Let It Be is the twelfth and final studio album by the English rock band the Beatles. It was released on 8 May 1970, almost a month after the group's public break-up, in tandem with the documentary of the same name. Concerned about recent friction within the band, Paul McCartney had conceived the project as an attempt to reinvigorate the group by returning to simpler rock 'n' roll configurations. Its rehearsals started at Twickenham Film Studios on 2 January 1969 as part of a planned television documentary showing the Beatles' return to live performance.
David Keith Murray is an American jazz saxophonist and composer who performs mostly on tenor and bass clarinet. He has recorded prolifically for many record labels since the mid-1970s. He lives in New York City.
Lawrence Douglas "Butch" Morris was an American cornetist, composer and conductor. He was known for pioneering his structural improvisation method, Conduction, which he utilized on many recordings.
Mthutuzeli Dudu Pukwana was a South African saxophonist, composer and pianist.
Johnny Mbizo Dyani was a South African jazz double bassist, vocalist and pianist, who, in addition to being a key member of The Blue Notes, played with such international musicians as Don Cherry, Steve Lacy, David Murray, Finnish guitar player Jukka Syrenius, Pierre Dørge, Peter Brötzmann, Mal Waldron, fellow South African Dollar Brand, and Leo Smith, among many other prominent players.
Hamid Drake is an American jazz drummer and percussionist.
Pierre Dørge is a Danish avant-garde jazz guitarist. As leader of the New Jungle Orchestra, he combined traditional and modern jazz with West African Highlife guitar music. Among his collaborators have been his wife, pianist Irene Becker, saxophonist John Tchicai, bassist Johnny Dyani, and percussionist Marilyn Mazur.
David Murray Big Band conducted by Lawrence "Butch" Morris is an album by David Murray released on the DIW/Columbia Records label in 1991. It features performances by Murray, Hugh Ragin, Graham Haynes, Rasul Siddik, James Zollar, Craig Harris, Frank Lacy, Al Patterson, Bob Stewart, Vincent Chancey, Khalil Henry, James Spaulding, Patience Higgins, Don Byron, John Purcell, Sonelius Smith, Fred Hopkins, Tani Tabbal conducted by Lawrence "Butch" Morris.
Steve McCall was an American jazz drummer.
Interboogieology is an album by David Murray released on the Italian Black Saint label in 1978. It features performances by Murray, cornetist Butch Morris, bassist Johnny Dyani and drummer Oliver Johnson. Marta Contreras sings on two tracks.
Live at the Lower Manhattan Ocean Club is a live album by David Murray. It was originally released as two volumes on the India Navigation label in 1978 and re-released in 1989 on a single CD. It features a live performance by Murray, trumpeter Lester Bowie, bassist Fred Hopkins and drummer Phillip Wilson recorded in concert at the Lower Manhattan Ocean Club, NYC.
Home is an album by David Murray, released in 1982 on the Italian Black Saint label and the second to feature his Octet. It features performances by Murray, Henry Threadgill, Olu Dara, Lawrence "Butch" Morris, George E. Lewis, Anthony Davis, Wilbur Morris and Steve McCall.
Live at Sweet Basil Volume 2 is an album by David Murray released on the Italian Black Saint label in 1984 and the second to feature his Big Band. It features performances by Murray, Olu Dara, Baikida Carroll, Craig Harris, Bob Stewart, Vincent Chancey, Steve Coleman, John Purcell, Rod Williams, Fred Hopkins and Billy Higgins conducted by Lawrence "Butch" Morris. The album was preceded by Live at Sweet Basil Volume 1.
3D Family is an album by David Murray released on the Swiss Hat Hut label. It was released in 1980 as a double LP and features a live performance by Murray, Johnny Mbizo Dyani and Andrew Cyrille recorded September 3, 1978, at the Jazzfestival Willisau.
Last of the Hipman is a live album by David Murray released on the Italian Red label. It was recorded in 1978 and features performances by Murray, Butch Morris, Johnny Dyani and George Brown. The album Let the Music Take You (1978) was recorded at the same concert.
That's What Friends Are For is an album by American singers Johnny Mathis and Deniece Williams that was released in July 1978 by Columbia Records. The project was a continuation of the pairing of the artists that began on his previous LP, You Light Up My Life, which included "Too Much, Too Little, Too Late", the duet that was on its way to number one on three different charts in Billboard magazine as the recording sessions for this album got underway.
Phillip Sanford Wilson was an American blues and jazz drummer, a founding member of the Art Ensemble of Chicago, and a member of the Paul Butterfield Blues Band.
William Rush is an American musician, guitarist, composer, producer, arranger and engineer who started working professionally in 1964. Rush is especially known for his lengthy association with Southside Johnny and the Asbury Jukes as guitarist and composer and for his work as guitarist and musical director with Serge Gainsbourg from 1984 until 1991.
Witchdoctor's Son is an album by bassist and pianist Johnny Dyani. It was recorded on March 15, 1978, and was released on LP later that year by SteepleChase Records. On the album, Dyani is joined by saxophonists John Tchicai and Dudu Pukwana, guitarist Alfredo Do Nascimento, and percussionists Mohamed Al-Jabry and Luez "Chumi" Carlos De Sequarira. In 1987, the album was reissued on CD with four extra tracks.
The Ogun Collection is a five-CD box set compilation album by The Blue Notes, featuring saxophonists Nick Moyake and Dudu Pukwana, trumpeter Mongezi Feza, pianist Chris McGregor, double bassist Johnny Dyani, and drummer Louis Moholo. It brings together the contents of four albums previously released by Ogun Records: Legacy: Live in South Afrika 1964 ; Blue Notes for Mongezi ; Blue Notes in Concert ; and Blue Notes for Johnny. The latter three albums appear here in expanded form. The Ogun Collection, which also includes a booklet containing photos and essays, was released by Ogun in 2008. In 2022, the label reissued all four albums as stand-alone releases, using the expanded versions found on the compilation.
