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In the history of motion pictures, many films have been set in Madrid or a fictionalized version thereof.
↑ Sanna, Antonio (2018). "Laberinto de pasiones (Labyrinth of Passion) (1982)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.228–229. ISBN9781442271333.
↑ Rodríguez Ortega, Vicente (2016). "Urban segregation, game arcades and codified porn: Representations of youth in Madrid (1980–1995)". Journal of Urban Cultural Studies. 3 (2): 189–190. doi:10.1386/jucs.3.2.189_1. hdl:10016/30645.
↑ Sanna, Antonio (2018). "Las edades de Lulú (The Ages of Lulu) (1990)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.136–137. ISBN9781442271333.
↑ Clark, Jonathan (2018). "Kika (Kika) (1993)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.220–223. ISBN9781442271333.
↑ Sanna, Antonio (2018). "¡Dispara! (Outrage) (1993)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.130–131. ISBN9781442271333.
↑ Walter, Susan (2018). "Los peores años de nuestra vida (The Worst Years of Our Lives) (2003)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.303–304. ISBN9781442271333.
↑ Barraza, Vania (2018). "El día de la bestia (The Day of the Beast) (1995)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.123–124. ISBN9781442271333.
↑ Boehmn, Scott (2018). "Nadie hablará de nosotras cuando hayamos muerto (Nobody Will Speak of Us When We're Dead) (1995)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.277–278. ISBN9781442271333.
↑ Clark, Jonathan (2018). "Boca a boca (Mouth to Mouth) (2010)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. p.65–67. ISBN9781442271333.
↑ Téllez-Espiga, Enrique (2014). "Periferia segmentada y no-lugares en Barrio (1998) de Fernando León de Aranoa". Hispanic Research Journal. 15 (4): 362. doi:10.1179/1468273714Z.00000000095.
↑ García Reyes, David (2018). "La comunidad (Common Wealth) (2000)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.103–104. ISBN9781442271333.
↑ Birkin, Laura (2018). "Lucía y el sexo (Sex and Lucia) (2001)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.245–247. ISBN9781442271333.
↑ Walter, Susan (2018). "Mataharis (Mataharis) (2007)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.267–270. ISBN9781442271333.
↑ Abril Sánchez, Jorge (2018). "Lope (Lope: the Outlaw) (2010)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.242–245. ISBN9781442271333.
↑ Ingle, Zachary (2018). "Balada triste de trompeta (The Last Circus) (2010)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. p.51–52. ISBN9781442271333.
↑ Ruiz-Poveda-Vera, Cristina (2018). "No habrá paz para los malvados (No Rest for the Wicked) (2011)". In Jimenez Murguía, Salvador; Pinar, Alex (eds.). The Encyclopedia of Contemporary Spanish Films. Rowman & Littlefield. pp.283–285. ISBN9781442271333.
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