In 1953, Billboard magazine published two charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres: National Best Sellers and Most Played in Juke Boxes. The charts, based on sales in stores and plays in jukeboxes respectively, are considered part of the lineage of the magazine's multimetric R&B chart launched in 1958, [1] which since 2005 has been published under the title Hot R&B/Hip Hop Songs. [2]
In the issue of Billboard dated January 3, 1953, Eddie Boyd was at number one on the juke box chart with "Five Long Years" and Willie Mabon and his Combo topped the best sellers listing with "I Don't Know", both songs retaining their positions from the final week of 1952. [3] The year's longest-running number one on both charts was "Shake a Hand" by Faye Adams; on the best sellers chart it spent nine consecutive weeks in the top spot, and on the juke box listing it spent ten non-consecutive weeks at number one. It was the first in a string of three consecutive number ones for the singer, but after 1957 she never charted again. [4] In the early 1960s she turned to gospel music and reportedly refused to even talk about her secular recordings. [5] Although "Shake a Hand" had the highest total number of weeks atop the juke box chart, the longest unbroken run at number one on that listing was achieved by Mabon's "I Don't Know", which spent six consecutive weeks in the peak position in January and February.
Among the other acts to top the chart for the first time in 1953 was Willie Mae "Big Mama" Thornton, who reached number one on both listings with "Hound Dog", the only charting single of her career. [6] The song would later be covered by Elvis Presley, whose version became a multi-million seller. [7] Although less well known, Thornton's original recording is regarded as highly influential; its accolades include being inducted into the Grammy Hall of Fame [8] and being selected for preservation in the National Recording Registry by the Library of Congress as being "culturally, historically, or artistically significant". [9] Four other acts gained their first number ones in 1953, including the acts with the final number one of the year on each chart: Big Joe Turner with "Honey Hush" on the juke box chart and Clyde McPhatter and the Drifters on the best sellers listing. [10] Adams reached number one with "Shake a Hand", the first chart entry of her career. The "5" Royales achieved the same feat, topping both charts in February with "Baby Don't Do It"; the group returned to number one on both listings in June with "Help Me Somebody". [11] This gave the Royales the distinction of having gained two number ones with their first two charting songs, but they would not achieve another chart-topper. [11]
a. ^ Two songs tied for number one on the juke box chart in this issue.
"Goodnite, Sweetheart, Goodnite" is a popular song that was a hit during the mid-1950s. It was written by Calvin Carter and James "Pookie" Hudson in 1951, and was first recorded by The Spaniels in 1953. It has also been released by some artists as "Goodnight, Well It's Time to Go".
"To Each His Own" is a popular song with music written by Jay Livingston and lyrics by Ray Evans. It is the title song of the movie of the same name and was published in 1946 by Paramount Music. The duo were assigned to write this song after film composer Victor Young turned it down.
Linked here are Billboard magazine's number-one rhythm and blues hits. The Billboard R&B chart is today known as the Hot R&B/Hip-Hop Songs chart.
"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one for five weeks on the pop music charts.
"No More Doggin'" is a rhythm and blues song written and originally recorded by blues musician Rosco Gordon in 1952. The song featured Gordon's signature "Rosco Rhythm" piano style which became a precursor to Jamaican ska music.
Little Walter (1930–1968) was an American blues artist who is generally regarded as the most influential blues harmonica player of his era. Most of his earliest recordings were as a sideman, when he contributed harmonica to songs by Chicago blues musicians such as Jimmy Rogers and Muddy Waters. As the featured artist, he recorded the instrumental "Juke" in 1952. The single reached number one on the Billboard Rhythm and Blues chart and launched his career as a solo artist.