At the start of 1945, Billboard magazine published a chart ranking the "most popular records in Harlem" under the title of the Harlem Hit Parade. Placings were based on a survey of record stores primarily in the Harlem district of New York City, an area which has historically been noted for its African American population and called the "black capital of America". [1] This chart was published for the final time in the issue dated February 10. [2] The following week the magazine launched a new chart in its place, Most Played Juke Box Race Records, based not on retail sales but on the number of times songs had been played in jukeboxes, although records' peak positions and numbers of weeks on chart were carried over; [2] "race records" was a term then in common usage for recordings by black artists. [3] The two charts are considered part of the lineage of the magazine's multimetric R&B chart, [2] which since 2005 has been published under the title Hot R&B/Hip Hop Songs. [4]
In the issue of Billboard dated January 6, the Ink Spots and Ella Fitzgerald topped the Harlem Hit Parade with "Into Each Life Some Rain Must Fall", retaining the top spot from the previous week. [5] The song remained at number one through the issue dated February 3 for a final total of 11 weeks atop the chart. It was displaced by "Somebody's Gotta Go" by Cootie Williams and his Orchestra on the final chart published under the Harlem Hit Parade title. It was the first number one for Williams but would prove to be the final charting song of his career. [6] The following week, Pvt. Cecil Gant topped the first Most Played Juke Box Race Records listing with "I Wonder". Gant spent two weeks at number one before being displaced by Roosevelt Sykes with his recording of the same song. Both versions would be the only number one for their respective artists. [7]
The only act with more than one number one in 1945 was Louis Jordan and his Tympany Five, who spent a single week atop the chart with "Mop! Mop!" in April and six weeks in the top spot with "Caldonia" beginning in June. Having first reached number one in 1943, Jordan was by far the most successful artist of the 1940s on Billboard's R&B charts. His tally of 18 chart-toppers was a record which would stand until the 1980s, and he spent 113 weeks at number one, [a] a record which would still stand in the 21st century. [8] Jordan's success fell away in the 1950s, but his music is considered to have been hugely influential on the development of both R&B and rock and roll. [9] In the issue of Billboard dated September 8, Joe Liggins and his Honeydrippers reached number one with "The Honeydripper" (Parts 1 & 2), which remained atop the chart for the rest of the year. The track would spend one further week in the top spot in 1946 for a final total of 18 weeks at number one, a record for an R&B chart-topper which would be equalled by Louis Jordan in 1946 and Drake in 2016 but not broken until "Old Town Road" by Lil Nas X spent a 19th week atop the modern Hot R&B/Hip Hop Songs chart in 2019. [10] [11]
Issue date | Title | Artist(s) | Ref. |
---|---|---|---|
January 6 | "Into Each Life Some Rain Must Fall" | The Ink Spots and Ella Fitzgerald | [5] |
January 13 | [12] | ||
January 20 | [13] | ||
January 27 | [14] | ||
February 3 | [15] | ||
February 10 | "Somebody's Gotta Go" | Cootie Williams and his Orchestra | [16] |
Issue date | Title | Artist(s) | Ref. |
---|---|---|---|
February 17 | "I Wonder" | Pvt. Cecil Gant | [17] |
February 24 | [18] | ||
March 3 | Roosevelt Sykes | [19] | |
March 10 | [20] | ||
March 17 | [21] | ||
March 24 | [22] | ||
March 31 | [23] | ||
April 7 | [24] | ||
April 14 | "Tippin' In" | Erskine Hawkins and his Orchestra | [25] |
April 21 | "Mop! Mop!" | Louis Jordan and his Tympany Five | [26] |
April 28 | "Tippin' In" | Erskine Hawkins and his Orchestra | [27] |
May 5 | [28] | ||
May 12 | [29] | ||
May 19 | [30] | ||
May 26 | [31] | ||
June 2 | "Caldonia" | Louis Jordan and his Tympany Five | [32] |
June 9 | [33] | ||
June 16 | [34] | ||
June 23 | [35] | ||
June 30 | [36] | ||
July 7 | [37] | ||
July 14 | "Who Threw the Whiskey in the Well" | Lucky Millinder and his Orchestra | [38] |
July 21 | [39] | ||
July 28 | [40] | ||
August 4 | [41] | ||
August 11 | [42] | ||
August 18 | [43] | ||
August 25 | [44] | ||
September 1 | [45] | ||
September 8 | " The Honeydripper " (Parts 1 & 2) | Joe Liggins and his Honeydrippers | [46] |
September 15 | [47] | ||
September 22 | [48] | ||
September 29 | [49] | ||
October 6 | [50] | ||
October 13 | [51] | ||
October 20 | [52] | ||
October 27 | [53] | ||
November 3 | [54] | ||
November 10 | [55] | ||
November 17 | [56] | ||
November 24 | [57] | ||
December 1 | [58] | ||
December 8 | [59] | ||
December 15 | |||
December 22 | [60] | ||
December 29 | [61] |
a. ^ Jordan's first 16 number ones occurred at a time when Billboard published only one R&B chart. His final two number ones occurred during a period when the magazine published two charts and each topped both listings, but the figure of 113 weeks at number one does not double-count weeks when he topped both.
"Temptation" is a popular song published in 1933, with music written by Nacio Herb Brown and lyrics by Arthur Freed.
Linked here are Billboard magazine's number-one rhythm and blues hits. The Billboard R&B chart is today known as the Hot R&B/Hip-Hop Songs chart.
"I'll Walk Alone" is a 1944 popular song with music by Jule Styne and lyrics by Sammy Cahn. The song was written for the 1944 musical film Follow the Boys, in which it was sung by Dinah Shore, and was nominated for the Academy Award for Best Original Song but lost to “Swinging on a Star”. Shore recorded the song in March as a single, which became her first #1 hit on the Billboard charts.
"Caldonia" is a jump blues song, first recorded in 1945 by Louis Jordan and his Tympany Five. Although credited to Fleecie Moore, his wife at the time, Jordan is the actual songwriter. The song was a hit for Jordan as well as several other musicians.
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by Billboard. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012.
"I Wonder" is a 1944 song written and originally performed by Pvt. Cecil Gant. The original version was released on the Bronze label, before Gant re-recorded it for the Gilt-Edge label in Los Angeles. The record made it to number one on the Juke Box Race Records chart and was Pvt. Gant's most successful release. In February 1945, pianist, Roosevelt Sykes hit number one with his version of the song. Sykes' version is notable in that it replaced Gant's version, at number one on the Juke Box Race Records chart.
"Don't Cry Baby" is a song composed by James P. Johnson, with lyrics by Saul Bernie, and Stella Unger. The song was first recorded on October 11, 1929 by Bessie Smith, who was accompanied on piano by Johnson. The song was revived in 1943 by jazz bandleader Erskine Hawkins, who greatly simplified Johnson's original composition by removing both the introductory (sectional) verse and the "B" section of the chorus. This simplified arrangement formed the basis of most later recordings on the song. Throughout the late 1940s and 1950s, the song was recorded fairly regularly, but was not a hit again until Etta James recorded it in 1961. Between 1962 and 1964, versions were released by James Brown, Aretha Franklin, and Ray Charles. Since the mid-1960s, the song has been occasionally revived.
"I Want To Be Loved (But Only By You)" is a 1947 ballad written by and recorded by Savannah Churchill and The Sentimentalists. The single was Savannah Churchill's most successful release on the R&B charts, spending six months on the chart and reaching number one on the R&B Juke Box chart.
Unforgettable – A Musical Tribute to Nat King Cole is a soundtrack album released in the UK in 1983 by the CBS Records division of Columbia in conjunction with the broadcast of American pop singer Johnny Mathis's BBC television concert special of the same name that featured Cole's daughter Natalie. The front of the original album jacket credits the concert performers as "Johnny Mathis and Natalie Cole", whereas the CD booklet reads, "Johnny Mathis with special guest Natalie Cole".