The following is a list of notable actors who have appeared in Royal Shakespeare Company productions and at Stratford.

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Related Research Articles

<i>Hamlet</i> Tragedy by William Shakespeare

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet, is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother. Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". It is widely considered one of the greatest plays of all time. Three different early versions of the play are extant: the First Quarto ; the Second Quarto ; and the First Folio. Each version includes lines and passages missing from the others.

<i>Macbeth</i> Play by William Shakespeare

Macbeth is a tragedy by William Shakespeare. It is thought to have been first performed in 1606. It dramatises the damaging physical and psychological effects of political ambition on those who seek power. Of all the plays that Shakespeare wrote during the reign of James I, Macbeth most clearly reflects his relationship with King James, patron of Shakespeare's acting company. It was first published in the Folio of 1623, possibly from a prompt book, and is Shakespeare's shortest tragedy.

<span class="mw-page-title-main">William Shakespeare</span> English playwright and poet (1564–1616)

William Shakespeare was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon". His extant works, including collaborations, consist of some 39 plays, 154 sonnets, three long narrative poems, and a few other verses, some of uncertain authorship. His plays have been translated into every major living language and are performed more often than those of any other playwright. Shakespeare remains arguably the most influential writer in the English language, and his works continue to be studied and reinterpreted.

<span class="mw-page-title-main">English Renaissance theatre</span> Theatre of England between 1562 and 1642

English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642.

<i>King John</i> (play) Play by Shakespeare

The Life and Death of King John, a history play by William Shakespeare, dramatises the reign of John, King of England, the son of Henry II of England and Eleanor of Aquitaine and the father of Henry III of England. It is believed to have been written in the mid-1590s, but it was not published until 1623, when it appeared in the First Folio.

<span class="mw-page-title-main">Royal Shakespeare Company</span> British theatre company

The Royal Shakespeare Company (RSC) is a major British theatre company, based in Stratford-upon-Avon, Warwickshire, England. The company employs over 1,000 staff and opens around 20 productions a year. The RSC plays regularly in London, Stratford-upon-Avon, and on tour across the UK and internationally.

<span class="mw-page-title-main">David Warner (actor)</span> British actor (1941–2022)

David Hattersley Warner was an English actor who worked in film, television and theatre. Warner's lanky, often haggard appearance lent itself to a variety of villainous characters as well as more sympathetic roles across stage and screen. He received accolades such as a Primetime Emmy Award and nominations for a BAFTA Award and Screen Actors Guild Award.

<span class="mw-page-title-main">Globe Theatre</span> 16th/17th-century theatre in London

The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 at Southwark, close to the south bank of the Thames, by Shakespeare's playing company, the Lord Chamberlain's Men. It was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closures of 1642. As well as plays by Shakespeare, early works by Ben Jonson, Thomas Dekker and John Fletcher were first performed here.

<span class="mw-page-title-main">Chronology of Shakespeare's plays</span> Possible order of composition of Shakespeares plays

This article presents a possible chronological listing of the composition of the plays of William Shakespeare.

<span class="mw-page-title-main">Royal Shakespeare Theatre</span> Theatre in Stratford-upon-Avon, England

The Royal Shakespeare Theatre (RST) is a grade II* listed 1,040+ seat thrust stage theatre owned by the Royal Shakespeare Company dedicated to the English playwright and poet William Shakespeare. It is located in the town of Stratford-upon-Avon – Shakespeare's birthplace – in the English Midlands, beside the River Avon. The building incorporates the smaller Swan Theatre. The Royal Shakespeare and Swan Theatres re-opened in November 2010 after undergoing a major renovation known as the Transformation Project.

<i>Sir Thomas More</i> (play) Elizabethan play likely worked on by Shakespeare

Sir Thomas More is an Elizabethan play and a dramatic biography based on particular events in the life of the Catholic martyr Thomas More, who rose to become the Lord Chancellor of England during the reign of Henry VIII. The play is considered to be written by Anthony Munday and Henry Chettle and revised by several writers. The manuscript is particularly notable for a three-page handwritten revision now widely attributed to William Shakespeare.

<span class="mw-page-title-main">Michael Pennington</span> British actor (born 1943)

Michael Vivian Fyfe Pennington is a British actor, director and writer. Together with director Michael Bogdanov, he founded the English Shakespeare Company in 1986 and was its Joint Artistic Director until 1992. He has written ten books, directed in the UK, US, Romania and Japan, and is an Honorary Associate Artist of the Royal Shakespeare Company. He is popularly known as Moff Jerjerrod in the original Star Wars trilogy film Return of the Jedi.

Josette Patricia Simon is a British actor. She trained at the Central School of Speech and Drama in London and played the part of Dayna Mellanby in the third and fourth series of the television sci-fi series Blake's 7 from 1980 to 1981. On stage, she has appeared in Royal Shakespeare Company (RSC) productions from 1982, playing Ariel in The Tempest, to 2018 when she was Cleopatra in Antony and Cleopatra. The first black woman in an RSC play when she featured in 1982, Simon has been at the forefront of colour-blind casting, playing roles traditionally taken by white actors, including Maggie, a character that is thought to be based on Marilyn Monroe, in Arthur Miller's After the Fall at the National Theatre in 1990.

Clifford Williams was a Welsh theatre director and stage actor. He was born in Cardiff, Wales, and died in London, England.

<span class="mw-page-title-main">Harriet Walter</span> British actress (born 1950)

Dame Harriet Mary Walter is a British actress. She has performed on stage with the Royal Shakespeare Company, and received an Olivier Award, and nominations for a Tony Award, five Emmy Awards, and a Screen Actors Guild Award. In 2011, Walter was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

<i>The Life and Adventures of Nicholas Nickleby</i> (play)

The Life and Adventures of Nicholas Nickleby is an 8½ hour-long adaptation of Charles Dickens’ 1839 novel, performed in two parts. Part 1 was 4 hours in length with one interval of 15 minutes. Part 2 was 4½ hours in length with two intervals of 12 minutes. It was originally presented onstage over two evenings, or in its entirety from early afternoon with a dinner break. Later it was presented on television over four evenings.

<span class="mw-page-title-main">John Barton (director)</span>

John Bernard Adie Barton, CBE, was a British theatre director and teacher whose close association with the Royal Shakespeare Company spanned more than half a century.

<i>The Tempest</i> Play by William Shakespeare

The Tempest is a play by William Shakespeare, probably written in 1610–1611, and thought to be one of the last plays that he wrote alone. After the first scene, which takes place on a ship at sea during a tempest, the rest of the story is set on a remote island, where Prospero, a complex and contradictory character, lives with his daughter Miranda, and his two servants: Caliban, a savage monster figure, and Ariel, an airy spirit. The play contains music and songs that evoke the spirit of enchantment on the island. It explores many themes, including magic, betrayal, revenge, and family. In Act IV, a wedding masque serves as a play-within-a-play, and contributes spectacle, allegory, and elevated language.

Cultural references to <i>Macbeth</i>

The tragic play Macbeth by William Shakespeare has appeared and been reinterpreted in many forms of art and culture since it was written in the early 17th century.

References

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  2. ↑ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN   978-1-136-85504-7.
  3. ↑ Selway, Mary (10 September 1991). "Migratory talent". The Guardian . p. 35 – via ProQuest.
  4. ↑ Royal Shakespeare Company (12 October 1989). Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. p. 107. ISBN   978-0-521-38903-7.
  5. ↑ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 35. ISBN   978-0-7546-0786-1.
  6. ↑ Bruce K. Hanson (10 August 2011). Peter Pan on Stage and Screen, 1904-2010, 2d ed. McFarland. p. 307. ISBN   978-0-7864-8619-9.
  7. ↑ Robert Shaughnessy (13 May 2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN   978-1-136-85504-7.
  8. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Martha W. Driver; Sid Ray (28 April 2009). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 177. ISBN   978-0-7864-3405-3.
  9. ↑ Sarah Oliver (5 November 2012). An A-Z of JRR Tolkien's The Hobbit. John Blake Publishing. p. 1. ISBN   978-1-78219-090-5.
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  16. ↑ The Winter's Tale, Her Majesty's Theatre, Melbourne, VIC, 5 February 1970
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  20. 1 2 3 Peter Barnes (4 December 2013). Barnes Plays: 2: Red Noses, The Spirit of Man, Nobody Here But Us Chickens, Sunsets and Glories, Bye Bye Columbus. A&C Black. p. 4. ISBN   978-1-4081-7638-2.
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  24. 1 2 3 Michael D. Friedman (1 November 2015). Titus Andronicus. Manchester University Press. pp. 9–10. ISBN   978-1-5261-0190-7.
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  32. 1 2 Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 21.
  33. ↑ Thomas Middleton; William Rowley (24 March 2014). The Changeling. A&C Black. p. 30. ISBN   978-1-4081-4454-1.
  34. ↑ A Midsummer Night's Dream, Adelaide Festival Centre, Adelaide, SA, 1973
  35. ↑ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 3.
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  38. 1 2 3 4 Roger Apfelbaum (2004). Shakespeare's Troilus and Cressida: Textual Problems and Performance Solutions. University of Delaware Press. p. 260. ISBN   978-0-87413-813-9.
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  40. ↑ Theatre Record. I. Herbert. 2004. p. 219.
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  43. 1 2 3 Jan Macdonald (3 March 1986). New Drama, 1900-14: Harley Granville Barker, John Galsworthy, St-John Hankin, John Masefield. Macmillan International Higher Education. p. 6. ISBN   978-1-349-18132-2.
  44. 1 2 3 4 Peter Nichols (8 May 2014). Nichols Plays: 2: Chez Nous; Privates on Parade; Born in the Gardens; Passion Play; Poppy. A&C Black. p. 93. ISBN   978-1-4081-6193-7.
  45. ↑ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and USA. Volume 2. Springer. p. 938. ISBN   978-1-349-60041-0.
  46. ↑ Ann Lloyd; Graham Fuller; Arnold Desser (1 January 1983). The Illustrated Who's Who of the Cinema. Orbis Publishing. p. 105. ISBN   978-0-85613-521-7.
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  74. ↑ Twelfth Night, Her Majesty's Theatre, Adelaide, SA, 16 March 1970
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  113. ↑ Linda S. Hubbard; Sara Steen; Owen O'Donnell (15 September 1989). Contemporary Theatre, Film and Television. Gale. p. 242. ISBN   978-0-8103-2070-3.
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  116. 1 2 Nick Asbury (22 June 2009). Exit Pursued by a Badger: An Actor's Journey through History with Shakespeare: An Actor's Journey Through History with Shakespeare. Oberon Books. p. 143. ISBN   978-1-84943-683-0.
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  120. ↑ Louise Jury (24 July 2002). "Leo McKern, the actor who made Rumpole a lawyer we could love, dies at 82". The Independent. Retrieved 13 August 2019.
  121. ↑ Richard III, The State Theatre, Melbourne, VIC, 21 May 1986
  122. ↑ Twelfth Night, Her Majesty's Theatre, Melbourne, VIC, 16 February 1970
  123. ↑ Playbills|url=https://www.playbill.com/person/niall-padden-vault-0000049584
  124. ↑ Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's Who in the Theatre: Playbills. Gale Research Company. p. 1. ISBN   978-0-8103-0236-5.
  125. ↑ Mary Hammond (3 March 2016). Charles Dickens's Great Expectations: A Cultural Life, 1860–2012. Routledge. p. 219. ISBN   978-1-317-16825-6.
  126. ↑ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1990. p. 24.
  127. ↑ Playbill. Playbill, Incorporated. December 1974.
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  129. ↑ Sarah Hatchuel; Nathalie Vienne-Guerrin (2009). Shakespeare on Screen: The Roman Plays. Publication Univ Rouen Havre. p. 232. ISBN   978-2-87775-842-0.
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  132. ↑ John Russell Brown; Kevin Ewert (2012). The Routledge Companion to Actors' Shakespeare. Routledge. p. 187. ISBN   978-0-415-48302-5.
  133. ↑ E. Nesbit; William Shakespeare (16 October 1997). The Best of Shakespeare:Retellings of 10 Classic Plays. Oxford University Press, USA. p. 109. ISBN   978-0-19-513213-7.
  134. ↑ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 19. ISBN   978-0-7546-0786-1.
  135. ↑ Mary Zenet Maher (1992). Modern Hamlets and Their Soliloquies . University of Iowa Press. pp.  135. ISBN   978-1-58729-136-4.
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  137. ↑ Carole Zucker (1999). In the Company of Actors: Reflections on the Craft of Acting. Psychology Press. pp. 152–3. ISBN   978-0-415-92545-7.
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  139. ↑ Lionel Carson (1969). The Stage Year Book. Stage Offices. p. 219.
  140. ↑ A Midsummer Night's Dream, Her Majesty's Theatre, Melbourne, VIC, 1973
  141. ↑ Russell Hoban; Tamsin Oglesby (15 November 2012). The Mouse and His Child. Oberon Books. p. 7. ISBN   978-1-84943-716-5.
  142. ↑ Tim Masters (27 January 2015). "Critics' Circle honours Mark Strong's stage return". BBC. Retrieved 13 August 2019.
  143. ↑ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 79. ISBN   978-0-9505057-2-5.
  144. ↑ James Baldock (12 May 2018). "The very best Catherine Tate characters to celebrate her 50th birthday". Metro. Retrieved 13 August 2019.
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  147. ↑ Sally Ledger; Holly Furneaux (2 June 2011). Charles Dickens in Context. Cambridge University Press. p. 61. ISBN   978-0-521-88700-7.
  148. ↑ Royal Shakespeare Company (8 December 2003). Players of Shakespeare 5. Cambridge University Press. p. 212. ISBN   978-0-521-81131-6.
  149. ↑ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and USA. Volume 2. Springer. p. 3. ISBN   978-1-349-60041-0.
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  152. ↑ "Ruby Wax to be awarded OBE for mental health work". BBC. 27 April 2015. Retrieved 13 August 2019.
  153. ↑ Colin Chambers (24 February 2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 176. ISBN   978-1-134-61631-2.
  154. ↑ Theatre World Annual (London): A Pictorial Review of West End Productions with a Record of Plays and Players. Rockliff. 1965. p. 69.
  155. ↑ Vicki Ann Cremona; Peter Eversmann; Hans van Maanen (2004). Theatrical Events: Borders, Dynamics, Frames. Rodopi. p. 184. ISBN   90-420-1068-1.
  156. ↑ Theatre Record. I. Herbert. 2007. p. 958.
  157. ↑ William Demastes (22 November 2012). The Cambridge Introduction to Tom Stoppard. Cambridge University Press. p. 7. ISBN   978-1-107-02195-2.
  158. ↑ Bernice W. Kliman (8 April 2004). Macbeth: Second Edition. Manchester University Press. p. 89. ISBN   978-0-7190-6229-2.
  159. ↑ "EARLY END FOR MASS AS TOUR CLOSES", The Stage , 25 May 1989 (pg.1)
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