Deep River | ||||
---|---|---|---|---|
Studio album by | ||||
Released | June 19, 2002 | |||
Recorded | 2001–2002 | |||
Studio |
| |||
Genre | ||||
Length | 54:54 | |||
Label | ||||
Producer |
| |||
Hikaru Utada chronology | ||||
| ||||
Singles from Deep River | ||||
|
Deep River is the fourth studio album by Japanese-American singer Hikaru Utada. It was released via Toshiba EMI on June 19, 2002. The title of the album, as well as its title track, was inspired by the novel Deep River by Shusaku Endo. Utada wrote and co-produced the majority of the record, and unlike her previous album Distance (2001), she worked primarily with Japanese collaborator Akira Miyake and her father Teruzane Utada. Musically, Deep River is widely noted by fans and critics as the transition state from Utada's earlier style, R&B, to ethereal pop.
Music critics praised Deep River's production and Utada's experimental approach to her sound. Because of its glowing critical reviews, Deep River and its content received numerous awards and accolades. Commercially, the album attained meteoric success. In Japan, it debuted at number one on the Oricon Albums Chart and was certified triple million by the Recording Industry Association of Japan (RIAJ) for selling over three million copies. The album is listed as the eighth highest-selling album in Japanese music history.
To promote the album, Utada released four singles: "Final Distance," "Traveling," "Hikari" and "Sakura Drops / Letters." All four of them performed well in Japan, with the second single "Traveling" becoming the album's most commercially successful track. The album's third single "Hikari" and its English-language version "Simple & Clean" served as the theme song for Square's action role-playing video game Kingdom Hearts (2002), and is her most well-known single in the west. Along with the four singles, the song "Play Ball" was used as a radio single to promote the album, and the album's title track received a music video. To promote the album, Utada went on promotional tours throughout Japan, and a video collection titled Utada Hikaru Single Clip Collection Vol. 3 was released, which included all of the album's music videos.
On March 28, 2001, Utada released Distance , her third studio album. [1] It serves as the follow-up to her highly successful major-label debut First Love (1999). [2] Distance was a critical and commercial success in her native Japan, with the highest first-week sales of all time at the time (before Adele's 25 ), and eventually becoming the fourth best-selling album in the country. [3] [4] It also spawned a conga line of million-selling singles in Japan, with the Jimmy Jam & Terry Lewis produced "Addicted to You" becoming the most successful of the bunch. [5]
After finishing the record's promotional tour, Utada attended Columbia University, taking a leave of absence in January 2001. [6] [7] Also, on September 11 of the same year, the September 11 terrorist attacks occurred in New York City, but Utada's staff reported that she was safe the next day. [8] In January of the following year, she turned 19, and in February, she announced that she had signed an exclusive contract with the record label Island Def Jam in New York. [9] During that time, Utada began working on a new album. The record's production was temporarily halted when she was diagnosed with a benign ovarian tumour, which she successfully removed; she resumed work after recovering from surgery. [10] Utada wrote and co-produced the majority of Deep River, but unlike Distance, she worked primarily with Japanese producers Akira Miyake and her father Teruzane. [11] The album was produced in about a year, the shortest period of development for an album in her career. In an interview at the time, Utada said, "Maybe it was because I felt that I had to make it in a hurry now. I thought it could only be done by me now. I know I'm changing rapidly, so...." [12]
Akira Miyake, who has been involved in the creation of Utada's music since her debut, attributes the increased pace of songwriting to "her budding professionalism." He also says that this album is like a strong "espresso" album filled with her own "color" because Utada herself even participated fully in the arrangements. [13]
The musical compositions of Deep River is an evident departure from the templated Americanized R&B sound of Utada's blockbuster Distance album. [14] The album is widely noted as the transition state from Utada's earlier style, R&B, to ethereal sounding pop music. [14]
The album opener "Sakura Drops" is a mid-tempo ballad inspired by the oriental flavor of "cherry blossoms" and the gentle feeling of the season, and the arrangement by Utada herself is particularly noteworthy, blending psychedelic tones naturally with an exotic, sweeping melody. [15] [16] Utada also noted that the "two-step, half-finished" beat is a fine example of the intense emotional ups and downs of the song. [17] The song "Traveling," which Utada says was intended to be "light and easy to understand" and "a cheerful song with a groove," is one of the most unique songs on the album, with its sophisticated house beat and caricature-like lyrics that also quote a famous passage from The Tale of the Heike . [16] The lyrics are known for being difficult to understand, [15] and Yosui Inoue finds "the destructive impulse, nihilism, and momentary moments behind the humor" in the lyrics. [18]
"Shiawase ni Narou" features a western approach to R&B music in its light tempo, with a simple and unrefined piano, and also quotes the melody of Beethoven's "Für Elise" in the latter half of the song. It has also been pointed out that this is "a quotation as a foreshadowing of tragedy" since the background of the composition of "Für Elise" was "a love affair with an aristocratic lady that could not be fulfilled." [19] The album's title track uses a sitar in both the intro and outro; the song was inspired by Shusaku Endo's Deep River , which is about the Ganges River and indigenous beliefs in India. [19] "Letters" features Latin-style rhythms and a melody that spirals upward. [16] It is a "hard-edged romantic" song with a "fierceness" according to Utada, and it brings together Char, Yuji Toriyama, and Hisashi (from the rock band Glay), who Utada describes as "hard-edged guitarists with a manly spirit." [17] "Play Ball" is sung smoothly, comparing the emotions that oscillate between boldness and delicacy to playing baseball. [20] It also features a slightly backward rhythm that emphasizes the third and fourth beats. [21]
"Tokyo Nights" depicts a wanderer in search of a place where he can quench his thirst in the bustling nightless city of Tokyo, with arpeggios of oboe and harpsichord that seem to herald the arrival of night. [20] "A.S.A.P." contains the sampling of bells that continues from the intro and the beat, which is hastened by heavy, thick strings, creating a suspicious cloudiness. [20] "Uso Mitai na I Love You" is a hard rock number with the same melody used in part in "Simple & Clean," the English adaptation of the song "Hikari."
"Final Distance" is the song that inspired the creation of the album Deep River. Utada stated that the meaning of the word "final" for the song "Final Distance" is "most important" rather than "last." [17] "Bridge - Interlude" is a string-driven, one-minute instrumental. "Hikari," which Utada chose to use her real name as the title, is neither a dance song nor a ballad, but a number with a new style that is different from her previous songs, featuring a deep acoustic guitar sound and a sparkling melody. [20] [15] Utada said that when she wrote the lyrics for this song, she dared to use styles and phrases that are not usually used in lyrics, and she also used the first person, "boku" and "watashi," which she had not used before, to give character to the main character of the lyrics. [17]
The title of the album, as well as the song "Deep River," was inspired by the novel Deep River by Shusaku Endo. [22] In May 2000, Utada revealed on her official website that she liked Endo's The Sea and Poison and that she was in the process of reading Deep River again. [23] The artwork for the album jacket and booklet was done by Kazuaki Kiriya, [11] who also worked on the visuals of Utada's previous album Distance . [1] The entire album's artwork is grayscale, and the booklet is infamous for including a photo of Utada's foot. [11]
Around the time of the album's release, a large exhibition of Utada's photographs taken by Daido Moriyama was held. [24] The photographs were taken in the streets of Shinjuku. All of the photographs were in black and white and show Utada standing alone in a deserted urban alleyway. [25] Utada and Moriyama have never met up with each other since then, and Moriyama recalled their encounter as a "holy once-in-a-lifetime" experience in a 2018 magazine interview. Moriyama said that his impression of Utada at the time was that she was "a very smart girl, very honest and of good character," and that he had photographed Utada's mother, Keiko Fuji, once before, which was one of the reasons he agreed to do the shoot. He also said that it was cute when Utada told him during the shoot, "Please take beautiful pictures of me like my mother." Moriyama added, "When I moved closer to get a close-up of Utada, she really looked like Keiko Fuji in the viewfinder. When I took the camera off, I saw Hikaru Utada, who still looked like a little girl. It was a strange feeling. I remember that feeling." [25]
On July 25, 2001, Toshiba EMI released the album's lead single, "Final Distance." The physical version of the single contained both the original recording "Distance" and various mixes of the songs. [26] The song received positive reviews from critics and peaked at number two on the Oricon Singles Chart. [27] After shipping over 400,000 units, the Recording Industry Association of Japan (RIAJ) certified it platinum. [28] The album's second single, "Traveling," was released on November 28, 2001, along with an additional DVD that included the music video and behind-the-scenes footage. [29] [30] Critics praised the song's danceable sound and production style. [31] It became the album's first chart-topper on the Oricon Singles Chart, and it was certified million by the RIAJ after shipping more than one million copies nationwide. [32] [33]
On March 20, 2002, "Hikari" was released as the album's third single. [34] The song served as the theme song for Square's action role-playing video game Kingdom Hearts (2002), as well as its English version "Simple & Clean" in international markets. [35] It received positive reviews from critics and debuted at the top of the Oricon Singles Chart. [36] The single was certified double platinum by the RIAJ after selling over 800,000 copies in Japan. [37] "Sakura Drops" and "Letters" were released as a double A-side single on May 9, 2002. [38] Both songs received positive feedback and debuted at the top of the Oricon Singles Chart, earning the album's final double platinum certification from the RIAJ. [39] [40] The RIAJ certified "Sakura Drops" gold for exceeding 100,000 digital downloads. [41] The song "Play Ball" was released as a radio single prior to the release of the album for promotion.
To promote the album, the video collection Utada Hikaru Single Clip Collection Vol. 3 was released on home video, which included all of the music videos from the Deep River era as well as behind-the-scenes footage for each one. Toshiba EMI distributed it throughout Japan on September 30, 2002. [42]
Review scores | |
---|---|
Source | Rating |
CDJournal | (positive) [43] |
MTVChinese.com | [14] |
Toshiba EMI released Deep River on June 19, 2002. In Japan, it was initially available on CD, picture disc, and double vinyl, each with twelve tracks. [11] EMI Music went on to release the album in several Asian countries, including China, Indonesia, Malaysia, the Philippines, South Korea, Taiwan, and Thailand. [a] Deep River was re-released worldwide on January 23, 2019, through digital and streaming services, with a double vinyl edition re-issued in Japan by Universal Music Japan on March 10, 2022. [50] [51]
Afternoon Black Tea from MTVChinese.com awarded the album a perfect score of five out of five stars, stating in the review: "The album is rich in style and rhythm, and before the release of the album, Utada said to the public that 'this is her best work', which is true, and this is indeed her most amazing work since her debut." [14] The Japanese music publication CDJournal gave the album a good review. They praised the album's sound and overall arrangement quality, while also mentioning Utada's "sincere" songwriting and storytelling. [43] From 2002 to 2003, the album and several singles received numerous awards. At the 2002 Japan Gold Disc Awards, Deep River won Rock & Pop Album of the Year, "Travelling" won Music Video of the Year, and "Travelling," "Hikari," and "Sakura Drops" won Songs of the Year. [52] [53] The Japanese Society for Rights of Authors, Composers and Publishers (JASRAC Awards) honoured the album's single "Hikari" with the Foreign Silver Award, while "Travelling" received the Silver Award. [54] In 2002, Utada, the album, and "Travelling" were nominated for Best Female Artist, Album of the Year, and Video of the Year at the MTV Video Music Awards Japan. A year later, "Sakura Drops" was named the Best Female Video. [55] The Television Drama Academy Awards went on to accolade "Sakura Drops" with the best Drama Song Award. [56]
Deep River achieved great commercial success nationwide. It debuted at number one on the Oricon Albums Chart with 2,350,170 copies sold in its first week, making it the country's fifth-fastest-selling album. [57] It stayed at number one for a second consecutive week with 550,250 copies sold. [58] Overall, Deep River charted for a total of 57 weeks. [59] Deep River was the best-selling album in Japan of 2002, having sold 3,526,780 units by the end of the year. [60] The Recording Industry Association of Japan (RIAJ) certified the album triple million for selling more than three million copies, with Oricon claiming sales of over 3.604 million in Japan. [61] [62] The International Federation of the Phonographic Industry (IFPI) named Deep River the 18th best-selling record in 2002, [63] and it is currently the eighth best-selling album in Japan, [64] and is Utada's third best-selling studio album after Distance and First Love. [65]
All tracks are written by Hikaru Utada
No. | Title | Length |
---|---|---|
1. | "Sakura Drops (SAKURAドロップス, Sakura Doroppusu)" | 4:58 |
2. | "Traveling" | 5:14 |
3. | "Shiawase ni Narō (幸せになろう, Let's Be Happy)" | 4:46 |
4. | "Deep River" | 4:37 |
5. | "Letters" | 4:48 |
6. | "Play Ball (プレイ・ボール, Purei Bōru)" | 4:14 |
7. | "Tokyo Nights (東京NIGHTS)" | 4:43 |
8. | "A.S.A.P." | 4:56 |
9. | "Uso Mitai na I Love You (嘘みたいな I Love You, The Dubious I Love You)" | 4:49 |
10. | "Final Distance" | 5:38 |
11. | "Bridge (Interlude)" | 1:09 |
12. | "Hikari (光, Light)" | 5:02 |
No. | Title | Length |
---|---|---|
13. | "Simple & Clean" (2018 remastered bonus track) | 5:02 |
Personnel details were sourced from the Deep River liner notes booklet. [11]
Musicians
Technical and production
Visuals
Weekly chart
Monthly charts
| Yearly chart
Decade-end charts
All-time chart
|
Region | Certification | Certified units/sales |
---|---|---|
Japan (RIAJ) [61] | 3× Million | 3,604,588 [62] |
Taiwan | — | 150,000 [69] |
Region | Date | Format(s) | Label | Ref. |
---|---|---|---|---|
Japan | June 19, 2002 | Toshiba EMI | [11] | |
China | 2002 | CD | [44] | |
Indonesia | [45] | |||
Philippines | [47] | |||
South Korea | [48] | |||
Taiwan | [49] | |||
Thailand | [46] | |||
Various | January 23, 2019 | Digital download | EMI Music | [50] |
Japan | March 10, 2022 | Vinyl | Universal Music Japan | [51] |
Hikaru Utada, also known mononymously as Utada, is a Japanese and American singer, songwriter, and producer. She is considered to be one of the most influential and best-selling musical artists in Japan.
First Love is the debut Japanese-language studio album by Japanese-American recording artist Hikaru Utada, released on March 10, 1999, by Eastworld.
Distance is the third studio album by Japanese singer Hikaru Utada. Toshiba EMI released it on March 28, 2001, making it her second release with the label. Utada wrote and co-produced the majority of the album, alongside previous collaborators Akira Miyake and her father Teruzane Utada, as well as new collaborations with American producers Rodney Jerkins and Jimmy Jam & Terry Lewis. Distance, like its predecessor First Love (1999), is influenced by pop music and R&B, with additional hip-hop, rock, reggae, and techno influences from Western music.
"Passion" is a song recorded by Japanese-American singer-songwriter Hikaru Utada, taken as the fourth single from her studio album Ultra Blue (2006). It premiered on December 14, 2005, in two physical formats and for digital consumption, distributed by EMI Japan and EastWorld. "Passion", alongside its English counterpart "Sanctuary", were used as the national and international theme songs to the Square Enix video game Kingdom Hearts II (2005); the tracks serve as the successors to "Hikari" and its English counterpart, "Simple and Clean", which are found on Kingdom Hearts.
"Hikari" is a song recorded by Japanese–American recording artist Hikaru Utada for her fourth studio and third Japanese language album, Deep River (2002). It premiered on March 20, 2002, as the third single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada, her father Teruzane Utada, and long-time collaborator Miyake Akira. The single, and a remix by Russell McNamara, was used as the official Japanese theme song for the 2002 action role-playing video game Kingdom Hearts, and appeared on its original soundtrack respectively. Musically, "Hikari" is a pop folk song. Lyrically, it is about mysteries in life and human activities.
"Traveling" is a song recorded by Japanese–American recording artist Hikaru Utada. It was released as the second single from her fourth studio and third Japanese language album, Deep River (2002). The track was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and long-time collaborator Akira Miyake. Musically, "Traveling" is a dance-pop song, influenced by house music. Lyrically, it discusses human activities and dreams.
"For You" is a song by Japanese-American musician Hikaru Utada. It was released as a double A-side single with the song "Time Limit" on June 30, 2000.
"Wait & See (Risk)" is a song recorded by Japanese–American singer Hikaru Utada for her third studio and second Japanese language album, Distance (2001). It was released on April 19, 2000 as the second single from the album in Japan. It was written and composed by Utada, whilst production and arrangement was handled by Utada and American duo Jimmy Jam & Terry Lewis. The single also included the two B-side tracks, "Hayatochiri" and "Fly Me to the Moon ", with the former song appearing on the parent album. Musically, "Wait & See (Risk)" is an R&B song, influenced by dance-pop and rock.
"Addicted to You" is a song by Japanese-American recording artist Hikaru Utada from her second studio album Distance (2001). It was released as the album's lead single on November 10, 1999, by EMI Music Japan. "Addicted to You" was written by Utada and produced by Jimmy Jam & Terry Lewis; this is Utada's first collaboration with American producers and composers. The single artwork was shot by American photographer Richard Avedon and features two black-and-white figures of Utada. Musically, "Addicted to You" is an R&B song.
"Keep Tryin'" is a song recorded by Japanese American recording artist Hikaru Utada for her sixth studio and fourth Japanese album, Ultra Blue (2006). It premiered on February 22, 2006 as the fifth single from the album in Japan. It was written and composed by Utada, whilst production was handled by Utada, her father Teruzane Utada, and Miyake Akira. It included the B-side track "Wings", which also appeared on the parent album. Musically, "Keep Tryin'" is a pop song with lyrics that contain self-empowerment themes. Upon its release, the track received generally mixed reviews from music critics.
Ultra Blue is the sixth album by Japanese–American singer Hikaru Utada, released on June 14, 2006, by Eastworld. It is the first original Japanese language album under Hikaru Utada's name in four years since her third album Deep River (2002). Ultra Blue contains thirteen songs, including six singles released between 2003 and 2006. While the arrangements for her album Deep River were done collaboratively, all but one of the songs on Ultra Blue were written, composed, and arranged solely by Utada, who also did the programming herself. In this album, the R&B elements that have been present since her debut are further diminished, and the majority of the songs have an electronic flavor with an emphasis on synth sounds.
"Final Distance" is a song by Japanese recording artist Hikaru Utada for her third studio album Deep River (2002). Written by Utada herself, the song was produced and composed by long-time collaborators Akira Miyake, Utada's father Teruzane Utada and herself. "Final Distance" was originally recorded as "Distance" which was taken from the album with the same name, despite not being a single. The song was re-recorded, re-arranged, and dedicated to Rena Yamashita, a six-year-old victim of the Ikeda school massacre who had written an essay about being inspired by Utada. Utada had stated that the meaning of the word "final" for the song "Final Distance" is "most important" rather than "last."
"Beautiful World" is a song by Japanese American musician Hikaru Utada. It served as the theme song for Evangelion: 1.0 You Are (Not) Alone, the 2007 film reboot of the anime Neon Genesis Evangelion. It was released as a double A-side single on August 29, 2007 along with her song "Kiss & Cry", which had been released digitally three months earlier. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. In 2009, a remix of the song, "Beautiful World " served as the theme song of the second film in the series, Evangelion: 2.0 You Can (Not) Advance.
"Kiss & Cry" is a song recorded by Japanese American recording artist Hikaru Utada for her seventh studio and fifth Japanese album, Heart Station (2007). It was written, composed, and arranged by Utada, whilst production was handled by Utada, her father Teruzane Utada, and Akira Miyake. The single premiered on May 31, 2007 as the third single from the album in Japan. It was re-released as a double A-side single with "Beautiful World", which also appeared on the parent album on August 29 in Japan, and digitally worldwide. Musically, "Kiss & Cry" is an R&B song, influenced by pop and hip-hop music. Lyrically, it discusses both Utada's upbringing and social beliefs between both Western and oriental regions.
Heart Station is the seventh studio and fifth Japanese-language album by Japanese–American recording artist Hikaru Utada. It was released on March 19, 2008, by EMI Music Japan sublabel Eastworld, and globally on March 26, 2008. It is Utada's eighth consecutive studio album to be fully written and produced by her, with the help of her father Teruzane Utada and long-time collaborator Miyake Akira through the production. Recorded between 2006 and 2008, it was worked on whilst she was recording her ninth studio and second English-language studio album, This Is the One (2009). With the album artwork photographed by Japanese photographer Mitsuo, Heart Station was released in two formats: a physical CD, and as a digital download.
"Automatic" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard-size CD single and 12" vinyl. Additionally, the single included the A-side "Time Will Tell", which originally served as the B-side for these versions. The song was written and co-produced by Utada, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite recording in English under the name Cubic U, "Automatic" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
"Time Limit" is a song by Japanese musician Hikaru Utada. It was released as a double A-side single with the song "For You" on June 30, 2000.
"Time Will Tell" is a song recorded by Japanese–American singer Hikaru Utada, taken as the lead single from her debut album First Love (1999). It was released on December 9, 1998, through Toshiba-EMI in three physical formats: mini CD single, standard CD single and 12" vinyl. Additionally, the single was originally served as a B-side to "Automatic", but was changed into an A-side. The song was written and co-produced by Utada herself, while Akira Miyake and the singer's father Teruzane Utada served as producers. Despite working recording in English under the name Cubic U, "Time Will Tell" is Utada's first Japanese recording, and was released after she enrolled into high school in Japan.
"Letters" is a song by Japanese American musician Hikaru Utada. It was released as a double A-side single with the song "Sakura Drops" on May 9, 2002.
"Sakura Drops" is a song by Japanese-American musician Hikaru Utada. It was released as a double A-side single with the song "Letters" on May 9, 2002.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link){{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)