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Edward James Olmos is an American actor. He is best known for his roles as Lieutenant Martin "Marty" Castillo in Miami Vice (1984–1989), American Me (1992), William Adama in the reimagined Battlestar Galactica (2004–2009), Detective Gaff in Blade Runner (1982) and its sequel Blade Runner 2049 (2017) and the voice of Mito in the 2005 English dub of Nausicaä of the Valley of the Wind. For his performance as high school math teacher Jaime Escalante in Stand and Deliver (1988), he was nominated for the Academy Award for Best Actor.
Selena is a 1997 American biographical musical drama film about Tejano music star Selena Quintanilla-Pérez, played by Jennifer Lopez. The film, written and directed by Gregory Nava, chronicles the star's rise to fame and death when she was murdered by Yolanda Saldívar at the age of 23. In addition to Lopez, the film also stars Edward James Olmos, Jon Seda, Constance Marie, Jacob Vargas, Lupe Ontiveros, and Jackie Guerra.
Seidy López is a Mexican-American actress and director.
Guadalupe "Lupe" Ontiveros was an American actress best known for portraying Rosalita in The Goonies, and Yolanda Saldívar in the film Selena. She acted in numerous films and television shows. Ontiveros was nominated for an Emmy Award for her work on Desperate Housewives and received critical acclaim for her role in Chuck & Buck, for which Ontiveros won the National Board of Review award for Best Supporting Actress, and was also nominated for an Independent Spirit Award.
Josefina López is a Chicana playwright, perhaps best known as the author of the play Real Women Have Curves. López is also the Founding Artistic Director of the CASA 0101 theater located in Boyle Heights, California, which began in 2000.
Stereotypes of Hispanic and Latino Americans in the United States are general representations of Americans considered to be of Hispanic and Latino ancestry or immigrants to the United States from Spain or Latin America, often exhibited in negative caricatures or terms. Latin America comprises all the countries in the Americas that were originally colonized by the Spaniards, French, or Portuguese. "Latino" is the umbrella term for people of Latin American descent that in recent years has supplanted the more imprecise and bureaucratic designation "Hispanic." Part of the mystery and the difficulty of comprehension lie in the fact that the territory called Latin America is not homogeneous in nature or culture. Latin American stereotypes have the greatest impact on public perceptions, and Latin Americans were the most negatively rated on several characteristics. Americans' perceptions of the characteristics of Latin American immigrants are often linked to their beliefs about the impact of immigration on unemployment, schools and crime.
"No Me Queda Más" is a song by American singer Selena on her fourth studio album, Amor Prohibido. It was released as the third single from the album in October 1994 by EMI Latin. "No Me Queda Más" was written by Ricky Vela, and production was handled by Selena's brother A.B. Quintanilla. A downtempo mariachi and pop ballad, "No Me Queda Más" portrays the ranchera storyline of a woman in agony after the end of a relationship. Its lyrics express an unrequited love, the singer wishing the best for her former lover and his new partner.
There are stereotypes of various groups of people which live within the United States and contribute to its culture. Worldwide, a disproportionately high number of people know about these stereotypes, due to the transmission of American culture and values via the exportation of American-made films and television shows.
In Mexican culture, it is now relatively common to see gay characters represented on Mexican sitcoms and soap operas (telenovelas) and being discussed on talk shows. However, representations of male homosexuals vary widely. They often include stereotypical versions of male effeminacy meant to provide comic relief as well as representations meant to increase social awareness and generate greater acceptance of homosexuality. However, efforts to represent lesbians have remained nearly non-existent, which might be related to the more general invisibility of lesbian subcultures in Mexico.
The National Hispanic Media Coalition (NHMC) is a nonprofit 501(c)(3) civil rights organization active in the United States that was founded to eliminate hate, discrimination, and racism towards the Latino community.
Pantelion Films is an American film production company that was created in 2010 and based in Santa Monica, California. The studio's goal is to bring wider theatrical distribution of movies aimed at Latino audiences. It is backed by TelevisaUnivision and Lionsgate Studios. It has made theatrical relationships with movie exhibition chains including Regal Entertainment Group, AMC Theatres, Cinemex, and Cinemark. The studio's first film was 2011's From Prada to Nada, which Lionsgate and Grupo Televisa announced it had commissioned for a television series that did not materialize in 2012.
The Bronze Screen directed and produced by Susan Racho, and Alberto Dominguez, examines, analyzes, and critiques the portrayal of Latinos in Hollywood over the course of a century. Released in 2002, the documentary traces the different stereotypes evoked by Hollywood throughout the mid 19th and 20th century. This is done through the use of silent films and small excerpts from a variety of movie genres that feature Latinos. Carmen Miranda and Margarita Cansino are a few of the many Latin actors and actresses whose careers, according to film historians, directors, and fellow actors featured in the documentary, were fabricated and highly manipulated by Hollywood. Furthermore, these actresses are used to illustrate the politics behind American Cinema and Latino/a negative representations in Hollywood. In addition to exploring stereotypes and negative representations of Latinos, The Bronze Screen also acknowledges the contribution and emergence of Latino writers, directors, cinematographers, composers, and graphic designers. Luis Valdez, Pablo Ferro, Moctesuma Esparza, and John Alonzo are a few, among the many featured in the documentary, that have paved the way for other Latinos who want to work in the industry, as well as, portrayed Latinos in a more positive manner through their films.
Comedy in the Golden Age of Mexican Cinema is a Mexican era of film popular during "El Porfiriato" which represents the reign of Porfirio Díaz as dictator in Mexico.
Racial stereotyping in advertising refers to using assumptions about people based on characteristics thought to be typical of their identifying racial group in marketing.
Inequality in Hollywood refers to the various forms of discrimination and social inequality in the American media industry. There are many branches of the media industry, such as news, television, film, music, agencies, studios, to name some of the major players. In each one of these branches, there are many instances of inequality since Hollywood formed as the entertainment hub of America in the early 1900s.
Latinos Beyond Reel is a documentary which was released on February 23, 2013. Latinos Beyond Reel taps into the harsh reality of Latino representation in the media industry. Latinos Beyond Reel was directed by Miguel Picker and Chyng-Feng Sun. Latinos Beyond Reel is under The Media Education Foundation (MEF). The Media Education Foundation (MEF) produced and distributed the film. The film talks about the underrepresentation and marginalization of Latinos in the U.S media. The film also talks about the effects the false representation of Latinos in the media industry has on youth. Latinos Beyond Reel captures the most unfortunate portrayal of Latinos in the media ranging from off-screen roles to animated characters in film and television.
Latin lover is a stereotypical stock character, part of the Hollywood star system. It appeared for the first time in Hollywood in the 1920s and, for the most part, lost popularity during World War II. In time, the type evolved, developing various local variants and gradually incorporating attributes other than the originally defining physical characteristics.
In the 1920s, theater in the United States and the cinema of the United States were both increasingly active. Broadway was reaching its peak, classic theatre was working to be recognized, and the cinema business was growing as well. Within this decade, there were many changes within the social, economic, and legal environment in the United States, and these changes were often reflected into the art forms of the time period. In the 1920s, theatre utilized jazz, Vaudeville, straight plays, and musicals.
Brownface is a social phenomenon in which a white or light-skinned person attempts to portray themselves as a "brown" person of color, but less overtly and with a lighter complexion than traditional blackface. This may include mimicry of North African, West Asian, South Asian, Southeast Asian, Melanesian, Micronesian, Polynesian, Hispanic/Latino, Native American or other Indigenous groups, including olive-skinned Caucasians such as Southern Italians, Sicilians, Greeks, Arabs, Persians and/or ethnic identity by using makeup, hair-dye, and/or by wearing traditional ethnic clothing. It is typically defined as a racist phenomenon, similar to blackface.
Chicano cinema is an aspect of Mexican American cinema that refers to the filmmaking practices that emerged out of the cultural consciousness developed through the Chicano Movement. Luis Valdez is generally regarded as the first Chicano filmmaker and El Teatro Campesino as the first theater company.
References
- ↑ "Lynda Carter - Bet You Didn't Know They Were Hispanic - LatinZine, Latino culture, music, celebrities, style and more". Archived from the original on 2013-11-09. Retrieved 2013-11-09.