List of Billboard number-one R&B songs of 1954

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Big Joe Turner reached number one with "Shake, Rattle and Roll", which would go on to be highly influential in the development of rock and roll music. Big Joe Turner Rock and Roll Revue Apollo Theater 1955.jpg
Big Joe Turner reached number one with "Shake, Rattle and Roll", which would go on to be highly influential in the development of rock and roll music.

In 1954, Billboard magazine published two charts specifically covering the top-performing songs in the United States in rhythm and blues and related African-American-oriented music genres: Best Sellers in Stores (published as National Best Sellers through the issue dated February 13) and Most Played in Juke Boxes. The two charts are considered part of the lineage of the magazine's multimetric R&B chart launched in 1958, [1] which since 2005 has been published under the title Hot R&B/Hip Hop Songs. [2]

Contents

In the issue of Billboard dated January 2, blues singer Big Joe Turner was at number one on the juke box chart with "Honey Hush" and Clyde McPhatter and the Drifters were atop the best sellers listing with "Money Honey". Both acts returned to the top spot later in the year. In June, Turner topped the juke box chart with "Shake, Rattle and Roll". McPhatter and the Drifters reached number one on both listings in July with "Honey Love". Shortly after Turner topped the chart with "Shake, Rattle and Roll", Bill Haley and his Comets released a cover version which is considered one of the most influential recordings in the development of the emerging rock and roll genre. [3] [4] [5] Although Turner would not reach number one again, he would enjoy a lengthy career and be inducted into the Rock and Roll Hall of Fame in 1987. [6] [7] His original recording of "Shake, Rattle and Roll" was ranked number 127 on Rolling Stone 's 2003 list of the 500 Greatest Songs of All Time. [8]

The year's longest-running number one on the juke box chart was "The Things That I Used to Do" by Guitar Slim, which spent 14 consecutive weeks in the top spot. It was the only chart entry the Mississippi-born guitarist achieved in his career, [9] but is considered to have significantly influenced the development of both soul music and the use of the electric guitar in rock music. [10] [11] The Rock and Roll Hall of Fame included the track on its list of 500 Songs That Shaped Rock and Roll. [12] On the best sellers chart, "Honey Love" by the Drifters and Clyde McPhatter tied for the longest time spent atop the chart with Roy Hamilton's version of "You'll Never Walk Alone" from the 1945 musical Carousel , both songs spending eight weeks at number one. While no act achieved more than one number one on the juke box chart, three acts joined the Drifters in gaining two chart-toppers on the best sellers listing: Faye Adams, Ruth Brown (who replaced herself at number one in the issue of Billboard dated November 20), and the Midnighters. The year's final number one on the juke box listing was "You Upset Me Baby" by B.B. King and the last chart-topper of 1954 on the best sellers listing was "Hearts of Stone" by the Charms.

Chart history

"Oh What a Dream" was a long-running number one for Ruth Brown. Ruth Brown performs at Mambo Club, Wichita, Kansas, 1957.jpg
"Oh What a Dream" was a long-running number one for Ruth Brown.
Clyde McPhatter led the Drifters on two songs which were R&B number ones in 1954. Clyde McPhatter 1959.JPG
Clyde McPhatter led the Drifters on two songs which were R&B number ones in 1954.
B.B. King (pictured in 1985) ended the year at number one on the juke box chart. B.B. King 06.jpg
B.B. King (pictured in 1985) ended the year at number one on the juke box chart.
Chart history
Issue dateJuke BoxBest SellersRef.
TitleArtist(s)TitleArtist(s)
January 2"Honey Hush" Big Joe Turner "Money Honey" Clyde McPhatter and the Drifters [13]
January 9 [14]
January 16 [15]
January 23 [16]
January 30" The Things That I Used to Do " Guitar Slim [17]
February 6"I'll Be True" Faye Adams [18]
February 13" The Things That I Used to Do " Guitar Slim [19]
February 20 [20]
February 27 [21]
March 6 [22]
March 13 [23]
March 20
March 27"You'll Never Walk Alone" Roy Hamilton [24]
April 3 [25]
April 10 [26]
April 17 [27]
April 24 [28]
May 1 [29]
May 8"You'll Never Walk Alone" Roy Hamilton [30]
May 15 [31]
May 22"Work with Me, Annie" The Midnighters [32]
May 29
June 5 [33]
June 12"Shake, Rattle and Roll" Big Joe Turner [34]
June 19
June 26 [35]
July 3"Work with Me, Annie" The Midnighters [36]
July 10"Honey Love" The Drifters feat. Clyde McPhatter [37]
July 17 [38]
July 24 [39]
July 31"Honey Love" The Drifters feat. Clyde McPhatter [40]
August 7 [41]
August 14 [42]
August 21
August 28 [43]
September 4"Oh What a Dream" Ruth Brown [44]
September 11 [45]
September 18 [46]
September 25"Oh What a Dream" Ruth Brown "Annie Had a Baby" The Midnighters [47]
October 2 [48]
October 9"It Hurts Me to My Heart" Faye Adams [49]
October 16
October 23 [50]
October 30 [51]
November 6 [52]
November 13"Oh What a Dream" Ruth Brown [53]
November 20"It Hurts Me to My Heart" Faye Adams "Mambo Baby" [54]
November 27"Hearts of Stone" The Charms [55]
December 4 [56]
December 11 [57]
December 18 [58]
December 25"You Upset Me Baby" B.B. King [58]

Related Research Articles

<span class="mw-page-title-main">Rhythm and blues</span> Music genre originated in the 1940s

Rhythm and blues, frequently abbreviated as R&B or R'n'B, is a genre of popular music that originated within African-American communities in the 1940s. The term was originally used by record companies to describe recordings marketed predominantly to African Americans, at a time when "rocking, jazz based music ... [with a] heavy, insistent beat" was becoming more popular. In the commercial rhythm and blues music typical of the 1950s through the 1970s, the bands usually consisted of a piano, one or two guitars, bass, drums, one or more saxophones, and sometimes background vocalists. R&B lyrical themes often encapsulate the African-American history and experience of pain and the quest for freedom and joy, as well as triumphs and failures in terms of societal racism, oppression, relationships, economics, and aspirations.

<span class="mw-page-title-main">Ruth Brown</span> American singer-songwriter (1928–2006)

Ruth Alston Brown was an American singer-songwriter and actress, sometimes referred to as the "Queen of R&B". She was noted for bringing a pop music style to R&B music in a series of hit songs for Atlantic Records in the 1950s, such as "So Long", "Teardrops from My Eyes" and "(Mama) He Treats Your Daughter Mean". For these contributions, Atlantic became known as "the house that Ruth built". Brown was a 1993 inductee into the Rock and Roll Hall of Fame.

"Goodnite, Sweetheart, Goodnite" is a popular song that was a hit during the mid-1950s. It was written by Calvin Carter and James "Pookie" Hudson in 1951, and was first recorded by The Spaniels in 1953. It has also been released by some artists as "Goodnight, Well It's Time to Go".

Linked here are Billboard magazine's number-one rhythm and blues hits. The Billboard R&B chart is today known as the Hot R&B/Hip-Hop Songs chart.

<span class="mw-page-title-main">The Very Thought of You</span> 1934 song by Ray Noble

"The Very Thought of You" is a pop standard that was recorded and published in 1934 with music and lyrics by Ray Noble. The song was first recorded by Ray Noble and His Orchestra with Al Bowlly on vocals for HMV in England in April 1934. This record was then released in the United States by Victor, and it reached number one for five weeks on the pop music charts.

"Eddie My Love" is a 1956 doo wop song. According to BMI and ASCAP, the song was written by Maxwell Davis (BMI), Aaron Collins, Jr. (ASCAP), and Sam Ling (BMI). Maxwell Davis played sax on the Teen Queens record. Aaron Collins was the brother of the Teen Queens. Sam Ling was an alias of Saul Bihari, co-founder of Modern, RPM, and other labels.

<span class="mw-page-title-main">No More Doggin'</span> 1952 single by Roscoe Gordon

"No More Doggin'" is a rhythm and blues song written and originally recorded by blues musician Rosco Gordon in 1952. The song featured Gordon's signature "Rosco Rhythm" piano style which became a precursor to Jamaican ska music.

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Works cited