Libido | |
---|---|
Directed by | John B. Murray ("The Husband") Tim Burstall ("The Child") Fred Schepisi ("The Priest") David Baker ("The Family Man") |
Written by | Craig McGregor ("The Husband") Hal Porter ("The Child") Thomas Keneally ("The Priest") David Williamson ("The Family Man") |
Produced by | Christopher Muir John B. Murray |
Starring | Judy Morris Jack Thompson Max Gillies Robyn Nevin Jill Forster Elke Neidhardt |
Cinematography | Eric Lomas ("The Husband") Robin Copping ("The Child") Ian Baker ("The Priest") Bruce McNaughten ("The Family Man") |
Edited by | Tim Lewis ("The Husband") David Bilcock Jnr ("The Child") Brian Kavanagh ("The Priest") Edward McQueen-Mason ("The Family Man") |
Music by | Tim Healey & Bill Green ("The Husband") Peter Best ("The Child") Bruce Smeaton ("The Priest" & "The Family Man") |
Production company | Producers' & Directors' Guild of Australia |
Distributed by | British Empire Films (Aust) Anglo-EMI (UK) |
Release dates |
|
Running time | 118 mins |
Country | Australia |
Language | English |
Budget | A$120,000 [1] |
Libido is a 1973 Australian drama film comprising 4 segments written and directed as independent stories, but screened together as one piece, exploring a common theme of instinctive desire and contemporary sexuality. [2]
John B. Murray directed the segment called "The Husband", written by Craig McGregor, Tim Burstall directed "The Child", from a screenplay by Hal Porter, Fred Schepisi directed Thomas Keneally's "The Priest" and David Baker directed playwright David Williamson's screenplay for "The Family Man". [2] [3]
The four segments of the film average about 30 minutes in length and are presented in the following order. [4]
"The Husband"
"The Child"
"The Priest"
"The Family Man"
The film arose from a series of workshops held in 1971 by the Victorian Branch of the Producers and Directors Guild to help writers work in narrative cinema. Professional writers were invited to prepare short stories on the theme of love which were adapted and produced by members of the Guild. Four of them were linked in the film. [1] [5]
Tim Burstall wanted to direct the David Williamson segment but because he had worked with Williamson before was given the Hal Porter one, originally called The Jetty. Burstall made some key changes to the story to make it more autobiographical and work better for film. [6] It was shot at Werribee Park Estate in June 1972. [7]
All the stories were shot and filmed in and around Melbourne on 16mm for a budget of $100,000, including $26,000 from the Australian Council for the Arts. According to Burstall, the episodes directed by Murray, Baker and Schepisi cost about $7,000 each and his cost $13,000 - although he says the true cost, accounting for deferrals, was closer to $23,000. He says the total cost of shooting the film was $75,000 being $120,000 after deferrals. [6]
British Empire Films later added some funds to enable the film to be blown up to 35mm (some sources say $20,000 [1] others $36,000 [5] ).
The film was a popular success in Australia and screened overseas. Within two years of the film's release all deferred fees had been paid back. However, when the film screened in Spain, the segment "The Priest" had to be cut. [5]
By 1979 Burstall estimated the film had returned between $60,000 and $75,000 to the producers. [6]
In 1973, the film won the Golden Reel Award for best fiction film from the Australian Film Institute for the segment The Child, and Judy Morris won the best actress award for her performance in the same segment. [8] [9]
Burstall said there was meant to be a follow-up film called The Bed, consisting of four stories revolving around the bed, written by Alan Marshall, Morris Lurie, John Powers and Max Richards, to be directed by Mal Bryning, Ross Dimsey, Simon Wincer and Rod Kinnear. However, they could not raise the money to make it. [6]
The cinema of Australia began with the 1906 production of The Story of the Kelly Gang, arguably the world's first feature film. Since then, Australian crews have produced many films, a number of which have received international recognition. Many actors and filmmakers with international reputations started their careers in Australian films, and many of these have established lucrative careers in larger film-producing centres such as the United States.
Timothy Burstall AM was an English Australian film director, writer and producer, best known for hit Australian movie Alvin Purple (1973) and its sequel Alvin Rides Again (1974).
Alvin Purple is a 1973 Australian sex comedy film starring Graeme Blundell in the title role; the screenplay was written by Alan Hopgood and directed by Tim Burstall, through his production company Hexagon Productions and Village Roadshow.
Frederic Alan Schepisi is an Australian film director, producer and screenwriter. His credits include The Chant of Jimmie Blacksmith, Plenty, Roxanne, A Cry in the Dark, Mr. Baseball, Six Degrees of Separation, and Last Orders.
The Great Macarthy is a 1975 comedy about Australian rules football. It was an adaptation of the 1970 novel A Salute to the Great McCarthy by Barry Oakley. It stars John Jarratt as the title character as a local footballer playing for Kyneton, who is signed up by the South Melbourne Football Club. It also stars Barry Humphries and Judy Morris. It was released at a time of resurgence in Australian cinema but was not very successful despite its high-profile cast.
Judith Ann Morris is an Australian character actress, as well as a film director and screenwriter, well known for the variety of roles she played in 58 different television shows and films, starting her career as a child actress and appearing on screen until 1999, since then she has worked on film writing and directing, most recently for co-writing and co-directing a musical epic about the life of penguins in Antarctica which became Happy Feet, Australia's largest animated film project to date.
Kangaroo is a 1987 Australian drama film directed by Tim Burstall and starring Colin Friels, Judy Davis, and John Walton. It is based on the 1923 novel of the same name by D. H. Lawrence.
The Last of the Knucklemen is a 1979 Australian film directed by Tim Burstall.
Petersen is a 1974 Australian drama film directed by Tim Burstall.
Stork is a 1971 Australian comedy film directed by Tim Burstall. Stork is based on the play The Coming of Stork by David Williamson. Bruce Spence and Jacki Weaver make their feature film debuts in Stork, being honoured at the 1972 Australian Film Institute Awards, where they shared the acting prize. Stork won the prize for best narrative feature and Tim Burstall won for best direction. Stork was one of the first ocker comedies. Stork was the first commercial success of the Australian cinema revival called the Australian New Wave.
2000 Weeks is a 1969 Australian drama film directed by Tim Burstall and starring Mark McManus, Jeanie Drynan, and Eileen Chapman.
Eliza Fraser is a 1976 Australian bawdy adventure drama film, directed by Tim Burstall and starring Susannah York, Trevor Howard, Noel Ferrier and John Castle. The screenplay was written by David Williamson.
The Chant of Jimmie Blacksmith is a 1978 Australian drama film directed, written and produced by Fred Schepisi, and starring Tom E. Lewis, Freddy Reynolds and Ray Barrett. The film also featured early appearances by Bryan Brown, Arthur Dignam, and John Jarratt. It is an adaptation of the 1972 novel The Chant of Jimmie Blacksmith by Thomas Keneally.
High Rolling is an Australian buddy comedy directed by Igor Auzins and written by Forest Redlich. Golden Globe Award winners Joseph Bottoms and Judy Davis are among the cast. The soundtrack for the film was provided by the Australian band, Sherbet. The film was released in Australia on 4 August 1977.
An Australian Independent Film, is an Australian film which is produced without government funding. This does not include deductions in the form of special tax concessions or rebates, but refers to up front financial investment from any local, state or commonwealth government authority, or the state and federal film funding bodies, such as Screen Australia, The New South Wales Film and Television Office, Screen Queensland, ScreenWest, The Australian Broadcasting Corporation, and The South Australian Film Corporation.
End Play is a 1975 Australian thriller film directed by Tim Burstall and starring George Mallaby, John Waters and Ken Goodlet. It was an adaptation of the 1972 novel End Play by Russell Braddon. It was made by Hexagon Productions.
The Naked Country is a 1985 Australian film. It was based on the 1957 novel by Morris West.
Duet for Four is a 1982 film directed by Tim Burstall.
Great Expectations: The Untold Story is a 1987 Australian period drama miniseries, which was later re-edited as a feature film.
The Removalists is a 1975 Australian film based on the play of the same name.