Mary Violet Leontyne Price is an American spinto soprano who was the first African-American soprano to receive international acclaim. From 1961 she began a long association with the Metropolitan Opera. She regularly appeared at the world's major opera houses, including the Royal Opera House, San Francisco Opera, Lyric Opera of Chicago, and La Scala; at La Scala, she was also the first African American to sing a leading role. She was particularly renowned for her performances of the title role in Giuseppe Verdi's Aida.
Mirella Freni, OMRI was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's Don Giovanni and as Adina in Donizetti's L'elisir d'amore.
Adele Addison is an American lyric soprano who was a figure in the classical music world during the 1950s and 1960s. Although she did appear in several operas, Addison spent most of her career performing in recital and concert. Her performances spanned a wide array of literature from the Baroque period to contemporary compositions. She is best remembered today as the singing voice for Bess in the 1959 movie, Porgy and Bess. Known for her polished and fluent tone, Addison made a desirable Baroque vocal artist. She can be heard on numerous recordings, of which her Baroque performances are perhaps her best work. Many of her recordings were made with the New York Philharmonic under the baton of Leonard Bernstein.
Yahweh ben Yahweh was an American religious leader, black separatist and black supremacist and founder of the Nation of Yahweh, a new religious movement headquartered in Florida that, at its peak, had thousands of black American devotees. He preached that Jesus was black and that "white devils" temporarily rule over black people, and was seen as teaching hate. Yahweh was indicted on three counts of federal racketeering and extortion charges, of which he was found not guilty. However, he was convicted of conspiracy to commit murder.
Frances Yeend was an American classical soprano who had an active international career as a concert and opera singer during the 1940s through the 1960s. She had a long and fruitful association with the New York City Opera (NYCO) between 1948 and 1958, after which she joined the roster of principal sopranos at the Metropolitan Opera where she sang between 1961 and 1963. She also had an extensive concert career, particularly in the United States. By 1963 she had sung in more than 200 orchestral concerts in North American with major symphonies like the New York Philharmonic, the Boston Symphony Orchestra, the Philadelphia Orchestra, the Cleveland Orchestra, and the Chicago Symphony Orchestra among others.
Licia Albanese was an Italian-born American operatic soprano. Noted especially for her portrayals of the lyric heroines of Verdi and Puccini, Albanese was a leading artist with the Metropolitan Opera from 1940 to 1966. She also made many recordings and was chairwoman of The Licia Albanese-Puccini Foundation, which is dedicated to assisting young artists and singers.
Audrey Clare Schuh was an American operatic soprano.
Sylvie Valayre is a French operatic soprano known for her versatile interpretations of lyric, spinto, and dramatic coloratura soprano parts. She sings grueling roles like Abigaille, Lady Macbeth or Turandot as well as lighter pieces like Giordano's Maddalena, Cio-Cio San, or Verdi's Desdemona at major opera houses around the world.
Barbara Frittoli is an Italian operatic soprano, specializing in operas by Verdi and Mozart. She has sung leading roles in opera houses throughout Europe and in the United States, such as La Scala in Milan and the Metropolitan Opera in New York. Her signature roles include Mimì in La bohème, the Countess in The Marriage of Figaro, Donna Elvira in Don Giovanni, Desdemona in Otello.
Gabriella Tucci was an Italian operatic soprano who was particularly associated with the Italian repertory and performed at notable opera houses worldwide. She appeared at the Metropolitan Opera in 11 Verdi roles across 13 seasons, including Violetta in La traviata and Desdemona in Otello.
Éva Marton is a Hungarian dramatic soprano, particularly known for her operatic portrayals of Puccini's Turandot and Tosca, and Wagnerian roles.
Rosetta Pampanini was an Italian lyric soprano, particularly associated with Puccini roles, especially Madama Butterfly.
Clamma Churita Dale is an American operatic soprano. She portrayed "Bess" in the highly successful 1976 Houston Grand Opera production of Porgy and Bess. The show was transferred from Houston to Broadway and Dale was awarded a 1977 Drama Desk Award for Best Actress in a musical and received a Tony Award nomination. She won a Grammy award in 1978 for Best Opera Recording of the Porgy & Bess soundtrack.
Elaine Malbin is an American soprano who had a prolific international career singing in operas, musicals, and concerts from the 1940s through the 1960s. She made her Town Hall debut at the age of 14. She appeared in a number of Broadway productions in the 1940s and 1950s and notably portrayed Marsinah in the original 1953 West End production of Kismet. She starred on Broadway in the title role of My Darlin’ Aida & sang a season of Gilbert and Sullivan at the Mark Hellinger Theater in New York. She was a regular at the New York City Opera during the 1950s and 1960s with leading roles in Love for Three Oranges, Carmen (Micaela), Turandot (Liù), La Bohème (Mimi) and Don Giovanni (Zerlina). She appeared with most of America's leading opera companies during this time as well, including the Houston Grand Opera and the San Francisco Opera. In San Francisco Malbin debuted in a staged version of Carmina Burnana and sang Mimi in La Bohème. She also appeared in concert with several notable orchestras including the New York Philharmonic and the Philadelphia Orchestra. On the International stage she appeared at a number of opera houses and major music festivals in the United Kingdom, Italy, and France. She performed at the Glyndebourne and Edinburgh Festivals as well as Madama Butterfly with the Scottish Opera Company. She is perhaps best remembered for appearing in several opera roles live for television with the NBC Opera Theatre and for recording two duets with Mario Lanza at RCA on 11 April 1950.
Eva Likova was an American operatic soprano of Czech descent. She was notably one of the major sopranos at the New York City Opera during the company's early years. She also made guest appearances with a number of opera houses in North America and Europe, enjoying a particularly fruitful partnership with the Philadelphia Grand Opera Company. After retiring from the opera stage in 1966, she embarked on a second career as a voice teacher.
Geraldine McMillian is an American soprano who has had an active career in concerts and operas since the mid-1980s.
Martha Sheil is an American operatic soprano who made her professional opera debut as the Contessa in Le nozze di Figaro at the New York City Opera under the baton of Julius Rudel. She went on to be a professor of voice at the University of Michigan School of Music, Theatre & Dance for over 30 years before her retirement in 2015.
Andréa Guiot was a French operatic soprano. A long-term member of the Paris opera houses, she was known internationally for leading roles especially in the French repertoire, such as Gounod's Mireille and Marguerite, Massenet's Manon and Micaëla in Bizet's Carmen. She appeared as Micaëla when Carmen was first performed at the Opéra de Paris in 1959, and as Mireille in the 1000th performance of the opera at the Opéra-Comique. She performed in the world premiere of Poulenc's Dialogues des Carmélites at the Teatro Colón in Buenos Aires in 1965. Among her many recordings, the 1964 Carmen conducted by Georges Prêtre, with Maria Callas in the title role and Nicolai Gedda as her lover, brought her lasting fame. She appeared at major opera house in France, Europe, and the Americas. After retiring from the stage, she was a voice teacher at the Conservatoire de Paris, succeeding Janine Micheau, her own former instructor.
Barbara Daniels is an American operatic soprano.
