Funkadelic is the debut album by the American funk rock band Funkadelic, released in 1970 on Westbound Records.
Draw the Line is the fifth studio album by American hard rock band Aerosmith, released on December 9, 1977. It was recorded between June–October in an abandoned convent near New York City. The portrait of the band on the album cover was drawn by the celebrity caricaturist Al Hirschfeld.
Eddie and the Hot Rods are a pub rock band from Essex founded in 1975. They are best known for their 1977 UK top ten hit "Do Anything You Wanna Do", released under the shortened name Rods. The group broke up in 1985, but reformed in 1996. Singer Barrie Masters was the only constant member until his death in 2019. The band continued to tour, fronted by their former bassist, Ian 'Dipster' Dean.
Pleasant Dreams is the sixth studio album by the American punk rock band Ramones, released on July 20, 1981, through Sire Records. While the band members wanted Steve Lillywhite to produce, Sire chose Graham Gouldman in an attempt to gain popularity through a well-known producer. The recording process brought about many conflicts between band members, most notably the strife between Joey Ramone and Johnny Ramone, due to Johnny starting a relationship with Joey's girlfriend. There were also disputes about the overall direction of the album, with Johnny leaning towards hard rock and Joey towards pop punk. Ultimately, the album incorporated high production values and varying musical styles, straying from traditional punk rock on songs such as "We Want the Airwaves", "She's a Sensation" and "Come On Now". It is the first Ramones album not to feature any cover songs.
On Parole is a studio recording released by British rock band Motörhead. It was intended as their first album and left unreleased at the time of its completion in 1976, and it was not released until over three years later, in November 1979, after the commercial success of Overkill and Bomber that same year. It was released without the band's permission, and they consequently distanced themselves from it. As a result, it was not considered an official release by the band at the time and they did not want it released, as they had moved on, since then, first to Chiswick Records and then to Bronze Records. The LP entered the UK charts on 8 December, where it peaked at No. 65.
Paul Murray Granville Gray is an English bassist notable for playing with the rock bands Eddie and the Hot Rods, The Damned and UFO.
Peter Gabriel is the third solo studio album by the English rock musician Peter Gabriel, released on 30 May 1980 by Charisma Records. The album, produced by Steve Lillywhite, has been acclaimed as Gabriel's artistic breakthrough as a solo artist. AllMusic wrote that it established him as "one of rock's most ambitious, innovative musicians".
Street Hassle is the eighth solo studio album by American rock musician Lou Reed, released in February 1978 by Arista Records. Richard Robinson and Reed produced the album. It is the first commercially released pop album to employ binaural recording technology. Street Hassle combines live concert tapes and studio recordings.
So Alone is the debut solo studio album by Johnny Thunders, then leader of the Heartbreakers and formerly lead guitarist for New York Dolls. The album was released on 6 October 1978 and was produced by Thunders and Steve Lillywhite. So Alone was preceded by the singles "Dead or Alive" and "You Can't Put Your Arms Round A Memory", the former originally being omitted from the album and later included as a bonus track on the 1992 reissue. The album featured Heartbreakers-members Walter Lure and Billy Rath, as well as several guest musicians, including Phil Lynott, Steve Marriott, Paul Gray, Peter Perrett, Steve Jones, Paul Cook, Mike Kellie, Patti Palladin, and Chrissie Hynde.
Ultravox! is the debut studio album by British new wave band Ultravox. It was recorded at Island Studios in Hammersmith, London in the autumn of 1976 and produced by Ultravox and Steve Lillywhite with studio assistance from Brian Eno. It was released on 25 February 1977 by Island.
Fresh is the second studio album by Raspberries, released in 1972. It contains the two top 40 singles "I Wanna Be with You" which reached number 16 on the Billboard Hot 100, number 10 on Cash Box and number 7 on Record World, and "Let's Pretend" which reached number 35 on Billboard, number 18 on Cashbox, and number 14 on Record World. It was their highest-charting album, peaking at number 36 on the Billboard 200 album chart.
Tell Us the Truth is the debut album by English punk rock band Sham 69, released in 1978. The first side of the album was recorded live in concert, while the other was recorded in the studio. Tell Us the Truth includes one of Sham 69's biggest hits, "Borstal Breakout", on the live side of the album. The album peaked at number 25 on the UK Albums Chart.
Common Sense is the fourth album by American folk singer and songwriter John Prine, released in 1975.
Crank is the fourth studio album released by Scottish rock band the Almighty. Two singles, "Jonestown Mind" and "Wrench", were released from the album in multiple parts in the United Kingdom. Music videos were made for both singles. Crank peaked at #15 in the UK albums chart. The cover artwork, showing an angel throwing a Molotov cocktail at a planet (earth) made out of money was created by noted British artist and anarchist Jamie Reid, who also designed the famous ransom note cover for the Sex Pistols album, Never Mind the Bollocks, Here's the Sex Pistols.
Teenage Depression is the debut studio album by English rock band Eddie and the Hot Rods. The album was mixed by Jonz:A and R Howard Thomson and produced by Ed Hollis and Vic Maile. It reached number 43 on the UK Albums Chart.
Thriller is the third studio album by pub rock band Eddie and the Hot Rods, reaching No. 50 on the UK Albums Chart. Released in 1979, it was produced by Peter Ker. Shortly after the release of Thriller, the band was sacked by their record company and forced to join EMI Records. The album was reissued in 2002 with two bonus tracks: "Horror Through Straightness" and "Highlands 1 Hopefuls 2". These songs had been the B-sides to the singles released on the LP.
Keith "Lew" Lewis was an English harmonica player and vocalist, who was a member of Eddie and the Hot Rods before forming his own bands. Influenced in style by Little Walter, he also guested on albums by The Stranglers, The Clash and others.
Fish 'n' Chips is the fourth studio album released by pub rock band Eddie and the Hot Rods. It was produced and mixed by Al Kooper, engineered by Bob Edwards and assistant Stuart Henderson, and mastered by Mike Reese. The LP was the first album for EMI Records who they signed to in 1979. According to Barrie Masters, the record company "just let it slip out" and it wasn't very successful, subsequently resulting in the dissolution of The Hot Rods in late 1981. The band reformed for a year from 1984 to 1985 but it wouldn't be until 1996 that they completed another studio album. This release also sees the departure of Paul Gray with him being replaced by T.C..
Gasoline Days is the fifth studio album released by Pub Rock band Eddie and the Hot Rods. It is produced and mixed by the Hot Rods themselves and Simon Milton. In 1992 the 'classic' line-up re-grouped for a European tour. Higgs left after the tour, but the band carried on with Steve Walwyn of Dr. Feelgood replacing him. Another Feelgood member, Gordon Russell, was also briefly a member, however, was soon replaced by Mick Rodgers, a former member of Manfred Mann's Earth Band. In 1994 they recorded the album Gasoline Days, released in 1996 by the Japanese label Creative Man. The band has been active intermittently since as the album didn't enjoy much success coupled with relatively poor reviews with one claiming "From teenage depression to mid-life crisis".
"Do Anything You Wanna Do" is a song written by Eddie and the Hot Rods' manager Ed Hollis and guitarist Graeme Douglas and recorded by the band, although the actual record label simply credited Rods as the artist. It reached No. 9 on the UK Singles Chart in 1977. The song was produced by Ed Hollis and arranged by the band. It was featured on their 1977 album, Life on the Line.
