First Love | ||||
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Studio album by | ||||
Released | March 10, 1999 | |||
Recorded | August–December 1998 | |||
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Genre | ||||
Length | 54:37 | |||
Label | ||||
Producer |
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Hikaru Utada chronology | ||||
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Singles from First Love | ||||
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First Love is the debut Japanese-language studio album (second overall) by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Eastworld.
An R&B and dance-pop album, First Love centres on the theme of love and relationships. The songs were written and recorded over the course of about one year, between the end of Utada's 14th year and the end of her 15th year. Critics' opinions of the album were generally favourable, praising Utada's songwriting and vocal delivery. In its first week of release, the album entered the Oricon Albums Chart at number one with over two million units sold. Since its release, First Love remains the highest-selling Japanese album with nationwide sales of 8 million copies. It has also sold over 9.91 million units worldwide, making it the highest-selling album in Asian music history. Due to its enormous sales and revolutionary nature, the album is still presented as a milestone in the history of Japanese pop music.
Utada promoted the album by releasing three singles: "Automatic/Time Will Tell," "Movin' on Without You" and the title track, all which were accompanied by a music video. She performed several tracks from the album on several television appearances in 1998 and 1999, and have performed songs on her Utada: In the Flesh 2010 and Wild Life tours. "Automatic/time will tell" and First Love are her best-selling CD single and album respectively. Exactly fifteen years after its premiere, a 2014 re-issue of the album was released, featuring a bonus live DVD and the special edition featured two additional discs.
Born and raised in Manhattan, New York City, Utada started singing at a very young age; she was a member of U3, a musical act with her mother Keiko Fuji and her father Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America; the album only peaked at thirty-three in Japan. [1] [2] [3] Utada's mother was a Japanese enka singer and actress, while her father was a Japanese record producer who had contributed to some of Fuji's work. In 1996, the group was re-branded as Cubic U, an R&B project that focused primarily on Hikaru, resulting in the English language album Precious in 1998 with record label Toshiba EMI. [4] [5] Precious was originally scheduled to be released simultaneously in Japan and the United States, but due to EMI's internal restructuring issues, this album was not released in the United States and was only released in Japan. 8,000 copies were shipped in Japan at the time of its release, [6] but on March 31, 1999, the album was re-released with a new jacket. [7] At the time of the reissue, First Love, the first album under Hikaru Utada's name released three weeks earlier, had become an unprecedented hit, and the reissued version of Precious also attracted attention, selling approximately 700,000 copies according to Oricon. [8] [9]
Utada relocated to Tokyo in early 1997 to attend Seisen International School and American School in Japan. [10] During her studies, Utada signed as a solo artist with Toshiba EMI and began recording her album First Love. Fluent in both English and Japanese languages, the head offices at EMI asked if she could write Japanese songs rather than English lyrics. During the process of the album, Utada desired to become a singer-songwriter and occasionally practised producing and composing her music rather than becoming a Japanese idol. [11] She refused to allow talent agencies to contact her at the start, which was a very common tradition for Japanese singers in the 1990s, and her father started to manage her work along with producing and composing it; to this day, her father continues to manage and co-produce some of her work. [12] Aaliyah's album Age Ain't Nothing but a Number was the inspiration for Utada's fascination with rhythm and blues music, and she described Aaliyah's album as her rhythm and blues roots. [13] Aaliyah's soft, murmuring vocals also influenced Utada's future singing style. [14]
Due to Utada's dedication to her studies, recording was only done on weekends. First, Utada consulted with an arranger to create the sound, and then wrote melodies and lyrics while playing loops of the tracks. [15] In her blog at the time of the album's release, Utada wrote that the "ingredients" for the songs were "Utada Hikaru, a computer, an MD player (recording type), time, a desire to express (the most important), and a deadline (laughs)." [16] The lyrics to the tracks from First Love are written primarily in Japanese by Utada and featured interspersed English-language phrases. [A] Utada's father Teruzane and Akira Miyake served as the album's primary producers alongside Hikaru; Saito Masaaki, Nakasone Junya, Sanada Yoshiaki and Okamoto Tatsyua served as the album's executive producers. [17] Utada contributed to editing and producing her recorded vocals for all the tracks. [17] The tracks from First Love were recorded in studios across her native New York City, Los Angeles and Tokyo. [17] American producer and mixer Ted Jensen had mixed the tracks at Sterling Sound Studios in New York. [17]
The album's opener "Automatic" is an R&B and dance-pop song that talks about a previous relationship. [18] Rockin' On Japan's editor and chief Kano had commented that Utada had brought a large prominence of R&B and soul music with the tracks "Automatic" and "Time Will Tell", and felt that "Automatic"'s release introduced a new R&B audience inside of Japan. [19] The title track is a power ballad [19] conveying slow and off-key vocals that complimented the music to the album. [19]
"Movin' on Without You" is a disco and house-inspired track that was influenced by the early 1990s dance music throughout the Western part of the world and lasts a duration of four minutes and forty-one seconds. [20] "B&C", a funk song, was featured as a B-side to the physical CD format from "Movin' on Without You". [21] [22] The story of Adam and Eve was suggested as an idea for a song about a famous couple, but Utada said, "It doesn't seem like me," and "I didn't like it because it symbolizes gender discrimination in the West," so she decided on Bonnie and Clyde, which are heroes of both sexes for Utada, and "B&C" was created. [23] The album closer "Give Me a Reason" is a trip hop song. "Interlude" was produced into a song called "Kotoba ni Naranai Kimochi" on Utada's Distance album. [24]
First Love was released on March 10, 1999, by Toshiba EMI. [17] The album was released as a compact disc and a double vinyl. [25] The vinyl was exclusively released in North America and Japan by Eastworld Records. [25] First Love was released in the Philippines by OctoArts EMI Music. [26] It was released in South Korea and Indonesia by Eastworld and EMI. [27] [28]
After fifteen years of its release, First Love was re-released by Universal Music Japan on March 10, 2014, in two separate versions. The normal version is a two-disc set featuring a remastered version of the normal album along with a second disc featuring Utada's previously unreleased "LUV LIVE" concert. [29] The remastering was done by Ted Jensen. [30] The other version is a limited edition 4-disc set, containing the remastered track list on disc one, "LUV LIVE" concert on disc two, as well as featuring a disc containing karaoke tracks and the last containing a multitude of demos from the First Love era of Utada's career. [31] The deluxe edition also carries with it memorabilia from that time, including a hard cover booklet filled with unreleased photoshoots, handwritten lyrics, promotional items as well as replicas of the tickets and backstage passes to her "LUV LIVE" concert. [31] The Deluxe Edition initially was limited to 5,000 copies, however, due to overwhelming demand, this was pushed to 10,000 after the initial 5,000 units were sold almost instantly. [32] [33]
The double A-side single "Automatic/Time Will Tell" was released on December 9, 1998, as an 8cm mini CD single and 12cm CD single. [34] [35] The songs received positive reviews, being highlighted as album stand outs. [36] "Automatic" was given the gold award at the 2000 JASRAC awards, beating her own song "Time Will Tell" and "Dango 3 Kyodai" to be the most royalty-receiving song in 1999. [37] The Japan Record Awards mentioned the song as an Honorable Mention Award. [38] In 2000, The Japan Gold Disc Awards had awarded "Automatic" along with "Movin' on Without You" and "Addicted to You" for Song(s) of the Year. [38] "Automatic/Time Will Tell" peaked at number four and number two on the Oricon Singles Chart in their respective formats. [39] [40] With both formats combined, "Automatic/Time Will Tell" has sold over 2.06 million units in Japan, making it her best-selling physical single, [B] the second best-selling single by a female Japanese soloist and the nineteenth best-selling single in Japan overall. [48]
The second single "Movin' on Without You" was released on February 17, 1999, as a 8cm single and a 12cm single. [21] [22] It served as the commercial song for the Nissan Terrano. [49] The song received positive reviews, many of which highlighted the song as an album stand out. [36] The 8cm single reached number five on the Oricon Singles Chart. [50] The 12cm single reached number one on the Oricon Singles Chart, marking this her first number one. [51] This edition of the single was certified million by the Recording Industry Association of Japan (RIAJ) for shipments of one million units. [52] "Movin' on Without You" was her most well-known song in the West before her rise in popularity through "Simple And Clean."
The third and final single "First Love" was released on April 28, 1999, as a 8cm mini CD and a 12cm standard CD. [53] [54] "First Love" was used as the theme song for the dorama Majo no Jōken , starring Hideaki Takizawa and Nanako Matsushima. [55] The song received positive reviews, many of which highlighted the song as an album stand out. [36] The 12cm standard CD single of "First Love" peaked at number two on the Oricon Singles Chart, [56] missing the top spot but was certified double platinum by the RIAJ for shipments of 800,000 units in Japan. [52] The 8cm CD version reached number six. [57] At the end of the year, "First Love" became the annual number one song on Taiwan's Hit FM Top 100 Singles of the Year chart for 1999. [58] "First Love" was also adopted as the marching song for the Spring 2000 National High School Baseball Tournament. [59]
Review scores | |
---|---|
Source | Rating |
Amazon Japan | (positive) [18] |
CDJournal | (positive) [60] |
Music critics complimented First Love. Tomoyuki Mori of Amazon praised the album for its heartfelt lyrics and said that her voice is rich in emotional expression. [18] Japanese magazine CDJournal felt Utada's singing voice and musical style was very heartfelt. [60]
Tower Records described the album as "an epoch-making work that played a pioneering role in completely changing the concept of popular music in Japan." [61] Music critic Yoichi Shibuya commented that the album was "different to anything Japanese pop music had produced up until now, with a very high quality and international appeal," and that he felt that "the DNA of Japanese pop music has changed." He also commented on the album's sudden astronomical sales, saying that it "achieved a combination of revolutionary quality and popularity that had previously been thought impossible." [62]
In a 2016 article, OKMusic's Tomoyuki Hokari noted Utada's way of putting words to melody in her work. He praised Utada's "seamless use of words, which makes the most of her unique bilingualism (she is a native speaker of both Japanese and English) - or perhaps even unaware of it - as one of the great inventions in the history of Japanese entertainment," adding, "I don't think anything has yet emerged that surpasses this invention, at least in terms of publicly recognized methods and techniques. I don't think anything has yet emerged that surpasses this invention, at least in terms of methods and techniques recognized by the public." [63] Music Magazine's Yumiko Kakoi commented that "she has successfully and unconsciously made the best parts of R&B and songs into her own." Tomoo Yamaguchi, also of Music Magazine, commented, "The fact that there is nothing obnoxious about her music or singing ability shows the size of her capacity." [64]
First Love entered the Oricon Albums Chart at number one with 2,026,870 units sold. [65] [66] The album sold over five million copies in a month in March and April of 1999 and placed Utada among the 100 wealthiest people in Japan. [11] By the time the album reached its eighth week on the chart on May 10, 1999, cumulative sales had reached 5.239 million copies, making it the best-selling album of all time in Japan. [67] Sales continued to skyrocket, with First Love reaching sales of six million copies on May 31, 1999, the first time in Oricon history that an album has sold more than six million copies. [68] Furthermore, by August 16, 1999, it had sold over seven million copies, making it the number one album of the year and made Utada the year's number one artist in revenue sales, earning revenue sales of ¥28.12 billion (approximately $182,900,269 US dollars). [69] First Love stayed at number one for six nonconsecutive weeks and stayed in the top 300 of the chart for 93 weeks in total. [70] [66] Oricon named First Love the best-performing album of 1999 in Japan, with 7,365,830 copies sold by the end of the fiscal year. [71] According to Oricon, the cumulative sales of 7.65 million copies is the highest album sales in Japan ever. [72]
According to karao.com's statistics, over 8.13 million copies were sold by the end of the year. [73] To date, over 8.7 million copies have been shipped in Japan and over 9.91 million copies worldwide. [74] First Love is the only album or physical record to have been certified octuple million by the Recording Industry Association of Japan (RIAJ), which is equivalent to being certified 32x platinum by the Recording Industry Association of America (RIAA). [75] The sales of First Love helped it overtake B'z's B'z The Best "Pleasure" as history's highest-selling Japanese album. [76] On August 10, 1999, Toshiba EMI announced that total shipments in Japan had surpassed eight million copies. [77] Alongside its success at home, First Love also sold 500,000 copies in Taiwan, making it the highest-selling Japanese album in Taiwan's music history. [78]
By the end of 1999, Utada was ranked 5th on Japanese radio station Tokio Hot 100 Airplay's Top 100 Artists of the 20th Century by the station and its listeners. [79] In September 2007, Rolling Stone Japan ranked First Love No.99 on its list of the "100 Greatest Japanese Rock Albums of All Time". [80] First Love is the seventh album to claim the highest weekly sales in Japan, behind her 2001 album Distance and 2002 album Deep River . [81] [82] [83]
All tracks are written by Hikaru Utada, except where noted
No. | Title | Arranger | Length |
---|---|---|---|
1. | "Automatic" (Album Edit) | Akira Nishihira, Taka & Speedy (rhythm track arrangement), Kei Kawano (additional arrangement) | 5:28 |
2. | "Movin' on Without You" | Shin'ichiro Murayama | 4:38 |
3. | "In My Room" | Shin'ichiro Murayama | 4:19 |
4. | "First Love" | Kei Kawano | 4:17 |
5. | "Amai Wana (甘いワナ~, Sweet Trap): Paint It, Black" | Akira Nishihira | 5:02 |
6. | "Time Will Tell" | Toshiyuki Mori, Jun Isomura | 5:27 |
7. | "Never Let Go" (Utada, Sting, Dominic Miller [C] ) | Kei Kawano | 3:57 |
8. | "B&C" (Album Version) | Akira Nishihira, Taka & Speedy (rhythm track arrangement) | 4:20 |
9. | "Another Chance" | Akira Nishihira, Taka & Speedy (rhythm track arrangement) | 5:22 |
10. | "Interlude" | 0:17 | |
11. | "Give Me a Reason" | Akira Nishihira | 6:28 |
12. | "Automatic (Johnny Vicious Remix)" (Bonus Track) | 4:54 |
No. | Title | Length |
---|---|---|
1. | "Amai Wana (甘いワナ~, Sweet Trap): Paint It, Black" | |
2. | "time will tell" | |
3. | "In My Room" | |
4. | "Never Let Go" | |
5. | "Another Chance" | |
6. | "Give Me A Reason" | |
7. | "Automatic" | |
8. | "konya wa boogie back (今夜はブギー・バック, Boogie back tonight) konya wa boogie back" (feat. Scha Dara Parr (Ozawa Kenji cover)) | |
9. | "First Love" | |
10. | "Movin' on without you" |
No. | Title | Length |
---|---|---|
1. | "Automatic [TV Mix]" | 5:14 |
2. | "Movin’ on without you [TV Mix]" | 4:44 |
3. | "In My Room [TV Mix]" | 4:25 |
4. | "First Love [TV Mix]" | 4:21 |
5. | "Amai Wana (甘いワナ~, Sweet Trap): Paint It, Black [TV Mix]" | 5:05 |
6. | "time will tell [TV Mix]" | 5:30 |
7. | "Never Let Go [TV Mix]" | 4:01 |
8. | "B&C [TV Mix]" | 4:23 |
9. | "Another Chance [TV Mix]" | 5:22 |
10. | "Give Me A Reason [TV Mix]" | 6:22 |
No. | Title | Length |
---|---|---|
1. | "Automatic" (-Johnny Vicious Remix-) | 4:54 |
2. | "Movin’ on without you" (-Tribal Mix-) | 4:49 |
3. | "time will tell" (-Dub Mix-) | 5:38 |
4. | "First Love" (-John Luongo Remix-) | 4:09 |
5. | "In My Room" (-Alternate Version-) | 4:23 |
6. | "time will tell" (-English Version-) | 5:28 |
7. | "CALLING YOU" | 2:07 |
8. | "Kotoba ni naranai kimochi (言葉にならない気持ち, Indescribable Feelings)" (-Demo Version-) | 1:44 |
9. | "Movin’ on without you" (-Demo Version-) | 3:52 |
10. | "B&C" (-Demo Version-) | 2:35 |
11. | "Another Chance" (-Demo Version-) | 4:57 |
12. | "First Love" (-Demo Version-) | 4:42 |
13. | "Give Me A Reason" (-Demo Version-) | 1:52 |
14. | "Automatic" (-Demo Version-) | 3:04 |
15. | "SUKIYAKI (上を向いて歩こう) Uewomuitearukō (I Look Up as I Walk)" (-Live Version-) | 1:40 |
All Japanese names are in Western order – given name before family name.
Weekly charts
| Year-end charts
Decade-end charts
All-time chart
|
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [94] | 8× Million | 8,700,000 [74] |
South Korea | — | 4,244 [95] |
Taiwan | — | 500,000 [78] |
Summaries | ||
Worldwide | — | 9,910,000 [74] |
Distance is the third studio album by Japanese singer Hikaru Utada. Toshiba EMI released it on March 28, 2001, making it her second release with the label. Utada wrote and co-produced the majority of the album, alongside previous collaborators Akira Miyake and her father Teruzane Utada, as well as new collaborations with American producers Rodney Jerkins and Jimmy Jam & Terry Lewis. Distance, like its predecessor First Love (1999), is influenced by pop music and R&B, with additional hip-hop, rock, reggae, and techno influences from Western music.
Deep River is the fourth studio album by Japanese-American singer Hikaru Utada. It was released via Toshiba EMI on June 19, 2002. The title of the album, as well as its title track, was inspired by the novel Deep River by Shusaku Endo. Utada wrote and co-produced the majority of the record, and unlike her previous album Distance (2001), she worked primarily with Japanese collaborator Akira Miyake and her father Teruzane Utada. Musically, Deep River is widely noted by fans and critics as the transition state from Utada's earlier style, R&B, to ethereal pop.
"Be My Last" is Hikaru Utada's 14th Japanese single, released on September 28, 2005. It was used for the 2005 film Spring Snow, an adaptation of the 1966 Yukio Mishima novel of the same name.
"For You" is a song by Japanese-American musician Hikaru Utada. It was released as a double A-side single with the song "Time Limit" on June 30, 2000.
"Addicted to You" is a song by Japanese-American recording artist Hikaru Utada from her second studio album Distance (2001). It was released as the album's lead single on November 10, 1999, by EMI Music Japan. "Addicted to You" was written by Utada and produced by Jimmy Jam & Terry Lewis; this is Utada's first collaboration with American producers and composers. The single artwork was shot by American photographer Richard Avedon and features two black-and-white figures of Utada. Musically, "Addicted to You" is an R&B song.
"First Love" is a song by the Japanese-American singer-songwriter Hikaru Utada. It was released on April 28, 1999, as the third Japanese language single from her second studio album, First Love, which was issued a month previously. It was certified double platinum for 800,000 copies shipped to stores in Japan.
"Movin' On Without You" is the second single by Japanese–American singer and producer Hikaru Utada. It serves as the second single from her debut studio album First Love (1999). The song was the first song that Utada had written and composed by herself. "Movin' On Without You" was incepted while Utada was attending high school in Tokyo, Japan, during 1997. Utada, who received a recording contract by Toshiba-EMI, had written an English-language version of the song, which remains unreleased to this day.
"Keep Tryin'" is a song recorded by Japanese American recording artist Hikaru Utada for her sixth studio and fourth Japanese album, Ultra Blue (2006). It premiered on February 22, 2006 as the fifth single from the album in Japan. It was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and Miyake Akira. It included the B-side track "Wings", which also appeared on the parent album. Musically, "Keep Tryin'" is a pop song with lyrics that contain self-empowerment themes. Upon its release, the track received generally mixed reviews from music critics.
Ultra Blue is the sixth album by Japanese–American singer Hikaru Utada, released on June 14, 2006, by Eastworld. It is the first original Japanese language album under Hikaru Utada's name in four years since her third album Deep River (2002). Ultra Blue contains thirteen songs, including six singles released between 2003 and 2006. While the arrangements for her album Deep River were done collaboratively, all but one of the songs on Ultra Blue were written, composed, and arranged solely by Utada, who also did the programming herself. In this album, the R&B elements that have been present since her debut are further diminished, and the majority of the songs have an electronic flavor with an emphasis on synth sounds.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, four compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
"Final Distance" is a song by Japanese recording artist Hikaru Utada for her third studio album Deep River (2002). Written by Utada herself, the song was produced and composed by long-time collaborators Akira Miyake, Utada's father Teruzane Utada and herself. "Final Distance" was originally recorded as "Distance" which was taken from the album with the same name, despite not being a single. The song was re-recorded, re-arranged, and dedicated to Rena Yamashita, a six-year-old victim of the Ikeda school massacre who had written an essay about being inspired by Utada. Utada had stated that the meaning of the word "final" for the song "Final Distance" is "most important" rather than "last."
"Beautiful World" is a song by Japanese American musician Hikaru Utada. It served as the theme song for Evangelion: 1.0 You Are (Not) Alone, the 2007 film reboot of the anime Neon Genesis Evangelion. It was released as a double A-side single on August 29, 2007 along with her song "Kiss & Cry", which had been released digitally three months earlier. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. In 2009, a remix of the song, "Beautiful World " served as the theme song of the second film in the series, Evangelion: 2.0 You Can (Not) Advance.
Heart Station is the seventh studio and fifth Japanese-language album by Japanese–American recording artist Hikaru Utada. It was released on March 19, 2008, by EMI Music Japan sublabel Eastworld, and globally on March 26, 2008. It is Utada's eighth consecutive studio album to be fully written and produced by her, with the help of her father Teruzane Utada and long-time collaborator Miyake Akira through the production. Recorded between 2006 and 2008, it was worked on whilst she was recording her ninth studio and second English-language studio album, This Is the One (2009). With the album artwork photographed by Japanese photographer Mitsuo, Heart Station was released in two formats: a physical CD, and as a digital download.
"Heart Station" is a song by Japanese musician Hikaru Utada, which was released as a double A-side single alongside her song "Stay Gold" on February 20, 2008. It served as the fifth single from her fifth Japanese-language album Heart Station. "Heart Station" was fully written, composed and produced by Utada herself. The song was created with the image of a song that would come on if you were to turn on your car radio on a late-night highway on your way home from work or play, with the title meaning a place that transmits radio waves from the heart. Musically, it is a midtempo pop ballad. Lyrically, it speaks about bidding someone adieu and still trying to reach them and maintain their presence in your life.
"Prisoner of Love" is Hikaru Utada's 21st Japanese single and 30th single overall. It was cut from her fifth Japanese album, Heart Station (2008), making it her first Japanese recut single in nine years since "First Love" in 1999. "Prisoner of Love" is the theme song for the Fuji TV dorama Last Friends, making it her first song since "Sakura Drops" in 2002 to be used as a main theme song. It was released as a digital download on March 26, 2008, and as a CD single on May 21.
"Automatic" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard-size CD single and 12" vinyl. Additionally, the single included the A-side "Time Will Tell", which originally served as the B-side for these versions. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite recording in English under the name Cubic U, "Automatic" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
Utada Hikaru Single Collection Vol. 2 is Japanese pop singer-songwriter Hikaru Utada's second compilation album, released on November 24, 2010, by EMI Music Japan, the same day as her Universal-released English language compilation album, Utada the Best. The album includes two discs, with the first being a 13-track greatest hits album spanning 2004–2009, while the second is an extended play featuring new material. Along with Utada the Best, this remained Utada's last album release for six years, until 2016's Fantôme, due to an announced hiatus. Several of the new songs achieved commercial success, with "Goodbye Happiness" reaching number one on Billboard's Japan Hot 100 chart, and "Can't Wait 'Til Christmas" reaching number one on the Recording Industry Association of Japan's digital track chart. Both songs have been certified by the association as gold records for full-length cellphone downloads.
"Time Limit" is a song by Japanese musician Hikaru Utada. It was released as a double A-side single with the song "For You" on June 30, 2000.
"Can't Wait 'Til Christmas" is a song by Japanese singer-songwriter Hikaru Utada. It was released on Utada's second Japanese compilation album, Utada Hikaru Single Collection Vol. 2, on November 24, 2010.
"Stay Gold" is a pop song by Japanese American musician Hikaru Utada. Used in a high-profile campaign for Kao Corporation's Asience shampoo commercials in 2007, the song was released as a double A-side single with Utada's song "Heart Station" on February 20, 2008.
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