"Someday" | ||||
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Single by Mariah Carey | ||||
from the album Mariah Carey | ||||
B-side | "Alone in Love" | |||
Released | November 28, 1990 | |||
Studio | Power Station, New York City | |||
Genre | ||||
Length | 4:06 (album version) 4:19 (7” Straight) 4:30 (video version) | |||
Label | Columbia | |||
Songwriter(s) |
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Producer(s) | Ric Wake | |||
Mariah Carey singles chronology | ||||
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Music video | ||||
"Someday" on YouTube |
"Someday" is a song by American singer-songwriter Mariah Carey from her self-titled debut studio album (1990). It is a dance-pop, new jack swing and R&B song. Prior to Carey signing a record contract, she and producer Ben Margulies had written and produced a four-track demo which included "Someday". After signing a contract with Columbia Records, Carey began work on her debut album and she reached out to Ric Wake to ask if he would produce the song, to which he agreed. The composition of the demo recording was changed during the recording process, most notably replacing the horns with a guitar, which Carey disapproved of.
"Someday" was released as the album's third single on November 28, 1990. The song was a critical and commercial success, being described as an album highlight and becoming Carey's third consecutive number-one single on the US Billboard Hot 100. "Someday" was subsequently included on many of Carey's compilation albums and greatest hits releases, including #1's (1998), Greatest Hits (2001), The Essential Mariah Carey (2011) and #1 to Infinity (2015). It was certified Gold by the RIAA.
In 1988, a 19-year-old Mariah Carey moved out from her mother's house in Long Island and into an apartment in Manhattan. She had composed a four-track demo tape with her writing partner Ben Margulies while she was attending high school. [1] As 1988 progressed, Carey struggled to impress record executives with the tape and had failed in securing a record deal. She worked several jobs, including as a waitress and coat-checker, in order to pay for studio sessions with Margulies to make changes to the demo. [2] After several months, Carey befriended singer Brenda K. Starr, and soon became one of her back-up vocalists. [2] During recording sessions and rehearsals, Starr began to notice "glimpses" of Carey's "gifted" vocals. She thought that Carey was capable of achieving mainstream success and that she needed some guidance to break into the industry. [3]
One evening, Starr took Carey to a record industry gala with hope of convincing a record executive to listen to Carey's demo. Jerry L. Greenberg, the president of Atlantic Records, was interested in Carey; as she handed him the tape, Columbia Records executive Tommy Mottola grabbed it from him, and said that he would tend to "the project". Mottola left the event later that evening, and got into his limousine and listened to the tape. He quickly realized that he had found a talented vocalist, turned the car around and returned to the party to find Carey, but she had already left. After a week of tracking her down through Starr's management, Mottola got in touch with Carey and invited her to go to Columbia Records. After meeting with Carey and her mother Patricia for the first time, Mottola said, "When I heard and saw Mariah, there was absolutely no doubt that she was in every way destined for super-stardom." After a few brief meetings, Carey was signed to Columbia in December 1988. [4]
Prior to Carey signing her record deal with Columbia, she and Margulies had written and produced fourteen songs over a three-year period, seven of which made the final track listing of her self-titled debut studio album (1990), including "Someday". [1] [5] "Someday" was one of the four songs which were on the demo tape handed to Mottola prior to her signing the contract. Carey explained the process behind the song's conception, saying that Margulies would play different notes on an electric keyboard with Carey directing him on chord changes, and provided the lyrics, chorus and melody. Producer Ric Wake later recalled that "Someday" was his favorite song from the beginning of recording sessions for the album, saying "I loved that song right from the beginning...Then Mariah called me one day and said 'I'd love to do it if you want to do it.' It was great, I'm glad she called me." [6]
"Someday" was recorded and mixed by Bob Cadway at The Power Station in New York City. In addition to be written by Carey and Margulies, they also arranged the song with Chris Toland. In addition to producing the track, Wake also carried out additional arrangement with Rich Tancredi. The drum programming was performed by Wake and Joe Franco, while Cadway played the guitars and Tancredi the keyboards. Carey performed all of her own background vocals. [7] Carey later revealed that "Someday" was one of her favorite songs on the demo and that she would "listen to it over and over again on the subway after the studio sessions". [8] However, Carey later expressed her disapproval of some of the new elements added during the production of Mariah Carey, such as the replacement of the horns on the demo in favor of an electric guitar. [9]
The fourth song on the track list of Mariah Carey, "Someday" is the album's first up-tempo track. [10] [11] It is a dance-pop, new jack swing and R&B song, which lasts for a duration of four minutes, six seconds. [10] [11] [12] "Someday" is set in common time and in the key of E major. [13] Lyrically, it is about how Carey is "gleefully" waiting for bad karma to come to her ex-boyfriend who "dumped" her, which can be heard in the lyrics "Cause I know you'll soon discover / you're needing me in spite of all the others." [11]
Review scores | |
---|---|
Source | Rating |
Entertainment Weekly | B [14] |
Stereogum | 8/10 [15] |
AllMusic writer Ashley S. Battel said it is "energetic". [16] Pan-European magazine Music & Media described the song as "upbeat dance pop with a prominent role for Carey's joyous and confident vocals." [17] To mark twenty-five years since the release of Mariah Carey in June 1990, Billboard writer Trevor Anderson wrote a track-by-track review of the album in June 2015. He noted that, being the fourth track on the track listing, it is the album's first up-tempo song and that is "beats new life" into it as a result. However, he felt that some of the rhythmic arrangements and the electric guitar solo during the bridge prevented "Someday" from sounding timeless. [11] Another editor, Larry Flick commented, "One of the front-running pop divas of the '90s picks up the pace with this contagious, new jack-inflected popper that has already proven irresistible at pop radio." [18]
Included on the maxi single are the 'New 7" Jackswing,' the 'New 7" Straight', the 'New 12" Jackswing' and the 'Pianopercapella – New' mix, all of which were produced by Shep Pettibone, while "Alone in Love" was included as the B-side. "Alone in Love" was also written by Carey and Margulies, and produced by Rhett Lawrence. [7] "Someday" has been included on many of Carey's compilation albums and greatest hits releases, including #1's (1998), [19] Greatest Hits (2001), [20] The Essential Mariah Carey (2011), [21] and #1 to Infinity (2015). [8]
The English electronic group Rezonance Q released a remix which peaked at number 29 on the UK Singles Chart in early 2003. [22]
On July 24, 2020, along with the celebration of the 30th-anniversary of her album Mariah Carey, she released the song as an extended play, titled Someday EP, which contains the remixes from the US maxi single, as well as previously unreleased remixes, including the 'House Dub Version', the 'New Jack Dub Version' and the 'New Jack Bonus Beats'. [23]
Despite having released two highly successful albums, Mariah Carey and Emotions (1991), the singer had yet to embark on world tour because of stage-fright and the possible negative effects of singing vocally strenuous songs every night. Many critics were unconvinced with her reasoning, and accused her of manipulating her vocals in the studio. In response, Carey appeared on MTV Unplugged to perform a small selection of her songs live in 1992. [24] For her rendition of "Someday", she altered the arrangement and stripped it back to give it a rawer sound. This version was produced by Carey and Afanasieff and recorded live at the Kaufman Astoria Studios in New York City on March 16, 1992. [8] In the liner notes of #1 to Infinity, Carey expressed her dislike toward the original studio version on Mariah Carey and stated that she wished she could "delete some of the overproduction," which is why she decided to include the MTV Unplugged version on the compilation instead. [8] Another arrangement of the song was also included on the set-list of Carey's Las Vegas residency show, #1 to Infinity (2015–17). [25]
In the United States, "Someday" became Carey's third consecutive number-one single on the Billboard Hot 100 following "Vision of Love" and "Love Takes Time". [11] [26] [27] "Someday" became her first song to top the Dance Club Songs chart on March 16, 1991, [28] and her second chart topper on the Radio Songs chart. [29] The track peaked at number three on the Hot R&B/Hip-Hop Songs chart and number five on the Adult Contemporary chart. [30] [31] After three months of release, the Recording Industry Association of America (RIAA) certified the song gold, denoting shipments of more than 500,000 copies. [32] In 2015, Billboard writer Gary Trust compiled a list of Carey's twenty-five best performing songs based on their weekly performance; "Someday" ranks as the singer's eighth best performing track of her career on the Hot 100. [27] Trust also noted that Carey "proved her way" by releasing a club song which reached number-one following two chart-topping ballads. [27] In Canada, "Someday" reached at number five on the main chart, [33] but peaked at number one on both the Top Singles and Adult Contemporary charts. [34] [35] It also reached a peak of number four on the Dance chart. [36] Outside of North America, "Someday" reached the top-five in Iceland, [37] the top-fifteen in New Zealand, [38] the top-forty in France and the United Kingdom, [39] [40] and the top-fifty in Australian and Belgium. [41] [42]
The accompanying music video for "Someday" begins with Carey, revisiting her youth, wandering a high school corridor and standing inside a classroom of schoolchildren playing various musical instruments with inter-cutting clips of men playing on drums. Clips of a schoolgirl playing Carey are also shown, with Carey shadowing her movements, and her efforts to catch a schoolboy's attention who in turn persistently ignores her, choosing to mess about in the classroom and corridors with his friends instead. Towards the end of the video, groups of schoolchildren are shown dancing in the corridor as the boy she liked, now an adult, is following Carey around the school and trying to flirt with her, but Carey brushes him off.
The extended version of the video was included on The First Vision 1991 VHS and its subsequent DVD reissue, in which Carey stated that she loved watching the kids dancing and getting to interact with them and that she had fun during the video shoot. [43]
In 2015, to coincide with the release of #1 to Infinity Carey released videos of herself talking about the videos to songs on the compilation. For "Someday", Carey stated that she "hates" the video, mainly because of the "tomfoolery" scenes of the kids. She said that she would have kept only the closeups and that the girl playing the younger version of herself was cute. [44]
A-side: "Someday"Recording
Vocals
Personnel
| B-side: "Alone in Love"Recording
Vocals
Personnel
|
Credits adapted from the liner notes of Mariah Carey. [7] "Someday" remixes and alternate versions co-produced by Shep Pettibone with Ric Wake.
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Region | Date | Format(s) | Label(s) | Ref. |
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United States | November 28, 1990 | Columbia | ||
United Kingdom | December 31, 1990 |
| CBS | |
Japan | January 21, 1991 | Mini CD | Sony Music Japan | |
February 21, 1991 | Maxi CD | |||
Various | July 24, 2020 | Legacy |
Mariah Carey is the debut studio album by American R&B singer Mariah Carey, released on June 12, 1990, by Columbia Records. Its music incorporates a range of contemporary genres with a mix of slow ballads and up-tempo tracks. Originally, Carey wrote four songs with Ben Margulies, which solely constituted her demo tape. After Carey was signed to Columbia, all four songs, after being altered and partially re-recorded, made the final cut for the album. Aside from Margulies, Carey worked with a range of professional writers and producers, all of whom were hired by Columbia CEO, Tommy Mottola. Mariah Carey featured production and writing from Rhett Lawrence, Ric Wake and Narada Michael Walden, all of whom were top record producers at the time. Together with Carey, they conceived the album and reconstructed her original demo tape.
"Heartbreaker" is a song by American singer-songwriter Mariah Carey featuring American rapper Jay-Z for her seventh studio album Rainbow (1999). It was released on August 23, 1999, by Columbia Records as the lead single from Rainbow. The song was written by the artists and produced by Carey and DJ Clue, with additional writers being credited for the hook being built around a sample from "Attack of the Name Game" by Stacy Lattisaw. "Heartbreaker" pushed Carey even further into the R&B and hip hop market, becoming her second commercial single to feature a rapper. Lyrically, the song describes lovesickness towards an unfaithful partner.
American singer Mariah Carey has released 88 official singles, 22 promotional singles, and has made 30 guest appearances. Her self-titled debut album in 1990 yielded four number-one singles on the Billboard Hot 100, the first being "Vision of Love", a song credited with revolutionizing the usage of distinguished vocal stylings, predominantly the practice of melisma, and effectively influencing virtually every female R&B performer since the 1990s. Subsequent singles "Emotions" (1991) and Carey's cover of the Jackson 5 track "I'll Be There" (1992) continued the singer's streak of US number-one singles, with the latter becoming her fourth chart-topper in Canada and first in the Netherlands. With the release of Carey's third studio album, Music Box (1993), the singer's international popularity surged upon release of "Hero" and the album's third single, her cover of Harry Nilsson's "Without You", which became the singer's first number-one single in several countries across Europe.
"Anytime You Need a Friend" is a song by American singer-songwriter Mariah Carey. The song was written and produced by Carey and Walter Afanasieff, for her third studio album, Music Box (1993). It was released on May 24, 1994, through Columbia Records, as the fifth and final single from the album. The song is influenced by pop, R&B and gospel genres. While the album focused heavily on pop oriented and radio friendly material, "Anytime You Need a Friend" deviated from the formula, finishing as the only gospel-infused song on Music Box. Lyrically, the song's protagonist tells her love interest that anytime he may need a friend, she will be there unconditionally for him. Throughout the song's bridge and climax, critics noted the lyrics altering from those of a friend, to those of a lover.
"Can't Let Go" is a song recorded by American singer-songwriter Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about post-breakup sadness. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes in the song's introduction and ending.
"Make It Happen" is a song by American singer-songwriter Mariah Carey. Written and produced by Carey and C+C Music Factory's David Cole and Robert Clivillés. It was released on April 4, 1992, by Columbia Records as the third and final single from her second studio album, Emotions (1991). The pop-, R&B-, and dance-influenced track incorporates traces of gospel in its bridge and crescendo. Described by author Chris Nickson as Carey's most personal and inspirational song, it tells of her personal struggles prior to her rise to fame, and how her faith in God helped sustain her.
"There's Got to Be a Way" is a song recorded by American singer-songwriter Mariah Carey for her eponymous debut studio album (1990). Columbia Records released it as the fifth and final single from the album in the United Kingdom and several European countries on May 20, 1991. The song became a minor hit in the UK as well as becoming a minor hit in many European countries. A five-track digital extended play containing remixes of the song was released in July 2020 as part of the 30th-anniversary celebrations of her debut album.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
"I Don't Wanna Cry" is a song recorded by American singer Mariah Carey for her first album Mariah Carey (1990). Written by Carey and producer Narada Michael Walden, Columbia Records released it as the album's fourth single in March 1991. A Latin soul–influenced pop ballad, the torch song describes the end of romance. It features drums, guitars, digital synthesizers, and a classic song structure with highly delineated section roles. Modulations occur between these segments that emphasize the singer's emotions. Varying from whispering to belting, Carey's vocal range spans more than two octaves.
"Love Takes Time" is a song recorded by American singer Mariah Carey for her eponymous debut studio album (1990). Written by Carey and Ben Margulies, while produced by Walter Afanasieff, the song was released as the second single from the album on August 22, 1990, by Columbia Records. An adult contemporary-influenced ballad, the song follows its protagonist lamenting the loss of a lover and confesses that "love takes time" to heal and that her feelings for her ex-lover remain.
"Vision of Love" is the debut single by American singer-songwriter Mariah Carey, recorded for her eponymous debut studio album (1990). It was written by Carey and Ben Margulies. After being featured on Carey's demo tape for Columbia Records, the song was re-recorded and produced by Rhett Lawrence and Narada Michael Walden. The song features a slow-dance theme tempo and backing vocals sung by Carey, and introduces her usage of the whistle register. The lyrics of the song represent her past life filled with "alienation" and how she had dreamed of achieving her triumph over adversity up to the moment when it finally came to fruition as the "vision of love" that she had always believed in, despite everything that she has had to deal with in life. The song was released as the lead single from Mariah Carey on May 15, 1990, by Columbia Records.
"Dreamlover" is a song recorded by American singer-songwriter and record producer Mariah Carey, released on July 27, 1993 by Columbia Records, as the lead single from the singer's third studio album, Music Box (1993). Its lyrics were written by Carey, with music composed by Carey and Dave Hall, and was produced by Carey, Walter Afanasieff and Hall. The song incorporates a sample of the hook from "Blind Alley" by the Emotions—previously used in "Ain't No Half-Steppin'" (1988) by Big Daddy Kane—into its melody and instrumentation. "Dreamlover" marked a more pronounced attempt on Carey's part to incorporate hip hop into her music, as was seen in her decision to work with Hall, who had previously produced What's the 411? (1992) by Mary J. Blige. This was partly in light of the mixed reception to her previous studio effort Emotions (1991), which featured gospel and 1960s soul influences. Lyrically, the song pictures a protagonist calling for a perfect lover, her "dreamlover," to whisk her away into the night and not "disillusion" her like others in the past.
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"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
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The First Vision is the debut video album by American singer and songwriter Mariah Carey, released by Sony Music Video on January 22, 1991. It is a collection of music videos, live performances, and film footage detailing the development and promotion of Carey's first studio album Mariah Carey (1990). Music videos of three Mariah Carey singles – "Vision of Love", "Love Takes Time", and "Someday" – are featured, as are snippets of the future singles "I Don't Wanna Cry" and "There's Got to Be a Way". The collection presents Carey performing at New York City's Club Tatou and behind-the-scenes footage of her rehearsing for appearances on Saturday Night Live and It's Showtime at the Apollo. During an interview segment, Carey answers questions about her life and music.
"I Still Believe" is a song written and composed by Antonina Armato and Giuseppe Cantarelli, and originally recorded by pop singer Brenda K. Starr for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day. It is Starr's biggest hit in the United States, reaching the top-twenty on the Billboard Hot 100 and being considered her signature song. "I Still Believe" was covered by American singer Mariah Carey, a former backup singer for Starr before she achieved success, for her #1's album in 1998 and released as a single in 1999. It was also recorded by Cantopop singer Sandy Lam in 1989.
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