Let Me Be the One (Carpenters song)

Last updated
"Let Me Be the One"
Let Me Be the One - The Carpenters.jpg
Single by Carpenters
from the album Carpenters and From the Top
Released1991 (as promo single)
Recorded1971
Genre Pop
Label A&M
1940
Songwriter(s) Roger Nichols, Paul Williams
Producer(s) Richard Carpenter
Carpenters singles chronology
"If I Had You"
(1989)
"Let Me Be the One"
(1991)
"Tryin' to Get the Feeling Again"
(1994)

"Let Me Be the One" is a song written in 1970 by Roger Nichols and Paul Williams. It was first recorded by Nanette Workman and released in 1970 as a single on Columbia Records. The Carpenters' version first appeared on their 1971 album Carpenters .

Contents

Background

"Let Me Be the One" is a relatively short song, with a run time of 2:25. The earliest evident recording of "Let Me Be the One" was by Nanette Workman being one of five songs recorded with producer Tommy Cogbill recorded in late June 1970 at American Sound Studio in Memphis, with "Let Me Be the One" being afforded a UK single release in November 1970 with the singer credited mononymously as Nanette.

Bearing something of a resemblance to "We've Only Just Begun", the song was a potential Carpenters single release in 1971 being Karen Carpenter's choice to follow "For All We Know", [1] but Richard Carpenter doubted the hit potential of "Let Me Be the One" and the choice for single was assigned to "Rainy Days and Mondays". However the album cut "Let Me Be the One" did receive airplay on both Top 40 and MOR radio stations. Paul Williams has described "Let Me Be the One" as "one of those songs that everybody's recorded but it's never been a [major hit] single. It was used very briefly by ABC-TV in 1976 and Channel 9 Australia in 1977: Let us be the one you turn to/ Let us be the one you turn to/ When you need someone you turn to/ Let us be the one." [1]

The 1991 remix for "Let Me Be the One" can only be found on the From the Top box set, for which it was released as a promotional single. It starts off with Karen counting off, and Richard's piano line is very different from the original 1971 mix found on the Carpenters album. In the original 1971 mix, the song fades out; the 1991 remix continues through to the point where Karen and the rest of the musicians create a conclusion.

Personnel

Other versions

Al Wilson recorded "Let Me Be the One" for inclusion on his 1974 album La La Peace Song, which featured the song in a medley with another Nichols/Williams composition. The track, "I Won't Last a Day Without You"/"Let Me Be the One," was issued as a single in December 1974 and reached No. 18 on the Billboard R&B chart while crossing over to both the Adult Contemporary chart (#39) and the mainstream Pop chart, the Billboard Hot 100 (#70). Chelsea Brown performed the song in a 1972 episode of The Two Ronnies (original broadcast 30 September 1972).

Jack Jones' version reached No. 18 on the US Easy Listening chart in 1971 (and appears on his 1972 album A Song for You). The song has also been recorded by Petula Clark (on the album Warm and Tender, 1971), Clodagh Rodgers (on Rodgers and Heart, 1971), Paul Davis (on Paul Davis, 1972), Malcolm Roberts (on Living for Life, 1973), Suzanne Lynch (on Friends with You, 1973), the Temprees (on Love Maze, 1973), Vikki Carr (on One Hell of a Woman, 1974), Joy Fleming (on This Is My Life, 1974), Johnny Mathis (as a medley with "I Won't Last a Day Without You" on his album When Will I See You Again , 1975), Cleo Laine (on Born on a Friday, 1976), Shirley Bassey (on Bassey: The EMI/UA Years 1959-1979, 1994; and And I Love You So (expanded edition), 2000), Matthew Sweet (on the various-artists tribute album If I Were a Carpenter , 1994), Diana Ross (on Last Time I Saw Him (expanded edition), 2007), and Michael Simmons (on White Lace and Promises, 2018; and the covers album Singing in My Heart, 2022).

Chart history

Jack Jones
Chart (1971)Peak
position
U.S. Billboard Easy Listening [2] 18
Al Wilson
Chart (1975)Peak
position
U.S. Billboard Hot 100 [3] 70
U.S. Billboard Easy Listening [4] 39
U.S. Billboard R&B 18
U.S. Cash Box Top 100 [5] 61

Related Research Articles

<span class="mw-page-title-main">Me and Bobby McGee</span> Song by Kris Kristofferson and Fred Foster

"Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster. A posthumously released version by Janis Joplin topped the U.S. singles chart in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance On Me." Billboard ranked Joplin's version as the No. 11 song for 1971.

John Valmore Pearson was a British composer, orchestra leader and pianist. He led the Top of the Pops orchestra for sixteen years, wrote a catalogue of library music, and had many of his pieces used as the theme music to television series.

Frank Mills is a Canadian pianist and recording artist, best known for his solo instrumental hit "Music Box Dancer".

"For All We Know" is a soft rock song written for the 1970 film Lovers and Other Strangers, with music by Fred Karlin and lyrics by Robb Wilson and Arthur James. Both Royer and Griffin were founding members of the soft rock group Bread. It was originally performed, for the film's soundtrack, by Larry Meredith. The best known version of the song is by American pop duo the Carpenters which reached No. 3 on the US Billboard Hot 100 chart and No. 1 on the US Billboard Easy Listening chart in 1971. The song was also a hit for Shirley Bassey at the same time in the United Kingdom. It has since been covered by various artists including Petula Clark.

<span class="mw-page-title-main">Rainy Days and Mondays</span> 1971 single by Carpenters

"Rainy Days and Mondays" is a song by the Carpenters from their self-titled third album, with instrumental backing by the Wrecking Crew. It was written by Paul Williams (lyrics) and Roger Nichols (music), who had previously written “We’ve Only Just Begun,” another hit for the duo. The B-side on the single is "Saturday", a song written and sung by Richard Carpenter.

"Superstar" is a 1969 song written by Bonnie Bramlett and Leon Russell with a songwriting credit also given to Delaney Bramlett that has been a hit for many artists in different genres and interpretations in the years since; the best-known versions are by the Carpenters in 1971, and by Luther Vandross in 1983.

"Reason to Believe" is a song written, composed, and first recorded by American folk singer Tim Hardin in 1965. It has since been recorded by artists including Bobby Darin in 1966, Karen Dalton also in 1966, The Youngbloods in 1967, Peter, Paul and Mary in 1968, Glen Campbell in 1968, Peggy Lee in 1968, the Nitty Gritty Dirt Band in 1969, the Carpenters in 1970, and Rod Stewart in 1971 and 1993. Wilson Phillips covered the song on their 1990 debut album.

<span class="mw-page-title-main">I Won't Last a Day Without You</span> 1972/1974 single by The Carpenters

"I Won't Last a Day Without You" is a song by the Carpenters with lyrics written by Paul Williams and music composed by Roger Nichols. It was released in the U.K. in September 1972, paired with "Goodbye to Love" as a double-A side. The single reached No. 9 and spent 14 weeks on the chart. It was later released in the U.S. and became a hit single for them in 1974, reaching No. 11 on the Billboard Hot 100 chart and number one on the easy listening chart. It was the Carpenters' ninth No. 1 on the easy listening chart.

<span class="mw-page-title-main">Merry Christmas Darling</span> 1970 single by the Carpenters

"Merry Christmas, Darling" is a Christmas song by the Carpenters, and originally recorded in 1970. It was first available on a 7-inch single that year, and was later re-issued in 1974 and again in 1977. The single went to number one on Billboard's Christmas singles chart in 1970 and peaked at number 41 on Cashbox.

<span class="mw-page-title-main">I Need to Be in Love</span> 1976 single by Carpenters

"I Need to Be in Love" is a song written by Richard Carpenter, Albert Hammond and John Bettis. It was released as a single on May 21, 1976. It was featured on the A Kind of Hush album, which was released on June 11 of the same year.

<span class="mw-page-title-main">I Believe You</span> 1978 single by The Carpenters

"I Believe You" is a love ballad composed by Don and Dick Addrisi which was a 1977 single for Dorothy Moore; taken from her self-titled Dorothy Moore album. "I Believe You" reached #5 R&B and crossed over to the US Pop Top 30 at number 27. The track also reached number 20 in the UK.

"Make Believe It's Your First Time" is a song written by Bob Morrison and Johnny Wilson. Originally recorded by Bobby Vinton, the song was twice recorded by Karen Carpenter, both as a solo act and as a member of the Carpenters.

<span class="mw-page-title-main">You've Made Me So Very Happy</span> 1967 single by Brenda Holloway

"You've Made Me So Very Happy" is a song written by Brenda Holloway, Patrice Holloway, Frank Wilson and Berry Gordy, and was released first as a single in 1967 by Brenda Holloway on the Tamla label. The song was later a huge hit for jazz-rock band Blood, Sweat & Tears in 1969, and became a Gold record.

<span class="mw-page-title-main">An Old Fashioned Love Song</span> 1971 single by Three Dog Night

"An Old Fashioned Love Song" is a 1971 song written by Paul Williams and performed by the American pop-rock band Three Dog Night. Chuck Negron performed the lead vocal on this track. Taken as the first single from their 1971 album, Harmony, the song peaked at number 4 on the Billboard Hot 100 chart in December 1971, becoming the band's seventh top-ten hit. It was Three Dog Night's first record to top the U.S. easy listening chart. It reached number 2 in Canada. Its lyrics suggest the straightforward and melodic nature of the tune: Just an old fashioned love song / Comin' down in three part harmony / Just an old fashioned love song / One I'm sure they wrote for you and me.

<i>The Andy Williams Show</i> (album) 1970 studio album by Andy Williams

The Andy Williams Show is the twenty-sixth studio album by American pop singer Andy Williams that was released in the fall of 1970 by Columbia Records. In his review on AllMusic.com, William Ruhlmann writes that "The Andy Williams Show LP was not a soundtrack recording from the TV series, and it was not really a live album, although it gets categorized as such. What appears to be the case is that Columbia Records took a group of Williams' studio recordings, most of them made during the summer of 1970 and consisting of his versions of recent soft rock hits, and added a lot of canned applause along with some of the kind of musical interludes used to usher numbers on and off on the show, including bits of its "Moon River" theme music at the start and the finish."

<i>Youve Got a Friend</i> (Andy Williams album) 1971 studio album by Andy Williams

You've Got a Friend is the twenty-eighth studio album by American pop singer Andy Williams, released in August 1971 by Columbia Records. The album bears a striking resemblance to the Johnny Mathis album You've Got a Friend released that same month. Besides sharing their name, the two albums are both made up of covers of easy listening hits of the time, with 11 songs each, and the two albums have seven songs in common that are positioned in a similar order.

<i>Solitaire</i> (Andy Williams album) 1973 studio album by Andy Williams

Solitaire is the thirty-first studio album by American pop singer Andy Williams, released in the fall of 1973 by Columbia Records and was an attempt to move away from his formulaic series of recent releases that relied heavily on songs that other artists had made popular.

<i>Carpenters</i> (album) 1971 studio album by the Carpenters

Carpenters is the third studio album by American music duo Carpenters. Released on May 14, 1971, it was their most successful studio album, reaching number two on the Billboard 200 chart and number 12 in the UK, as well as being certified 4× Platinum by the RIAA. The album contained the hit songs "For All We Know", "Rainy Days and Mondays" and "Superstar".

<i>Me and Mrs. Jones</i> (album) 1973 studio album by Johnny Mathis

Me and Mrs. Jones is an album by American pop singer Johnny Mathis that was released in January 1973 by Columbia Records. While it does cover several big chart hits of the day like his last album, Song Sung Blue, did, it also includes songs that didn't make the US Top 40 or had never charted.

<i>When Will I See You Again</i> (Johnny Mathis album) 1975 studio album by Johnny Mathis

When Will I See You Again is an album by American pop singer Johnny Mathis that was released in March 1975 by Columbia Records and was again predominantly composed of covers of recent hit songs by other artists.

References

  1. 1 2 Schmidt, Randy L. (2010). Little Girl Blue: the life of Karen Carpenter (1st ed.). Chicago IL: Chicago Review Press. pp.  75, 76. ISBN   978-1-55652-976-4.
  2. Whitburn, Joel (1993). Top Adult Contemporary: 1961–1993. Record Research. p. 125.
  3. Joel Whitburn's Top Pop Singles 1955–1990 - ISBN   0-89820-089-X
  4. Whitburn, Joel (1993). Top Adult Contemporary: 1961–1993. Record Research. p. 259.
  5. Cash Box Top 100 Singles, March 1, 1975