"Crybaby" | ||||
---|---|---|---|---|
Single by Mariah Carey featuring Snoop Dogg | ||||
from the album Rainbow | ||||
A-side | "Can't Take That Away (Mariah's Theme)" | |||
Released | April 17, 2000 | |||
Recorded | June 1999 | |||
Genre | R&B | |||
Length | 5:19 | |||
Label | Columbia | |||
Songwriter(s) |
| |||
Producer(s) |
| |||
Mariah Carey singles chronology | ||||
| ||||
Snoop Dogg singles chronology | ||||
| ||||
Music video | ||||
"Crybaby" on YouTube |
"Crybaby" is a song by American singer and songwriter Mariah Carey featuring American rapper Snoop Dogg. It was released on April 17,2000 by Columbia Records as a double A-side with "Can't Take That Away (Mariah's Theme)". It was written by Carey and Snoop Dogg,and produced by the former and Damizza for Carey's seventh studio album, Rainbow (1999). It serves as the album's third single. It features Snoop Dogg throughout the song's bridge and is built around a sample of the 1988 song "Piece of My Love," originally performed by Guy and written by Teddy Riley,Aaron Hall,Timmy Gatling and Gene Griffin. Throughout the song,the protagonist reveals the struggles of dealing with insomnia and thoughts of a past relationship during the night,as she spirals out of control and declares "I gotta get me some sleep."
The song was the center of a very public controversy between Carey and her label Sony Music Entertainment,due to their lack of promotion of it as a commercial single. It,alongside its A-side "Can't Take That Away (Mariah's Theme)" were not eligible to chart on the Billboard Hot 100,due to the charts rules at the time of their release. Eventually,the song was able to attain a peak of twenty eight,Carey's first single to miss the top twenty. The song's music video features Carey spending a restless night in her apartment,throwing wine and cereal while trying to "get some sleep." Snoop Dogg makes an appearance in the video through a television monitor. Carey performed the song live during her Rainbow World Tour,in support of the album and its singles.
"Crybaby" was recorded during the summer of 1999 in Capri, Italy. [1] The song is composed in common time in the key of D minor and features instrumentation from the guitar and piano. [2] The song moves at a tempo of 79 beats per minute. [3] Carey's vocal range throughout the song ranges from the low note of B2 to the high note of F5. "Crybaby" features a rap verse from Snoop Dogg, and incorporates heavy usage of background vocals. The song's lyrics find the protagonist struggling with insomnia due to thoughts of a past lover throughout the night, not allowing her to sleep. [4] According to Carey, the song also has a more personal message, relating to the difficulty of getting rest with such a work-filled schedule. [1] She claimed that through writing, recording, and producing her music, as well as all the promotional appearances, it became increasingly difficult for her to unwind and sleep at night. At one point in the song, Carey sings "I gotta get me some sleep," before finishing the final chorus. [1]
The song was recorded very quickly in late June due to contractual obligations
In her 2020 memoir The Meaning of Mariah Carey, Carey revealed that the song's lyrics were inspired by the angst she felt after her 1997 romance with baseball star Derek Jeter abruptly ended.
Critical reviews for "Crybaby" were positive. Danyel Smith from Entertainment Weekly called the song "sexy" and wrote "[Snoop Dogg]'s words tumble like dice across her velvety vocals." [5] Editor from Rolling Stone , Arion Berger, also complimented "Crybaby," especially the way Snoop Dogg's verses blended with Carey's vocals. Berger called his rap verses "fittingly careless." [6] Robert Christgau, an editor from The Village Voice , commented that the song was "not real R&B thrush," but wrote "its good enough to fake it." [7] While reviewing Rainbow, Dara Cook from MTV wrote that "Mariah amazes," on the song also calling the collaboration "Snoop Dogg enhanced." Cook wrote further "Perhaps culled from remnant Derek Jeter-directed rage, a frenzied and fed-up Mariah aggravates herself into a soulful, improvisational tizzy." [8]
"Crybaby" was released as the third single from Rainbow in 2000, as a double A-side with "Can't Take That Away (Mariah's Theme)". "Can't Take That Away" was emphasized at Top 40 Mainstream radio stations and "Crybaby" at mainstream urban stations. [9] It was intended that the former would chart on the US Billboard Hot 100 and the latter would focus on the R&B charts. [10] The songs had very limited airplay, and because Billboard magazine rules at that time stipulated that the song from a double A-side with the most airplay (in this case, "Crybaby") would be credited only, "Crybaby" was eligible to chart. [9] Double A-sided singles were credited together on the charts until 1998, when the Hot 100 changed from a "singles" chart to a "songs" chart, and consequently every song was credited individually. [9] "Crybaby" did not appear on the Billboard Hot 100 Airplay chart. [10] It debuted on the Hot 100 at number 28 following its release as a commercial single, but its minimal airplay prevented it from climbing higher. It remained in the top forty for two weeks and on the chart for seven weeks, becoming Carey's first single to miss the US top twenty. [10]
The song's music video was directed by Sanaa Hamri, who also directed the video for "Can't Take That Away (Mariah's Theme)." Both videos were shot back to back, and were released simultaneously to music programs and channels for immediate circulation. [11] The video begins with Carey lying in her bed, as she receives a text message from Snoop Dogg reading "Yo what's happening? What you crying for? Now you know you look 2 damn good 2 be crying... Come here... Holla at a playa DPG style... Ya know," to which Carey responds "I can't sleep." As the video progresses as the lyrics continue, it appears to be 5 AM, and Carey is still unable to sleep. She lies in bed with the lamp on, pondering on thoughts of a past lover until she takes a bath. Afterwards, she makes her way to the kitchen, and begins pouring an abundant amount of cereal and milk into a bowl, spilling it over the counter in a restless rage. As the scene finishes, Snoop's face is seen on a small monitor, directing his verse to Carey in the video. As the last chorus plays, Carey becomes restless and tosses a champagne glass and bottle at a large window, shattering it and sending glass around the living room. The video ends with Carey lying down on the couch one more, attempting to sleep once more. [12]
Carey performed "Crybaby" live during every show on the Rainbow World Tour.[ citation needed ] For the song's performances, the stage was set with a large bed, pillows and comforters, as well as a small desk and homely props. Carey, dressed in pajamas, sang while re-enacting segments of the video.[ citation needed ] During her performance at Madison Square Garden on April 11, 2000, she threw the audience small stuffed bears and completed the song while lying in the bed on stage. After the song's bridge, Snoop's pre-recorded verse was played over the background vocals.[ citation needed ] The song was also performed on select nights of The Elusive Chanteuse Show tour in 2014. The most recent performance of the song however, was on Carey Vegas residency, The Butterfly Returns.
Credits adapted from the Rainbow liner notes. [14]
|
|
Chart (2000) | Peak position |
---|---|
Canada (Nielsen SoundScan) [15] | 4 |
Netherlands (Single Top 100) [16] with "Against All Odds" [17] | 20 |
Netherlands (Dutch Top 40) [18] with "Against All Odds" | 27 |
UK Club ( Music Week ) [19] with "Can't Take That Away (Mariah's Theme)" | 40 |
UK Urban Club ( Music Week ) [20] with "Can't Take That Away (Mariah's Theme)" | 19 |
US Billboard Hot 100 [21] | 28 |
US Crossover ( Billboard ) [22] | 39 |
US Hot R&B/Hip-Hop Songs ( Billboard ) [23] | 23 |
US CHR/Rhythmic ( Radio & Records ) [24] | 40 |
US Urban ( Radio & Records ) [25] | 31 |
Region | Date | Format(s) | Label(s) | Ref. |
---|---|---|---|---|
Canada | April 17, 2000 | CD maxi single (with "Can't Take That Away (Mariah's Theme)") | Columbia | |
United States | April 18, 2000 | Rhythmic contemporary radio | ||
June 6, 2000 |
|
Doggystyle is the debut studio album by American rapper Snoop Doggy Dogg. It was released on November 23, 1993, by Death Row and Interscope Records. The album was recorded and produced following Snoop Doggy Dogg's appearances on Dr. Dre's debut solo album The Chronic (1992), to which Snoop contributed significantly. The West Coast style in hip-hop that he developed from Dre's first album continued on Doggystyle. Critics have praised Snoop Dogg for the lyrical "realism" that he delivers on the album and for his distinctive vocal flow.
"Can't Take That Away (Mariah's Theme)" is a song recorded by American singer and songwriter Mariah Carey for her seventh studio album Rainbow (1999). The song was written by Carey and Diane Warren, and produced by Carey and Jimmy Jam and Terry Lewis. It was released as the third single from Rainbow and a double A-side with "Crybaby" on April 17, 2000, by Columbia Records. The song is a ballad, blending pop and R&B beats while incorporating its sound from several instruments including the violin, piano and organ. Lyrically, the song speaks of finding inner strength, and not allowing others to tear away your dreams.
"Signs" is a song by American West Coast hip hop recording artist Snoop Dogg. It was released in United States and United Kingdom on April 25, 2005. The song is the third single released from Snoop Dogg's seventh studio album, R&G : The Masterpiece (2004). The song was produced by The Neptunes and features guest appearances by Charlie Wilson and Justin Timberlake.
"Thank God I Found You" is a song by American singer-songwriter Mariah Carey, featuring guest vocals from R&B singer Joe and American boy band 98 Degrees. It was released on November 15, 1999, through Columbia Records, as the second single from her seventh studio album, Rainbow (1999). Written and produced by Carey alongside Jimmy Jam and Terry Lewis, the song is a soulful pop power ballad with lyrics depicting a powerful love relationship in which the protagonist tells her lover "thank God I found you", that was inspired by a relationship Carey was going through at the time.
"Heartbreaker" is a song by American singer-songwriter Mariah Carey featuring American rapper Jay-Z for her seventh studio album Rainbow (1999). It was released on August 23, 1999, by Columbia Records as the lead single from Rainbow. The song was written by the artists and produced by Carey and DJ Clue, with additional writers being credited for the hook being built around a sample from "Attack of the Name Game" by Stacy Lattisaw. "Heartbreaker" pushed Carey even further into the R&B and hip hop market, becoming her second commercial single to feature a rapper. Lyrically, the song describes lovesickness towards an unfaithful partner.
"Loverboy" is a song by American singer and songwriter Mariah Carey. It was released on June 19, 2001, by Virgin Records America as the lead single from her eighth studio album Glitter, the soundtrack to the 2001 film of the same name. Written and produced by Carey, Larry Blackmon, Thomas Jenkins and Clark Kent, "Loverboy" is built around a sample from "Candy" by the funk band Cameo, who are also featured on the track. Lyrically, the song finds Carey fantasizing about her loverboy, a man that will fulfill her physical and sexual desires. The recording was accompanied by an official remix, titled "Loverboy Remix", featuring guest artists Ludacris, Da Brat, Shawnna and Twenty II.
"Can't Let Go" is a song recorded by American singer-songwriter Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about post-breakup sadness. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes in the song's introduction and ending.
"Emotions" is a song recorded by American singer-songwriter Mariah Carey for her second studio album of the same name (1991). It was written and produced by Carey, Robert Clivillés, and David Cole of C+C Music Factory and released as the album's lead single on August 13, 1991 by Columbia Records. The song's lyrics has its protagonist going through a variety of emotions from high to low, up to the point where she declares, "You got me feeling emotions." Musically, it is a gospel and R&B song heavily influenced by 1970s disco music and showcases Carey's upper range and extensive use of the whistle register. Jeff Preiss directed the song's music video.
"My All" is a song by American singer-songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the album's fifth single overall and second commercial single on April 21, 1998, by Columbia Records. The song was written and produced by Carey and Walter Afanasieff. "My All" is built around Latin guitar chord melodies, and makes subtle use of Latin percussion throughout the first chorus, before taking on a more conventional R&B-style beat. Carey was inspired to write the song and use Latin inspired melodies after a trip to Puerto Rico, where she was influenced by the culture. The song's lyrics tell of a lonely woman declaring she would give "her all" to have just one more night with her estranged lover. It is the first song Carey wrote for the Butterfly album.
"Fantasy" is a song by the American singer-songwriter Mariah Carey. It was released on August 23, 1995, by Columbia Records as the lead single from her fifth album, Daydream (1995). The track was written and produced by Carey and Dave Hall. It samples Tom Tom Club's 1981 song "Genius of Love". The lyrics describe a woman who is in love with a man, and how every time she sees him she starts fantasizing about an impossible relationship with him. The remix for the song features rap verses from Ol' Dirty Bastard, something Carey arranged to assist in her crossover into the hip-hop market and credited for introducing R&B and hip hop collaboration into mainstream pop culture, and for popularizing rap as a featuring act.
"One Sweet Day" is a song by American singer-songwriter Mariah Carey and American vocal group Boyz II Men. The song was released on November 14, 1995, as the second single from the former's fifth studio album, Daydream (1995) by Columbia Records. The artists co-wrote the song with Walter Afanasieff, who co-produced it with Carey. Lyrically, the song speaks about the death of a loved one, how the protagonist took their presence for granted and misses them, and finally about seeing the person in heaven. The artists wrote the song about specific people in their lives, being inspired by sufferers of the AIDS epidemic, which was globally prevalent at the time.
"Honey" is a song by American singer and songwriter Mariah Carey from her sixth studio album, Butterfly (1997). It was released as the lead single from Butterfly on July 29, 1997, by Columbia Records. The song was written and produced by Carey, Sean Combs, Kamaal "Q-Tip" Fareed and Steven "Stevie J" Jordan. The song samples "Hey DJ" by World-Famous Supreme Team and "The Body Rock" by the Treacherous Three. "Honey" was a redefining song in Carey's career, pushing her further into the hip hop scene.
"Say Somethin'" is a song by American singer and songwriter Mariah Carey. It was written by Carey, Snoop Dogg, Chad Hugo, and Pharrell Williams, and produced by The Neptunes as the sixth and final single from Carey's tenth studio album, The Emancipation of Mimi (2005). The song is one of few from Carey's catalog in which she does not share production credits. "Say Somethin'" features Dogg as a guest artist, and is influenced by R&B and hip-hop music genres. Lyrically, the song is a dialogue in between and male and female, that discuss sexual themes and acts of which they plan to engage in a restroom.
Rainbow is the seventh studio album by American R&B singer Mariah Carey, released on November 2, 1999 in the United States, by Columbia Records. The album followed the same pattern as Carey's previous two albums, Daydream (1995) and Butterfly (1997), in which she began her transition into the urban adult contemporary market. Rainbow contains a mix of hip hop-influenced R&B tracks, as well as a variety of ballads. Carey produced the album with David Foster and Diane Warren, who, as well as Jimmy Jam & Terry Lewis, replaced Walter Afanasieff, the main balladeer Carey worked with throughout the 1990s. As a result of her divorce from Sony Music CEO Tommy Mottola, Carey had more control over the musical style of this album, so she collaborated with several hip-hop artists such as Jay-Z, Snoop Dogg, Master P and Mystikal as well as female rappers Da Brat and Missy Elliott. Other collaborations include the pop and R&B acts Joe, Usher and boyband 98 Degrees.
"Drop It Like It's Hot" is a song by American rapper Snoop Dogg featuring fellow American rapper Pharrell Williams. It was released on September 27, 2004, as the lead single from Snoop Dogg's seventh studio album, R&G : The Masterpiece (2004). The song was produced by the Neptunes. It is regarded as an iconic song, with Snoop performing the chorus and the second and third verses while Pharrell performs the first verse.
"Fly Like a Bird" is a song by American singer-songwriter Mariah Carey, released on March 13, 2006, by Island Records as a single from her tenth studio album, The Emancipation of Mimi (2005). Written and produced by Carey and James "Big Jim" Wright, the song is influenced by Gospel, soul, and R&B music genres. Its arrangement is built on piano chords and guitar melodies, and features Carey's pastor Clarence Keaton, who recites two Biblical verses during the song's introduction and bridge. Carey described "Fly Like a Bird" as the most personal and religious track from The Emancipation of Mimi, with its lyrics featuring a veritable prayer to God: "Fly like a bird, take to the sky, I need you now Lord, carry me high!".
"I Still Believe" is a song written and composed by Antonina Armato and Giuseppe Cantarelli, and originally recorded by pop singer Brenda K. Starr for her eponymous second studio album, Brenda K. Starr (1987). It is a ballad in which the singer is confident she and her former boyfriend will be together again one day. It is Starr's biggest hit in the United States, reaching the top-twenty on the Billboard Hot 100 and being considered her signature song. "I Still Believe" was covered by American singer Mariah Carey, a former backup singer for Starr before she achieved success, for her #1's album in 1998 and released as a single in 1999. It was also recorded by Cantopop singer Sandy Lam in 1989.
"The Next Episode" is a single by American rapper-producer Dr. Dre, released in 2000 as the third single from his second studio album, 2001 (1999). The track features Snoop Dogg, Kurupt, and Nate Dogg, but only Snoop Dogg is credited. It is a sequel to Dre and Snoop's famous single "Nuthin' but a 'G' Thang" from the former's debut album, The Chronic.
"California Gurls" is a song recorded by American singer Katy Perry. It served as the lead single for her third studio album, Teenage Dream (2010). The song features verses from rapper Snoop Dogg. Both artists co-wrote the song with Bonnie McKee and its producers Dr. Luke, Benny Blanco, and Max Martin. According to Perry, "California Gurls" is an answer song to "Empire State of Mind" (2009), by Jay-Z and Alicia Keys. Its mid-tempo production incorporates disco-pop and funk-pop with influences of new wave and electropop. Its lyrics are an ode to the state of California, in which both Perry and Snoop Dogg were born and raised.
"Boyfriend" is a song recorded by American pop band Big Time Rush for their debut studio album BTR (2010). The song was produced by Lucas Secon and written by him and Wayne Hector. It features rap verses by American rapper Snoop Dogg. It was released as the album's second official single on February 8, 2011, and was solicited to mainstream radio on February 15, 2011 via Columbia Records.
{{cite AV media notes}}
: CS1 maint: others in cite AV media (notes) (link)