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Boogie woogie musicians are those artists who are primarily recognized as writing, performing, and recording boogie woogie music.
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Boogie woogie musicians are those artists who are primarily recognized as writing, performing, and recording boogie woogie music.
James Edward Yancey was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as "one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style".
Boogie-woogie is a genre of blues music that became popular during the late 1920s, developed in African-American communities since the 1870s. It was eventually extended from piano to piano duo and trio, guitar, big band, country and western music, and gospel. While standard blues traditionally expresses a variety of emotions, boogie-woogie is mainly dance music. The genre had a significant influence on rhythm and blues and rock and roll.
William Thomas "Champion Jack" Dupree was an American blues and boogie-woogie pianist and singer. His nickname was derived from his early career as a boxer.
Harry "The Hipster" Gibson, born Harry Raab, was an American jazz pianist, singer, and songwriter. He played New York style stride piano and boogie woogie while singing in a wild, unrestrained style. His music career began in the late 1920s, when, under his real name, he played stride piano in Dixieland jazz bands in Harlem. He continued to perform there throughout the 1930s, adding the barrelhouse boogie of the time to his repertoire.
Albert Clifton Ammons was an American pianist and player of boogie-woogie, a blues style popular from the late 1930s to the mid-1940s.
Clarence "Pinetop" Smith, was an American boogie-woogie style blues pianist. His hit tune "Pine Top's Boogie Woogie" featured rhythmic "breaks" that were an essential ingredient of ragtime music, but also a fundamental foreshadowing of rock and roll. The song was also the first known use of the term "boogie woogie" on a record, and cemented that term as the moniker for the genre.
Marcia Ball is an American blues singer and pianist raised in Vinton, Louisiana.
George Washington Thomas Jr. was an American blues and jazz pianist and songwriter. He wrote several influential early boogie-woogie piano pieces including "The New Orleans Hop Scop Blues", "The Fives", and "The Rocks", which some believe he may have recorded himself under the name Clay Custer.
Sippie Wallace was an American blues singer, pianist and songwriter. Her early career in tent shows gained her the billing "The Texas Nightingale". Between 1923 and 1927, she recorded over 40 songs for Okeh Records, many written by her or her brothers, George and Hersal Thomas. Her accompanists included Louis Armstrong, Johnny Dodds, Sidney Bechet, King Oliver, and Clarence Williams. Among the top female blues vocalists of her era, Wallace ranked with Ma Rainey, Ida Cox, Alberta Hunter, and Bessie Smith.
Restvale Cemetery is in Alsip, Illinois, United States, a suburb southwest of the city of Chicago. A number of Chicago blues musicians, educators, and notable people are buried there.
Samuel Blythe Price was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.
James Louis Blythe was an American jazz and boogie-woogie pianist and composer. Blythe is known to have recorded as many as 300 piano rolls, and his song "Chicago Stomp" is considered one of the earliest examples of boogie-woogie music to be recorded.
This is a timeline documenting events of Jazz in the year 1974.
This is a timeline documenting events of Jazz in the year 1985.
Mitch Woods is an American modern day boogie-woogie, jump blues and jazz pianist and singer. Since the early 1980s he has been touring and recording with his band, the Rocket 88s. Woods calls his music, "rock-a-boogie," and with his backing band has retrospectively provided a 1940s and 1950s jump blues style.
This is a timeline documenting events of Jazz in the year 1915.
William Ezell, was an American blues, jazz, ragtime and boogie-woogie pianist and occasional singer, who was also billed as Will Ezell. He regularly contributed to recordings made by Paramount Records in the late 1920s and early 1930s. Ezell was noted by the music journalist Bruce Eder as "a technically brilliant pianist, showing the strong influence of jazz as well as blues in his work".
This is a timeline documenting events of Jazz in the year 1913.
James "Boodle It" Wiggins was an American blues singer and musician. His best known recordings were "Keep Knockin' An You Can't Get In", a precursor of both "Keep A-Knockin'" and "I Hear You Knocking"; plus his versions of "Corrine, Corrina" and "Shave 'Em Dry", albeit slightly re-titled.
Thomas F. McFarland, known professionally as Barrelhouse Buck McFarland was an American blues and boogie-woogie pianist, singer and composer. He first recorded material in the early 1930s, but had to wait until three decades later, before providing his 'barrelhouse' swan song.