This is a list of the most notable films produced in the Cinema of Germany in 1927.
Title | Director | Featured cast | Genre | Note |
---|---|---|---|---|
The Chinese Nightingale | Lotte Reiniger | animation | ||
Dort, wo der Rhein... | Walter Ruttmann | Animation | ||
Im Filmatelier | Julius Pinschewer | animation | ||
Title | Director | Featured cast | Genre | Note |
---|---|---|---|---|
München-Berlin Wanderung | Oskar Fischinger | Experimental film | ||
Seelische Konstruktionen (Spiritual Construction) | Oskar Fischinger | Experimental film | Runtime: 10 min. | |
Wachsexperimente | Oskar Fischinger | experimental film | "Wax experiments" | |
Metropolis is a 1927 German expressionist science-fiction silent film directed by Fritz Lang and written by Thea von Harbou in collaboration with Lang from von Harbou's 1925 novel of the same name. It stars Gustav Fröhlich, Alfred Abel, Rudolf Klein-Rogge, and Brigitte Helm. Erich Pommer produced it in the Babelsberg Studio for Universum Film A.G. (UFA). Metropolis is regarded as a pioneering science-fiction film, being among the first feature-length ones of that genre. Filming took place over 17 months in 1925–26 at a cost of more than five million Reichsmarks, or the equivalent of about €21 million.
The Academy Award for Best Picture is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) since the awards debuted in 1929. This award goes to the producers of the film and is the only category in which every member of the Academy is eligible to submit a nomination and vote on the final ballot. The Best Picture category is traditionally the final award of the night and is widely considered as the most prestigious honor of the ceremony.
Sunrise: A Song of Two Humans is a 1927 American synchronized sound romantic drama directed by German director F. W. Murnau and starring George O'Brien, Janet Gaynor, and Margaret Livingston. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Movietone sound-on-film process. The story was adapted by Carl Mayer from the short story "The Excursion to Tilsit", from the 1917 collection with the same title by Hermann Sudermann.
Friedrich Wilhelm Murnau was a German film director, producer and screenwriter. He is regarded as one of cinema's most influential filmmakers for his work in the silent era.
The Nuremberg rallies were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923. This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg. The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally never came to pass and the Nazi regime never held another one as both the government and Nazi Party prioritized Germany's effort in the Second World War over everything else.
Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.
The decade of the 1920s in film involved many significant films.
UFA GmbH, shortened to UFA, is a film and television production company that unites all production activities of the media conglomerate Bertelsmann in Germany. The original UFA was established as Universum-Film Aktiengesellschaft on December 18, 1917, as a direct response to foreign competition in film and propaganda. UFA was founded by a consortium headed by Emil Georg von Stauß, a former Deutsche Bank board member. In March 1927, Alfred Hugenberg, an influential German media entrepreneur and later Minister of the Economy and Minister of Agriculture and Nutrition in Adolf Hitler's cabinet, purchased UFA and transferred ownership of it to the Nazi Party in 1933.
Veit Harlan was a German film director and actor. Harlan reached the highpoint of his career as a director in the Nazi era; most notably his antisemitic film Jud Süß (1940) makes him controversial. While viewed critically for his ideologies, a number of critics consider him a capable director on the grounds of such work as his Opfergang (1944).
Oskar Homolka was an Austrian film and theatre actor, who went on to work in Germany, Britain, and America. Both his voice and his appearance fitted him for roles as communist spies or Soviet officials, for which he was in regular demand. By the age of 30, he had appeared in more than 400 plays; his film career covered at least 100 films and TV shows.
William Dieterle was a German-born actor and film director who emigrated to the United States in 1930 to leave a worsening political situation. He worked in Hollywood primarily as a director for much of his career, becoming a United States citizen in 1937. He moved back to Germany in the late 1950s.
The 1st Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences (AMPAS) and hosted by AMPAS president Douglas Fairbanks, honored the best films from 1 August 1927 to 31 July 1928 and took place on May 16, 1929, at a private dinner held at the Hollywood Roosevelt Hotel in Los Angeles, California. Tickets cost $5 ; 270 people attended the event, which lasted 15 minutes. It is the only Academy Awards ceremony not broadcast on either radio or television; a radio broadcast was introduced for the 2nd Academy Awards.
Hans Dreier was a German motion picture art director. He was Paramount Pictures' supervising art director from 1927 until his retirement in 1950, when he was succeeded by Hal Pereira.
Paul Wegener was a German actor, writer, and film director known for his pioneering role in German expressionist cinema.
Nazism made extensive use of the cinema throughout its history. Though it was a relatively new technology, the Nazi Party established a film department soon after it rose to power in Germany. Both Adolf Hitler and his propaganda minister Joseph Goebbels used the many Nazi films to promote the party ideology and show their influence in the burgeoning art form, which was an object of personal fascination for Hitler. The Nazis valued film as a propaganda instrument of enormous power, courting the masses by means of slogans that were aimed directly at the instincts and emotions of the people. The Department of Film also used the economic power of German moviegoers to influence the international film market. This resulted in almost all Hollywood producers censoring films critical of Nazism during the 1930s, as well as showing news shorts produced by the Nazis in American theaters.
Richard Oswald was an Austrian film director, producer, screenwriter, and father of German-American film director Gerd Oswald.
Alfred Junge was a German-born production designer who spent a large part of his career working in the British film industry.
Wilhelm Thiele, also William Thiele (1890–1975) was an Austrian screenwriter and film director. He directed over 40 films between 1921 and 1960.
Prussian films were a cycle of historical films made in Germany during the Weimar (1918–1933) and Nazi (1933–1945) eras noted for their general glorification of Prussian history and its military. The films are set during the eighteenth and nineteenth centuries. They particularly focused on Frederick the Great, who ruled Prussia from 1740 to 1786 greatly expanding its territory. The films were extremely popular with German audiences and an estimated forty four were produced by the end of the Second World War.