"Somewhere Near Marseilles" | ||||
---|---|---|---|---|
![]() Sci-Fi Edit cover | ||||
Single by Hikaru Utada | ||||
from the album Bad Mode and Science Fiction | ||||
Released | April 3, 2024 | |||
Studio | ABS Studios (Japan) | |||
Genre | ||||
Length |
| |||
Label | Epic Japan | |||
Songwriter(s) | Hikaru Utada | |||
Producer(s) |
| |||
Hikaru Utada singles chronology | ||||
| ||||
Music video | ||||
"Somewhere Near Marseilles (Sci-Fi Edit)" on YouTube |
"Somewhere Near Marseilles" (Somewhere Near Marseilles -マルセイユ辺り-, Somewhere Near Marseilles -Maruseiyu Atari-) is a song by Japanese-American singer Hikaru Utada. It appeared as the closing song to the standard version of Utada's eleventh studio album Bad Mode (2022), and a live recording of the song was released as a single on September 16, 2022. On April 3, 2024, Epic Records Japan released the "Sci-Fi Edit" version as the third single from Utada's first greatest hits album, Science Fiction (2024). The song was written entirely by Utada and arranged and produced by Utada and Sam Shepherd.
"Somewhere Near Marseilles" is a 12-minute house track that incorporates elements of acid house, disco, and Balearic house, as well as ambient noises, synthesisers, and electronic instruments. The Sci-Fi edit is approximately four minutes long and retains many of the original composition elements. Lyrically, the song discusses a long-distance relationship and travelling from London and Paris to Marseille for a rendezvous. The original version was chosen as the commercial theme song for the Japanese distribution of jewellery company Cartier.
"Somewhere Near Marseilles" received critical acclaim from music critics, with many citing it as a standout from the parent album. Furthermore, many critics praised the song's composition, production quality, Utada's vocals, and length, with some publications including the track on their year-end lists. Yuichi Kodama directed two music videos for the song, the live recorded version and the Sci-Fi edit, both of which were shot at the Yokohama Hakkeijima Sea Paradise, with the latter featuring re-edited footage from the original.
Throughout 2020 and 2021, Utada began working on music for their eleventh studio album, Bad Mode (2022). [1] Throughout the process, Utada released a number of singles and commercial theme songs in Japan to promote the album, confirming that it would be their first bilingual release. [2] Bad Mode was released in various territories on January 19, 2022, and included the song "Somewhere Near Marseilles", which served as the album's standard closing track. [3] Utada wrote "Somewhere Near Marseilles", and assisted Sam Shepherd in composing and producing it. [3] Utada's vocals were recorded at ABS Recordings and edited by Yuya Saito. [3] The final recording was mixed by Steve Fitzmaurice at Pierce Room and mastered at Sterling Sound Studios in Edgewater, New Jersey. [3]
"Somewhere Near Marseilles" is a 12-minute house track that incorporates various musical notes and influences. [lower-alpha 1] The song's lyrics describe a long-distance relationship between Utada in London and their lover in Paris. [10] Throughout the lyrics, Utada suggests a "rendezvous vacay" for the lover to Marseilles, as mentioned in the song title. [4] [6] Andrew Ryce from Resident Advisor described it as a "smouldering torch song sung to a distant lover," noting that the lyrics are in both English and Japanese. [4] In terms of production, Ryce explained that Utada's "vocal production sits so perfectly on Floating Points' gentle rhythms that once Utada begins to fade into the track for its extended outro, you barely notice." [4]
Musically, Playy. magazine called it a "near twelve-minute acid house deep dive," emphasising the song's use of synths and ambient noise. [5] Lars Gotrich from NPR Music described it as a "hypnotic disco train" with "soft-panning bongos, 808 kick drums, and funky synths glide". [6] Pitchfork editor Joshua Minsoo Kim called it a "lively Balearic house epic with acid squelches, hand percussion, and an irresistible depiction of romance." [7] Peter Piatkowski of PopMatters described the song as "muted house beat and subtle electronic flourishes that frame Utada's sweet croon." [8] Ryce described the overall beat as "laid-back" and heard elements of acid house in the sound. [4]
Utada wrote many tracks from Bad Mode during the COVID-19 pandemic in 2020, and stated that the majority of the songs reflected their personality, such as motherhood, personal struggles, and improving relationships with others. [11] Billboard expressed similar feelings about its pandemic influence, describing it as a "club-like tune that deftly evokes the precarious emotional states people have been thrust into by the pandemic." [9] Tsuya-Chan of Tokion first questioned the song's title, pointing out Utada's use of London and Paris in the lyrics, with the former being Utada's home. [10] Tsuya went on to investigate whether the word "Marseilles" in the lyrics could be used as a "series of sounds" for both English and Japanese delivery. [10]
Epic and Universal Music Japan first released "Somewhere Near Marseilles" on January 19, 2022, as part of Bad Mode. [3] [12] In July, the song served as the commercial theme song for Cartier in Japan. [13] Yuichi Kodama directed a special campaign film starring Utada, which included a behind-the-scenes video. [13] Kodama also directed a live music video at Yokohama Hakkeijima Sea Paradise, in which Utada performs the song while various audience members dance and walk around an aquarium. [14] The visual was released in two formats: vertical angle and panorama, and premiered exclusively to Spotify in part of their five-year anniversary celebration of the service launching in Japan. [14] [15] [16] On September 16, the same live recorded version became available for video streaming. [17]
Utada announced their first greatest hits album, Science Fiction (2022), in January 2024, which features a mix of reworked and original singles from Utada's music discography, and is to commemorate the singer's 25th career anniversary. [18] The Sci-Fi edit of "Somewhere Near Marseilles" was added to the album's track list and serves as the final song on the second disc. [19] It was later confirmed to be the album's third single and was made available digitally on April 3. [20] [21] Similar versions of the vertical and panorama videos were distributed on Utada's YouTube channel featuring the Sci-Fi edit. [22] [23]
Music critics lauded "Somewhere Near Marseilles". Peter Piatkowski of PopMatters praised Utada's collaboration with Shepherd, calling the song "excellent". [8] Andrew Ryce of Resident Advisor praised Utada's collaboration with Shepherd, complimenting Utada's vocal delivery and the song's sound. [4] Ryce went on to describe it as follows: "It's not quite a dance floor album—it's too subtle and stately for that—but it's somewhere wonderfully in-between, an amorous ballad you can tap your foot to, a track that channels the frenetic energy of acid house something a little more relaxed...". [4] Similarly, Lars Gotrich of NPR compared it to Shepherd's collaboration with Pharoah Sanders on his album Promises (2021), writing "even when we depart or disintegrate their transcendent voice, it's implied in the production's undulating shape, still shimmering in awe of Hikaru Utada's presence." [6]
Joshua Minsoo Kim of Pitchfork noted the song's lyricism and overall themes, writing, "Inspiration can't help but strike in a locale this rich in beauty, so across 12 minutes, Utada conjures up a similarly expansive space overflowing with possibility." [7] Playy. magazine described it as a "feat of a track" and praised its "audacious" blend of house and pop music, writing that "Somewhere Near Marseilles" is "near house-pop perfection. Floating Points crafts an effortlessly laidback landscape for Utada’s voice to make her discotheque, and she practically melts into the scenery like butter." [5] Sputnikmusic gave it a positive review, praising Utada's work on the song, but criticised Shepherd's lack of innovation given how long the song is. [24]
By the end of 2022, "Somewhere Near Marseilles" had made several year-end lists and received reviews from various publications. Pitchfork editor Eric Torres described "Somewhere Near Marseilles" as a "jet-setting, showstopping finale frames a Mediterranean tryst in finger snaps and rubbery synths" and concluded "Somewhere Near Marseilles" "makes falling hard and fast sound like its own euphoric form of escape." [25] Ryce from Resident Advisor stated that the song "unfolds over 11 minutes of exquisitely produced house, bobbing and glimmering in all the right places." [26] Slant Magazine writer Paul Attard described the song as "groovy" and "globe-trotting," while Jordan Danville from The Fader praised its sound, writing "all-encompassing delirium is the music of Utada's heart...". [27]
Critic/Publisher | List | Ranking | Ref. |
---|---|---|---|
Gorilla vs. Bear | Top 50 Songs of 2022 | 5 | [28] |
Pitchfork | The 100 Best Songs of 2022 | 10 | [25] |
Resident Advisor | The Best Tracks of 2022 | Placed | [26] |
Slant Magazine | The 50 Best Songs of 2022 | 6 | [27] |
The Fader | The 100 Best Songs of 2022 | 42 | [29] |
Critic/Publisher | List | Ranking | Ref. |
---|---|---|---|
Pitchfork | The 100 Best Songs of the 2020s So Far | 18 | [30] |
Credits adapted from the liner notes of Bad Mode. [3]
Locations
Personnel
Region | Date | Version | Format | Label | Ref(s). |
---|---|---|---|---|---|
Various | January 19, 2022 | Album version | Digital download | Epic Japan | [12] |
September 16, 2022 | Live version |
| [17] | ||
April 3, 2024 | Sci-Fi edit | Digital download | [21] | ||
Hikaru Utada, also known mononymously as Utada, is a Japanese-American singer, songwriter and producer. Utada is considered to be one of the most influential, bestselling musical artists in Japan.
First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Toshiba-EMI.
Distance is the third studio album by Japanese singer Hikaru Utada. Toshiba EMI released it on March 28, 2001, making it her second release with the label. Utada wrote and co-produced the majority of the album, alongside previous collaborators Akira Miyake and her father Teruzane Utada, as well as new collaborations with American producers Rodney Jerkins and Jimmy Jam & Terry Lewis. Distance, like its predecessor First Love (1999), is influenced by pop music and R&B, with additional hip-hop, rock music, reggae, and techno influences from Western music.
"Hikari" is a song recorded by Japanese–American recording artist Hikaru Utada for her fourth studio and third Japanese language album, Deep River (2002). It premiered on March 20, 2002, as the third single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada, her father Teruzane Utada, and long-time collaborator Miyake Akira. The single, and a remix by Russell McNamara, was used as the official Japanese theme song for the 2002 action role-playing video game Kingdom Hearts, and appeared on its original soundtrack respectively. Musically, "Hikari" is a pop folk song. Lyrically, it is about mysteries in life and human activities.
"Movin' On Without You" is the second single by Japanese–American singer and producer Hikaru Utada. It serves as the second single from her debut studio album First Love (1999). The song was the first song that Utada had written and composed by herself. "Movin' On Without You" was incepted while Utada was attending high school in Tokyo, Japan, during 1997. Utada, who received a recording contract by Toshiba-EMI, had written an English-language version of the song, which remains unreleased to this day.
The discography of Japanese-American R&B and pop singer Hikaru Utada consists of eleven studio albums, four compilation albums, eleven video albums and numerous singles and promotional singles. Utada began as a musician in the early 1990s as a member of U3, a family unit made up of her, her mother Junko Utada, also known as 1970s enka singer Keiko Fuji, and her father, musical producer Teruzane Utada. U3 released their debut album Star in 1993, with the hope to debut in America. In 1996, the group was rebranded as Cubic U, an R&B project focusing on Hikaru Utada, resulting in the English language album Precious in 1998 with record label Toshiba EMI.
"Beautiful World" is a song by Japanese American musician Hikaru Utada. It served as the theme song for Evangelion: 1.0 You Are (Not) Alone, the 2007 film reboot of the anime Neon Genesis Evangelion. It was released as a double A-side single on August 29, 2007 along with her song "Kiss & Cry", which had been released digitally three months earlier. In 2009, a remix of the song, "Beautiful World " served as the theme song of the second film in the series, Evangelion: 2.0 You Can (Not) Advance.
Heart Station is the seventh studio and fifth Japanese-language album by Japanese–American recording artist Hikaru Utada. It was released on March 19, 2008, by EMI Music in Japan, and globally on March 26, 2008. It is Utada's eighth consecutive studio album to be fully written and produced by her, with the help of her father Teruzane Utada and long-time collaborator Miyake Akira through the production. Recorded between 2006 and 2008, it was worked on whilst she was recording her ninth studio and second English-language studio album, This Is the One (2009). With the album artwork photographed by Japanese photographer Mitsuo, Heart Station was released in two formats: a physical CD, and as a digital download.
"Automatic" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard-size CD single and 12" vinyl. Additionally, the single included the A-side "Time Will Tell", which originally served as the B-side for these versions. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite recording in English under the name Cubic U, "Automatic" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
"Sakura Nagashi" is a song by Japanese singer-songwriter Hikaru Utada. It was released by EMI Music Japan digitally on November 17, 2012, with a DVD single released December 26, 2012. The song is the theme to the third film of the Rebuild of Evangelion movie series, Evangelion: 3.0 You Can (Not) Redo, and was later included on their sixth Japanese-language studio album Fantôme, released in 2016. The single also marked Utada's last release under the then EMI-controlled EMI Music Japan as the label was absorbed into Universal Music Japan as EMI Records Japan in April 2013.
Samuel Shepherd, known professionally as Floating Points, is a British electronic music producer, DJ, and musician. He is the founder of Pluto Records, co-founder of Eglo Records and leader of a 16-piece group called Floating Points Ensemble. He took over the 6 Music Artist in Residence radio slot on July 15, 2024.
"Anata" is a song by Japanese-American singer-songwriter Hikaru Utada. It is their third single under the label Epic Records Japan, from their seventh Japanese-language studio album Hatsukoi. The song was used as a tie-in for movie Destiny: The Tale of Kamakura, and was released as a digital download on December 8. The song is their first movie tie-in in 5 years, since "Sakura Nagashi" was released in 2012 for Evangelion: 3.0 You Can (Not) Redo. The song was written with a Buddhist's view to show both the real and fantasy mixed world shown in the movie. Besides the movie, the song is also featured in a Sony campaign to promote a wireless headphone line, in which they themself also appears.
"Chikai" is a song by Japanese American singer-songwriter Hikaru Utada. Along with its English-language counterpart "Don't Think Twice", it serves as the ending theme song to the Square Enix video game, Kingdom Hearts III. "Chikai" first appeared on Utada's seventh Japanese-language studio album, Hatsukoi, and was also included on the setlist of their Laughter In The Dark Tour.
"Hatsukoi" is a song by Japanese-American singer-songwriter Hikaru Utada. It is her fifth single under the label Epic Records Japan and was taken from her seventh Japanese-language studio album Hatsukoi. The song was released as a digital download on May 30 and was used as a tie-in for the Japanese television drama Hana Nochi Hare - Hanadan Next Season. It's the second song that Utada delivers to the series, after Flavor of Life in 2007.
Hatsukoi is the seventh Japanese-language studio album by Japanese–American recording artist Hikaru Utada. It was released on June 27, 2018, as her first album under Sony Music Japan sublabel Epic Records Japan. The release coincided with the commemoration of her 20th Anniversary as an artist in Japan. A national tour was announced to support the album in November 2018. The five previously released songs were confirmed in the album track list, for a total of twelve songs, including the title track "Hatsukoi" and the Kingdom Hearts III theme song "Chikai".
"Face My Fears" is a song by Japanese-American singer Hikaru Utada and American DJ Skrillex. It was released on various formats by Epic and Sony Music Japan on January 18, 2019, and serves as the lead single from Utada's eleventh studio album, Bad Mode (2022). It was recorded in both English and Japanese and serves as the theme song for Square Enix's 2019 action role-playing game Kingdom Hearts III. After being approached by Square Enix to work on the video game, Utada asked Skrillex to remix "Don't Think Twice" for the game, but later decided to collaborate and create a new song.
One Last Kiss is an extended play by Japanese musician Hikaru Utada, which was released in the US on March 9, 2021. It was released for promotion of the Japanese animated film Evangelion: 3.0+1.0 Thrice Upon a Time around the time of the film's release. It contains all the previously released theme songs that were made for the Rebuild of Evangelion film series. It also contains the theme song "One Last Kiss", which was co-produced by A. G. Cook and released in conjunction with the film on March 10, 2021.
Bad Mode is the eighth Japanese-language studio album by Japanese-American singer-songwriter Hikaru Utada. It is the singer-songwriter's first bilingual album release, with songs recorded in both Japanese and English. The album was released on the Sony Music Japan sublabel Epic Records Japan digitally on January 19, 2022, the day of Utada's 39th birthday, and was released physically on CD and limited CD-DVD-BD format bundle on February 23. It marked her first album release in four years since Hatsukoi (2018).
"Kimi ni Muchū" is a song recorded by Japanese-American singer Hikaru Utada. It was released via Epic Records Japan and Sony Music Japan on November 26, 2021, as one of the several singles for her eighth Japanese studio-album Bad Mode (2022). The track serves as the main theme for the TBS Friday night drama Saiai. It's co-produced by Utada and the British music producer A. G. Cook.
Science Fiction is the first greatest hits album and fourth overall compilation album by Japanese-American singer-songwriter Hikaru Utada, released on April 10, 2024, through Epic Records Japan and USM Japan. Commemorating the 25th anniversary of her debut, the album consists of two discs with 26 tracks, including new mixes and re-recordings of her previous singles and three original tracks, "Gold ", "Naniiro Demo Nai Hana", and "Electricity". In support of the album, Utada embarked on the Science Fiction Tour in 2024.