590, although it is in reality a more complex composite volume including material dating from 1586 to 1595. Further inventories were drawn up for purposes of probate on Lord Lumley's death in 1609; and others when parts of the collection were sold in the 18th and early 19th centuries.
The Whitehall group is a term applied to a small circle of art connoisseurs, collectors, and patrons, closely associated with King Charles I, who introduced a taste for the Italian old masters to England. The term usually includes the advisors and agents who facilitated the group's acquisition of works of art.
Sir Thomas More and Family is a lost painting by Hans Holbein the Younger, painted circa 1527 and known from a number of surviving copies.
The Petre Family pictures were a collection of portraits and other paintings housed at Ingatestone Hall and Thorndon Hall. The pictures were initially displayed in the long gallery at Ingatestone Hall. By 1600 the displayed paintings included a portrait of William Petre which remains at Ingatestone Hall. At that time it was the only family portrait on display.
Anne Rushout (c.1767–1849) was an English watercolorist and diarist. Many of her works of art were botanical studies. She was also the subject of several paintings by other artists of her time.
William Lenthall (Speaker Lenthall) in his ceremonial robes; artist unknown
Inscribed Countess of Arundel by Cornelius Johnson, 1619
A published illustration of the portrait of Lawrence Tanfield; artist unknown
A published illustration of the portrait of Lady Tanfield; by Mark Garrard (Marcus Gheeraerts the Younger)
Erroneously inscribed Ld Gust Hamilton, but known to be Sir Alexander Temple; by Cornelius Johnson, 1620
Sir Thomas More and his family; a copy of a lost original by Hans Holbein
Elizabeth Finch, Countess of Winchelsea, by Marcus Gheeraerts the Younger, 1600 (although attributed to Cornelius Johnson while in the Lenthall collection).
Elizabeth Tanfield, Viscountess Falkland, a print of an original that was attributed to van Somer. This (or a copy) was in the Lenthall collection.
Portrait of Henry Howard by Gilbert Soest, c. 1670-1675
