This is a list of compositions by Matteo Carcassi .
This is a list of compositions by Matteo Carcassi .
Op. 1, 3 sonates - 3 sonatas
Op. 2, 3 rondos - 3 rondos
Op. 3, 12 petites pieces - 12 small pieces
Op. 4, 6 valses - 6 waltzes
Op. 5, Le nouveau papillon, ou choix d'airs faciles et soigneusement doigtes - The new butterfly, or choice of easy and carefully fingered airs
Op. 6, Introduction, variations, et finale sur un duo favori - Introduction, variations, and finale on a favorite duo
Op. 7, "Au clair de la lune", varie - "Under the moonlight", with variations
Op. 8, Etrennes aux amateurs, ou nouveau recueil de 6 contredanses francaises, 6 valses, et 3 airs varies - Gifts for enthusiasts, or new collection of 6 French contradances, 6 waltzes, and 3 airs with variations
Op. 9, 3 airs italiens varies - 3 Italian airs with variations
Op. 10, Amusement, ou choix de 12 morceaux faciles et soigneusement doigtes - Amusement, or choice of 12 easy and carefully fingered pieces
Op. 11, Recueil de 10 petites pieces - Collection of 10 small pieces
Op. 12, 3 themes varies - 3 themes with variations
Op. 13, 4 potpourris des plus jolis airs des operas de Rossini - 4 medleys of very pretty airs from operas by Rossini
Op. 14, Melange de 22 morceaux faciles et soigneusement doigtes - Mix of 22 easy and carefully fingered pieces
Op. 15, "Tra la la", air varie - "Tra la la", air with variations
Op. 16, 8 divertissements - 8 divertimentos
Op. 17, "Le songe de Rousseau", air varie - "Rousseau's dream", air with variations
Op. 18, 6 airs varies d'une execution brillante et facile - 6 airs with variations with a brilliant and easy execution
Op. 19, Fantaisie sur les plus jolis airs de l'opera Robin Des Bois (Der Freischütz) - Fantasy on the very pretty airs of the opera Robin of the Forest (Der Freischütz)
Op. 20, Air suisse varie - Swiss air with variations
Op. 21, Les recreations des commencans, ou choix de 24 petites pieces - The recreation for the beginners, or choice of 24 small pieces
Op. 22, Air ecossais de l'opera La Dame Blanche - Scottish air from the opera The White Lady
Op. 23, 12 valses - 12 Waltzes
Op. 24, Air des Mysteres d'Isis, varie - Air from Mysteries of Isis with variations
Op. 25, 2me recueil de 8 divertissements - 2nd collection of 8 divertimentos
Op. 26, 6 caprices - 6 capriccios
Op. 27, Variations Brillantes sur un Theme Allemand
Op. 28, 2 airs de ballets de l'opera de Moise de Rossini [2] [3] - 2 ballet airs from the opera Moses by Rossini
Op. 29, Variationes brillantes sur L' air Favori Petit Blanc - French song by A.M.Panseron en text M. Boucher de Perthes.
Op. 30, Ouverture de Semiramide du celebre Rossini
Op. 31, Variations brillantes pour la guitare, sur un thême [Non più mesta] de la Cenerentola [by G. A. Rossini] ...
Op. 32, lost?
Op. 33, 6 fantasies sur des motifs d'operas favoris: No. 1. La Muette De Portici - 6 fantasies on motives from favorite operas: Nr. 1. The Mute Girl of Portici
Op. 34, No. 2. Le Comte Ory - The Count Ory
Op. 35, No. 3. La Fiancee - The Bride
Op. 36, No. 4. Guillaume Tell - William Tell
Op. 37, No. 5. Fra Diavolo - Fra Diavolo
Op. 38, No. 6. Le Dieu Et La Bayadere - The God and the Bayadere
Op. 39, Douze Galops et Six Vals
Op. 40, Fantaisie sur des motifs de l'opera Zampa - Fantasy on the motives from the opera Zampa
Op. 41, Rondoletto sur l'air favori "Clic clac" - Rondoletto on the favorite air "Clic clac"
Op. 42, Fantasie sur les motifs du "Philtre" de Auber pour la Guitare
Op. 43, Mélange sur des motifs de Zampa, pour piano et guitare
Op. 44, 3 airs suisses varies - 3 Swiss airs with variations
Op. 45, Fantaisie sur des motifs de l'opera Le Serment - Fantasy on the motives from the opera The Oath
Op. 46, FANTAISIE Pour la Guitare Sur les motifs de La Médecine sans Medecin DE F. HEROLD
Op. 47, lost?
Op. 48, Fantaisie sur des motifs de l'opera Le Pre Aux Clercs - Fantasy from the motives from the opera The Clerks' Meadow
Op. 49, Fantaisie sur des motifs de l'opera Gustave - Fantasy on the motives from the opera Gustav
Op. 50, Récréations Musicales (Suite 1-4)
Op. 51, lost?
Op. 52, Valse favarite "Duc de Reichstadt" variee [4] - Favorite waltz "Duke of Reichstadt" with variations
Op. 53, 2 quadrilles de contradanses, 2 walses, et 2 galops [5] - 2 square dances of contradances, 2 waltzes, and 2 galops
Op. 54, Recreations Musicales: Rondeaux, Variations et Fantasie
Op. 55, Valses brillantes à l'espagnole, Meissonier, Paris, 1835
Op. 56, Adieux à la Suisse: Tyrolienne de Bruguière, Variée
Op. 57, Fantaisie sur des motifs de l'opera Le Cheval De Bronze - Fantasy on the motives from the opera The Bronze Horse
Op. 58, lost?
Op. 59, Methode complete. Divisee en trois parties [6] - Complete method. Divided in three parts
Op. 60, 25 etudes melodiques et progressives. 1re suite de la methode - 25 melodic and progressive studies. 1st suite of the method
Op. 61, Variations sur la romance de Greisar Las Lavenses...
Op. 62, Melange sur des motifs de l'opera Sarah - Mix on the motives from the opera Sarah
Op. 63, lost? (Fantaisie sur Les Puritains)
Op. 64, Fantaisie sur des motifs de l'opera Le Postillon De Lonjumeau - Fantasy on the motives from the opera The Coachman of Lonjumeau
Op. 65, lost? (Fantasie) [7]
Op. 66, Melodie Italienne
Op. 67, Mosaique sur de motifs favoris de l'opera Le Domino Noir - Mosaic on the favorite motives from the opera The Black Domino
Op. 68, Choix des plus Jolies Valses de Strauss et de Labitzky arrangéespour la guitare ...
Op. 69, Melange sur les airs favoris du Lac Des Fees [8] - Mix on the favorite airs from The Fairy Lake
Op. 70, Melange sur des motifs de l'opera Zanetta - Mix on the motives from the opera Zanetta
Op. 71, Fantaisie sur des motifs de l'opera Les Diamants De La Couronne - Fantasy on the motives from the opera The Diamonds of the Crown
Op. 72, lost? (Fantaisie sur Le Duc d'Olonne)
Op. 73, Fantaisie sur des motifs de l'opera La Part Du Diable - Fantasy on the motives from the opera The Part of the Devil
Op. 74, Melange sur des themes favoris de La Sirene [9] - Mix on the favorite themes from The Siren
Op. 75, lost?
Op. 76, Fantaisie (La Barcarolle)
Op. 77, Fantaisie pour La Guitare Sur de Motifs de Robert Bruce Opera de G. Rossini
Claude Antoine Jean Georges Napoléon Coste was a French classical guitarist and composer.
Adrien-François Servais was one of the most influential cellists of the nineteenth century. He was born and died in Halle, Belgium. He is one of the founders of the Modern Cellistic Schools of Paris and Madrid, which began with his friend Auguste Franchomme and his disciple Víctor Mirecki Larramat. His compositions are still being studied, performed and recorded all over the world.
William Vincent Wallace was an Irish composer and pianist. In his day, he was famous on three continents as a double virtuoso on violin and piano. Nowadays, he is mainly remembered as an opera composer of note, with key works such as Maritana (1845) and Lurline (1847/60), but he also wrote a large amount of piano music that was much in vogue in the 19th century. His more modest output of songs and ballads, equally wide-ranging in style and difficulty, was also popular in his day, some numbers being associated with famous singers of the time.
Eugène Ketterer was a prolific French composer and pianist who was known for his numerous salon arrangements of contemporary opera arias.
Adolfo Fumagalli was a 19th-century Italian virtuoso pianist and composer, known today primarily for his virtuosic compositions for the left hand alone.
Friedrich August Kummer, born in Meiningen, Germany, was a cellist, pedagogue, and composer.
Théodore François Joseph Labarre was a French harpist and composer. He lived in Paris and in London and was awarded the Prix de Rome in 1823 as well as the Légion d'honneur in 1862.
Jaime Felipe José Bosch was a Catalan guitarist and song composer who established himself in Paris.
Jean-Amédée Lefroid de Méreaux was a French composer, pianist, piano teacher, musicologist and music critic. He is best-known for his 60 Grandes Études, Op. 63.
Joseph von Blumenthal, also known as Joseph de Blumenthal, was an Austrian violinist and violist, influential pedagogue and composer.
Julian Klemczyński was a Polish composer and teacher who spent the bulk of his career in France.
Jean-Chrisostome Hess was one of the most prolific French composers of salon music for the piano as well as transcriptions of popular songs and arias from operas. He was also active as an organist, pianist, and teacher.
