List of West German films of 1952. This was the third full year of film production since the formal partition of Germany into East and West in 1949. Major production centres were gathered in Hamburg, Munich and West Berlin.
List of West German films of 1952. This was the third full year of film production since the formal partition of Germany into East and West in 1949. Major production centres were gathered in Hamburg, Munich and West Berlin.
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The film industry in Germany can be traced back to the late 19th century. German cinema made major technical and artistic contributions to early film, broadcasting and television technology. Babelsberg became a household synonym for the early 20th century film industry in Europe, similar to Hollywood later. Early German and German-speaking filmmakers and actors heavily contributed to early Hollywood.
The Ostern is a film genre created in the Soviet Union and Eastern Bloc as a variation of the Western films. The word Ostern is a portmanteau derived from the German word Ost, meaning "East", and the English word western. Two subgenres may be distinguished :
Associated British Picture Corporation (ABPC), originally British International Pictures (BIP), was a British film production, distribution and exhibition company active from 1927 until 1970 when it was absorbed into EMI. ABPC also owned approximately 500 cinemas in Britain by 1943, and in the 1950s and 60s owned a station on the ITV television network. The studio was partly owned by Warner Bros. from about 1940 until 1969; the American company also owned a stake in ABPC's distribution arm, Warner-Pathé, from 1958. It formed one half of a vertically integrated film industry duopoly in Britain with the Rank Organisation.
This is a list of the most notable films produced in German cinema.
The Berlin International Film Festival, usually called the Berlinale, is an annual film festival held in Berlin, Germany. Founded in 1951 and originally run in June, the festival has been held every February since 1978 and is one of Europe's "Big Three" film festivals alongside the Venice Film Festival held in Italy and the Cannes Film Festival held in France. Furthermore, it is one of the "Big Five", the most prestigious film festivals in the world. The festival regularly draws tens of thousands of visitors each year.
František Čáp, also known as Franz Cap in Germany, was a Czech and later a Yugoslav film director and screenwriter. He directed 32 films between 1939 and 1970. Having created Slovene film classics such as Vesna, Ne čakaj na maj and Our Car, he is also one of the most popular directors of early Slovene cinema in 1950s and the 1960s.
Operetta films are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
Berolina Film was a film production company that operated in West Germany between 1948 and 1964. The company's productions were supervised by the experienced Kurt Ulrich and were based in West Berlin. The company helped launch a cycle of popular heimatfilm made in the 1950s.
Arthur Maria Rabenalt was an Austrian film director, writer, and author. He directed more than 90 films between 1934 and 1978. His 1958 film That Won't Keep a Sailor Down was entered into the 1st Moscow International Film Festival. Two years later, his 1960 film Big Request Concert was entered into the 2nd Moscow International Film Festival. His career encompassed both Nazi cinema and West German productions. He also wrote several books on the 1930s and 1940s wave of German cinema.
Bavaria Studios are film production studios located in Munich, the capital of the region of Bavaria in Germany, and a subsidiary of Bavaria Film.
Poison in the Zoo is a 1952 West German thriller film directed by Hans Müller and Wolfgang Staudte and starring Irene von Meyendorff, Carl Raddatz and Petra Peters.
The Wandsbek Studios are film production and television studios located in Wandsbek, a district of the German city of Hamburg.
Deutsche London Film or Deutsche London-Film was a West German film distribution company active from 1940 to 1956. Handling both domestic productions and imports, and concentrating on popular film genres, it established itself as one of the bigger distributors. This took place during the economic recovery of the German film industry in the post-Second World War period, as audiences reached peak numbers by the mid-1950s.
