Liaisons: Re-Imagining Sondheim from the Piano

Last updated
Liaisons: Re-Imagining Sondheim from the Piano
Liaisons, Re-Imagining Sondheim from the Piano (album art).jpg
Studio album by
Anthony de Mare
ReleasedSeptember 25, 2015 (2015-09-25) [1] [2]
Recorded2010–2014
Studio
Genre Classical [3] [4] [5]
Length196:56
Label ECM
ECM 2470–72
Producer Judy Sherman
Anthony de Mare chronology
Speak! The Speaking–Singing Pianist
(2010)		Liaisons: Re-Imagining Sondheim from the Piano
(2015)

Liaisons: Re-Imagining Sondheim from the Piano is a triple album performed by the pianist Anthony de Mare; ECM Records released the album in 2015. It consists of pieces inspired by the American musical theatre composer Stephen Sondheim's oeuvre and has works written by various classical, jazz, and other composers. The album consists of 37 tracks and is over three hours long. Composers who wrote pieces on the album include Jason Robert Brown, Michael Daugherty, Jake Heggie, Fred Hersch, Gabriel Kahane, Phil Kline, Ricardo Lorenz, Wynton Marsalis, Nico Muhly, Thomas Newman, Steve Reich, and Duncan Sheik. The album received mostly positive reviews. In 2020, the Liaisons team (Rachel Colbert and Anthony de Mare) announced an additional 14 pieces to be recorded in 2023.

Contents

Conception and planning

Anthony De Mare hired Rachel Colbert to produce the project and began contacting Stephen Sondheim in 2007. [6] De Mare initially planned on having between 20 and 25 works in the project but he eventually settled on inviting 36 composers. [7] Each composer was able to "re-imagine" any Sondheim song they wished; de Mare requested that they kept the original melody and most of the harmonies, let them know they should be able to change the structure, and asked them to not deconstruct the song, although some did so. [7]

Milton Babbitt, who had once taught Sondheim, had originally been chosen as one of the composers to participate in the project; his piece would have been inspired by "I'm Still Here" from Follies . His student, Frederic Rzewski replaced Babbitt upon his death in 2011. Adam Guettel was invited but declined due to feeling nervous; Elvis Costello, Sting, and Tori Amos had to decline participation due to a lack of time. [6] Sondheim himself suggested de Mare invite Jason Robert Brown, Derek Bermel, and David Shire to compose pieces for the project. [8] Of the thirty-six composers who contributed works, thirty-one were men and five were women. Thirty-two of them were born in the United States. The composers' ages ranged from late 20s to 80s. [7]

Individuals and institutions commissioned each of the pieces from the various composers. The Clarice Smith Performing Arts Center commissioned Kenji Bunch's, Jake Heggie's, Frederic Rzewski's, and Bernadette Speach's pieces. The Schubert Club commissioned Mary Ellen Childs's piece and the Banff Centre commissioned Rodney Sharman's piece. Notable individuals who helped commission pieces include James S. Marcus, Beth Rudin DeWoody, and Benjamin M. Rosen. [9] All works had been completed by 2014. [7]

Twelve of Sondheim's musicals are represented by this album, chronologically spanning from A Funny Thing Happened on the Way to the Forum (1962) to Passion (1994). [9] [7] The Frogs and Bounce are notable musicals which Sondheim wrote the music for which are not represented. [10] Over a third of the tracks are inspired by either Sunday in the Park with George or Sweeney Todd . [10]

Writing and production

The composers' backgrounds are in a variety of genres including classical, jazz, and rock, [11] although the majority of the songs were written by contemporary classical composers. [12] Most of the pieces are purely written for solo piano, although some pieces also featured a backing track or minor other metaphorical "bells 'n whistles". [7] Duncan Sheik's "Johanna in Space" features a track made of several guitar improvisations layered through a tape echo. [9] [13] Jason Robert Brown's "Birds of Victorian England" and Steve Reich's " Finishing the Hat – 2 Pianos " [ fr ] are both written for multiple pianos. [6] [9] Certain songs like Andy Akiho's "Into the Woods", and Jherek Bischoff's "The Ballad of Guiteau", and Ricardo Lorenz's "The Worst (Empanadas) In London" feature a few words of spoken or sung dialogue. Bischoff's piece also features the slamming of a piano lid and creaking of the piano bench, and Michael Daugherty's "Everybody's Got The Right" features a shot from a prop gun. [14] Akiho's piece was also written for a prepared piano, requiring screws and other objects to be placed in the piano strings to alter the sound. [15]

The album was recorded between 2010 and 2014 at the American Academy of Arts and Letters and at Greenfield Recital Hall, Manhattan School of Music. [9] The album's production was in part financed via an Indiegogo campaign. [16] [17] [18]

Reception

Professional ratings
Review scores
SourceRating
All About Jazz Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [13]
BBC Music Magazine Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [11]
The Buffalo News Star full.svgStar full.svgStar full.svgStar half.svg [19]
Fono Forum  [ de ]Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [20]
The Guardian Star full.svgStar full.svgStar full.svgStar full.svgStar empty.svg [21]
The New Zealand Herald Star full.svgStar full.svgStar full.svgStar full.svgStar full.svg [22]

Naomi Graber's review in the Journal of the Society for American Music called it "a fascinating contribution to American piano music". [10] Jed Distler's review for Gramophone called it a "fascinating, excellently produced collection". [23] Jesse Green called it an "astonishing" recording in New York ; listening to the album was one of the magazine's entries in its "To Do" section. [1] Joshua Kosman for the San Francisco Chronicle called the recording "indispensable" [24] and "irresistible". [25] Michael Feingold for The Village Voice praised de Mare's "ineffably precise playing" and referred to the compositions as "a treasure trove of approaches". [26] Raymond Tuttle's album review in Fanfare said "most listeners probably will find something to love and something else to annoy them here" and criticized the "over-pedaled quality to many of these readings". [27] Elliot Fisch's review in American Record Guide said de Mare performed all the songs "excellently", said the sound was "excellent", and that "this unique project deserves your attention". [28]

Tom Huizenga named the album one of NPR's ten favorite classical albums of 2015. [3] Anthony Tommasini also named it as one of the best classical music recordings of 2015 for The New York Times . [4] Graham Rickson of The Arts Desk listed it as one of the best ten classical CDs of 2015, [5] and called the album "superb", describing it as "magnificently recorded and beautifully produced". [29] Anne Midgette for The Washington Post included it as one of her top five favorite classical recordings of 2015. [30]

Stuart Derdeyn included Liaisons as one of "25 albums you may have missed but shouldn't have in 2015" in an article for The Province . [31] Ted Gioia included Liaisons in a list of 20 "under-the-radar" albums of 2015 for The Daily Beast . [32] Tom Huizenga included it as one of NPR's top 50 albums of 2015. [33] Andre Dansby, for the Houston Chronicle , listed Liaisons as his 16th favorite album of 2015. [34] The Guardian 's jazz critic John Fordham also listed this album as one of his favorite albums of 2015. [35]

Sondheim wrote in the liner notes, "Over the years I've heard songs of mine 'interpreted' by singers and piano-players and arrangers who change either the vocal lines or the harmonies or both, and much as my ego gets a lift when people sing my stuff, in every case I've winced. The pieces created for Liaisons are a different matter entirely; they're written by composers, not arrangers, and they aren't decorations of the songs. They're fantasias on them, responses to the melodic lines and the harmonies and occasionally the accompaniments. [...] It's fun (for me, anyway) to hear which of the song elements each composer latches on to, and how far they spin from them." [9]

Judith Sherman won the Grammy Award for Producer of the Year, Classical at the 58th Annual Grammy Awards in part for her work on Liaisons. [36]

Tracks

The album consists of three discs and thirty-seven tracks. [9] Information about the specific Sondheim pieces each work is inspired by comes from the sheet music. [14]

Disc 1
No.TitleWriter(s)Length
1."A Little Night Fughetta" (after "Anyone Can Whistle" from Anyone Can Whistle and "Send in the Clowns" from A Little Night Music ) William Bolcom 1:41
2."Color And Light" (after "Color and Light" from Sunday in the Park with George ) Nico Muhly 5:36
3."Finishing the Hat – 2 Pianos" (after "Finishing the Hat" from Sunday in the Park with George) Steve Reich 3:20
4."The Ladies Who Lunch" (after "The Ladies Who Lunch" from Company ) David Rakowski 7:19
5."Perpetual Happiness" (after "Happiness" from Passion ) Eve Beglarian 6:01
6."Birds Of Victorian England" (after "Green Finch and Linnet Bird" from Sweeney Todd ) Jason Robert Brown 3:04
7."Johanna in Space" (after "Johanna" from Sweeney Todd) Duncan Sheik 5:56
8."You Could Drive A Person Crazy" (after "You Could Drive A Person Crazy" from Company) Eric Rockwell 3:01
9."That Old Piano Roll" (after "That Old Piano Roll" from Follies ) Wynton Marsalis 4:38
10."Sorry/Grateful" (after "Sorry–Grateful" from Company) Derek Bermel 6:59
11."No One Is Alone" (after "No One Is Alone" from Into the Woods ) Fred Hersch 4:03
12."A Bowler Hat" (after "A Bowler Hat" from Pacific Overtures ) Annie Gosfield 5:17
13."I'm Excited. No You're Not." (after "A Weekend in the Country" from A Little Night Music) Jake Heggie 5:15
Total length:62:10
Disc 2
No.TitleWriter(s)Length
1."The Demon Barber" (after "The Ballad of Sweeney Todd" from Sweeney Todd) Kenji Bunch 5:07
2."Send in the Clowns" (after "Send in the Clowns" from A Little Night Music) Ethan Iverson 5:49
3."The Worst (Empanadas) in London" (after "The Worst Pies in London" and "A Little Priest" from Sweeney Todd) Ricardo Lorenz 4:53
4."I Think About You" (after "Losing My Mind" from Follies) Paul Moravec 9:00
5."Very Put Together" (after "Putting it Together" from Sunday in the Park with George) Mason Bates 3:08
6."I'm Still Here" (after "I'm Still Here" from Follies) Frederic Rzewski 6:43
7."Love is in the Air" (after "Love is in the Air" from A Funny Thing Happened on the Way to the Forum ) David Shire 4:05
8."Epiphany" (after music from Sweeney Todd) John Musto 5:05
9."Pretty Women" (after "Pretty Women" from Sweeney Todd) Mark-Anthony Turnage 3:44
10."Paraphrase "Someone in a Tree"" (after "Someone in a Tree" from Pacific Overtures) Phil Kline 5:42
11."In and Out of Love" (after "Liaisons" and "Send in the Clowns" from A Little Night Music) Bernadette Speach 5:59
12."Another Hundred People" (after "Another Hundred People" from Company) Daniel Bernard Roumain 7:17
Total length:66:32
Disc 3
No.TitleWriter(s)Length
1."Into the Woods" (after Act I Opening from Into the Woods) Andy Akiho 8:57
2."Every Day a Little Death" (after "Every Day a Little Death" from A Little Night Music) Ricky Ian Gordon 5:18
3."Merrily We Roll Along" (after "Merrily We Roll Along" and "The Hills of Tomorrow" from Merrily We Roll Along ) Nils Vigeland 5:39
4."Notes on "Beautiful"" (after "Beautiful" from Sunday in the Park with George) Rodney Sharman 5:27
5."Being Alive" (after "Being Alive" from Company) Gabriel Kahane 4:45
6."Not While I'm Around" (after "Not While I'm Around" from Sweeney Todd) Thomas Newman 2:55
7."The Ballad of Guiteau" (after "The Ballad of Guiteau" from Assassins ) Jherek Bischoff 5:53
8."Now" (after "Now", "Later", and "Soon" from A Little Night Music) Mary Ellen Childs 3:22
9."A Child of Children and Art" (after "Children and Art" from Sunday in the Park with George) Peter Golub 8:24
10."going ... gone" (after "Good Thing Going" from Merrily We Roll Along) Tania León 7:38
11."Everybody's Got the Right" (after "Everybody's Got the Right" from Assassins) Michael Daugherty 4:36
12."Sunday in the Park – Passages" (after music from Sunday in the Park with George)Anthony de Mare5:20
Total length:68:14

Personnel

Credits are adapted from the liner notes. [9]

Charts

Liaisons was on Billboard 's Top Classical Albums chart for four weeks, with a peak position of 15 the week of October 24, 2015. [37] It also spent four weeks on Billboard's Top Classical Crossover Albums peaking at 11 the week of October 17, 2015. [38]

ChartPeak position
US Top Classical Albums ( Billboard ) [37] 15
US Top Classical Crossover Albums (Billboard) [38] 11

Related Research Articles

<span class="mw-page-title-main">Keith Jarrett</span> American jazz/classical pianist and composer (born 1945)

Keith Jarrett is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.

<span class="mw-page-title-main">Chick Corea</span> American musician and composer (1941–2021)

Armando Anthony "Chick" Corea was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", "500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered to have been one of the foremost jazz pianists of the post-John Coltrane era.

<span class="mw-page-title-main">Duncan Sheik</span> American singer-songwriter and composer (born 1969)

Duncan Sheik is an American singer-songwriter and composer. Sheik is known for his 1996 debut single "Barely Breathing", which earned him a Grammy Award nomination for Best Male Pop Vocal Performance. He has composed music for motion pictures and Broadway musicals, winning the 2007 Tony Awards for Best Original Score and Best Orchestrations for his work on the musical Spring Awakening.

<span class="mw-page-title-main">Nonesuch Records</span> American record label company

Nonesuch Records is an American record company and label owned by Warner Music Group, distributed by Warner Records, and based in New York City. Founded by Jac Holzman in 1964 as a budget classical label, Nonesuch has developed into a label that records critically acclaimed music from a wide range of genres. Robert Hurwitz was president of the company from 1984 to 2017.

Liaison means communication between two or more groups, or co-operation or working together.

Vijay Iyer is an American composer, pianist, bandleader, producer and writer based in New York City. The New York Times has called him a "social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway". Iyer received a 2013 MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artists Fellowship, a Grammy nomination, and the Alpert Award in the Arts. He was voted Jazz Artist of the Year in the DownBeat magazine international critics' polls in 2012, 2015, 2016, and 2018. In 2014, he received a lifetime appointment as the Franklin D. and Florence Rosenblatt Professor of the Arts at Harvard University, where he was jointly appointed in the Department of Music and the Department of African and African American Studies.

<span class="mw-page-title-main">The Prayer (Celine Dion and Andrea Bocelli song)</span> 1999 single by Céline Dion and Andrea Bocelli

"The Prayer" is a song performed by Canadian singer Celine Dion and Italian tenor Andrea Bocelli. It was written by David Foster, Carole Bayer Sager, Alberto Testa and Tony Renis.

Bernadette Speach is an American avant-garde composer and pianist. Known for her minimalist approach, she often synthesizes improvisation and through-composed material.

Simone Andrea Dinnerstein is an American classical pianist.

"Being Alive" is a song from the musical Company by George Furth with music and lyrics by Stephen Sondheim. The song appears at the end of act two and is sung by the main character, Robert, a 35-year-old bachelor who at the show's end "...realizes being a lone wolf isn't all it's cracked up to be ... he declares that he wants to take the chance, be afraid, get his heart broken - or whatever happens when you decide to love and be loved."

<span class="mw-page-title-main">Gabriel Kahane</span> American singer-songwriter

Gabriel Kahane is an American composer and singer-songwriter.

"Hasta Que Te Conocí" is a song by Mexican singer-songwriter Juan Gabriel. It was released in 1986 as the third single from his studio album Pensamientos. Written and produced by Gabriel, the song's lyrics focus on a protagonist learning the meaning of suffering after meeting a lover who mistreats him. It peaked at number two on the Billboard Hot Latin Song chart. A live version of the song was included on his album En el Palacio de Bellas Artes (1990) which peaked at number ten on the Hot Latin Songs chart.

Tyshawn Sorey is an American composer, multi-instrumentalist, and professor of contemporary music.

<span class="mw-page-title-main">Imagine Dragons</span> American pop rock band

Imagine Dragons is an American pop rock band based in Las Vegas, Nevada, consisting of lead singer Dan Reynolds, guitarist Wayne Sermon, bassist Ben McKee and drummer Daniel Platzman. The band first gained exposure with the release of their single "It's Time", followed by their award-winning debut studio album Night Visions (2012), which resulted in the chart-topping singles "Radioactive" and "Demons". Rolling Stone named "Radioactive", which held the record for most weeks charted on the Billboard Hot 100, the "biggest rock hit of the year". MTV called them "the year's biggest breakout band", and Billboard named them their "Breakthrough Band of 2013" and "Biggest Band of 2017", and placed them at the top of their "Year in Rock" rankings for 2013, 2017, and 2018. Imagine Dragons topped the Billboard Year-End "Top Artists – Duo/Group" category in 2018.

<span class="mw-page-title-main">Daniil Trifonov</span> Russian pianist and composer (born 1991)

Daniil Olegovich Trifonov is a Russian pianist and composer. Described by The Globe and Mail as "arguably today's leading classical virtuoso" and by The Times as "without question the most astounding pianist of our age", Trifonov's honors include a Grammy Award win in 2018 and the Gramophone Classical Music Awards' Artist of the Year Award in 2016. The New York Times has noted that "few artists have burst onto the classical music scene in recent years with the incandescence" of Trifonov. He has performed as soloist with such orchestras as the New York Philharmonic, Cleveland Orchestra, Royal Philharmonic Orchestra, London Symphony Orchestra, Mariinsky Theatre Orchestra, Royal Concertgebouw Orchestra, Berlin Philharmonic, San Francisco Symphony, Montreal Symphony Orchestra, Houston Symphony and the Munich Philharmonic, and has given solo recitals in such venues as Royal Festival Hall, Carnegie Hall, John F. Kennedy Center for the Performing Arts, Berliner Philharmonie, Théâtre des Champs-Élysées, Concertgebouw, and the Seoul Arts Center.

<i>Quercus</i> (album) 2013 studio album by June Tabor, Huw Warren & Iain Ballamy

Quercus is a 2013 live album by English folksinger June Tabor, Welsh jazz pianist Huw Warren & English saxophonist Iain Ballamy. It is also the name of the trio project which derived from an earlier collaboration on Tabor's At the Wood's Heart from 2005. Though, Warren has been a pianist and musical director for Tabor since 1988. The recording took place at The Anvil in Basingstoke at the end of a tour in March 2006. Ballamy, who has previously recorded for ECM Records with his experimental jazz duo Food, recalled “the piano was excellent, the acoustics in the hall were good, and nobody coughed.”

Andy Akiho is an American musician and composer of contemporary classical music. A virtuoso percussionist based in New York City, his primary performance instrument is steel pans. He took interest in becoming a percussionist when his older sister introduced him to a drum set at the age of 9. Akiho first tried his hand at the steel pan when he became an undergraduate at the University of South Carolina. He began taking several trips to Trinidad after college to learn and play music. From there, he started writing pieces of his own.

<span class="mw-page-title-main">Daniil Trifonov discography</span>

The recording career of Russian pianist and composer Daniil Trifonov initially focused on the music of Frédéric Chopin. His first three albums, recorded in 2010 and released in 2011, exclusively consisted of works of Chopin: the first album, Daniil Trifonov plays Frédéric Chopin, consisting of music performed live in recitals in Italy, was released by Decca Records in April; his second album, Chopin: Mazurki; Konzert, containing performances from the 16th Chopin International Piano Competition in Warsaw, was released in May; and finally, his third album, Chopin, a studio recording, was released in July. Trifonov's next album, Tchaikovsky: Piano Concerto No. 1, released in 2012, included a performance of Tchaikovsky's Piano Concerto No. 1 with the Mariinsky Theatre Orchestra conducted by Valery Gergiev.

<span class="mw-page-title-main">Chad Lawson</span> American musician

Chad Lawson is an American pianist and composer. After performing as a member of the Summit Records act Chad Lawson Trio from 1997 to 2004, Lawson performed as a member of Julio Iglesias' tour band, which inspired him to release his debut studio album Set on a Hill (2009). Lawson's fifth studio album The Chopin Variations (2014), a collaboration with violinist Judy Kang and cellist Rubin Kodheli, reached number one on the Billboard Top Classical Albums chart. He debuted as a major label musician through Decca Records in 2020, with the extended play Stay. Lawson is known as the composer of the podcasts Lore and Unobscured, both works created by Aaron Mahnke.

<span class="mw-page-title-main">Gabríel Ólafs</span> Icelandic musician

Gabríel Ólafs is an Icelandic pianist, composer, producer, Decca Records US recording artist, and cofounder of the Reykjavík Orkestra. He is known for instrumental music for piano, strings, choir, and electronics, influenced by classical music, Icelandic poetry, Norse tradition, film, fantasy, and the natural world.

References

  1. 1 2 G[reen], J[esse] (Sep 21 – Oct 4, 2015). "Listen to Liaisons: Passion of the art". To Do: Twenty-Five Things to See, Hear, Watch, and Read: September 23–October 7. New York. p. 141.
  2. ↑ Gans, Andrew (August 5, 2015). "Jason Robert Brown, Duncan Sheik, Wynton Marsalis Re-Imagine Sondheim Songs on New 3-CD Set". Playbill. Retrieved March 28, 2019.
  3. 1 2 Huizenga, Tom; Tsioulcas, Anastasia (December 17, 2015). "Our 10 Favorite Classical Albums Of 2015". NPR. Retrieved March 12, 2019.
  4. 1 2 Woolfe, Zachary (December 10, 2015). "The Best Classical Music Recordings of 2015". The New York Times. Retrieved March 12, 2019.
  5. 1 2 Rickson, Graham (December 26, 2015). "Best of 2015: Classical CDs: Ten of the best classical discs from 2015". The Arts Desk. Retrieved March 13, 2019.
  6. 1 2 3 Blum, Ronald (October 20, 2015). "Stephen Sondheim reimagined for piano by 37 composers". The Seattle Times. Associated Press. Retrieved March 13, 2019.
  7. 1 2 3 4 5 6 Ennis, Paul (April 27, 2018). "Liaisons: Re-Imagining Sondheim from the Piano - Q&A with Anthony de Mare". The Whole Note. Retrieved March 12, 2019.
  8. ↑ Levere, Jane (November 17, 2015). "Pianist De Mare To Perform Sondheim Songs 'Re-imagined' By 36 Contemporary Composers On World Tour". Forbes. Retrieved March 12, 2019.
  9. 1 2 3 4 5 6 7 8 Liaisons: Re-imagining Sondheim from the Piano (booklet). Anthony de Mare. ECM. 2015.{{cite AV media notes}}: CS1 maint: others in cite AV media (notes) (link)
  10. 1 2 3 Graber, Naomi (2017). "Anthony de Mare, Liaisons: Re-imagining Sondheim from the Piano. ECM New Series, 2470–72 481 1780, 2015, CD". Media Reviews. Journal of the Society for American Music. 11 (4): 523–524. doi:10.1017/S1752196317000451. S2CID   191677477.
  11. 1 2 Brown, Geoff (October 12, 2016). "Liaisons: Re-imagining Sondheim from the piano". BBC Music Magazine. Retrieved March 12, 2019.
  12. ↑ Margasak, Peter (December 10, 2015). "Pianist Anthony de Mare invites dozens of composers to reinvent Sondheim". Chicago Reader. Retrieved March 12, 2019.
  13. 1 2 Kelman, John (October 10, 2015). "Anthony de Mare: Anthony de Mare: Liaisons: Re-Imagining Sondheim from the Piano". All About Jazz. Retrieved March 12, 2019.
  14. 1 2 Liaisons: Re-imagining Sondheim from the Piano: 37 Piano Compositions Based on the Music of Stephen Sondheim. Milwaukee, WI: Rilting Music. 2017. ISBN   978-1-4950-7793-7.
  15. ↑ Tommasini, Anthony (November 20, 2015). "Review: Anthony de Mare Introduces the Last of His Sondheim Project". The New York Times. Retrieved March 12, 2019.
  16. ↑ Cerasaro, Pat (August 14, 2014). "Duncan Sheik Talks LIAISONS: RE-IMAGINING SONDHEIM FROM THE PIANO". BroadwayWorld.com. Retrieved March 14, 2019.
  17. ↑ Colbert, Rachel. "Liaisons: Re-Imagining Sondheim from the Piano". Indiegogo. Retrieved March 14, 2019.
  18. ↑ Skiles, Christa; Pender, Rick, eds. (Winter 2014). "Crowdfunding Liaisons". News & Notes. The Sondheim Review. Vol. 21, no. 1. p. 6. ProQuest   1563892141.
  19. ↑ Miers, Jeff; Simon, Jeff (June 6, 2016). "Listening Post: Brief reviews of Blackalicious, Mose Allison, Erroll Garner and Anthony DeMare". The Buffalo News. Retrieved March 28, 2015.
  20. ↑ Schmitz, Johannes (February 2016). "Liaisons - Re-Imagining Sondheim". Fono Forum. Retrieved March 13, 2019.
  21. ↑ Fordham, John (November 12, 2015). "Anthony de Mare: Liaisons – Reimagining Sondheim from the Piano review". The Guardian. Retrieved March 12, 2019.
  22. ↑ Dart, William (January 22, 2016). "CD Review: Liaisons: Re-Imagining Sondheim from the Piano". New Zealand Herald. Retrieved March 12, 2019.
  23. ↑ Distler, Jed (February 2016). "Liaisons: Re-imagining Sondheim From The Piano". Instrumental Reviews. Gramophone. Vol. 93, no. 1132. pp. 65–66. Retrieved March 12, 2019.
  24. ↑ Kosman, Joshua (November 1, 2017). "Sondheim's music experienced through a multitude of voices". San Francisco Chronicle. Retrieved March 12, 2019.
  25. ↑ Kosman, Joshua (September 24, 2015). "CD review: 'Liaisons,' Anthony de Mare". San Francisco Chronicle. Retrieved March 12, 2019.
  26. ↑ Feingold, Michael (March 1, 2016). "The Long-Neglected Passageway Between Classical Music, Theater, and Pop Reopens". The Village Voice. Retrieved March 13, 2018.
  27. ↑ Tuttle, Raymond (Jan–Feb 2016). "LIAISONS: Re-Imagining Sondheim from the Piano • Anthony de Mare (pn) • ECM 2470-72 (3 CDs: 197:10)". Classical Recordings. Fanfare. Vol. 39, no. 3. pp. 490–492. ProQuest   1789148389.
  28. ↑ Fisch, [Elliot] (Jan–Feb 2016). "Liaisons". Collections. American Record Guide. Vol. 79, no. 1. pp. 195–196. ProQuest   1777472758.
  29. ↑ Rickson, Graham (November 14, 2019). "Classical CDs Weekly: Beethoven, Mahler, Sondheim: Epic piano sonatas, a vibrant romantic symphony and a handsome tribute to a theatrical giant". The Arts Desk. Retrieved March 13, 2019.
  30. ↑ Midgette, Anne (December 24, 2015). "2015: The year in classical music". Washington Post. Retrieved March 28, 2019.
  31. ↑ Derdeyn, Stuart (December 20, 2015). "25 albums you may have missed but shouldn't have in 2015". The Province. Vancouver, BC. p. B8. ProQuest   1750366277.
  32. ↑ Gioia, Ted (December 27, 2015). "20 Amazing Under-the-Radar Albums of 2015". The Daily Beast. Retrieved March 28, 2019.
  33. ↑ NPR Staff (December 7, 2015). "NPR Music's 50 Favorite Albums Of 2015". NPR. Retrieved March 28, 2019.
  34. ↑ Dansby, Andrew (December 30, 2015). "Thoughtful albums have staying power". Houston Chronicle. Retrieved March 28, 2019.
  35. ↑ Guardian music (December 22, 2015). "The best albums of 2015: how our writers voted". The Guardian. Retrieved March 12, 2019.
  36. ↑ Ramanathan, Lavanya; Yahr, Emily (February 15, 2016). "Grammy Awards 2016: Taylor Swift wins album of the year; Kendrick Lamar wins 5, gives epic performance; complete list of winners". Washington Post. Retrieved March 14, 2019.
  37. 1 2 "Anthony de Mare Liaisons: Re-Imaginig Sondheim From the Piano Chart History (Top Classical Albums)". Billboard. Archived from the original on April 6, 2019. Retrieved March 28, 2019.
  38. 1 2

Further reading

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.