The following is a list of notable actors who have appeared in Royal Shakespeare Company productions and at Stratford.

Contents

A

B

C

D

E

F

G

H

I

J

K

L

M

N

O

P

Q

R

S

T

U

V

W

Y

References

  1. ↑ "ArtsEmerson Presents Oscar Winner F. Murray Abraham In "The Merchant of Venice"". On Stage Boston. 1 March 2011. Retrieved 14 August 2019.
  2. ↑ Robert Shaughnessy (2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN   978-1-136-85504-7.
  3. ↑ Selway, Mary (10 September 1991). "Migratory talent". The Guardian . p. 35.
  4. ↑ Royal Shakespeare Company (1989). Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. p. 107. ISBN   978-0-521-38903-7.
  5. ↑ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 35. ISBN   978-0-7546-0786-1.
  6. ↑ Bruce K. Hanson (2011). Peter Pan on Stage and Screen, 1904-2010, 2d ed. McFarland. p. 307. ISBN   978-0-7864-8619-9.
  7. ↑ Robert Shaughnessy (2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN   978-1-136-85504-7.
  8. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Martha W. Driver; Sid Ray (2009). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 177. ISBN   978-0-7864-3405-3.
  9. ↑ Sarah Oliver (2012). An A-Z of JRR Tolkien's The Hobbit. John Blake Publishing. p. 1. ISBN   978-1-78219-090-5.
  10. 1 2 3 Stanley Wells (2003). Shakespeare: For All Time. Oxford University Press. p. 10. ISBN   978-0-19-516093-2.
  11. 1 2 William Shakespeare (2012). As You Like It: A Broadview Internet Shakespeare Edition. Broadview Press. p. 34. ISBN   978-1-77048-347-7.
  12. ↑ Nick Clark (31 October 2018). "Exclusive interview with Hayley Atwell: 'I'm proud of my self-doubt, it keeps me vulnerable and questioning'". The Stage. Retrieved 13 August 2019.
  13. ↑ Ian Herbert (1981). Who's who in the Theatre: A Biographical Record of the Contemporary Stage. Gale Research Company. p. 30. ISBN   978-0-8103-0235-8.
  14. 1 2 3 4 5 John Wyver (2019). Screening the Royal Shakespeare Company: A Critical History. Bloomsbury Publishing. pp. 294–. ISBN   978-1-350-00659-1.
  15. 1 2 3 4 Robert Shaughnessy (2018). As You Like it. Oxford University Press. p. 209. ISBN   978-0-7190-8693-9.
  16. ↑ The Winter's Tale, Her Majesty's Theatre, Melbourne, VIC, 5 February 1970
  17. 1 2 3 4 Royal Shakespeare Company (1988). Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge University Press. p. 3. ISBN   978-0-521-36817-9.
  18. ↑ Royal Shakespeare Company (2003). Players of Shakespeare 5. Cambridge University Press. p. 212. ISBN   978-0-521-81131-6.
  19. ↑ Royal Shakespeare Company (1989). Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. p. 123. ISBN   978-0-521-38903-7.
  20. 1 2 3 Peter Barnes (2013). Barnes Plays: 2: Red Noses, The Spirit of Man, Nobody Here But Us Chickens, Sunsets and Glories, Bye Bye Columbus. A&C Black. p. 4. ISBN   978-1-4081-7638-2.
  21. ↑ Pascale Aebischer; Kathryn Prince (2012). Performing Early Modern Drama Today. Cambridge University Press. p. 199. ISBN   978-1-139-78853-3.
  22. 1 2 3 4 5 6 Royal Shakespeare Company (1998). Players of Shakespeare 4: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company. Cambridge University Press. pp. 6–15. ISBN   978-0-521-55420-6.
  23. 1 2 Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. pp. 158–. ISBN   978-0-7546-0786-1.
  24. 1 2 3 Michael D. Friedman (2015). Titus Andronicus. Manchester University Press. pp. 9–10. ISBN   978-1-5261-0190-7.
  25. ↑ Jessica M. Maerz (2017). Metanarrative Functions of Film Genre in Kenneth Branagh's Shakespeare Films: Strange Bedfellows. Cambridge Scholars Publishing. p. 14. ISBN   978-1-4438-9338-1.
  26. 1 2 3 4 5 6 7 Stanley Wells (2002). Shakespeare Survey. Cambridge University Press. p. 209. ISBN   978-0-521-52386-8.
  27. 1 2 William Shakespeare (2005). The Tragedy of King Lear. Cambridge University Press. p. 55. ISBN   978-0-521-84791-9.
  28. 1 2 3 4 5 6 7 8 Stanley Wells (2015). Great Shakespeare Actors: Burbage to Branagh. Oxford University Press. p. 13. ISBN   978-0-19-870329-7.
  29. 1 2 3 "Associate artists". RSC. Retrieved 14 August 2019.
  30. 1 2 William Shakespeare (2000). The Merry Wives of Windsor: Third Series. Cengage Learning EMEA. p. 106. ISBN   1-904271-12-X.
  31. ↑ William Shakespeare (2016). The New Oxford Shakespeare: The Complete Works. Oxford University Press. p. 3358. ISBN   978-0-19-959115-2.
  32. 1 2 Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 21.
  33. ↑ Thomas Middleton; William Rowley (2014). The Changeling. A&C Black. p. 30. ISBN   978-1-4081-4454-1.
  34. ↑ A Midsummer Night's Dream, Adelaide Festival Centre, Adelaide, SA, 1973
  35. ↑ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1997. p. 3.
  36. 1 2 Miguel de Cervantes (2016). Pedro, the Great Pretender. Oberon Books. p. 7. ISBN   978-1-78319-244-1.
  37. 1 2 3 4 5 6 7 Kenneth Muir (2002). Shakespeare Survey. Cambridge University Press. p. 8. ISBN   978-0-521-52370-7.
  38. 1 2 3 4 Roger Apfelbaum (2004). Shakespeare's Troilus and Cressida: Textual Problems and Performance Solutions. University of Delaware Press. p. 260. ISBN   978-0-87413-813-9.
  39. 1 2 New York Media, LLC (1986). New York Magazine. New York Media, LLC. p. 72.
  40. ↑ Theatre Record. I. Herbert. 2004. p. 219.
  41. ↑ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 107. ISBN   978-0-9505057-2-5.
  42. 1 2 3 4 5 Andrew James Hartley (2014). Julius Caesar. Oxford University Press. p. 246. ISBN   978-0-7190-7919-1.
  43. 1 2 3 Jan Macdonald (1986). New Drama, 1900-14: Harley Granville Barker, John Galsworthy, St-John Hankin, John Masefield. Macmillan International Higher Education. p. 6. ISBN   978-1-349-18132-2.
  44. 1 2 3 4 Peter Nichols (2014). Nichols Plays: 2: Chez Nous; Privates on Parade; Born in the Gardens; Passion Play; Poppy. A&C Black. p. 93. ISBN   978-1-4081-6193-7.
  45. ↑ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and USA. Volume 2. Springer. p. 938. ISBN   978-1-349-60041-0.
  46. ↑ Ann Lloyd; Graham Fuller; Arnold Desser (1983). The Illustrated Who's Who of the Cinema. Orbis Publishing. p. 105. ISBN   978-0-85613-521-7.
  47. 1 2 3 Lois Potter (2002). Othello. Manchester University Press. p. 220. ISBN   978-0-7190-2726-0.
  48. 1 2 3 "A Midsummer Night's Dream (1999)". BBC. Retrieved 13 August 2019.
  49. ↑ Theatre Record. I. Herbert. 2001. p. 259.
  50. 1 2 Stanley Wells (2002). Shakespeare Survey. Cambridge University Press. p. 183. ISBN   978-0-521-52379-0.
  51. 1 2 3 Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's who in the Theatre. Pitman. p. 64. ISBN   9780810302365.
  52. 1 2 3 4 5 Emily C. Bartels; Emma Smith (2013). Christopher Marlowe in Context. Cambridge University Press. pp. 24–26. ISBN   978-1-107-01625-5.
  53. ↑ Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's who in the Theatre. Pitman. p. 111. ISBN   9780810302365.
  54. ↑ Garry Jenkins (1994). Daniel Day-Lewis: The Fire Within. Sidgwick & Jackson. p. 119. ISBN   978-0-283-06238-4.
  55. 1 2 3 "The Provoked Wife and Venice Preserved Casting Announced". RSC. Retrieved 13 August 2019.
  56. 1 2 Keith Parsons; Pamela Mason (1995). Shakespeare in performance. Salamander. p. 187. ISBN   978-0-517-14091-8.
  57. 1 2 Stewart R Craggs (2018). Lennox Berkeley: A Source Book: A Source Book. Taylor & Francis. p. 102. ISBN   978-1-351-78153-4.
  58. 1 2 3 4 5 6 7 Martha W. Driver; Sid Ray (2014). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 191. ISBN   978-0-7864-9165-0.
  59. 1 2 3 4 5 Stanley Wells (2002). Shakespeare Survey. Cambridge University Press. p. 10. ISBN   978-0-521-52379-0.
  60. ↑ Pascale Aebischer; Kathryn Prince (2012). Performing Early Modern Drama Today. Cambridge University Press. p. 200. ISBN   978-1-139-78853-3.
  61. ↑ William B. Toole (1966). Shakespeare's Problem Plays: Studies in Form and Meaning. Macmillan International Higher Education. p. 81. ISBN   978-0-230-62826-7.
  62. 1 2 3 "Past Productions: Macbeth" . Retrieved 14 August 2019.
  63. 1 2 Philip C. Kolin (1998). Tennessee Williams: A Guide to Research and Performance. Greenwood Publishing Group. p. 104. ISBN   978-0-313-30306-7.
  64. ↑ Theatre Record. I. Herbert. 2001. p. 260.
  65. ↑ Steven Adler (2001). Rough Magic: Making Theatre at the Royal Shakespeare Company. SIU Press. p. 219. ISBN   978-0-8093-2377-7.
  66. ↑ Colin Chambers (2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 41. ISBN   978-1-134-61631-2.
  67. ↑ Peter Holland (2008). Shakespeare, Sound and Screen. Cambridge University Press. p. 356. ISBN   978-0-521-80888-0.
  68. ↑ Ada Ferrar in Andrea (1888) – Royal Shakespeare Company database
  69. 1 2 3 Stanley Wells (2002). Shakespeare Survey. Cambridge University Press. p. 152. ISBN   978-0-521-52384-4.
  70. 1 2 3 Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. pp. 49–54. ISBN   978-0-9505057-2-5.
  71. ↑ Nick Dear (2014). Nick Dear Plays 1: Art of Success; In the Ruins; Zenobia; Turn of the Screw. Faber & Faber. p. 118. ISBN   978-0-571-31843-8.
  72. ↑ Robert Shaughnessy (2013). The Routledge Guide to William Shakespeare. Routledge. p. 127. ISBN   978-1-136-85503-0.
  73. ↑ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 103. ISBN   978-0-9505057-2-5.
  74. ↑ Twelfth Night, Her Majesty's Theatre, Adelaide, SA, 16 March 1970
  75. ↑ Keith Osborn (2012). Something Written in the State of Denmark: An Actor's Year with the Royal Shakespeare Company: An Actor's Year with the Royal Shakespeare Company. Oberon Books. p. 68. ISBN   978-1-84943-281-8.
  76. ↑ John Russell Brown; Kevin Ewert (2012). The Routledge Companion to Actors' Shakespeare. Routledge. p. 74. ISBN   978-0-415-48302-5.
  77. 1 2 3 Theatre Record. I. Herbert. 2007. p. 641.
  78. 1 2 Theatre Record. I. Herbert. 1999. p. 10.
  79. 1 2 3 Shakespeare Survey: An Annual Survey of Shakespeare Studies and Production. Cambridge University Press. 2005. p. 335. ISBN   978-0-521-85074-2.
  80. ↑ RSC Magazine. Royal Shakespeare Company. 1995. p. 63.
  81. ↑ "Past Productions: Taming of the Shrew" . Retrieved 14 August 2019.
  82. ↑ Miranda Seymour (2013). Noble Endeavours: The life of two countries, England and Germany, in many stories. Simon and Schuster. p. 2. ISBN   978-1-84737-826-2.
  83. 1 2 3 4 5 Pascale Aebischer; Kathryn Prince (2012). Performing Early Modern Drama Today. Cambridge University Press. p. 186. ISBN   978-1-139-78853-3.
  84. 1 2 3 4 "Past Productions: Richard III" . Retrieved 14 August 2019.
  85. ↑ Susanna Rustin (11 February 2017). "Tamsin Greig as Malvolia is good for equality, and for raising standards in our theatre". The Guardian. Retrieved 14 August 2019.
  86. 1 2 3 4 5 Barbara Hodgdon (2014). The End Crowns All: Closure and Contradiction in Shakespeare's History. Princeton University Press. p. 12. ISBN   978-1-4008-6176-7.
  87. 1 2 William Shakespeare (2008). A Midsummer Night's Dream. Macmillan International Higher Education. p. 174. ISBN   978-1-137-00414-7.
  88. ↑ Spotlight – Issue 130, Part 1, p. 372
  89. ↑ Twelfth Night, Theatre Royal (1875-1972), Sydney, NSW, 30 March 1970
  90. ↑ The Doctor Who Cuttings Archive
  91. ↑ The Winter's Tale, Her Majesty's Theatre, Adelaide, SA, 9 March 1970
  92. ↑ Sally Williams (2 July 2017). "Jane Horrocks: 'I've gained confidence in myself since turning 50'". The Telegraph. Retrieved 14 August 2019.
  93. 1 2 C. S. Smith (2014). The New York Times Theater Reviews 1997-1998. Routledge. p. 305. ISBN   978-1-136-75034-2.
  94. ↑ Alexander Leggatt (2003). Shakespeare's Political Drama: The History Plays and the Roman Plays. Routledge. p. 254. ISBN   978-1-134-95603-6.
  95. ↑ Sheridan Morley (1974). Theatre. Hutchinson. ISBN   978-0-09-122290-1.
  96. ↑ Matric Writing Coach: Homepage
  97. 1 2 3 William Shakespeare (2004). Twelfth Night Or What You Will. Cambridge University Press. p. 9. ISBN   978-0-521-53514-4.
  98. ↑ Carol Chillington Rutter (2007). Shakespeare and Child's Play: Performing Lost Boys on Stage and Screen. Routledge. p. 128. ISBN   978-1-134-21668-0.
  99. ↑ The Times, 26 November 2015, page 72
  100. ↑ Martha W. Driver; Sid Ray (2014). Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings. McFarland. p. 191. ISBN   978-0-7864-9165-0.
  101. 1 2 3 4 Stanley Wells (2003). Shakespeare Survey. Cambridge University Press. p. 12. ISBN   978-0-521-54184-8.
  102. ↑ Paterson Joseph (2018). Julius Caesar and Me: Exploring Shakespeare's African Play. Bloomsbury Publishing. ISBN   978-1-350-01120-5.
  103. ↑ "Alexis Kanner". The Independent. 26 December 2003. Retrieved 13 August 2019.
  104. ↑ William Shakespeare (2009). The Oxford Shakespeare: Julius Caesar. Oxford University Press, USA. p. 69. ISBN   978-0-19-953612-2.
  105. ↑ Jeffrey Masten; Wendy Wall (2005). Renaissance Drama 33. Northwestern University Press. p. 142. ISBN   978-0-8101-2199-7.
  106. ↑ Royal Shakespeare Company (1988). Players of Shakespeare 1: Essays in Shakespearean Performance by Twelve Players with the Royal Shakespeare Company. Cambridge University Press. p. 164. ISBN   978-0-521-36817-9.
  107. ↑ Tristram Fane Saunders (10 May 2016). "Jude Law returns to the Barbican for production of 1943 film Obsession". The Telegraph. Retrieved 13 August 2019.
  108. 1 2 Unhae Park Langis (2011). Passion, Prudence, and Virtue in Shakespearean Drama. A&C Black. p. 50. ISBN   978-1-4411-8745-1.
  109. ↑ Kathy Henderson (1985). First stage: profiles of the new American actors. Quill New York. p. 77. ISBN   978-0-688-04700-9.
  110. 1 2 3 Herbert R. Coursen (1995). Reading Shakespeare on Stage. University of Delaware Press. pp. 272–73. ISBN   978-0-87413-538-1.
  111. ↑ Encyclopaedia Britannica, Inc. (2011). Britannica Book of the Year 2011. Encyclopaedia Britannica, Inc. p. 96. ISBN   978-1-61535-500-6.
  112. ↑ Robert Shaughnessy (2013). The Routledge Guide to William Shakespeare. Routledge. p. 152. ISBN   978-1-136-85504-7.
  113. ↑ Linda S. Hubbard; Sara Steen; Owen O'Donnell (1989). Contemporary Theatre, Film and Television. Gale. p. 242. ISBN   978-0-8103-2070-3.
  114. ↑ Robert Shaughnessy (2018). As You Like it. Oxford University Press. p. 8. ISBN   978-0-7190-8693-9.
  115. ↑ Terry Stoller (2013). Tales of the Tricycle Theatre. A&C Black. p. 71. ISBN   978-1-4081-8380-9.
  116. 1 2 Nick Asbury (2009). Exit Pursued by a Badger: An Actor's Journey through History with Shakespeare: An Actor's Journey Through History with Shakespeare. Oberon Books. p. 143. ISBN   978-1-84943-683-0.
  117. 1 2 3 4 "Royal Shakespeare Company members". BBC. Retrieved 14 August 2019.
  118. ↑ "From soccer to stage", Sunday Mercury , 12 May 1974 (p. 16)
  119. ↑ Stanley Wells (2002). Shakespeare Survey. Cambridge University Press. p. 9. ISBN   978-0-521-52382-0.
  120. ↑ Louise Jury (24 July 2002). "Leo McKern, the actor who made Rumpole a lawyer we could love, dies at 82". The Independent. Retrieved 13 August 2019.
  121. ↑ Richard III, The State Theatre, Melbourne, VIC, 21 May 1986
  122. ↑ Twelfth Night, Her Majesty's Theatre, Melbourne, VIC, 16 February 1970
  123. ↑ Ian Herbert; Christine Baxter; Robert E. Finley (1981). Who's Who in the Theatre: Playbills. Gale Research Company. p. 1. ISBN   978-0-8103-0236-5.
  124. ↑ Mary Hammond (2016). Charles Dickens's Great Expectations: A Cultural Life, 1860–2012. Routledge. p. 219. ISBN   978-1-317-16825-6.
  125. ↑ Royal Shakespeare Company Magazine. Royal Shakespeare Company. 1990. p. 24.
  126. ↑ Playbill. Playbill, Incorporated. 1974.
  127. 1 2 Eric Johns (1973). Theatre Review. W. H. Allen Co. p. 146. ISBN   9780491012317.
  128. ↑ Sarah Hatchuel; Nathalie Vienne-Guerrin (2009). Shakespeare on Screen: The Roman Plays. Publication Univ Rouen Havre. p. 232. ISBN   978-2-87775-842-0.
  129. ↑ Catherine M.S. Alexander; Stanley Wells; Professor of Shakespeare Studies and Director of the Shakespeare Institute Stanley Wells; Alexander Catherine M.S. (2000). Shakespeare and Race. Cambridge University Press. p. 11. ISBN   978-0-521-77938-8.
  130. ↑ Thomas Middleton; William Rowley (2014). The Changeling. A&C Black. p. 30. ISBN   978-1-4081-4454-1.
  131. ↑ John Russell Brown; Kevin Ewert (2012). The Routledge Companion to Actors' Shakespeare. Routledge. p. 187. ISBN   978-0-415-48302-5.
  132. ↑ E. Nesbit; William Shakespeare (1997). The Best of Shakespeare:Retellings of 10 Classic Plays. Oxford University Press, USA. p. 109. ISBN   978-0-19-513213-7.
  133. ↑ Alycia Smith Howard (2006). Studio Shakespeare: The Royal Shakespeare Company at The Other Place. Ashgate Publishing, Ltd. p. 19. ISBN   978-0-7546-0786-1.
  134. ↑ Mary Zenet Maher (1992). Modern Hamlets and Their Soliloquies . University of Iowa Press. p.  135. ISBN   978-1-58729-136-4.
  135. ↑ Steven, Alasdair (2011-04-19). "Jon Cedar, actor, dies at 80". The Scotsman . Retrieved 2011-05-03.
  136. ↑ Carole Zucker (1999). In the Company of Actors: Reflections on the Craft of Acting. Psychology Press. pp. 152–53. ISBN   978-0-415-92545-7.
  137. ↑ James Wyllie (8 January 2019). "Obituary: Prominent sci-fi actor William Morgan Sheppard". The Press and Journal. Retrieved 14 August 2019.
  138. ↑ Lionel Carson (1969). The Stage Year Book. Stage Offices. p. 219.
  139. ↑ A Midsummer Night's Dream, Her Majesty's Theatre, Melbourne, VIC, 1973
  140. ↑ Russell Hoban; Tamsin Oglesby (2012). The Mouse and His Child. Oberon Books. p. 7. ISBN   978-1-84943-716-5.
  141. ↑ Tim Masters (27 January 2015). "Critics' Circle honours Mark Strong's stage return". BBC. Retrieved 13 August 2019.
  142. ↑ Royal Shakespeare Company (1981). Royal Shakespeare Company: A Complete Record of the Year's Work. RSC Publications. p. 79. ISBN   978-0-9505057-2-5.
  143. ↑ James Baldock (12 May 2018). "The very best Catherine Tate characters to celebrate her 50th birthday". Metro. Retrieved 13 August 2019.
  144. ↑ Dickson, Andrew (2017-02-16). "Alas, poor Yorick! The shocking life of theatre's greatest skull". The Guardian. ISSN   0261-3077 . Retrieved 2025-08-03.
  145. ↑ Adams, Stephen (2008-11-25). "Pianist's dying wish fulfilled as David Tennant uses his skull in Hamlet performance". The Telegraph. Retrieved 2025-08-03.
  146. ↑ WTIU. WTIU. 1998. p. 52.
  147. ↑ Anthony Slide (1996). Some Joe You Don't Know: An American Biographical Guide to 100 British Television Personalities. Greenwood Publishing Group. p. 236. ISBN   978-0-313-29550-8.
  148. ↑ Sally Ledger; Holly Furneaux (2011). Charles Dickens in Context. Cambridge University Press. p. 61. ISBN   978-0-521-88700-7.
  149. ↑ Royal Shakespeare Company (2003). Players of Shakespeare 5. Cambridge University Press. p. 212. ISBN   978-0-521-81131-6.
  150. ↑ Katharine Goodland (2010). A Directory of Shakespeare in Performance 1970-1990: Canada and US. Volume 2. Springer. p. 3. ISBN   978-1-349-60041-0.
  151. ↑ Harris M. Lentz III (2008). Obituaries in the Performing Arts, 2007: Film, Television, Radio, Theatre, Dance, Music, Cartoons and Pop Culture. McFarland. p. 399. ISBN   978-0-7864-3481-7.
  152. 1 2 Colin Chambers (2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 45. ISBN   978-1-134-61631-2.
  153. ↑ "Ruby Wax to be awarded OBE for mental health work". BBC. 27 April 2015. Retrieved 13 August 2019.
  154. ↑ Colin Chambers (2004). Inside the Royal Shakespeare Company: Creativity and the Institution. Routledge. p. 176. ISBN   978-1-134-61631-2.
  155. ↑ Theatre World Annual (London): A Pictorial Review of West End Productions with a Record of Plays and Players. Rockliff. 1965. p. 69.
  156. ↑ Vicki Ann Cremona; Peter Eversmann; Hans van Maanen (2004). Theatrical Events: Borders, Dynamics, Frames. Rodopi. p. 184. ISBN   90-420-1068-1.
  157. ↑ Theatre Record. I. Herbert. 2007. p. 958.
  158. ↑ William Demastes (2012). The Cambridge Introduction to Tom Stoppard. Cambridge University Press. p. 7. ISBN   978-1-107-02195-2.
  159. ↑ Bernice W. Kliman (2004). Macbeth: Second Edition. Manchester University Press. p. 89. ISBN   978-0-7190-6229-2.
  160. ↑ Jackson, Russell (1997). "Shakespeare in Stratford-upon-Avon: The Royal Shakespeare Company's". Shakespeare Quarterly. 48 (2). [Folger Shakespeare Library, The Shakespeare Association of America, Inc., Johns Hopkins University Press, George Washington University]: 208–15. doi:10.2307/2871280. ISSN   0037-3222. JSTOR   2871280 . Retrieved 2024-04-28.
  161. ↑ "Early End for Mass as Tour Closes", The Stage , 25 May 1989 (p. 1)
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.