David Mark Joseph Morrissey (born 21 June 1964) is an English actor and filmmaker. Noted for the meticulous preparation and research he undertakes for each role, he has been described by the British Film Institute as one of the most versatile English actors of his generation.[1]
Morrissey made his screen acting debut in the drama series One Summer (1983) at the age of 18, and subsequently receiving training at the Royal Academy of Dramatic Art before performing with the Royal Shakespeare Company and National Theatre for four years. Standing 6 ft 2 in (1.88 m) tall with an easily identifiable voice, he was often typecast as authority figures such as policemen and soldiers throughout the 1990s, breaking this trend with his roles as Bradley Headstone in Our Mutual Friend (1998) and Christopher Finzi in Hilary and Jackie (1998).
Morrissey also appeared in the supernatural horror film The Reaping (2007), and played Jackson Lake, a man suffering from amnesia who believed he was The Doctor, in the Doctor Who Christmas special "The Next Doctor" (2008). Also in 2008, Morrissey returned to the theater for a run of Neil LaBute's In a Dark Dark House.
In the years following those films, Morrissey had roles in Sense and Sensibility (2008), Red Riding (2009), Nowhere Boy (2009), Centurion (2010), and a crime drama he also produced, Thorne(2010). In 2011, he again returned to the stage in the title role in the Liverpool Everyman's production of Macbeth, and also starred in the British crime film Blitz, playing a morally dubious reporter in contact with the eponymous cop killer
David Mark Joseph Morrissey[2] was born in the Kensington area of Liverpool on 21 June 1964,[3][citation needed] the son of Littlewoods employee Joan and cobbler Joe Morrissey.[4][5] He has two older brothers named Tony and Paul, and an older sister named Karen.[6][7] The family lived at 45 Seldon Street in Kensington. Decades later, as part of National Museums Liverpool's Eight Hundred Lives project, Morrissey wrote that the house had been in his family since at least 1900. His grandmother had been married there and his mother was born there. In 1971, the family moved to a larger and more modern house on the new estates at Knotty Ash, while Seldon Street was later demolished.[8]
Morrissey was greatly interested in film, television, and Gene Kelly musicals as a child.[9] He decided to become an actor after seeing a broadcast of Kes on television.[10] At St Margaret Mary's Primary School, he was encouraged by a teacher named Miss Keller, who cast him as the Scarecrow in a school production of The Wonderful Wizard of Oz when he was 11 years old. Keller left the school soon after, leaving him without encouragement.[11][12] His secondary school, De La Salle School, had no drama classes and made him think that the fear of bullying often dissuaded pupils from participating in lessons.[4][13] On the advice of a cousin, he joined the Everyman Youth Theatre. For the first couple of weeks, he was quite shy and did not join in with the workshops. When he eventually participated, he ended up appearing in their production of Fighting Chance, a play about the 1981 riots in Liverpool.[12]
By the age of 14, Morrissey was one of two youth theatre members who sat on the board of the Everyman Theatre.[14] His contemporaries included Cathy Tyson, brothers Mark and Stephen McGann, and Ian Hart, the last being his friend since they were both five years old. He became friends with the McGann brothers and they introduced him to their brother Paul, who was on a break from his studies at the Royal Academy of Dramatic Art (RADA).[15][16]
When Morrissey was 15 years old, his father developed a terminal blood disorder.[4] He was ill for some time and eventually died of a haemorrhage at the age of 54 in the family home.[5][17]
After leaving school at the age of 16, Morrissey joined a Wolverhampton theatre company, where he worked on sets and costumes.[18]
Career
Acting
1980s
In 1982, Morrissey auditioned for One Summer, a television series by Willy Russell for Yorkshire Television and Channel 4 about two Liverpool boys who run away to Wales one summer. Russell had been attached to the Everyman for many years, and Morrissey had seen him while he was working behind the bar downstairs from the theatre, though the two had never been introduced.[12] Morrissey went to at least eight auditions, and in one read for the part of Icky opposite Paul McGann, who was reading for Billy. McGann, five years older than Morrissey, believed that he was too old to be playing the part of 16-year-old Billy and stepped back from the production, leaving the role to go to Morrissey. Spencer Leigh got the part of Icky and Ian Hart played the supporting role of Rabbit. Russell had a professional disagreement with the director Gordon Flemyng and producer Keith Richardson over the casting of 18-year-old Morrissey and Leigh; he believed that the sympathy of 16-year-olds running away was lost by casting older actors. Russell subsequently had his name removed from the credits of the original broadcast.[12][19] After filming One Summer for five months, Morrissey went travelling in Kenya with his cousins. When he returned to Britain, One Summer was being broadcast, and he dealt with the new experience of being recognised in public.[12]
Morrissey had planned to study at RADA in London, but his colleagues at the Everyman encouraged him not to as he already had his Equity card. His One Summer co-star James Hazeldine convinced him otherwise, and he went to London for a year. He became homesick while there and did not enjoy the way RADA was turning him into a "bland actor".[15] On a visit back to Liverpool he told Paul McGann's mother that he was considering leaving the college. Back in London, McGann met with him and reassured him that he had been through the same homesickness phase when he first went to RADA. Morrissey continued his studies at RADA and graduated on 1 December 1985.[16][20]
After a year at RADA, Morrissey went back to Liverpool to perform in WCPC at the Liverpool Playhouse.[12] He then did Le Cid and Twelfth Night with Cheek by Jowl, and spent two years with the Royal Shakespeare Company (RSC), principally with director Deborah Warner for whom he played the Bastard in King John in 1988. He saw the role as a learning opportunity, as he had often wondered at RADA if he would ever have the chance to act in classical theatre.[12] His performance has been described as "the most contentious characterisation of the production"; he received negative critical reaction from The Daily Telegraph and Independent critics, but a positive opinion from the Financial Times.[21] In The Guardian, Nicholas de Jongh wrote, "The Bastard, who has the most complex syntax in early Shakespeare, half defeats David Morrissey. His slurred, sometimes unintelligible diction helps to deflate the Bastard, but his bawling rhetoric strikes as mere sham rather than fierce plain speaking."[22] Morrissey also spent time with the National, where he played the title role in Peer Gynt (1990).[23]Michael Billington praised the unkempt energy of his performance.[24] During this time, he lived on the housing estate in White City, where he and his flatmates were the frequent victims of burglars.[25][26]
Morrissey's second television role came in 1987 when he played the 18-year-old chauffeur George Bowman, whose obsession with his employer and lover Alma Rattenbury (Helen Mirren) leads him to murder her husband, in an Anglia Television adaptation of Terence Rattigan's play Cause Célèbre.[27] At the end of the 1980s, Morrissey met director John Madden for the first time. Madden was looking for an actor who could portray an ordinary man who turns out to be a mass murderer, in his film The Widowmaker (1990). He knew Morrissey was right for the part in his first audition.[12] The next year, Morrissey appeared as Theseus in an episode of The Storyteller directed by Madden ("Theseus and the Minotaur", 1991), and as Little John in Robin Hood (1991).[28]Robin Hood's cinema release clashed with that of Robin Hood: Prince of Thieves (1991). The latter, starring Kevin Costner in the title role, was a box office hit and left Morrissey's version forgotten. Morrissey was out of work in film and television for eight months after it was released. Eventually, he was cast in a leading role as a CID officer in the BBC television drama Clubland (1991). He almost lost the role a week into rehearsals when his appendix ruptured. In order to keep the part, and a flat in Crouch End he had just bought, Morrissey performed while he stilll had his stitches in.[25]
1990s
His role in The Widowmaker led to him being offered and taking many obsessive character roles; he played police officers in Black and Blue, Framed, Between the Lines and Out of the Blue, and soldier Andy McNab in The One That Got Away (1996).[9][12] Morrissey first met screenwriter Peter Bowker when he played Detective Sergeant Jim Llewyn in the second series of Bowker's Out of the Blue.[29] In 1994, he played customs officer Gerry Birch in the first series of The Knock, and Stephen Finney in the six-part ITV series Finney. In Finney, Morrissey assumed the role originated by Sting in Stormy Monday (Mike Figgis, 1988). He was the first choice for the part and had to learn to play the double bass.[30]
Morrissey made his first appearance in a Tony Marchant drama playing Michael Ride in Into the Fire (1996), and the following year played the lead role of Shaun Southerns in Marchant's BBC series Holding On (1997).[12] Southerns, a crooked tax inspector, was the first of many "men in turmoil" roles for Morrissey, and it earned him a nomination for the Royal Television Society (RTS) Programme Award for Best Male Actor the next year.[23][31] In 1998, he appeared in Our Mutual Friend alongside Paul McGann. As he was a fan of the book, Morrissey asked director Julian Farino if he could play Eugene Wrayburn, but the role went to McGann. Farino had Morrissey in mind to play schoolmaster Bradley Headstone, a part Morrissey was reluctant to take until he read the script. He studied the role and decided to take it on the basis that the character was unloved and that his motivation by social class causes his mental health problems.[23] His performance was described by a writer for The Guardian as bringing "unprecedented depth to a character [...] who is more commonly portrayed as just another horrible Dickens git."[15] In the same year, he played Christopher "Kiffer" Finzi in Anand Tucker's Hilary and Jackie. His roles in Our Mutual Friend and Hilary and Jackie were described as his breakthrough roles by Zoe Williams of The Guardian.[15]
In 1999, Morrissey returned to the theatre for the first and last time in nine years to play Pip and Theo in Three Days of Rain (Robin Lefevre, Donmar Warehouse). He continued to take in offers for stage roles, but turned them down because he did not want to be away from his family for long periods.[32] Writing in Time Out, Jane Edwardes suggested that his role as Kiffer in Hilary and Jackie had inspired his casting as Pip in Three Days of Rain as the characters have similarities with each other. Morrissey was attracted to the role because the play began with a long speech and the cast and crew had only two weeks' rehearsal time.[33] Next, he starred in Some Voices (2000), playing Pete. Morrissey researched the character of Pete, a chef, by shadowing the head chef at the Terrace Restaurant in Kensington, London and chopping vegetables in the kitchen for two hours a day.[12] An Independent critic called him "an instinctive actor who can use his whole body to convey an inner turbulence".[34] For his next film role as Nazi Captain Weber in Captain Corelli's Mandolin (2001), Morrissey researched the Hitler Youth and read Gitta Sereny's biography of Albert Speer, Albert Speer: His Battle with Truth.[23] As with all of his roles, Morrissey created an extensive back story for Weber to build up the character.[12]
2000s
Morrissey during a Macbeth intermission in June 2011
Morrissey returned to television in 2002 playing Franny Rothwell, a factory canteen worker who wants to adopt his dead sister's son, in an episode of Paul Abbott's Clocking Off. His performance was described as characteristically powerful in The Independent.[35] He also played tabloid journalist Dave Dewston in the four-part BBC serial Murder, and prison officer Mike in the part-improvised single drama Out of Control. He researched the latter part by shadowing prison officers in a young offenders' institution for a week.[36][35] At the beginning of 2003, he played the role of Richie MacGregor in This Little Life, a television drama about a mother who has to cope with her 16-week-premature baby. Morrissey researched premature births by speaking to paediatricians at the Royal Free Hospital in Hampstead.[12]
Morrissey's next major leading role was as Member of Parliament (MP) Stephen Collins in Paul Abbott's BBC serial State of Play (2003). Morrissey received the scripts for the first three episodes and was keen to read the last three. They had not been completed when he originally requested them but Abbott told him how Collins' story concludes. Unsure how to approach the role, Morrissey was advised by his friend, director Paul Greengrass, to get Collins' job as politician right. Morrissey contacted State of Play producer Hilary Bevan Jones, who set up meetings between Morrissey and select committee members Kevin Barron and Fabian Hamilton. Both politicians educated Morrissey on how difficult it is to commute to London from a constituency outside the capital.[12] Morrissey was also able to shadow Peter Mandelson around the House of Commons for a fortnight.[4] He questioned Mandelson about his job as a cabinet minister but did not ask about his personal life.[37] Mandelson told him about how politics can quickly "seduce" MPs who have worked hard to get into Parliament.[12]
That same year, he played Gordon Brown in Peter Morgan's single drama The Deal (2003), about a pact made between Brown and Tony Blair (Michael Sheen) in 1994. Unlike his research for the fictional State of Play, Morrissey discovered that no politicians wanted to talk to him for this fact-based drama, so he turned to journalists Jon Snow and Simon Hoggart.[23] He also travelled to Brown's hometown of Kirkcaldy and immersed himself in numerous biographies of the man, including Ross Wilson's documentary films on New Labour in the year surrounding the 1997 election.[38][39] When speaking to many of Brown's friends to gain insight into his "private persona", Morrissey discovered that Brown was funny, approachable and charming, which were characteristics he did not see in his "public persona".[39] To look like Brown, Morrissey had his hair dyed and permed, and put on 2 stone (28lb/13kg) in body weight in six weeks.[23][40] The director Stephen Frears originally wanted to cast a Scottish actor as Brown but was persuaded by other production staff to cast Morrissey.[41][42]
His acting in State of Play and The Deal won him considerable acclaim; he was nominated for the British Academy Television Award for Best Actor for his role as Collins but lost to his co-star Bill Nighy.[43] His performance in The Deal was acclaimed by Charlie Whelan, Gordon Brown's former spin doctor, and Tim Allan, a deputy press secretary of Tony Blair.[44][45] A BBC News Online writer praised Morrissey's grasp of Brown's physical tics in a review that criticised the rest of the film.[46] Morrissey's performance won the RTS Programme Award for Best Male Actor the next year, this time beating Nighy.[47][48] The RTS jury wrote of Morrissey, "The strength of this performance brought to the screen, and to life, all of the characteristics and traits of the man he portrayed in a way that was both credible and convincing."[49] In 2009, Morrissey declined the opportunity to play Brown again in The Special Relationship, Morgan's third Blair film, as he did not want to get into the mindset of playing Brown for just one scene.[50]
Morrissey in July 2013
Morrissey was eager to play a comic role after starring in these dramas. He subsequently reunited with Peter Bowker for the BBC One musical serial Blackpool, in which he plays Blackpool arcade owner Ripley Holden.[17] Bowker remembered Morrissey from Out of the Blue and wanted to build on the actor's sense of humour and to cast him against type.[29] Before filming began, Morrissey spent four days in Blackpool talking to the locals and finding out how the arcades worked.[4] His performance was described in The Daily Telegraph as "a powerful mixture of barely suppressed danger and vulnerable, boyish charm."[51] A public poll on bbc.co.uk ranked him the second best actor of 2004.[52] Morrissey reprised the role in 2006 in the one-off sequel Viva Blackpool!. He was pleased to revive Ripley after filming dramatic roles since the original serial.[53]
The following years saw Morrissey cast in two high-profile feature films; while filming the Brian Jones biopic Stoned (2005), he got an audition for psychiatrist Dr. Michael Glass, the male lead in Basic Instinct 2 (2006). He was flown out to Los Angeles for a one-hour screen test with Sharon Stone. Their immediate rapport led to the screen test being extended by another hour and Morrissey's casting in the role.[36][23] Morrissey had enjoyed the first film and liked the script for the sequel. He read up on psychiatry and worked out in a gym for the nudity scenes.[36] The film was a box office and critical failure.[54][55]The Washington Post criticised the film's focus on Morrissey's character and called the actor "overmatched by Stone" and "a sad sack",[56] and the Seattle Post-Intelligencer called him "a charisma-challenged non-entity".[57] The same Washington Post critic later wrote in the Los Angeles Times that because Morrissey was not a film star, the chemistry between him and Stone had been spoiled.[58]Nathan Rabin of The A.V. Club wrote that Morrissey had "the charisma of beige wallpaper" and that "the producers could have replaced him halfway through shooting with a handsome mahogany coat rack and nobody would be able to tell the difference".[59] The bad reviews depressed Morrissey, and he briefly considered giving up acting, but instead saw the role as a chance to learn.[10]
Immediately after filming Basic Instinct 2, he began work on The Reaping (2007) in Louisiana, in which he played science teacher Doug Blackwell opposite Hilary Swank. The role had been offered to him quite late in pre-production, and he flew to Baton Rouge the Monday after Basic Instinct 2 wrapped. He took the role because he was a fan of Swank, and Hopkins' film The Life and Death of Peter Sellers (2004), and he preferred the thriller aspect of the Reaping script above the horror aspect. After a week of filming, production had to be suspended when Hurricane Katrina hit the state. He found the filming schedule quite demanding, particularly the three weeks of night filming and a scene in which his character is attacked by a plague of locusts, most of which were computer-generated in post-production but some were real on camera.[60][61]The Reaping was released in 2007 and performed badly in cinemas. Despite the failures of both films, Morrissey was grateful that they opened him up to more film offers from Hollywood.[36]
In March 2006, Morrissey filmed a role in The Water Horse: Legend of the Deep (2007) in New Zealand. While there, he was offered the role of father Danny Brogan in Cape Wrath, an Ecosse Films series about a family being moved on a witness protection scheme to a mysterious village. He signed on to the seven-part series in September 2006 and filmed the series until the end of the year.[62] He relished working on the character's back story as it confounded the expectations of both him and the audience.[63] The series was broadcast in Britain and America in 2007.[62] The following year, he played the part of Colonel Brandon in Andrew Davies' serial Sense and Sensibility. When he first got the script in 2007, he was unsure if British television needed another Jane Austen adaptation, but he took the role when he saw how Davies had given more screen time to the male characters than they get in the 1995 film adaptation.[64] He also appeared as Thomas Howard, Duke of Norfolk in The Other Boleyn Girl (2008). He compared Norfolk to bassist Lemmy from Motörhead and researched the role by reading history books and literature from the 16th century.[10]
From November 2008 to January 2009, Morrissey returned to the theatre for the first time in nine years to appear in the Almeida Theatre's British premiere of Neil LaBute's In a Dark Dark House. He played Terry, one of two brothers who had been abused as a child, opposite Steven Mackintosh and Kira Sternbach. He took the role because he liked LaBute's previous play, The Mercy Seat (2002). After accepting the part, he researched the character by reading case studies of adults who were abused when they were children. He learned about how they coped with the shame of their abuse, and incorporated those feelings into his acting. He was also able to consult LaBute during rehearsals but avoided asking him exactly how to play Terry.[65] In The Daily Telegraph review that criticised the play, Charles Spencer wrote that Morrissey's was the best performance "as the blue-collar older brother who reveals extraordinary depths of grief, damage and forgiveness that finally light up this dark, flawed play."[66]Benedict Nightingale of The Times initially believed that Morrissey's acting was "a bit stiff, almost as if he was waiting for his cues rather than reacting instantaneously to their content" but found him more impressive as the play went on.[67]
In December 2008, he appeared alongside his Blackpool co-star David Tennant in "The Next Doctor", the 2008 Christmas special of Doctor Who, playing Jackson Lake, a man who believes he is the Doctor after his mind is affected by alien technology. Morrissey had been asked to appear in the series before but had to turn down the offers due to other commitments.[68] He approached the character like any other dramatic part, and was influenced in his performance by previous Doctor actors William Hartnell, Patrick Troughton and Tom Baker.[69] Secrecy surrounded the exact details of Morrissey's role in the episode; until the day of broadcast his character was referred to only as "the other Doctor".[68] This prompted media speculation that Morrissey would be taking over the lead role after Tennant quit, and in October 2008 he was reported as a favourite of bookmakers.[32] He was pleased that the episode was a "decoy" for the truth that actor Matt Smith had actually been chosen for the part of the Eleventh Doctor.[70] In September 2009, he told entertainment website Digital Spy that he would gladly return to the show if asked.[71]
In March 2009, Morrissey appeared as corrupt police detective Maurice Jobson in Red Riding, the Channel 4 adaptation of David Peace's Red Riding novels. Morrissey already knew the directors of the films, enjoyed reading the script and had either worked with his co-stars on other projects, or wanted to work with them. He liked the flaws in the Jobson character and that he differs from typical vigilante police officers portrayed on television.[72] Morrissey said of Jobson, "I think he sets out to be a good cop, he tries to do his job well but he gets involved in some corruption and realises that being a 'bit' corrupt is like being a 'bit' pregnant. You either are or you're not."[70] He received a Best Actor nomination from the Broadcasting Press Guild for the role.[73] At the end of the year, Morrissey played Bobby Dykins in the John Lennon biopic Nowhere Boy (2009). As a self-confessed "Beatles geek", Morrissey relished the opportunity to star in the film about Lennon's childhood.[74]
Morrissey returned to a weekly television role at the end of 2010 playing police detective Tom Thorne in Thorne, a six-part television series for Sky1 that was adapted from Mark Billingham's novels Sleepyhead and Scaredy Cat.[78] After reading Lifeless during his time filming The Water Horse in New Zealand, Morrissey searched the Internet for more information. He found an interview in which Billingham stated his preference for Morrissey to play Thorne should a screen adaptation ever be made. When he returned to the UK, Morrissey arranged a meeting with Billingham and the two began developing the TV series.[79][80] Morrissey shadowed officers in the Metropolitan Police's murder unit during their duties to learn about their jobs. He discovered that the officers felt undervalued in their jobs, and he incorporated these feelings into the series.[80] Sky first broadcast the series on 10 October. Morrissey received approval for the role; Andrea Mullaney wrote in The Scotsman, "Morrissey is never less than watchable and he brings a brooding presence to the role of Thorne."[81] and Adam Sweeting for The Arts Desk called him "authentic as the phlegmatic, low-key Thorne."[82]
In 2011, Morrissey starred as Robert Carne in South Riding, and played Dunlop in the Lionsgate crime drama feature Blitz.[74] In May 2011, he returned to the Everyman Theatre to play the eponymous king in Macbeth.[2] Morrissey talked about the role to criminologists, to draw parallels with real-life serial killers, and focused on Macbeth's status as a war hero and his childless relationship with Lady Macbeth.[83] Morrissey's performance was commended by Laura Davis in the Liverpool Daily Post, who highlighted his delivery of his lines and portrayal of Macbeth "[shifting] from straight-spined statesman to a fervent slayer".[84] Clare Brenan of The Observer offered similar praise but noted that Morrissey's vocal inflections were sometimes "flat and rushed".[85] Continuing his roles in Shakespeare productions, Morrissey played Northumberland in a BBC Two production of Richard II, broadcast in July 2012.[86]
Morrissey joined the cast of The Walking Dead for its third season in 2012. He portrayed The Governor, a major villain from the graphic novel upon which the series is based.[87] Morrissey read the prequel novel Rise of the Governor to gain insight into the character and his motivations.[88] He also worked with an accent coach and listened to politicians with Southern accents, including Bill Clinton.[88][89] He returned for the fourth season in 2013,[90] and made a cameo appearance in 2015. In 2014, Morrissey returned to British television in the David Nicholls drama The 7.39[91] and the three-part serial The Driver, written by Danny Brocklehurst.[92]
In 2022, he played the main antagonist Gorka in the Italian horror-fantasy film Dampyr.[98] He also starred in the 2024 sci-fi film Slingshot.
Filmmaking
"People like to think it's a democratic process, but it's not; it's a dictatorship. As an actor I like working with strong directors, and as an actor you're a 'freak' with the control taken away. Directing gives you a real appreciation of the difficulties of other people's jobs."
In the early 1980s, Morrissey developed a filmmaking craft at the Rathbone Theatre Workshop, a Youth Opportunities Programme that taught school-leavers skills for a year. With the workshop, Morrissey shot short silent films on Super 8, where he was taught by Bert Byron, who introduced him to US Independent and foreign films for the first time. Although the scheme paid £23.50 a week and took young people off unemployment benefits, Morrissey reflected in 2009 that many of the participants were just used as lackeys.[99] After his acting career escalated, he started directing because he was aware that, as an actor, he was coming into a project quite late into development and then leaving before post-production, and he wanted to see a film through to the end.[12][100] Morrissey has said that he prefers to keep acting and directing separate, and would not direct anything he is acting in.[12]
His first major project was Something for the Weekend (1996), which he wrote and produced. Initially called The Barber Shop, the title was changed to avoid a clash with another film.[101] His directorial debut, the short A Secret Audience, centres on a meeting between Napoleon Bonaparte and Pope Pius VII.[101] His second short, Bring Me Your Love, was based on the short story by Charles Bukowski, and stars Ian Hart as a journalist bringing flowers to his wife in a mental hospital. It was screened in front of Some Voices. An Independent critic wrote that Bring Me Your Love "holds out great promise" for Morrissey and The Observer reviewer wrote that it was worth seeing but was not as impressive as A Secret Audience.[34][102]Bring Me Your Love was produced by Tubedale Films, a studio Morrissey formed with his brother Paul and wife Esther Freud.[10] In 2001, Morrissey directed Sweet Revenge, a two-part BBC television film starring Paul McGann that got him a BAFTA nomination for Best New Director (Fiction).[103] In 2004, Morrissey reunited with Tony Marchant to direct the two-part television film Passer By, about a man (James Nesbitt) who witnesses an attack on a woman (Emily Bruni) but does nothing to stop it. Morrissey was brought onto the project after reading the first draft of Marchant's script. The script went through five more drafts before being filmed over 30 days.[12][101] Morrissey developed his directing techniques by watching the directors on films and television series that he acted in; he took the minor role of Tom Keylock in Stoned so that he could watch Stephen Woolley at work.[36]
On 20 July 2007, Morrissey was given an Honorary Fellowship from Liverpool John Moores University for contributions to performing arts.[104] In the same year, he made his feature debut directing Don't Worry About Me, a film about a London boy falling in love with a Liverpool girl. The film was shot on a budget of £100,000 on location in Liverpool in September and October 2007[10][11] and had its world premiere at the 2009 London Film Festival.[105] Joseph Galliano wrote in The Times that Don't Worry About Me is "a very understated film and feels more like European Art Cinema."[3] The film was broadcast on BBC Two on 7 March 2010 and released on DVD the next day.[105]
In 2009, Morrissey and Mark Billingham launched the production company Sleepyhead, which produced the Thorne television series.[78] The company was a part of Stagereel, a production house previously set up by Morrissey's brother Paul. The company bought the rights to adapt the Thorne novels and Morrissey was already developing it to pitch to television channels when Sky made an offer to broadcast it.[100] As of 2010, Morrissey and Tubedale Films were developing two feature films with financing from the UK Film Council.[100] Morrissey criticised the Cameron–Clegg coalition government's decision to close the UK Film Council, as he believed it was an asset to first-time filmmakers.[106] The organisation's funding role was taken over by the British Film Institute in 2011.[107]
Charity work
In 2009, Morrissey and a team of filmmakers ran a series of drama workshops for Palestinian refugee children in Beirut, in conjunction with the UNRWA.[108] On his return to England, he set up the Creative Arts School Trust (CAST), a charity for the purpose of training teachers and continuing the workshops in Lebanon and elsewhere.[77][109]
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Roger Michael Kelly, known by the stage name Sam Kelly, was an English actor. He is best known for his roles as Captain Hans Geering in 'Allo 'Allo!, Warren in Porridge, Sam in On the Up, and Ted Liversidge in Barbara.
Con O’Neill is an English actor. He started his acting career at the Everyman Theatre and became primarily known for his performances in musicals. He received critical acclaim and won a Laurence Olivier Award for playing Michael "Mickey" Johnstone in the musical Blood Brothers. Subsequently, he was nominated for a Tony Award and a Drama Desk Award for the same role. He has also appeared in many films and television series, including Chernobyl, The Batman and Our Flag Means Death.
Robert Guy Bathurst is a British actor. Bathurst was born in The Gold Coast in 1957, where his father was working as a management consultant. In 1959, his family moved to Ballybrack, Dublin, Ireland, and Bathurst attended school in Killiney and later was enrolled at Headfort, an Irish boarding school. In 1966, the family moved back to England and Bathurst transferred to Worth School in Sussex, where he took up amateur dramatics. At the age of 18, he read law at Pembroke College, Cambridge, and joined the Footlights group.
Jeffery Kissoon is an actor with credits in British theatre, television, film and radio. He has performed with the Royal Shakespeare Company at venues such as the Royal National Theatre, under directors including Peter Brook, Peter Hall, Robert Lepage, Janet Suzman, Calixto Bieito and Nicholas Hytner. He has acted in genres from Shakespeare and modern theatre to television drama and science fiction, playing a range of both leading and supporting roles, from Mark Antony in Antony and Cleopatra and Prospero and Caliban in The Tempest, to Malcolm X in The Meeting and Mr Kennedy in the children's TV series Grange Hill.
The Deal is a 2003 British television film directed by Stephen Frears from a script by Peter Morgan, based in part upon The Rivals by James Naughtie. The film depicts the Blair–Brown deal, a well-documented pact that Tony Blair and Gordon Brown made, whereby Brown would not stand in the 1994 Labour Party leadership election, so that Blair could have a clear run at becoming leader of the party and later Prime Minister instead. The film begins in 1983, as Blair and Brown were first elected to Parliament, and ends in 1994 at the Granita restaurant—the location of the supposed agreement—with a brief epilogue following the leadership contest.
Thomas George Hooper is a British-Australian filmmaker. Known for his work in film and television he has received numerous accolades including an Academy Award, a BAFTA Award, a Primetime Emmy Award and three Golden Globe Awards.
The Special Relationship is a 2010 biographical drama television film directed by Richard Loncraine and written by Peter Morgan. It is the third film in Morgan's informal "Blair trilogy", which dramatizes the political career of British Prime Minister Tony Blair (1997–2007), following The Deal (2003) and The Queen (2006), both directed by Stephen Frears.
The filmography of English actor David Morrissey encompasses acting, directing, producing, and screenwriting roles in film, television, and theatre for over 30 years.
James Nesbitt is an actor from Northern Ireland whose filmography encompasses both television and film roles over a 30-year period. Nesbitt's screen career began in the early 1980s with uncredited roles in episodes of the BBC Play For Today strand, which he had while attached to the Riverside Theatre's youth group. His first credited role came in 1989, as a bit player in the John Ogdon biopic Virtuoso, which was followed by his first feature film role in 1991 in Hear My Song.
"Richard II" is first episode of the first series of the British television series The Hollow Crown, based on William Shakespeare's play of the same name. "Richard II" was directed by Rupert Goold, who adapted the screenplay with Ben Power. Ben Whishaw stars as the titular Richard II of England. It was first broadcast on 30 June 2012 on BBC Two.
Jack Andrew Lowden is a Scottish actor. Following a four-year stage career, his first major international onscreen success was in the 2016 BBC miniseries War & Peace, which led to starring roles in feature films.
1 2 Galliano, Joseph (3 October 2009). "Cutting it[dead link]." The Times (Times Newspapers): pp.46–47 (Saturday Review supplement). Retrieved 1 August 2011. [dead link]
1 2 Philby, Charlotte (7 June 2008). "My Secret Life: David Morrissey, Actor, age 43". The Independent (Independent News & Media): p.9 (Independent Magazine supplement).
↑ Rudd, Alyson (5 March 2007). "It's Beverly Hills Kop[dead link]". The Times (Times Newspapers): p.18 (The Game section). Retrieved 17 December 2007.
↑ David Morrissey profile. Eight Hundred Lives (National Museums Liverpool). 15 May 2006. Retrieved 6 November 2008 (archived by WebCite on 5 June 2011).
1 2 Rozner, Gina (14 October 2001). "How we met: David Morrissey & Paul McGann". The Independent (Independent News & Media): pp.5–6.
1 2 Maher, Kevin (15 November 2008). "Hurt and soul[dead link]". The Times (Times Newspapers): pp.15–16 (The Knowledge supplement). Retrieved 15 November 2008.
↑ Clark, Steve (19 August 1996). "I couldn't get too shirty with thieves". Daily Mirror (MGN): p.1 (features section) (archivedArchived 15 May 2014 at the Wayback Machine at The Free Library. Retrieved 1 August 2011.).
↑ Rosenberg, Howard (13 October 1988). "Sadness, Seduction Ignite `Mystery!'". Los Angeles Times (Tribune Company): p.C-10.
↑ "David Morrissey". British Film Institute. Retrieved 17 December 2008 (archived by WebCite on 24 January 2012).
1 2 Courtis, Brian (27 November 2005). "Holding all the acesArchived 2 November 2012 at the Wayback Machine ". The Sunday Age (Fairfax Media): p.36 (Preview section). Retrieved 5 November 2008.
↑ Kingsley, Hilary (12 November 1994). "Introducing the family". The Times (Times Newspapers): p.SP/5.
↑ Naughtie, James (6 September 2003). "The real deal". The Times (Times Newspapers): p.48.
1 2 Morrissey, David. Radio interview with Mark Lawson. Front Row. BBC Radio 4. 27 November 2008.
↑ Pitty, Suzell (1 August 2003). "A done deal". Televisual (Televisual Media UK): p.31 (archivedArchived 1 January 2009 at the Wayback Machine at AccessMyLibrary. Retrieved 7 November 2008).
↑ Whelan, Charlie (24 September 2003). "The Deal's offArchived 6 March 2016 at the Wayback Machine ". MediaGuardian (Guardian News & Media). Retrieved 7 November 2008 (archived by WebCite on 5 June 2011).
↑ Allan, Tim (25 September 2003). "Pact or fiction?Archived 6 March 2016 at the Wayback Machine ". The Guardian (Guardian News & Media): p.6 (G2 supplement). Retrieved 7 November 2008.
↑ Pile, Stephen (6 November 2004). "Dark drama in Blackpool's arcadia". The Daily Telegraph (Telegraph Media Group): p.10 (Review section). Retrieved 5 November 2008.
1 2 Jones, Catherine (21 December 2009). "I was a Beatles geek even before the film". Liverpool Echo (Trinity Mirror North West): p.10.
↑ Wollaston, Sam (26 January 2010). "Last night's TVArchived 7 January 2016 at the Wayback Machine ". guardian.co.uk (Guardian News & Media). Retrieved 28 January 2010 (archived by WebCite on 7 June 2011).
↑ Viner, Brian (26 January 2010). "At the end of the rainbowArchived 6 November 2012 at the Wayback Machine ". The Independent (Independent News & Media): pp.14–15 (features section). Retrieved 1 August 2011.
↑ Brenan, Clare (15 May 2011). "Macbeth– reviewArchived 22 June 2016 at the Wayback Machine ". The Observer (Guardian News & Media): p.30 (The New Review section). Retrieved 1 August 2011.
↑ Wilkie, Shonagh (9 October 2007). "Fellowship for David Morrissey". Liverpool John Moores University. Retrieved 7 November 2008 (archived by WebCite on 7 June 2011).
1 2 Morrissey, David. Television interview with Adrian Chiles and Christine Bleakley. The One Show. BBC One. 25 February 2010.
↑ Greenstreet, Rosanna (12 July 2008). "Q&A: David MorrisseyArchived 22 June 2016 at the Wayback Machine ". The Guardian (Guardian News & Media): p.9 (Weekend supplement). Retrieved 7 November 2008.
Webcast with Jason Solomons. In The Director's Chair. 19 February 2010. guardian.co.uk (Guardian News & Media). Retrieved 19 February 2010.
"Don't Worry About Me + Q&A". British Film Institute. 24 February 2010– A question-and-answer session with Morrissey and actress Helen Elizabeth about Don't Worry About Me.
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