You Make Me Want to Be a Man

Last updated
"You Make Me Want to Be a Man"
UTADA - You Make Me Want To Be A Man.jpg
CD only artwork
Single by Utada
from the album Exodus
ReleasedJanuary 1, 2005 (remix single)
Genre
Length4:37
Label
Songwriter(s) Hikaru Utada
Producer(s)
Utada singles chronology
"Be My Last"
(2005)
"You Make Me Want to Be a Man"
(2005)
"Passion"
(2005)
Music video
"You Make Me Want to Be a Man" on YouTube

"You Make Me Want to Be a Man" is a song recorded by Japanese recording artist Utada for her fifth studio album and second English album, Exodus (2004). It was written and produced by Utada, with co-production by her father Teruzane Utada. The track was inspired by her relationship with her husband at the time, Kazuaki Kiriya. Its themes include sexism and understanding each other from a different perspective. "You Make Me Want to Be a Man" premiered on January 1, 2005 as the fourth and final single from the album. Self-described as an electronic and dance-pop song, it contains numerous elements including J-pop and techno.

Contents

Upon its release, "You Make Me Want to Be a Man" garnered positive reviews from music critics. Many critics commended the song's composition, lyrical content, and Hikaru's vocal and production delivery. Minor criticism was directed towards the song's production. Despite being released promotionally in North America and Japan, it failed to place on any of their record charts. Released in the United Kingdom, it failed to reach inside the top 100, peaking at number 277. "You Make Me Want to Be a Man" is her only song to chart in the UK.

The accompanying music video for "You Make Me Want to Be a Man" was shot in Tokyo by Kōji Morimoto and Kiriya; it features an android-Utada inside of an industrial-cyber utopia. Inter-cut scenes feature daily life functions, emphasizing a differentiation of human and synthetic being. The video received positive reviews for its message and visuals.

For additional promotion, the song was included on the track list of her concert tours Utada United 2006, and Utada: In the Flesh 2010.

Background and composition

"It came from facing my husband dealing with someone on that honest level. It's very hard to let someone into your life that much. With the song it's like, sometimes, the things that we don't understand about each other, if I was a man, maybe I could understand him better. It's very simple, it's all about wanting to become another person and see it from another point of view."

— Utada discussing the background of "You Make Me Want to Be a Man" [1]

"You Make Me Want to Be a Man" was inspired by her relationship with her husband at the time, Kazuaki Kiriya. In a press conference for Utada's album Exodus , she stated, "I was trying to deal with my husband, and it was the first time I really came face to face with another human being, and the things that we couldn't understand about each other, or things we argued about, I felt like it was because (that) some of it was just like a sex issue..." [2] "I felt like if I could be a man, I could understand him more, in some ways, so I wanted to understand him, and I thought, 'I wish I were a man!'". [2] In an interview with Female First UK, she further elaborated "it's all about wanting to become another person and see it from another point of view." [1]

The song was selected as the fourth and final single from Exodus, the lead single for the UK editions, and was released on October 17, 2005 by Island Def Jam and Mercury. The Maxi CD version of the single contains three remixes of "You Make Me Want to Be a Man", and the accompanying music video. [3] A bonus promo package included a separate CD and DVD of the single, and featured unreleased artwork of Exodus. [4] A 12 inch vinyl was issued in the UK, featuring three remixes and the radio edit of the track. [5]

"You Make Me Want to Be a Man" was written, composed, arranged, and produced by Utada, alongside co-production by her father Teruzane Utada. [3] Utada described the song as "very electro" and "dance-pop" with numerous musical elements including J-pop and techno. [1] [6] [7] Lucas Villa from Axs.com deciphered the themes of the track: "Tougher subjects Utada tackled on Exodus included her dissolving marriage to Kazuaki Kiriya on 'You Make Me Want to Be a Man.' She turned her frustrations about gender roles in a relationship into a feminist message, singing, 'I really want to tell you something but I can't / You make me want to be a man.' [8] Several critic publications, including Renowned for Sound, #PopHatesFlops, and MuuMuse, quoted similar aspects of her relationship and feminism views as key themes to the song. [9] [10] [6]

Reception

Critical response

"You Make Me Want to Be a Man" received favourable reviews from most music critics. David Jeffries from AllMusic wrote the extended biography to Utada, and highlighted the track as an album and career standout moment in Utada's discography. [11] Ridwin Khan from Animefringe.com said that "You Make Me Want to Be a Man" has an "interesting hook and an energetic beat." [12] Bradley Stern from MuuMuse was positive in his review, labelling it a "futuristic J-pop-infused creation". [6] Lucas Villa from Axs.com commended Utada's lyrical and vocal delivery, saying that the lyrics "got her point across on the battle-born dance track." [8] A reviewer from CD Journal gave the song a mixed review, complimenting Utada's song writing for portraying "real intentions" and praising the song's "fluctuation" of composition but also criticizing the song's production for its continuous looping. [13]

Music video

Background

The accompanying music video for "You Make Me Want to Be a Man" was directed by anime director Kōji Morimoto and Kiriya. [14] Utada stated that because the song itself featured electro and dance genres, "it fits well with visuals. I have a lot of electronic elements with machines and stuff like that." [1] Utada said she was influenced by her Japanese heritage, anime and otaku culture, and Japan's advances in technology during the early 2000s. She commented, "We wanted to play with the Japanese side of my existence. Japan is well know [sic] for these kinds of technological things, like Anime and the futuristic things, so I think that is what started off the whole thing." [1] Utada revealed that she shared her creative input with Kiriya because "It's very difficult, but a bit of companionship was exactly what I needed. With most of my work I mostly just say yes or no, so I guess what I needed was someone that I could trust the taste and opinions of and have the guts to tell me about things. Somebody that I could trust with the creative side of things a little more, so that is when he came into the picture." [1]

Synopsis and reception

Utada (pictured) with red eyes, witnessing and absorbing information of human life. The visuals and scenery were critically acclaimed by critics and publications. You Make Me Want to Be a Man video.png
Utada (pictured) with red eyes, witnessing and absorbing information of human life. The visuals and scenery were critically acclaimed by critics and publications.

The video opens with Utada's and the song's name superimposed on a CGI city, progressing with different views of it. Throughout the video, several inter-cuts of archive footage feature heavy use of modern technology and small scenes of human functionality. [16] The first chorus features a robotic Utada lying down, with several pieces of machinery and cords impaling her. As she sings, she witnesses small screens of daily life, allowing her to absorb human functions and information through artificial life. Throughout he choruses, the human Utada is shown singing with her band. [16] As several inter-cuts of archive footage appear, the verses open with another robotic Utada witnessing the small screens with red eyes.

By the second chorus, the robotic Utada is lifted into a container for further improvement. [16] By the second verse, a robotic male companion emerges from a mercury-like substance, and is seen on a rooftop, displaying himself and the cityscape. The male snaps off a piece of his rib cage and puts it in front of him. Several cords and pieces of machinery interact with the bone, and form a mysterious light. The light then turns into a final form of the robotic Utada, covered in shiny gloss and with red eyes. [16] The video ends with Utada on a seat, wired with machinery and cords. [16]

The video premiered on October 19, 2005 on UK MTV and Japanese music television channels, and premiered a week later worldwide. [14] [17] [18] It received positive reviews from most music critics. Tamar Anitai from MTV discussed how the video related to the original MTV reality television series Made but failed to express gender reassignment. Anitai commented, "But the one amazing transformation we’ve never seen on Made? Gender reassignment! Come on, Made! There's gotta be some girl out there who doesn't want to wear a bra anymore! And, believe it or not, we dug around in the MTV video vault and found a video buried in the WTF File that perfect embraces this sentiment: it's Japanese pop star Utada's clip, earnestly entitled, 'You Make Me Want to Be a Man.' [15]

Live performances and other appearances

"You Make Me Want to Be a Man" has been included in numerous tours conducted by Utada, such as her Utada United 2006 tour [19] and her Utada: In the Flesh 2010 concert tour. [20]

"You Make Me Want to Be a Man" was included on Utada's 2010 greatest hits album, Utada the Best . [21]

Track listing

UK CD Single [22]
  1. "You Make Me Want To Be A Man (Radio Edit)" – 3:45
  2. "You Make Me Want To Be A Man (Junior Jack Mix)" – 6:44
  3. "You Make Me Want To Be A Man (Bloodshy & Avant Mix)" – 4:02
  4. "You Make Me Want To Be A Man" (Music Video)
UK 12" Single [22]
  1. "You Make Me Want To Be A Man (Junior Jack Mix)" – 6:44
  2. "You Make Me Want To Be A Man (Junior Jack Dub)" – 6:22
  3. "You Make Me Want To Be A Man (Tom Neville Dub)" – 6:53
  4. "You Make Me Want To Be A Man (Radio Edit)" – 3:45

Remixes

Bloodshy & Avant Mix
Junior Jack Mixes
Tom Neville Mixes

Credits and personnel

[3] [4]

Weekly charts

Charts (2005)Peak
position
UK Singles (OCC) [23] 227

Related Research Articles

<span class="mw-page-title-main">Hikaru Utada</span> Japanese-American pop singer and producer (born 1983)

Hikaru Utada, who is also known by the mononym Utada, is a Japanese-American pop singer, songwriter and producer. Utada has become one of the most influential and best-selling musical artists in Japan.

<i>First Love</i> (Hikaru Utada album) 1999 studio album by Hikaru Utada

First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Toshiba-EMI.

<i>Deep River</i> (Hikaru Utada album) 2002 studio album by Hikaru Utada

Deep River is the third studio album released by American singer-songwriter Hikaru Utada, released on June 19, 2002. It sold just over 2.35 million copies in its first week of release, charting at number one on the weekly, monthly and yearly Oricon charts. Deep River is ranked as Japan's fifth-highest album in debut sales, and eighth in the all-time album sales in Japan.

<i>Exodus</i> (Hikaru Utada album) 2004 studio album by Utada

Exodus is the second English-language album by Japanese-American singer-songwriter Hikaru Utada, released on September 8, 2004 by Island Records under the moniker Utada. Her first English-language album called Precious was released under the name "Cubic U". After being discovered in North America by Island CEO Lyon Cohen when she contributed to the Rush Hour 2 soundtrack, he was very interested in signing Utada to his record label and she eventually accepted the offer. She traveled to Los Angeles to sign the contract and began recording the studio album straight after her signing. However, during the time frame from 2002 to 2003, Utada was diagnosed with a benign ovarian tumour that needed surgery and treatment. She also married her then-husband Kazuaki Kiriya, which stopped recording temporarily.

<span class="mw-page-title-main">Kazuaki Kiriya</span> Japanese filmmaker

Kazuaki Kiriya, born April 20, 1968, is a Japanese photographer and director of films and music videos. His birth name is Kazuhiro Iwashita. He is represented by Paradigm Agency.

<span class="mw-page-title-main">Bloodshy & Avant</span> Duo of songwriters and producers

Bloodshy & Avant are a Swedish songwriting and production duo consisting of Christian "Bloodshy" Karlsson and Pontus "Avant" Winnberg. They have worked with many prominent artists, including Britney Spears, Kylie Minogue, Ms. Dynamite, Madonna, Jennifer Lopez, Katy Perry, Kelis, Girls' Generation, Christina Milian, Sky Ferreira, Hikaru Utada and BoA. In addition to their production work, Karlsson and Winnberg are also members of the synth-pop group Miike Snow, alongside lead vocalist Andrew Wyatt.

<span class="mw-page-title-main">Passion (Hikaru Utada song)</span> 2005 single by Hikaru Utada

"Passion" is a song recorded by Japanese-American singer-songwriter Hikaru Utada, taken as the fourth single from her studio album Ultra Blue (2006). It premiered on December 14, 2005, in two physical formats and for digital consumption, distributed by EMI Japan and EastWorld. "Passion", alongside its English counterpart "Sanctuary", were used as the national and international theme songs to the Square Enix video game Kingdom Hearts II (2005); the tracks serve as the successors to "Hikari" and its English counterpart, "Simple and Clean", which are found on Kingdom Hearts.

<span class="mw-page-title-main">Hikari (Hikaru Utada song)</span> 2002 single by Hikaru Utada

"Hikari" is a song recorded by Japanese–American recording artist Hikaru Utada for her fourth studio and third Japanese language album, Deep River (2002). It premiered on March 20, 2002, as the third single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada, her father Teruzane Utada, and long-time collaborator Miyake Akira. The single, and a remix by Russell McNamara, was used as the official Japanese theme song for the 2002 action role-playing video game Kingdom Hearts, and appeared on its original soundtrack respectively. Musically, "Hikari" is a pop folk song. Lyrically, it is about mysteries in life and human activities.

<span class="mw-page-title-main">Traveling (song)</span> 2001 single by Hikaru Utada

"Traveling" is a song recorded by Japanese–American recording artist Hikaru Utada. It was released as the second single from her fourth studio and third Japanese language album, Deep River (2002). The track was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and long-time collaborator Akira Miyake. Musically, "Traveling" is a dance-pop song, influenced by house music. Lyrically, it discusses human activities and dreams.

<span class="mw-page-title-main">Wait & See (Risk)</span> 2000 single by Hikaru Utada

"Wait & See (Risk)" is a song recorded by Japanese–American singer Hikaru Utada for her third studio and second Japanese language album, Distance (2001). It was released on April 19, 2000 as the second single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada and American duo Jimmy Jam & Terry Lewis. The single also included the two B-side tracks, "Hayatochiri" and "Fly Me to the Moon ", with the former song appearing on the parent album. Musically, "Wait & See (Risk)" is an R&B song, influenced by dance-pop and rock.

<span class="mw-page-title-main">Addicted to You (Hikaru Utada song)</span> 1999 single by Hikaru Utada

"Addicted to You" is a song by Japanese-American recording artist Hikaru Utada from her second studio album Distance (2001). It was released as the album's lead single on September 6, 1999 by EMI Music Japan. "Addicted to You" was written by Utada and produced by Jimmy Jam & Terry Lewis; this is Utada's first collaboration with American producers and composers. The single artwork was shot by American photographer Richard Avedon and features two black-and-white figures of Utada. Musically, "Addicted to You" is an R&B song.

<span class="mw-page-title-main">Keep Tryin' (Hikaru Utada song)</span> 2006 single by Hikaru Utada

"Keep Tryin'" is a song recorded by Japanese American recording artist Hikaru Utada for her sixth studio and fourth Japanese album, Ultra Blue (2006). It premiered on February 22, 2006 as the fifth single from the album in Japan. It was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and Miyake Akira. It included the B-side track "Wings", which also appeared on the parent album. Musically, "Keep Tryin'" is a pop song with lyrics that contain self-empowerment themes. Upon its release, the track received generally mixed reviews from music critics.

Teruzane Utada is a Japanese music executive producer.

<span class="mw-page-title-main">Final Distance</span> 2001 single by Hikaru Utada

"Final Distance" is a song by Japanese recording artist Hikaru Utada for her third studio album Deep River (2002). Written by Utada herself, the song was produced and composed by long-time collaborators Akira Miyake, Utada's father Teruzane Utada and herself. "Final Distance" was originally recorded as "Distance" which was taken from the album with the same name, despite not being a single. The song was re-recorded, re-arranged, and dedicated to Rena Yamashita, a six-year-old victim of the Osaka school massacre who had written an essay about being inspired by Utada.

<span class="mw-page-title-main">Beautiful World (Hikaru Utada song)</span> 2007 single by Hikaru Utada

"Beautiful World" is a song by Japanese American musician Hikaru Utada. It served as the theme song for Evangelion: 1.0 You Are (Not) Alone, the 2007 film reboot of the anime Neon Genesis Evangelion. It was released as a double A-side single on August 29, 2007 along with her song "Kiss & Cry", which had been released digitally three months earlier. In 2009, a remix of the song, "Beautiful World " served as the theme song of the second film in the series, Evangelion: 2.0 You Can (Not) Advance.

<span class="mw-page-title-main">Kiss & Cry (song)</span> 2007 song by Hikaru Utada

"Kiss & Cry" is a song recorded by Japanese American recording artist Hikaru Utada for their seventh studio and fifth Japanese album, Heart Station (2007). It was written, composed, and arranged by Utada, whilst production was handled by Utada, their father Teruzane Utada, and Akira Miyake. The single premiered on May 31, 2007 as the third single from the album in Japan. It was re-released as a double A-side single with "Beautiful World", which also appeared on the parent album on August 29 in Japan, and digitally worldwide. Musically, "Kiss & Cry" is an R&B song, influenced by pop and hip-hop music. Lyrically, it discusses both Utada's upbringing and social beliefs between both Western and oriental regions.

<span class="mw-page-title-main">Automatic (Hikaru Utada song)</span> 1998 single by Hikaru Utada

"Automatic" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard-size CD single and 12" vinyl. Additionally, the single included the A-side "Time Will Tell", which originally served as the B-side for these versions. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite working recording in English under the name Cubic U, "Automatic" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.

<span class="mw-page-title-main">Time Will Tell (Hikaru Utada song)</span> 1998 single by Hikaru Utada

"Time Will Tell" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from their debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard CD single and 12" vinyl. Additionally, the single was originally served as a B-side to "Automatic", but was changed into an A-side. The song was written and co-produced by Utada themself, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite working recording in English under the name Cubic U, "Time Will Tell" is Utada's first Japanese recording, and was released after they enrolled into high school in Japan.

<span class="mw-page-title-main">Sakura Drops</span> 2002 single by Hikaru Utada

"Sakura Drops" is a song by Japanese-American musician Hikaru Utada. It was released as a double A-side single with the song "Letters" on May 9, 2002.

<i>Fantôme</i> (album) 2016 studio album by Hikaru Utada

Fantôme is the sixth Japanese studio album by Japanese-American singer-songwriter Hikaru Utada. Although Utada announced an indefinite hiatus from the public eye in August 2010, she continued writing and composing material with her father, Utada Teruzane, and long-term collaborator, Miyake Akira. Musically, Fantôme contains a collection of tracks that utilizes acoustic and stripped-down instrumentations, alongside influences of pop, electronic, and R&B music. The lyrical content delves into themes of grief, sadness, love, and death—mostly influenced by the death of her mother, her second marriage, and the birth of her son in 2015.

References

Footnotes

    Notes

    1. 1 2 3 4 5 6 Female First staff (October 10, 2005). "Utada Interview: Japan's Most Famous!". Female First UK. Retrieved January 5, 2016.
    2. 1 2 Utada, Hikaru (2004). Exodus Interview (Liner notes). Utada. Japan: Universal Music Group.
    3. 1 2 3 Utada, Hikaru (2005). You Make Me Want to Be a Man (Liner notes). Utada. Japan: Universal Music Group. 988 638-1.
    4. 1 2 Utada, Hikaru (2005). You Make Me Want to Be a Man (DVD promo; Liner notes). Utada. United Kingdom: Universal Music Group. UTMANDLXP1.
    5. Utada, Hikaru (2005). You Make Me Want to Be a Man (12 inch Vinyl; Liner notes). Utada. United Kingdom: Universal Music Group. 988 638-2.
    6. 1 2 3 Stern, Bradley (September 1, 2014). "This Is Our Exodus". MuuMuse. Retrieved January 4, 2016.
    7. Skedge (October 31, 2005). "Utada – You Make Me Want to Be a Man Information". seesaa. Retrieved January 4, 2016.
    8. 1 2 Villa, Lucas (September 8, 2014). "Exodus at 10: A closer look at Utada Hikaru's English-language crossover album". Axs.com . Retrieved January 4, 2016.
    9. Smith, Michael (December 26, 2015). "Pop Rewinds: Utada – Exodus". Renowned for Sound. Retrieved January 4, 2016.
    10. #PopHatesFlops staff (November 20, 2014). "Why Utada Hikaru's 'Exodus' Is Leaving us Lonely for the Holidays". #PopHatesFlops. Retrieved January 4, 2016.
    11. Jeffries, David. "Hikaru utada – Songs". AllMusic . Retrieved November 30, 2015.
    12. Khan, Ridwin (September 24, 2005). "Utada Hikaru: Exodus". Animefringe.com. Retrieved January 4, 2016.
    13. CD Journal Staff (September 24, 2005). "Utada / Exodus" (in Japanese). CD Journal. Retrieved January 4, 2016.
    14. 1 2 Imvdb Staff. "Utada Hikaru – You Make Me Want to Be a Man". Imvdb.com. Retrieved January 5, 2016.
    15. 1 2 Anitai, Tamar (August 17, 2008). "Happy Birthday, 'Made'! + WTF Video: Utada, 'You Make Me Want to Be a Man'". MTV. Retrieved January 5, 2016.
    16. 1 2 3 4 5 Vevo (October 9, 2009). "Utada - You Make Me Want To Be A Man". UtadaVEVO; published through YouTube . Retrieved January 5, 2016.
    17. MTV UK Staff (October 19, 2009). "Utada - You Make Me Want To Be A Man". MTV. Retrieved January 5, 2016.
    18. MTV Base Staff (October 25, 2009). "Utada - You Make Me Want To Be A Man". MTV Base. Retrieved January 5, 2016.
    19. Utada, Hikaru (2006). Utada United 2006 (DVD). Utada. Japan: Eastworld Productions. TOBF-5506.
    20. "Utada In the Flesh – Film by Utada". iTunes Store GB. 2014. Retrieved January 5, 2016.
    21. Utada, Hikaru (2010). Utada the Best (Liner notes). Utada. Japan: Island Def Jam Group. UICL-1110.
    22. 1 2 "Utada – You Make Me Want to be a Man (2005, CD)".
    23. "Official Singles Chart Top 100". Official Charts Company.