These are the Oricon number one albums of 1999, per the Oricon Albums Chart.
† | Indicates best-selling album of 1999 |
Issue Date | Album | Artist(s) | Sales |
---|---|---|---|
January 11 | A Song for ×× | Ayumi Hamasaki | 548,210 |
January 18 | 169,570 | ||
January 25 | People Of The World | J-Friends | 503,610 |
February 1 | A Song for ×× | Ayumi Hamasaki | 103,800 |
February 8 | 86,320 | ||
February 15 | Discovery | Mr. Children | 1,110,370 |
February 22 | Kahala Compilation | Tomomi Kahala | 424,030 |
March 1 | Eien | Zard | 613,130 |
March 8 | H | Hitomi | 248,620 |
March 15 | 120,890 | ||
March 22 | First Love † | Hikaru Utada | 2,026,870 |
March 29 | 717,610 | ||
April 5 | SA | Ami Suzuki | 1,058,510 |
April 12 | Every Best Single +3 | Every Little Thing | 1,007,670 |
April 19 | First Love† | Hikaru Utada | 428,520 |
April 26 | 222,230 | ||
May 3 | The Monster | Dreams Come True | 571,610 |
May 10 | Hide Tribute Spirits | Various Artists | 384,180 |
May 17 | First Love† | Hikaru Utada | 298,360 |
May 24 | 258,780 | ||
May 31 | ID | Nanase Aikawa | 513,210 |
June 7 | Zard Best the Single Collection: Kiseki | Zard | 1,307,020 |
June 14 | 766,120 | ||
June 21 | 298,330 | ||
June 28 | 184,650 | ||
July 5 | Greatest Hits 1990-1999 | Tomoyasu Hotei | 513,810 |
July 12 | Ark | L'Arc-en-Ciel | 1,533,110 |
July 19 | 293,190 | ||
July 26 | Brotherhood | B'z | 1,019,270 |
August 2 | Viva La Revolution | Dragon Ash | 804,190 |
August 9 | 319,730 | ||
August 16 | C Album | KinKi Kids | 451,230 |
August 23 | 138,180 | ||
August 30 | "Lucky" 20th Century, Coming Century To Be Continued... | V6 | 152,370 |
September 6 | No Doubt | Chage & Aska | 152,030 |
September 13 | Golden Best | Yosui Inoue | 109,240 |
September 20 | 1/42 | Mr. Children | 411,080 |
September 27 | Zard Best: Requested Memorial | Zard | 902,420 |
October 4 | Cruise Record 1995-2000 | Globe | 1,664,330 |
October 11 | Maximum Collection | MAX | 456,070 |
October 18 | Cruise Record 1995-2000 | Globe | 183,820 |
October 25 | Yuzuen | Yuzu | 506,370 |
November 1 | Heavy Gauge | Glay | 1,569,290 |
November 8 | 305,390 | ||
November 15 | Colorado | Tina | 151,330 |
November 22 | Loveppears | Ayumi Hamasaki | 1,201,870 |
November 29 | 241,620 | ||
December 6 | 178,600 | ||
December 13 | The Very Best | Celine Dion | 134,830 |
December 20 | Magnum Collection 1999 "Dear" | Masaharu Fukuyama | 373,790 |
December 27 | Recycle: Greatest Hits of Spitz | Spitz | 578,630 |
Hikaru Utada, also known mononymously as Utada, is a Japanese and American singer, songwriter, and producer. She is considered to be one of the most influential and best-selling musical artists in Japan.
J-pop, natively also known simply as pops, is the name for a form of popular music that entered the musical mainstream of Japan in the 1990s. Modern J-pop has its roots in traditional music of Japan, and significantly in 1960s pop and rock music. J-pop replaced kayōkyoku, a term for Japanese popular music from the 1920s to the 1980s in the Japanese music scene.
SMAP was a Japanese boy band, composed of Masahiro Nakai, Takuya Kimura, Goro Inagaki, Tsuyoshi Kusanagi, and Shingo Katori. The group was created in 1988 by music producer Johnny Kitagawa, founder of Johnny & Associates, originally as a six-piece with Katsuyuki Mori, until his departure from the band in 1996. The name stands for "Sports Music Assemble People". After making their debut in 1991, the group took the Japanese entertainment industry by storm, becoming one of the most successful boy bands in Asia. The group is often referred to as a "national treasure" and a "fortune and property of the country" in Japan.
First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Eastworld.
Toshinobu "Toshi" Kubota is a Japanese singer, songwriter, musician, music producer, and radio personality. He has produced six million-seller records and thirty-three Top 40 singles during his career. Kubota is currently part of Sony Music Japan. In addition, he has composed and written songs for many singers including Hiromi Iwasaki, Misia, Toshinori Yonekura, Kyōko Koizumi, and many other recording artists.
Crystal Kay Williams is a Japanese singer, songwriter, actress and radio host.
A Song for ×× is the debut studio album by Japanese singer Ayumi Hamasaki, released on New Year's Day 1999 by Avex Trax. It was entirely written by Hamasaki herself, while the production was handled by Japanese musician Max Matsuura. Primarily a pop rock album, it features musical composition and arrangements by Yasuhiko Hoshino, Mitsuru Igarashi of Every Little Thing fame, and others. In this album, Hamasaki wrote about her confusion and uncertainty about life, expressed her expectations and hopes for the future, and expressed her gratitude to the fans who love her.
Loveppears is the second studio album by Japanese singer Ayumi Hamasaki. It was released on November 10, 1999 by Avex Trax, ten months after her debut album, A Song for xx (1999). It was additionally distributed in a variety of formats and on different dates throughout Asia. Loveppears was written entirely by Hamasaki, produced by Max Matsuura, and includes collaborations with composers such as Hal, Dai Nagao, D.A.I, Yasuhiko Hoshino, and Kazuhito Kikuchi, among others. Musically, it is a departure from her previous record and incorporates more electronic and dance sounds with elements of trance, house, J-pop, and rock. Lyrically, it explores themes of love, frustration with life, loneliness, and individualism.
Duty is the third studio album by Japanese recording artist Ayumi Hamasaki. It was released on September 27, 2000, by Avex Trax. Duty is Hamasaki's first studio album inside the 2000s decade, and her third consecutive studio album to be fully produced by Japanese musician and businessman Max Matsuura. The album's composing and arrangement was handled by several music collaborators, such as Ken Harada, Kazuhito Kikuchi, Dai Nagao, HΛL, among many others. Hamasaki contributed to the album as the primary and background vocalist, and songwriter to every song. Three different formats were released to promote the album: a standalone CD, a limited edition Playbutton, and a digital download. The cover art portray Hamasaki wearing a leopard-print catsuit.
"Mizérable" is the debut extended-play or mini album of Japanese singer-songwriter Gackt, released on May 12, 1999, by Nippon Crown. It marked his solo debut, four months after he left Malice Mizer, immediately gaining success reaching second position on the Oricon Albums Chart.
"Love (Destiny)" (stylized as "LOVE ~Destiny~") is a song recorded by Japanese recording artist Ayumi Hamasaki, serving as the second single for her second studio album, Loveppears (1999). It was released by Avex Trax in Japan and Taiwan on April 14, 1999, and through Avex Entertainment Inc. worldwide in September 2008. The track was written by Hamasaki herself, while production was handled by long-time collaborator Max Matsuura. Three versions of the recording have been made available—a ballad version arranged by Tsunku, an edited version with vocals by Tsunku, and a dance-influenced version included on Loveppears.
"Addicted to You" is a song by Japanese-American recording artist Hikaru Utada from her second studio album Distance (2001). It was released as the album's lead single on November 10, 1999, by EMI Music Japan. "Addicted to You" was written by Utada and produced by Jimmy Jam & Terry Lewis; this is Utada's first collaboration with American producers and composers. The single artwork was shot by American photographer Richard Avedon and features two black-and-white figures of Utada. Musically, "Addicted to You" is an R&B song.
"Movin' On Without You" is the second single by Japanese–American singer and producer Hikaru Utada. It serves as the second single from her debut studio album First Love (1999). The song was the first song that Utada had written and composed by herself. "Movin' On Without You" was incepted while Utada was attending high school in Tokyo, Japan, during 1997. Utada, who received a recording contract by Toshiba-EMI, had written an English-language version of the song, which remains unreleased to this day.
"Respect the Power of Love" is the 13th single from Japanese recording artist Namie Amuro. The song was released on March 17, 1999, by Avex Trax. It is her second single to be released after her hiatus and taken from her fourth studio album Genius 2000 (2000). "Respect the Power of Love" was solely written composed and arranged by her long-time producer Tetsuya Komuro The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Lyrically, the female protagonist sings about the sensibilities that she saw with her own eyes and within her reach.
The discography of Japanese R&B singer Misia consists of nine studio albums, three compilation albums, one extended play (EP), one live album, six remix albums, twenty-six singles, twelve promotional singles, eighteen video albums and thirty-seven music videos. In 1997, Misia signed a recording contract with BMG Japan and joined the then up-and-coming talent agency, Rhythmedia. Under the sub-label Arista Japan, Misia released her first single, "Tsutsumikomu Yō ni..." in February 1998, followed by "Hi no Ataru Basho" in May. In June, her debut album, Mother Father Brother Sister, opened at number three on the Oricon chart. The album peaked at number one three weeks later and stayed in the top five for eleven consecutive weeks. Mother Father Brother Sister was certified double million and won a Japan Record Award for Best Album, as well as a Japan Gold Disc Award for Pop Album of the Year. In 2000, Misia's second studio album, Love Is the Message, debuted at number one and was certified double million. It won a Japan Record Award for Best Album and a Japan Gold Disc Award for Pop Album of the Year. The album spawned three top ten hits: "Believe," "Wasurenai Hibi" and "Sweetness." Misia's first remix album, Misia Remix 2000 Little Tokyo, was released three months later and shot to number one. It sold over 800,000 copies and is the second best-selling remix album of all time in Japan.
Touch Me! is the Japanese singer-songwriter Mai Kuraki's eighth studio album, which was released on January 21, 2009, in Japan by her record label Northern Music. The album was released in two formats; the regular single CD version and a limited CD+DVD version, whose content contained a behind the scenes look at the making of the album, as well as an interview and clips from her 2008 tour. The album follows the same pattern as "One Life", in which Kuraki collaborated with new composers.
All the Best! 1999–2009 is the third greatest hits album by Japanese pop boy band Arashi. The album was released on August 19, 2009, in Japan under their record label J Storm in two editions, a limited 3CD version and a regular 2CD version. The album debuted at number-one on the Oricon album weekly chart, selling 753,430 copies. Thirteen days after the release of All the Best! 1999–2009 the album sold over a million copies. As of September 22, 2009, All the Best! 1999–2009 had overtaken Supermarket Fantasy to claim the title of best-selling album of the year in Japan. On December 18, 2009, Oricon officially ranked All the Best! 1999–2009 as the best-selling album in Japan for 2009, with over 1.43 million copies sold.
5x20 All the Best!! 1999–2019 is the fifth greatest hits album by Japanese boy band Arashi. It was released through J Storm on June 26, 2019. The album debuted at the top spot of the Oricon Weekly Albums chart, selling 1,304,251 copies in its first week of release in Japan. It spent the most weeks at number one of any album on the Oricon Albums Chart in 2019, with four, and was both the best-selling album of 2019 in Japan, as well as worldwide, with 3.3 million copies sold, eventually becoming the world's best-selling album of the year for 2019.
Japanese singer-songwriter Mai Kuraki has released twenty-five video albums and three video singles, and been featured in sixty-six music videos, two television series, and eleven commercials. Kuraki debuted in 1999, while she was still in high school, through Giza Studio. The label initially marketed Kuraki in the United States under the name Mai K, and released the single "Baby I Like" (1999). However, the single was a commercial failure which prompted the label to send her back to Japan. There, they released her single "Love, Day After Tomorrow", which peaked at number two on the Oricon Singles Chart and was certified million by the Recording Industry Association of America (RIAJ). The second single, "Stay by My Side" became her first number one single on the chart. Kuraki's debut album, Delicious Way, topped the Oricon Albums Chart and was certified triple million by the RIAJ.