RPM was a Canadian magazine that published the best-performing singles of Canada from 1964 to 2000. During 1991, twenty-two singles reached number one. Girl group Wilson Phillips achieved the first number-one single of the year, "Impulsive", while English band Genesis became the last act to peak at the summit during the year with "No Son of Mine". Sting, Gloria Estefan (without Miami Sound Machine), Londonbeat, Extreme, Bryan Adams, the Temptations, and Tom Cochrane earned their first Canadian chart-toppers in 1991. The two Canadians who peaked at number one this year were Bryan Adams and Tom Cochrane. Along with Mariah Carey and Rod Stewart, Adams reached the top spot with more than one single.
The longest-running number-one single of the year, as well as the best-performing single of year, was "(Everything I Do) I Do It for You" by Bryan Adams, which spent nine weeks at number one from 3 August to 28 September. Coupled with his other chart-topper in 1991, "Can't Stop This Thing We Started", he spent a total of 13 weeks—a quarter of the year—at number one. Mariah Carey attained the number-one position with "Someday" and "Emotions", giving her a run of five weeks at the summit, and those who peaked at number one for three or more weeks were Roxette, Rod Stewart, Extreme, Paula Abdul, and Genesis.
† Indicates best-performing single of 1991 |
"Can't Let Go" is a song by American singer-songwriter Mariah Carey from her second studio album, Emotions (1991). It was released as the album's second single on October 23, 1991, by Columbia Records in the United States and the first quarter of 1992 elsewhere. It was written and produced by Carey and Walter Afanasieff. The protagonist of this synthesizer-heavy ballad laments an ex-lover who has moved on, and though she tries she "can't let go." Its music video was directed by Jim Sonzero.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
"Someday" is a song by American singer and songwriter Mariah Carey from her self-titled debut studio album (1990). It is a dance-pop, new jack swing and R&B song. Prior to Carey signing a record contract, she and producer Ben Margulies had written and produced a four-track demo which included "Someday". After signing a contract with Columbia Records, Carey began work on her debut album and she reached out to Ric Wake to ask if he would produce the song, to which he agreed. The composition of the demo recording was changed during the recording process, most notably replacing the horns with a guitar, which Carey disapproved of.
"Have You Ever Really Loved a Woman?" is a song written by Canadian musician Bryan Adams, Michael Kamen and Robert John "Mutt" Lange, and recorded by Adams for the 1995 film Don Juan DeMarco, starring Marlon Brando, Johnny Depp and Faye Dunaway. The melody is used as a musical motif through the film, and the song is featured three times in the movie, twice performed by other artists in Spanish, and finally performed by Adams himself during the closing credits. The Adams version of the song, which features flamenco guitarist Paco de Lucia, is featured on the soundtrack album and also on the album 18 til I Die, which was released over a year later.
"(Everything I Do) I Do It for You" is a song by Canadian singer-songwriter Bryan Adams. Written by Adams, Michael Kamen, and Robert John "Mutt" Lange, the power ballad was the lead single for both the soundtrack album from the 1991 film Robin Hood: Prince of Thieves and Adams's sixth studio album, Waking Up the Neighbours (1991). The single was released on June 17, 1991, by A&M and the accompanying music video was directed by Julien Temple.
"All for Love" is a song written by Bryan Adams, Robert John "Mutt" Lange, and Michael Kamen for the soundtrack The Three Musketeers: Original Motion Picture Soundtrack. It is performed by Adams, Rod Stewart, and Sting. The power ballad was released as a CD single in the United States on November 16, 1993, by A&M and Hollywood. It was a worldwide hit, reaching number one across Europe, in Australia and in North America.
"Please Forgive Me" is a song by Canadian rock musician Bryan Adams. It was released in October 1993 by A&M as the only single and bonus track from his first greatest hits compilation album, So Far So Good (1993). The single reached number seven on the US Billboard Hot 100 and number two on the Billboard Adult Contemporary chart. In the United Kingdom, it peaked at number two on the UK Singles Chart. It is his only Australian number-one single not written for a motion picture, and it also topped the charts of Belgium, Canada, France, Ireland, Norway, and Portugal.
"Can't Stop This Thing We Started" is a song by Canadian singer-songwriter Bryan Adams. The song was written by Adams and Robert John "Mutt" Lange, and was released in September 1991 by A&M Records as the second single from Adams' sixth studio album, Waking Up the Neighbours (1991). The song peaked at number two on the US Billboard Hot 100 while topping the Canadian RPM Top Singles chart for three non-consecutive weeks. The track received two nominations at the Grammy Awards of 1992 for Best Rock Song and Best Rock Performance, Solo, winning neither. It served as the 2009 British Columbia Liberal Party campaign theme song.
"Let's Make a Night to Remember" is a song written by Canadian rock artist Bryan Adams, and Robert John "Mutt" Lange. It was recorded by Adams and released on August 12, 1996, as the second single from his seventh studio album, 18 til I Die (1996). The song's musical-style and production were heavily inspired by rock and pop music from the 1980s, and its lyrics chronicle a relationship.