This is a list of English language book-length biographies and autobiographies of notable jazz musicians. The list is alphabetical by subject. Within subject, books are listed alphabetically by author. A list of related works contains books of related interest that do not meet the criteria for the main list: biographical collections, interview collections, and so on. This list is alphabetical by author.
Allen, Red (1906/08–1967)
Armstrong, Louis (1901–1971)
Baker, Chet (1929–1988)
Barber, Chris (1930)
Barker, Danny (1909–1994)
Basie, Count (1904–1984)
Bechet, Sidney (1897–1959)
Beiderbecke, Bix (1903–1931)
Berigan, Bunny (1908–1942)
Blake, Eubie (1887–1983)
Bolden, Buddy (1877–1931)
Breau, Lenny (1941–1984)
Burton, Gary (born 1943)
Brown, Clifford (1930–1956)
Bushell, Garvin (1902–1991)
Christian, Charlie (1916–1942)
Coleman, Ornette (born 1930)
Coltrane, John (1926–1967)
Condon, Eddie (1905–1973)
Davis, Miles (1926–1991)
Desmond, Paul (1924–1977)
Dodds, Baby (1898–1959)
Dorsey, Tommy (1905–1956)
Eldridge, Roy (1911–1989)
Ellington, Duke (1899–1974)
Evans, Bill (1929–1980)
Freeman, Bud (1906–1991)
Getz, Stan (1927–1991)
Gillespie, Dizzy (1917–1993)
Goodman, Benny (1909–1986)
Gordon, Dexter (1923–1990)
Green Grant (1935–1979)
Hampton, Lionel (1908–2002)
Hawes, Hampton (1928–1977)
Hawkins, Coleman (1904–1969)
Heath, Jimmy (born 1926)
Henderson, Fletcher (1897–1952)
Hendricks, Jon (1921-2017)
Herman, Woody (1913–1987)
Hersch, Fred (born 1955)
Hines, Earl (1903–1983)
Hinton, Milt (1910–2000)
Holiday, Billie (1915–1959)
James, Harry (1916–1983)
Jarrett, Keith (1945)
Johnson, Bunk (ca. 1879 to 1889–1949)
Johnson, J. J. (1924–2001)
Johnson, James P. (1894–1955)
Kirk, Andy (1898–1992)
Kirk, Rahsaan Roland (1935–1977)
Konitz, Lee (born 1927)
LaFaro, Scott (1936–1961)
Lunceford, Jimmie (1902–1947)
Marsh, Warne (1927–1987)
Mezzrow, Mezz (1899–1972)
Mingus, Charles (1922–1979)
Monk, Thelonious (1917–1982)
Morgan, Lee (1938–1972)
Morton, Jelly Roll (1880s–1941)
Murphy, Mark (1932-2015)
Nichols, Herbie (1919–1963)
Oliver, King (1885–1938)
Ory, Edward "Kid" (1886–1973)
Parker, Charlie (1920–1955)
Pepper, Art (1925–1982)
Peterson, Oscar (1925–2007)
Powell, Bud (1924–1966)
Rich, Buddy (1917–1987)
Rollins, Sonny (born 1930)
Russell, George (1923–2009)
Russell, Pee Wee (1906–1969)
Scott, Hazel (1920–1981)
Shaw, Artie (1910–2004)
Shorter, Wayne (born 1933)
Silver, Horace (1928–2014)
Snow, Valaida (1904–1956)
Strayhorn, Billy (1915–1967)
Sun Ra (1914–1993)
Tapscott, Horace (1934–1999)
Tatum, Art (1909–1956)
Tristano, Lennie (1919–1978)
Twardzik, Dick (1931–1955)
Waller, Fats (1904–1943)
Webster, Ben (1909–1973)
Wilber, Bob (born 1928)
Williams, Mary Lou (1910–1981)
Young, Lester (1909–1959)
Charles Parker Jr., nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber.
Earl Rudolph "Bud" Powell was an American jazz pianist and composer. Along with Charlie Parker, Thelonious Monk, Kenny Clarke and Dizzy Gillespie, Powell was a leading figure in the development of modern jazz. His virtuosity led many to call him the Charlie Parker of the piano. Powell was also a composer, and many jazz critics credit his works and his playing as having "greatly extended the range of jazz harmony".
Horace Ward Martin Tavares Silver was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.
Malcolm Earl "Mal" Waldron was an American jazz pianist, composer, and arranger. He started playing professionally in New York in 1950, after graduating from college. In the following dozen years or so Waldron led his own bands and played for those led by Charles Mingus, Jackie McLean, John Coltrane, and Eric Dolphy, among others. During Waldron's period as house pianist for Prestige Records in the late 1950s, he appeared on dozens of albums and composed for many of them, including writing his most famous song, "Soul Eyes", for Coltrane. Waldron was often an accompanist for vocalists, and was Billie Holiday's regular accompanist from April 1957 until her death in July 1959.
Rex William Stewart Jr. was an American jazz cornetist who was a member of the Duke Ellington orchestra.
Minton's Playhouse is a jazz club and bar located on the first floor of the Cecil Hotel at 210 West 118th Street in Harlem, Manhattan, New York City. It is a registered trademark of Housing and Services, Inc. a New York City nonprofit provider of supportive housing. The door to the actual club itself is at 206 West 118th Street where there is a small plaque. Minton's was founded by tenor saxophonist Henry Minton in 1938. Minton's is known for its role in the development of modern jazz, also known as bebop, where in its jam sessions in the early 1940s, Thelonious Monk, Bud Powell, Kenny Clarke, Charlie Christian, Charlie Parker and Dizzy Gillespie pioneered the new music. Minton's thrived for three decades until its decline near the end of the 1960s, and its eventual closure in 1974. After being closed for more than 30 years, the newly remodeled club reopened on May 19, 2006, under the name Uptown Lounge at Minton's Playhouse. However, the reopened club was closed again in 2010.
Dillon "Curley" Russell was an American jazz musician, who played bass on many bebop recordings.
Daniel Moses Barker was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for Cab Calloway, Lucky Millinder and Benny Carter during the 1930s.
Jazz at Massey Hall is a live jazz album featuring a performance by "The Quintet" given on 15 May 1953 at Massey Hall in Toronto, Ontario, Canada. The quintet was composed of five leading 'modern' players of the day: Dizzy Gillespie, Charlie Parker, Bud Powell, Charles Mingus, and Max Roach. It was the only time that the five musicians recorded together as a unit, and it was the last recorded meeting of Parker and Gillespie.
Leonard Geoffrey Feather was a British-born jazz pianist, composer, and producer, who was best known for his music journalism and other writing.
"Moose the Mooche" is a bebop composition written by Charlie Parker in 1946. It was written shortly after his friend and longtime musical companion Dizzy Gillespie left him in Los Angeles to return to New York City. Parker had been a long time heroin addict and some historians suggest that the song was named after the drug dealer, Emry "Moose the Mooche" Byrd, who sold him drugs for several years before being arrested.
"Yardbird Suite" is a bebop standard composed by jazz saxophonist Charlie Parker in 1946. The title combines Parker's nickname "Yardbird" and a colloquial use of the classical music term "suite". The composition uses an 32-bar AABA form. The "graceful, hip melody, became something of an anthem for beboppers."
William Ward Pinkett, Jr. was an American jazz trumpeter and scat vocalist during the Harlem Renaissance. A respected sideman recognized as a "hot" trumpet and with a versatile ear, he played and recorded with some of the greatest jazzmen of the era, including King Oliver, Jimmy Johnson, Chick Webb and Jelly Roll Morton. His career was cut short by alcoholism.
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and according to Bebop: The Music and Its Players author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn (né Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography Dizzy characterizes the song as "a pleasant medium-tempo tune" that "demonstrates...[Gillespie's] skill in fashioning interesting textures using only six instruments".
Lee Morgan Sextet is an album by jazz trumpeter Lee Morgan released on the Blue Note label in 1957. It was recorded on December 2, 1956 and features performances by Morgan, Hank Mobley, Kenny Rodgers, Horace Silver, Paul Chambers and Charlie Persip. The Allmusic review by Scott Yanow calls the album "An above-average hard bop set".
Catherine "Katie" Crippen, also billed as Little Katie Crippen or Ella White, was an American entertainer and singer.
Alyn Shipton is an English jazz author, presenter, critic, and jazz bassist.
Clifford Arthur Edgehill is an American hard bop jazz drummer active in the 1950s, 1960s and 1970s, appearing on several of the Prestige recordings recorded at the successive Van Gelder Studios, in Hackensack and Englewood Cliffs, including Mal Waldron's debut album, Mal-1 (1956), but especially with Eddie "Lockjaw" Davis and Shirley Scott.
Henry "Rubberlegs" Williams was an American blues and jazz singer, dancer and occasional female impersonator. A star of Vaudeville, he is probably best remembered for his singing work with Charlie Parker and Dizzy Gillespie, although it was his dancing for which he was renowned in New York City and Boston.