This is a list of the most notable films produced in the Cinema of Germany in 1926.
This is a list of the most notable films produced in the Cinema of Germany in 1926.
| Title | Director | Featured cast | Genre | Note |
|---|---|---|---|---|
| Auf Tierfang in Abessinien | Ernst Garden | documentary | ||
| Aus der Waffenschmiede der SPD | Gertrud David | documentary | ||
| Berliner Stilleben | László Moholy-Nagy | documentary | ||
| Die Biene Maja und ihre Abenteuer | Waldemar Bonsels, Wolfram Junghans | documentary | ||
| Das Blumenwunder | Max Reichmann | documentary | ||
| Ein Freitag Abend | Gertrud David | documentary | ||
| Schaffende Hände: Wassily Kandinsky in der Galerie Neumann-Nierendorf | Hans Cürlis | documentary | ||
| Die Schwester vom Roten Kreuz - Ein Lebenslauf | Gertrud David | documentary | ||
| Wie werde ich Mitglied im Konsumverein? | Gertrud David | documentary |
| Title | Director | Featured cast | Genre | Note |
|---|---|---|---|---|
| The Adventures of Prince Achmed | Lotte Reiniger | Animation / Fantasy | Oldest-surviving animated feature film IMDb | |
| Der Arm | Hans Fischerkoesen | Animation | ||
| Der Aufstieg | Walter Ruttmann, Julius Pinschwer | Animation | ||
| Durch Schaden wird man klug | Arthur Kraska | Animation | ||
| Raumlichtkunst | Oskar Fischinger | animation | ||
| Rebus Film Nr. 4 | Paul Leni | animation | ||
| Rebus Film Nr. 5 | Paul Leni | animation | ||
| Rebus Film Nr. 6 | Paul Leni | animation | ||
| Rebus Film Nr. 7 | Paul Leni | animation | ||
| Rebus Film Nr. 8 | Paul Leni | animation | ||
| In Schneekönigs Reich | Ewald Mathias Schumacher | Animation | ||
| Spiel der Wellen | Walter Ruttmann, Lotte Lendesdorff | Animation | ||
| Spirals | Oskar Fischinger | experimental | ||
| Wambus Rettung | Georg Germroth | animation | ||
Friedrich Wilhelm Murnau was a German film director, producer and screenwriter. He is regarded as one of cinema's most influential filmmakers for his work in the silent era.
The Nuremberg rallies were a series of celebratory events coordinated by the Nazi Party in Germany. The first Nazi Nuremberg rally took place in 1923. This rally was not particularly large and did not have much impact; however, as the party grew in size, the rallies became more elaborate and featured larger crowds. They played a seminal role in Nazi propaganda events, conveying a unified and strong Germany under Nazi control. The rallies became a national event once Adolf Hitler rose to power in 1933, when they became annual occurrences. Once the Nazi dictatorship was firmly established, the party's propagandists began filming them for a national and international audience. Nazi filmmaker Leni Riefenstahl produced some of her best known work including Triumph of the Will (1934) and The Victory of Faith (1933), both filmed at the Nazi party rally grounds near Nuremberg. The party's 1938 Nuremberg rally celebrated the Anschluss that occurred earlier that year. The 1939 scheduled rally was cancelled just before Germany's invasion of Poland and the Nazi regime never held another one due to the prioritization of Germany's efforts in the Second World War.
Juliane "Liane" Haid was an Austrian actress and singer. She has often been referred to as Austria's first movie star.
Oskar Wilhelm Fischinger was a German-American abstract animator, filmmaker, and painter, notable for creating abstract musical animation many decades before the appearance of computer graphics and music videos. He created special effects for Fritz Lang's 1929 Woman in the Moon, one of the first sci-fi rocket films, and influenced Disney's Fantasia. He made over 50 short films and painted around 800 canvases, many of which are in museums, galleries, and collections worldwide. Among his film works is Motion Painting No. 1 (1947), which is now listed on the National Film Registry of the U.S. Library of Congress.
The decade of the 1920s in film involved many significant films.
Faust – A German Folktale is a 1926 silent fantasy film, produced by Ufa, directed by F. W. Murnau, starring Gösta Ekman as Faust, Emil Jannings as Mephisto, Camilla Horn as Gretchen/Marguerite, Frida Richard as her mother, Wilhelm Dieterle as her brother, and Yvette Guilbert as Marthe Schwerdtlein, her aunt. Murnau's film draws on older traditions of the legendary tale of Faust as well as on Goethe's classic 1808 version. Ufa wanted Ludwig Berger to direct Faust, as Murnau was engaged with Variety; Murnau pressured the producer and, backed by Jannings, eventually persuaded Erich Pommer to let him direct the film.
Oskar Homolka was an Austrian film and theatre actor, who went on to work in Germany, Britain, and America. Both his voice and his appearance fitted him for roles as communist spies or Soviet officials, for which he was in regular demand. By the age of 30, he had appeared in more than 400 plays; his film career covered at least 100 films and TV shows.
William Dieterle was a German-born actor and film director who emigrated to the United States in 1930 to leave a worsening political situation. He worked in Hollywood primarily as a director for much of his career, becoming a United States citizen in 1937. He moved back to Germany in the late 1950s.
Richard Oswald was an Austrian film director, producer, screenwriter, and father of German-American film director Gerd Oswald.
Phonofilm is an optical sound-on-film system developed by inventors Lee de Forest and Theodore Case in the early 1920s.
Werner Johannes Krauss was a German stage and film actor. Krauss dominated the German stage of the early 20th century. However, his participation in the antisemitic propaganda film Jud Süß and his collaboration with the Nazis made him a controversial figure.
Carl August Hugo Froelich was a German film pioneer and film director. He was born and died in Berlin.
Mademoiselle from Armentieres is a 1926 British World War I silent drama film directed by Maurice Elvey and starring Estelle Brody, John Stuart and Alf Goddard. The film was Elvey's first collaboration with screenwriter Victor Saville. It was followed by a 1928 sequel Mademoiselle Parley Voo.
Heinrich August Franz Schroth was a German stage and film actor.
Madame Wants No Children is a 1926 German silent drama film directed by Alexander Korda and starring María Corda, Harry Liedtke and Maria Paudler. It is based on the novel Madame ne veut pas d'enfants by the French writer Clément Vautel. The film was made for the American Fox Film Corporation's German subsidiary. The film was shot at Tempelhof Studios in late 1926. It was the last European film Korda made until 1930 as he left for the United States shortly after its production.
Prussian films were a cycle of historical films made in Germany during the Weimar (1918–1933) and Nazi (1933–1945) eras noted for their general glorification of Prussian history and its military. The films are set during the eighteenth and nineteenth centuries. They particularly focused on Frederick the Great, who ruled Prussia from 1740 to 1786 greatly expanding its territory. The films were extremely popular with German audiences and an estimated forty four were produced by the end of the Second World War.
Land Without Women is a 1929 German drama film directed by Carmine Gallone and starring Conrad Veidt, Elga Brink and Clifford McLaglen. It was based on the novel Die Braut Nr. 68 by Peter Bolt. The film is set amongst a community of gold diggers in Western Australia. It was shot at the Staaken and Templehof Studios in Berlin with sets designed by the art directors Hans Sohnle and Otto Erdmann. It was made by the small independent production company Felsom Film using the Tri-Ergon sound-on-film process, the first full-length German-speaking sound film to be released. It was followed a month later by the first all-talking film Atlantik, which had been made in Britain.
The Better 'Ole is a 1926 American synchronized sound World War I comedy drama film. Released by Warner Bros. Pictures, Inc., this film is the second full-length film to utilize the Vitaphone sound-on-disc process, two months after the first Vitaphone feature Don Juan; with no audible dialogue, the film does have a synchronized musical score and sound effects. This film was also the second onscreen adaptation of the 1917 musical The Better 'Ole by Bruce Bairnsfather and Arthur Elliot. Charlie Chaplin's eldest brother Sydney Chaplin played the main lead as Old Bill in perhaps his best-known film today. This film is also believed by many to have the first spoken word of dialog, "coffee", although there are those who disagree. At one point during the film, Harold Goodwin's character whispers a word to Sydney Chaplin which is also faintly heard. This was discovered by the UCLA's Robert Gitt, during the restoration of the sound discs for the film. The line was recorded in perfect sync, apparently during the orchestra recording sessions rather than live on set, therefore making it the earliest known use of dubbing in a motion picture.
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