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Time to Destination | ||||
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Studio album by | ||||
Released | April 15, 1998 | |||
Recorded | 1997-1998 | |||
Genre | Pop rock, J-pop | |||
Length | 46:33 | |||
Label | AVEX Trax | |||
Producer |
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Every Little Thing chronology | ||||
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Singles from Time to Destination | ||||
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Time to Destination is the second studio album by the Japanese pop rock group Every Little Thing. It was released on April 15, 1998, through Avex Trax. The album was solely written, composed and arranged by Mitsuru Igarashi, while Avex chairman Max Matsuura served as its executive producer. Musically, Time to Destination is a soft rock album and lyrically focuses on themes of love, saudades, frustration of life, loneliness, and individualism.
Upon its release, Time to Destination received favorable reviews from music critics, many of whom highlighted the singles as some of their best work. Commercially, the album was a huge success in Japan. It is the best-selling album from the band, with 3.5 million copies sold, also becoming the 10th best-selling album of all time in Japan. The album received a triple million certification from the Recording Industry Association of Japan (RIAJ) for physical shipments of three million units.
To promote the album, Every Little Thing released 5 singles. One of the singles, "For the Moment," became their first single to top the Oricon Singles Chart, with "Face the Change" also topping the chart. "Time Goes By" sold over one million units, a first for Every Little Thing, becoming their biggest song to date. The majority of the album's material were promoted through Japanese commercials, which later became a staple for Every Little Thing's future work, and some songs appeared on various remix albums conducted by Every Little Thing.
In April 1997, Every Little Thing released their debut album Everlasting . [1] The album was a commercial success, reaching number one on the Oricon Albums Chart and being certified 3× Platinum by the RIAJ. [2] [3] After the success of Everlasting, Every Little Thing's keyboardist Mitsuru Igarashi began writing songs for his band's next studio album. Kaori Mochida served as the record's primary vocalist. [4] Recording sessions were handled in Japan and recorded by Atsushi Hattori, Koji Morimoto and Masashi Hashimoto. [4] The album was mixed by Atsushi Hattori, Bill Drescher, Brian Reeves, Hitoshi Himura and Koji Morimoto. [4] The final project was mastered by Eddy Schreyer and Gene Grimaldi at Oasis Mastering at Burbank, California. [4]
All songs written, composed and arranged by Mitsuru Igarashi, unless otherwise noted.
No. | Title | Lyrics | Arranger | Length |
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1. | "For the Moment" | 4:33 | ||
2. | "Ima Demo... Anata ga Suki Dakara (今でも・・・あなたが好きだから)" | 4:49 | ||
3. | "Face the Change" | 4:22 | ||
4. | "Old Dreams" (Instrumental) | 0:24 | ||
5. | "Monokuroomu (モノクローム; Monochrome)" | 3:57 | ||
6. | "All along" | Kaori Mochida | 4:35 | |
7. | "Hometown" | 4:32 | ||
8. | "Deatta Koro no Yō ni (出逢った頃のように)" | 4:24 | ||
9. | "Shapes of Love" | 4:57 | ||
10. | "True Colors" | 4:43 | ||
11. | "Time Goes By" (Orchestra Version) | Mitsuru Igarashi, Strings arrangement: Jeremy Lubbock | 5:14 |
Chart (1998) | Peak position |
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Japan Oricon | 1 |
Every Little Thing is a pop/soft rock duo from Japan who debuted in August 1996 with the release of their first single called "Feel My Heart". Their name is usually written in English, and only rarely in katakana. They gained massive popularity in the late 1990s and early 2000s. As of 2013, Every Little Thing has sold over 23 million copies of singles and albums throughout Japan. Their second studio album, Time to Destination, is the best-selling album of the band with over 3.5 million copies sold, and became the 10th best-selling album of all time in Japan.
Namie Amuro is a retired Japanese singer. She rose to prominence as a teen idol, and transitioned into a leading pop artist due to her versatility across music styles and visual presentation. Due to her career reinventions and longevity, she is known as an icon across Japan and Asia. She has been referred to as the "Queen of Japanese Pop", and her influence domestically has drawn equivalent comparisons to artists such as Janet Jackson and Madonna in Western pop culture.
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